This book consists, primarily, of poems that express truths about many different subjects. Most of the poems are supported with a passage from the Bible expressing the same truth or something about the truth expressed in the poem. Each writing can be contained on an 8 ½ x 12 sheet, so the reader can get a "truth pill" in only a moment of time. The writings are designed to inform, inspire, rebuke and praise. It can be an attitude changer that will greatly improve the day ahead or give rest for a good night''s sleep. Confusing questions of theology are clarified in a single poem. The author was greatly blessed as the thoughts came to his mind. He hopes you might know the same blessing as you read the words and meditate on the ideas.
**Instant New York Times Bestseller** Once the Countess of Riverdale, Viola Kingsley throws all caution to the wind when adventure calls in the form of a handsome aristocrat. . . . Two years after the death of the Earl of Riverdale, his family has overcome the shame of being stripped of their titles and fortune--except for his onetime countess, Viola. With her children grown and herself no longer part of the social whirl of the ton, she is uncertain where to look for happiness--until quite by accident her path crosses once again with that of the Marquess of Dorchester, Marcel Lamarr. Marcel Lamarr has been a notorious womanizer since the death of his wife nearly twenty years earlier. Viola caught his eye when she herself was a young mother, but she evaded his seduction at the time. A prize that eluded him before, she is all the more irresistible to him now although he is surprised to discover that she is as eager now for the excitement he offers as he is himself. When the two defy convention and run away together, they discover that the ties of respectability are not so easily severed, and pleasure can ensnare you when you least expect it. . . .
Welcome to the 3 Books To Know series, our idea is to help readers learn about fascinating topics through three essential and relevant books. These carefully selected works can be fiction, non-fiction, historical documents or even biographies. We will always select for you three great works to instigate your mind, this time the topic is: World War I. - Three Soldiers by John Dos Passos - The War That Will End War by H.G . Wells - The Amazing Interlude by Mary Roberts RinehartThree Soldiers is a 1921 novel by American writer and critic John Dos Passos. It is one of the American war novels of the First World War, and remains a classic of the realist war novel genre. During August 1914, immediately after the outbreak of the war, British author and social commentator H. G. Wells published a number of articles in London newspapers that subsequently appeared as a book entitled The War That Will End War. Wells blamed the Central Powers for the coming of the war and argued that only the defeat of German militarism could bring about an end to war. Wells used the shorter form of the phrase, "the war to end war", in In the Fourth Year (1918), in which he noted that the phrase "got into circulation" in the second half of 1914. In fact, it had become one of the most common catchphrases of the First World War. The Amazing Interlude (1918) is a story about Sara Lee Kennedy, an innocent and idealistic nineteen year old American girl from Pennsylvania, who is touched by the plight and suffering of the soldiers battling on the front lines during WWI. Funded by the local women's charity, Sara Lee joins the Red Cross, travels to Europe over her fiancee's objections and meets Henri, an intriguing Belgian spy who helps her setup a soup kitchen near the Belgian front line. This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topics.
Dearborn's unprecedented access to Guggenheim's family, friends, and papers contributes rich insight to her traumatic childhood in New York, her self-education in the ways of art and artists, her battles with other art-collecting Guggenheims, and her legendary sexual appetites.
This richly evocative study of photography has two major emphases, that the language of description (be it title, caption, or text) is deeply implicated in how a viewer looks at photographs, and that the use of a photograph determines its meaning.
At seventeen, Mary Johnson saw a photo of Mother Teresa on the cover of TIME magazine, and experienced her calling. Eighteen months later she entered a convent in the South Bronx, to begin her religious training. Not without difficulty, this boisterous, independent-minded teenager eventually adapted to the sisters' austere life of poverty and devotion, but beneath the white-and-blue sari an ordinary woman faced the struggles we all share, with the desires of love and connection, meaning and identity. During her years as a Missionary of Charity, Mary Johnson rose quickly through the ranks and came to work alongside Mother Teresa. Mary grapped with her faith, her desires for intimacy, the politics of the order and her complicated relationship with Mother Teresa. Finally, she made the hard, life-changing decision to leave the order to find her own path, and eventually to leave the Church altogether. The story of this compellingly honest woman will speak to anyone who has ever grappled with the mysteries and wonders of life and faith.
