This book considers dancer, teacher, and choreographer Mary Wigman, a leading innovator in Expressionist dance whose radical explorations of movement and dance theory are credited with expanding the scope of dance as a theatrical art. Now reissued, this book combines: a full account of Wigman’s life and work an analysis of her key ideas detailed discussion of her aesthetic theories, including the use of space as an "invisible partner" and the transcendent nature of performance a commentary on her key works, including Hexentanz and The Seven Dances of Life an extensive collection of practical exercises designed to provide an understanding of Wigman’s choreographic principles and her uniquely immersive approach to dance. As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.
First published in 1996, Mary Street Alinder's biography of Ansel Adams remains the only full biography of one of the greatest American photographers. Alinder is a respected scholar, and also had a close connection to Adams, serving as his chief assistant in the last five years of his life. The portrait she creates of him is intimate and affectionate; it is also clear-eyed. She takes on his difficult childhood in San Francisco, the friendships and rivalries within his circle of photographers, his leadership in America's environmental movement, his marriage, his affairs, and his not-always-successful fatherhood. Enriched by her uniquely personal understanding of Adams the man, she explains the artistic philosophy that, paired with his peerless technique, produced an inimitable style. Her biography is likely to remain unrivaled. This new edition will bring the classic up to date and includes research that reveals new information and a deeper understanding of his greatest photographs. It will also include thirty-two pages of reproductions of Adams's work and snapshots of the artist and close friends.
An engaging, illuminating group biography of the photographers of the seminal West Coast movement-the first in-depth book on Group f.64. Group f.64 is perhaps the most famous movement in the history of photography, counting among its members Ansel Adams, Imogen Cunningham, Dorothea Lange, Willard Van Dyke, and Edward Weston. Revolutionary in their day, Group f.64 was one of the first modern art movements equally defined by women. From the San Francisco Bay Area, its influence extended internationally, contributing significantly to the recognition of photography as a fine art. The group-first identified as such in a 1932 exhibition-was comprised of strongly individualist artists, brought together by a common philosophy, and held together in a tangle of dynamic relationships. They shared a conviction that photography must emphasize its unique capabilities-those that distinguished it from other arts-in order to establish the medium's identity. Their name, f.64, they took from a very small lens aperture used with their large format cameras, a pinprick that allowed them to capture the greatest possible depth of field in their lustrous, sharply detailed prints. In today's digital world, these “straight” photography champions are increasingly revered. Mary Alinder is uniquely positioned to write this first group biography. A former assistant to Ansel Adams, she knew most of the artists featured. Just as importantly, she understands the art. Featuring fifty photographs by and of its members, Group f.64 details a transformative period in art with narrative flair.
Including Chapters of Nipmuck, Huguenot and English History - Accompanied with Biographical Sketches and Notes, 1630-1890, with Manners and Fashions of the Time
Including Chapters of Nipmuck, Huguenot and English History - Accompanied with Biographical Sketches and Notes, 1630-1890, with Manners and Fashions of the Time
This impeccably prepared guidebook teaches us how to find ancestors on both the Maine and New Brunswick sides of the Upper Saint John River Valley, a region that ultimately became home to the indigenous Maliseets, Acadians, French-Canadians, Irish, a few Scots, and a few (mostly English) Loyalists. The extant records of the valley (found in both local and distant archives) extend from 1792 to the 20th century, and, following his historical introduction, Mr. Findlen devotes the bulk of his narrative to an inventory of them. The researcher will find separate chapters devoted to each of the following record categories: church registers (probably the most valuable of all records), vital records, marriages, cemetery records, censuses, land records, will and probate documents, newspapers, as well as the various record repositories themselves.
