This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
While out walking with his fiancé Juliet in Virginia Waters, a young Neville stumbles across the unmarked grave of his childhood friend, Ellen. Juliet demands to know the truth and Neville is forced to reveal a long held secret and face up to his heart-breaking past. ‘The Mourner (1829) is a classic, short story by the English writer Mary Shelley, famous for her best-selling novel ‘Frankenstein’. This tale is a reflection of the grief and guilt experienced by Shelley after her husband, Percy Bysshe Shelley drowned at sea. Mary Shelley (1797–1851) was an English author and travel writer best known for her ground-breaking Gothic novel ‘Frankenstein’ (1818). Considered one of the first true works of science-fiction, the book became an instant bestseller. It has been adapted for TV, stage and film on many occasions, with Boris Karloff famously playing Frankenstein’s monster on screen in 1933. Other adaptations include ‘Mary Shelley's Frankenstein’ (1994) starring Kenneth Branagh and Robert De Niro and ‘Viktor Frankenstein’ (2015) starring Daniel Radcliffe and James McAvoy. Shelley’s other novels include Valperga (1823), The Last Man (1826), Perkin Warbeck (1830), Lodore (1835), Falkner (1837) and the posthumously published Mathilde (1959). However, she will always be remembered as the creator of Frankenstein. The book continues to influence filmmakers, writers and popular culture to this day, inspiring and terrifying new audiences the world over.
Travel, and the exhilarating experiences it offers us, is the shared concern of these stories, which have been chosen from among the hundreds that have appeared in the prestigious Flannery O'Connor Award for Short Fiction series. More than seventy volumes, which include approximately eight hundred stories, have won the Flannery O'Connor Award. This stunning trove of always engaging, often groundbreaking short fiction is the common source for this anthology on childhood—and for planned anthologies on such topics as family, gender and sexuality, animals, and more. Travel can whisk us away to craggy mountainsides and sunny coastlines or bustling cities and mysterious jungles. Travel can excite and rejuvenate or intimidate and overwhelm. These sixteen stories reflect upon our immense, intriguing world and our explorations of it, whether you choose to follow the beaten path or abandon it.
One reckless man . . . One passionate woman. Enter the world of Mary Balogh—the glittering ballrooms and vast country estates of Regency-era England, where romance, with all its mystery, magic, and surprises, comes vibrantly alive. It was a perfect morning in May . . . Neville Wyatt, Earl of Kilbourne, awaited his bride at the altar—when a ragged beggar woman raced down the aisle instead. The cream of the ton saw him stare, shocked, then declare that this was his wife! One night of passion was all he remembered as he beheld Lily, the woman he'd wed, loved, and lost on the battlefield in Portugal. Now he said he'd honor his commitment to her—regardless of the gulf that lay between them. Then Lily spoke her mind . . . She said she wanted only to start a new life—wanted only a husband who truly loved her. She had to leave him to learn how to meet his world on her terms. So Lily agreed to earn her keep as his aunt's companion and study the genteel arts. Soon she was the toast of the ton, every inch a countess fit for the earl, who vowed to prove to his remarkable wife that what he felt for her was far more than desire, that what he wanted from her was much more than . . . One Night for Love.
How do you stop the two men you love from destroying each other? As a six-year-old orphan, Elizabeth Raby saves a desperate Rupert Falkner from committing suicide, changing her life forever. Falkner’s gratitude sees him adopt Elizabeth and she thrives under his tyrannical rule. But when Elizabeth falls in love with a man whose fate is inextricably linked to that of her adoptive father, she must find a way to unite them or risk losing them both forever. First published in 1837, writer Mary Shelley considered Falkner to be her finest work, more so than her highly acclaimed novel ‘Frankenstein.’ Mary Shelley (1797–1851) earned her place in the pantheon of British novelists with her ground-breaking Gothic novel ‘Frankenstein’ (1818). Considered one of the first true works of science-fiction, the book became an instant bestseller. But she was far from a one-hit-wonder, producing a host of other novels, including 'Valperga', 'Perkin Warbeck' and 'The Last Man'. Most were not well received in her lifetime, though, only being fully appreciated from the 1960s. She moved in a circle of famed 19th-century writers and philosophers. She was married to the poet Percy Bysshe Shelley and spent time with Lord Byron. Her mother was the philosopher and feminist activist Mary Wollstonecraft and her father was the political philosopher William Godwin. Mary Shelley’s work has been adapted for TV, stage and film on many occasions, with Boris Karloff famously playing Frankenstein’s monster on screen in 1933. Other adaptations include ‘Mary Shelley's Frankenstein’ (1994) starring Kenneth Branagh and Robert De Niro and ‘Viktor Frankenstein’ (2015) starring Daniel Radcliffe and James McAvoy. Most recently, Elle Fanning portrayed Mary in Haifaa Al-Mansour’s film ‘Mary Shelley’ from 2017.
Mary Hays was an outspoken Radical intellectual in the turbulent decade of the 1790’s. She argued vehemently for the need to recognise the moral and rational qualities of women, the necessity of a better system of education for girls, and the importance of giving women without fortunes a career without ‘servitude in prostitution.’ The Victim of Prejudice—Hays’ second novel, first published in 1799—is a powerful indictment of man-made institutions such as the courts and legislative systems which favour persons of wealth and rank. In the novel the metaphor of women’s confinement becomes real as the heroine’s worst nightmares, her horrors and sense of helplessness become a physical reality. The Victim of Prejudice is of great interest for its strong feminist content, and it is both powerful and moving as a literary work; this edition makes this important late eighteenth-century text again available to a wide readership.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.