A knowing wink. . .a smile that tugs at the heartstrings. . .a mind-blowing kiss. In this unforgettable collection of stories, four women have a second chance to rekindle an old spark. . . The Apple Orchard by Cathy Lamb When an injury lands Allie Pelletier in the emergency room, she comes face-to-face with the only man she's ever truly loved--Dr. Jace Rios. But can Jace also mend their wounded past and show Allie they're destined to be together? A Kiss Before Midnight by Mary Carter Rebecca Ryan has never forgotten the magical night she spent in New Orleans with musician Grant Dodge. Now twenty years later, Rebecca is reunited with Grant. Their attraction is as electric as ever--and they have more to catch up on than either imagined. . . Romeo & Juliet. . .And Jane by Elizabeth Bass When veterinarian Jane Canfield's first love, Roy McGillum, returns to town, memories of their high school performance as Romeo and Juliet--and their real-life romance--come rushing back. And when Roy shows up at Jane's window, she'll have to decide if it's time for an encore. . . The Devil And Mr. Chocolate by Janet Dailey Art gallery owner Kitty Hamilton is newly engaged to a delicious Belgian chocolatier. But her artist ex-husband, Sebastian, is determined to sabotage her plans with an even more tempting indulgence--the irresistible chemistry they still share.
Exiles, Outcasts, Strangers explores how nine different "outsider" authors treat the theme of alienation in one of their major works. All the novels under review were written in a limited time span (1942 to 1987, approximately 50 years), and all are structured around a hero or heroine who remains culturally, ethically or aesthetically distant from his/her narrative counterparts. Works discussed: Albert Camus' L'Etranger; Richard Wright's The Outsider; André Langevin's Poussière sur la ville; Ernesto Sábato's El túnel; V.S. Naipaul's Guerrillas; Elie Wiesel's Le Cinquième fils; Norbert Zongo's Le Parachutage; Gisèle Pineau's L'Exil selon Julia, and Jean Genet's Querelle de Brest.
This is the first book to focus on respiratory health and diseases in Asia, where 60% of the world’s population reside. It is well known that disease patterns and health care delivery vary in different parts of the world. With divergent socioeconomic background, genetic makeup and environmental factors, health care issues take on a unique perspective in Asia. In this volume, respiratory health and diseases are presented and discussed with relevance to their unique epidemiology and management in Asia. The chapters are contributed by professional leaders who are highly respected for their clinical expertise in respiratory medicine in different parts of Asia. Many of them are internationally renowned for their academic excellence. Their collective extensive experience offers a wealth of knowledge that is invaluable to readers not only in Asia but also to other parts of the world. The high mobility of populations exposes clinicians to people from all over the world in their daily clinical practice. This informative book is a useful reference equally for medical students, clinicians in training and respiratory specialists. The editors of this volume are Professors Mary Ip, Moira Chan-Yeung and Wah Kit Lam of the University of Hong Kong, and Professor Nan Shan Zhong, Director of the Guangzhou Institute of Respiratory Disease.
This companion text to the author's Learning to Look at Paintings addresses some of the questions most commonly asked about modern art, covering key movements of the modern and postmodern periods in a richly illustrated and engaging volume.
Jack Frazer is resigned to spending Christmas in the country with his family, even knowing that his grandmother has invited a young lady and her family with the specific intention of matchmaking for him. His grandmother has also invited the newly widowed Isabella, Comtesse de Vacheron, an acclaimed actress, and her two children. The whole family is delighted to have the comtesse among them to enliven their traditional family theatricals. All except Jack, that is. He once lived with Isabella for a whole year and has been unable to forget her in the nine years since.
In early modern culture and in Milton's poetry and prose, this book argues, the concept of hope is intrinsically connected with place and land. Mary Fenton analyzes how Milton sees hope as bound both to the spiritual and the material, the internal self and the external world. Hope, as Fenton demonstrates, comes from commitment to literal places such as the land, ideological places such as the "nation," and sacred, interior places such as the human soul. Drawing on an array of materials from the seventeenth century, including emblems, legal treatises, political pamphlets, and prayer manuals, Fenton sheds light on Milton's ideas about personal and national identity and where people should place their sense of power and responsibility; Milton's politics and where he thought the English nation was and where it should be heading; and finally, Milton's theology and how individuals relate to God.