In the days when the Bourbon reigned over Gaul, before the "simple, sensuous, passionate" verse of Alfred de Musset had succeeded the débonnaire Muse of Béranger in the affections of young France,--in days when the site of the Trocadero was a remote and undiscovered country, and the word "exposition" unknown in the Academic dictionary, and the Gallic Augustus destined to rebuild the city yet an exile,--a young law-student boarded, in common with other students, in a big dreary-looking house at the corner of the Rue Grande-Mademoiselle, abutting on the Place Lauzun, and within some ten minutes walk of the Luxembourg. It was a very dingy quarter, though noble gentlemen and lovely ladies had once occupied the great ghastly mansions, and disported themselves in the gruesome gardens. But the young students were in nowise oppressed by the ghastliness of their abode. They sang their Béranger, and they pledged each other in cheap Bordeaux, and clinked their glasses noisily in their boisterous good-fellowship, and ate the messes compounded for them in a darksome cupboard, known as the kitchen, by old Nanon the cook, purblind, stone-deaf, and all but imbecile, and popularly supposed to be the venerable mother of Madame Magnotte. The youngsters grumbled to each other about the messes when they were unusually mysterious; and it must be owned that there were vol-au-vents and fricandeaux consumed in that establishment which were awful and wonderful in their nature; but they ventured on no complaint to the mistress of the mansion. She was a grim and terrible personage. Her terms were low, and she treated her boarders de haute en bas. If they were not content with her viands, they might go and find more agreeable viands elsewhere. Madame Magnotte was altogether mysterious and inscrutable. Some people said that she was a countess, and that the wealth and lands of her family had been confiscated by the committee of public unsafety in '93. Others declared that she had been a popular actress in a small theatre in the days of Napoleon. She was tall and thin--nay, of an exceptional leanness--and her complexion was of a more agreeable yellow than the butter that appeared on her hospitable board; but she had flashing black eyes, and a certain stateliness of gait and grandeur of manner that impressed those young Bohemians, her boarders, with a kind of awe. They talked of her as the "countess," and by that name she was known to all inmates of the mansion; but in all their dealings with her they treated her with unfailing respect. One of the quietest among the young men who enjoyed the privileges of Madame Magnotte's abode was a certain Gustave Lenoble, a law-student, the only son of a very excellent couple who lived on their own estate, near an obscure village in Normandy. The estate was of the smallest; a dilapidated old house, known in the immediate neighbourhood as "the Château," and very dear to those who resided therein; a garden, in which everything seemed to have run to seed; and about forty acres of the poorest land in Normandy. These possessions constituted the patrimonial estate of François Lenoble, propriétaire, of Beaubocage, near Vevinordin, the department of Eure.
Wonder's Star has returned to Whitebrook Farm, and Christina Reese is thrilled to have him home. Star won't run well for anyone but Christina. Christina is terrified of racing.
Samantha can't wait to take Nellie to Piney Point, Grandmary's summer home in the mountains. But the girls arrive to find the lodge plagued with accidents--and Grandmary begins to think about selling. Samantha and Nellie must figure out what's going on before they lose Piney Point forever! Includes an illustrated "Looking Back" essay about the Adirondacks' grand lodges at the turn of the last century.
Continuing Cindy McLean's flashback story, she returns to New York from her trip to the United Arab Emirates and is more than ready to begin her racing career. But she is surprised to face some of the same challenges in the U.S. as she did overseas--such as her struggle to compete against the best male jockeys in the world.
While recovering from surgery, Cindy McLean receives the diary she wrote while working in the stable of Sheik al Rihani, reminding her of the determination and sacrifice it took to succeed as a female jockey.
Having failed to place in the Kentucky Derby, Christina and her horse Wonder's Star are hoping to win the Preakness, yet still have time for Christina's high school graduation activities.
Allie must try to save Tall Oaks horse farm from disaster as bitter disputes arise over the training of the horse named Jinx and as other tensions develop among the farm's people.
Iowa has the reputation of being one big corn field, so you may be surprised to learn it boasts a rich crop of recorded archaeological sites as well—approximately 27,000 at last count. Some are spectacular, such as the one hundred mounds at Sny Magill in Effigy Mounds National Monument, while others consist of old abandoned farmsteads or small scatters of prehistoric flakes and heated rocks. Untold numbers are completely gone or badly disturbed—destroyed by plowing, erosion, or development. Fortunately, there are many sites open to the public where the remnants of the past are visible, either in their original location or in nearby museum exhibits. Few things are more inspiring than walking among the Malchow Mounds, packed so tightly it is hard to tell where one ends and the other begins. Strolling around downtown Des Moines is a lot more interesting when you are aware of the mounds, Indian villages, and the fort that once stood there. And, although you can’t visit the Wanampito site, you can see the splendid seventeenth-century artifacts excavated from it at Heery Woods State Park. For people who want to experience Iowa’s archaeological heritage first hand, this one-of-a-kind guidebook shows the way to sixty-eight important sites. Many are open to visitors or can be seen from a public location; others, on private land or no longer visible on the landscape, live on through artifact displays. The guide also includes a few important sites that are not open to visitors because these places have unique stories to tell. Sites of every type, from every time period, and in every corner of the state are featured. Whether you have a few hours to indulge your curiosity or are planning a road trip across the state, this guide will take you to places where Iowa’s deep history comes to life.
Challenging traditional gender expectations, thousands of girls of Gibson's generation not only aspired to public careers as writers, artists, educators, and even doctors but also began to experiment with new forms of "female masculinity" in attitude, bearing, behavior, dress, and sexuality--a pattern only gradually domesticated by the nonthreatening image of the "tomboy." Some, such as Gibson, at once realized and reenacted their dreams on the pages of antebellum story papers. This first modern scholarly edition of Mary Gibson's early fiction features ten tales of teenage girls (seemingly much like Gibson herself) who fearlessly appropriate masculine traits, defy contemporary gender norms, and struggle to fulfill high worldly ambitions.
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