The papal encyclical Humanae Vitae predicted the disintegration of marriage and family life, partly as a result of the widespread use of contraception. Pope John Paul II has since addressed the problem by articulating a fresh understanding of marriage, love, and sexuality which takes account of the dignity of the human person, and especially of women. In this most exhaustive and scholarly assessment of John Paul II's Christian anthropology ever written, Mary Shivanandan examines the scientific data and the theological analysis that underlie his teachings on marriage and sexuality. Her book will be an essential text for the study of the development, meaning, and implications of Catholic doctrine in this controversial area. It is both lucid and multi-disciplinary. Its appearance marks a new stage in the debate over sexuality in the modern world. ABOUT THE AUTHOR: Mary Shivanandan, STD, is a professor at the John Paul II Institute for Studies on Marriage and the Family. PRAISE FOR THE BOOK: "Mary Shivanandan has successfully accomplished a daunting task: the distillation of John Paul's profound and complicated vision of the essence of man and the meaning of marital love. . . . [A] very valuable presentation of the thought of John Paul on human sexuality, marriage, and the family. Anyone who wants to understand the Pope on these matters must have Shivanandan's book as part of his personal or formal curriculum."--New Oxford Review "An exceptionally brilliant study, Shivanandan very accurately and clearly sets forth the major ideas developed at length by Pope John Paul II in many of his writings. . . . She has entered into serious dialogue with contemporary thinking regarding the nature of the human person, the meaning of the human body, and the meaning of human sexuality, relating and contrasting this thinking with that of John Paul II."--Prof. William E. May, John Paul II Institute for Studies on Marriage and Family "Shivanandan has made a significant contribution to the enrichment of our understanding of marriage. In a concise way, she reveals the subtle insights of John Paul II, which resonate in so many people's lives once they are explained in such a clear way."--Rev. Msgr. Peter J. Elliott, Casa Internazionale del Clero, Rome "The monumental text book the prolife movement has been waiting for. This is the definitive study of the Pope's innovative theology of the body and its implications for human life and marriage. . . ."--Faith & Culture Bulletin "This is an exceptional study. Shivanandan not only offers a tour de force of the evolution of John Paul's thought, but also demonstrates its far-reaching implications for the lives of couples, families, and whole societies. She unmasks the deception of our 'safe-sex' society by demonstrating that only when we come to see the body and sexual intercourse as the expression of transcendence of the person will we be able to 'cross the threshold of love.' . . . Mary Shivanandan's new book Crossing the Threshold of Love should establish her as a recognized scholar, theologian, and expert on Pope John Paul II's anthropology. . . ."--National Catholic Register "Pope John Paul II's thought and teaching on human sexuality evolved over a couple of decades, and Professor Mary Shivanandan unpackages this thought carefully and extensively. . . . In presenting John Paul II's thought, Mary Shivanandan brings a thorough grounding in philosophy and a theological education. She also has twenty years of experiential learning in the matter of Natural Family Planning and what this can bring to communion in one flesh. A full index of subjects as well as a generous bibliography enrich this work."--Liguorian "Shivanandan is largely successful in bringing out the main elements of the pope's personalism. She has
Dick Watkins belongs to the generation of artists whose careers were launched at the high-flying end of American-based Abstraction. Almost immediately he faced up to the abrupt end of the Modern era. Culture was no longer to be framed by ‘progress’. In 1970, taking stock of the situation, he announced that he was a copyist, there being no such thing as a new creation in art, shaped as it was by visual languages. Nor did he intend to limit his curiosity about the relation of art to life by restricting himself to a ‘personal’ style. There followed a long and passionately adventurous exploration into many subjects and styles, during which Watkins was often the first to signal changes taking place in Western culture. The result is that for half a century he has been a major, if controversial figure in Australian art.
Has 20th century literary technique been influenced by the cinema? The obvious answer is yes. But with that answer few specific examples are ever provided, frustrating the reader and filmgoer alike. This study does give specifics drawn from the novels, short stories and screenplays of Argentine writer Beatriz Guido (1925-1988), wife of noted film director Leopoldo Torre Nilsson. Cinematic narrative techniques and literary narrative techniques share features in common, a mutual influence, but also important differences. Here these are examined in detail. Students and fans of film and Latin American literature will be intrigued.
A collection of highlights from Mary Ann Caws’s long, highly distinguished career writing about literature, art, and modernism. Throughout her long, highly distinguished career writing about literature and art, Mary Ann Caws has excavated, illuminated, and examined in depth the most intriguing works and personalities of Symbolism, Dada, Surrealism, and beyond. In these concise, but always colorful and insightful articles, Caws brings us fresh portraits of the most famous figures and introduces us to the writers and artists who merit more attention than they’ve received, with a special focus on female writers and artists. The author’s sensitivity to the intersections of eccentric literature and eccentric life infuses each critical essay with the human passions that these essential modernists lived. From Dickinson and Mallarmé to Duchamp and Mina Loy, Caws applies the art of close looking to shrewdly framed slices of the modernist experience.
It’s never too late to fall in love in this enchanting new story, a novella in the Westcott series from New York Times bestselling author Mary Balogh. Matilda Westcott has spent her life tending to the needs of her mother, the Dowager Countess of Riverdale, never questioning the web of solitude she has spun herself. To Matilda, who considers herself an aging spinster daughter, marriage is laughable—love is a game for the young, after all. But her quiet, ordered life unravels when a dashing gentleman from her past reappears, threatening to charm his way into her heart yet again. Charles Sawyer, Viscount Dirkson, does not expect to face Matilda Westcott thirty-six years after their failed romance. Moreover, he does not expect decades-old feelings to emerge at the very sight of her. When encountering Matilda at a dinner hosted by the Earl of Riverdale, he finds himself as fascinated by her as he was the first day they met, and wonders whether, after all these years, they have a chance at happiness together. Charles is determined to crack the hard exterior Matilda has built up for more than three decades, or he will risk losing her once again.... *Includes bonus excerpts from the Westcott novels*
The novel tells of a fictitious affair of the heart, so unimaginable, so bizarre, so utterly outré that no one at the time had the faintest idea of its occurrence; (nor would have given it a minute’s credence even had a whiff of rumour ever manifested itself). Maurice Ravel was both a musician and a composer, whose creativity rose above the classical and modernist, somehow managing to synthesise both into a singular style, simultaneously exciting and opaque. Yet his persona was under-developed, childlike in many respects, while sexually, he was, what Nietzsche might have described as, a creature ‘yet to be formed’. On the other hand, Colette was a gregarious, outgoing habitué of Paris society and in many ways his polar opposite, a popular writer of stories who had made her own way in the world of musical theatre, and already had two marriages behind her. If ever two opposites had no right to attract it was this pair; so how this affair worked its way into a professional collaboration, uncommon in itself, and somehow worked its way out again to a resolution all of its own, can only now be told, and wondered at!
Mary McAuliffe’s Dawn of the Belle Epoque took the reader from the multiple disasters of 1870–1871 through the extraordinary re-emergence of Paris as the cultural center of the Western world. Now, in Twilight of the Belle Epoque, McAuliffe portrays Paris in full flower at the turn of the twentieth century, where creative dynamos such as Picasso, Matisse, Stravinsky, Debussy, Ravel, Proust, Marie Curie, Gertrude Stein, Jean Cocteau, and Isadora Duncan set their respective circles on fire with a barrage of revolutionary visions and discoveries. Such dramatic breakthroughs were not limited to the arts or sciences, as innovators and entrepreneurs such as Louis Renault, André Citroën, Paul Poiret, François Coty, and so many others—including those magnificent men and women in their flying machines—emphatically demonstrated. But all was not well in this world, remembered in hindsight as a golden age, and wrenching struggles between Church and state as well as between haves and have-nots shadowed these years, underscored by the ever-more-ominous drumbeat of the approaching Great War—a cataclysm that would test the mettle of the City of Light, even as it brutally brought the Belle Epoque to its close. Through rich illustrations and evocative narrative, McAuliffe brings this remarkable era from 1900 through World War I to vibrant life.
It’s gonna be a great day! Or, so she thought. Andi Anna Jones, so-so travel agent, amateur sleuth, doesn’t suspect her least favorite client, Stewart (The Pain) Payne, will set off circumstances that lead to disappearance and death. After his wife is a no-show for a convention in New Orleans, his threat to sue Graves Travel for “ten times more than it’s worth”, and Andi’s wish to honor one of her late dad's requests, leads her to The Big Easy in search of Grace Payne. Five unsolved murders, a body caught in a crawfish cage, and a mysterious candle, magic, and incense shop, takes Andi deep into the bayou on a hunt for clues. Will another victim be added to a serial killer’s list, or is the main suspect closer to Andi than she thinks?
A groundbreaking, cross-cultural reference work exploring the diversity of expression found in rituals, festivals, and performances, uncovering acting techniques and practices from around the world. Acting: An International Encyclopedia explores the amazing diversity of dramatic expression found in rituals, festivals, and live and filmed performances. Its hundreds of alphabetically arranged, fully referenced entries offer insights into famous players, writers, and directors, as well as notable stage and film productions from around the world and throughout the history of theater, cinema, and television. The book also includes a surprising array of additional topics, including important venues (from Greek amphitheaters to Broadway and Hollywood), acting schools (the Actor's Studio) and companies (the Royal Shakespeare), performance genres (from religious pageants to puppetry), technical terms of the actor's art, and much more. It is a unique resource for exploring the techniques performers use to captivate their audiences, and how those techniques have evolved to meet the demands of performing through Greek masks and layers of Kabuki makeup, in vast halls or tiny theaters, or for the unforgiving eye of the camera.
“A moving examination of how French civilians experienced the fighting” at Normandy during WWII from the acclaimed author of What Soldiers Do (Telegraph, UK). “Like big black umbrellas, they rain down on the fields across the way, and then disappear behind the black line of the hedges.” Silent parachutes dotting the night sky—that’s how one Normandy woman learned that the D-Day invasion was under way in June of 1944. Though they yearned for liberation, the French had to steel themselves for war, knowing that their homes, lands, and fellow citizens would have to bear the brunt of the attack. With D-Day through French Eyes, Mary Louise Roberts turns the conventional narrative of D-Day on its head, taking readers across the Channel to view the invasion anew. Roberts builds her history from an impressive range of gripping first-person accounts by French citizens throughout the region. A farm family notices that cabbage is missing from their garden—then discovers that the guilty culprits are American paratroopers hiding in the cowshed. Fishermen rescue pilots from the wreck of their B-17, then search for clothes big enough to disguise them as civilians. A young man learns to determine whether a bomb is whistling overhead or silently plummeting toward them. When the allied infantry arrived, French citizens guided them to hidden paths and little-known bridges, giving them crucial advantages over the German occupiers. As she did in her acclaimed account of GIs in postwar France, What Soldiers Do, Roberts here sheds vital new light on a story we thought we knew. "In the great tradition of Studs Terkel and Is Paris Burning?, Mary Louise Roberts uses the diaries and memoirs of French civilians to narrate a history of the French at D-Day that has for too long been occluded by the mythology of the allied landing.”—Alice Kaplan, author of Dreaming in French
The aesthetic movement dominated the closing decades of the nineteenth century. It was significant for the role women played in it at a time when there were growing opportunities for them, both artistically and professionally. The material in this collection provides a representative selection of essays, fiction, poetry and drama by female authors.
Is the USA hospitable to the slow movement? The land of fast food, get-rich-quick schemes, and 24/7 news feeds? In Slow Culture and the American Dream: A Slow and Curvy Philosophy for the Twenty-First Century, Mary Caputi argues that the slow movement has much to teach the United States at this moment in time. Although slow philosophy is in many ways opposite to the prevalent American Dream, the current cultural setting demands that we heed its teachings. The climate crisis should make us rethink our fast-paced, ever-accelerating lifestyle so that we can lighten our carbon footprint and decelerate--if not reverse-- the damage done to the planet. Equally important, however, is the movement’s mandate that we slow down and savor life, focusing on quality, beauty, and calm rather than quantity and speed. Slow Food, Cittaslow (slow cities), slow fashion, slow travel, and slow parenting are examples of a philosophy that seeks to shift our focus away from “progress” as currently understood and revalue quality-of-life issues. Drawing deeply on her involvement with Slow Food and Cittaslow, the author advocates mainstreaming the philosophy of slow and thus reprioritizing the American Dream in ways that sustain the planet and teach Americans to develop a more refined aesthetic principle.
In Suffering Narratives of Older Adults, Mary Beth Quaranta Morrissey turns to the traditions of phenomenology, humanistic psychology and social work to provide an in-depth exploration of the deep structure of the suffering experience. She draws upon the notion of maternal holding to develop an original construct of maternal affordances – the ground of possibility for human development, agency and relational practices. The conceptual analysis is based on the life narratives of several elders receiving chronic care in facility environments. Creating new fields of communication for patients, their family members and health professionals in processes of reflection and shared decision making, this book builds on knowledge about suffering to help guide ethical action in preventing and relieving chronic pain and improving systems of care. It offers a phenomenological approach to understanding the maternal as a primary domain of moral experience in serious illness and suffering, and implications for policy, practice and research. A series of applied chapters, looking at individual experiences of suffering and care experiences, present critical areas of ethical inquiry, including: pain and suffering maternal relational ethics evaluation and moral deliberation about care options decision-making and moral agency end-of-life experiences of care. Exploring how an ecological relational perspective grounded in phenomenology may provide fruitful alternatives to traditional frameworks in bioethics, this is an important contribution to the ongoing development of an ecological ethic of care. It will be of interest to scholars and students of bioethics and phenomenological methods in the health and human services, as well as practitioners in the field.
This book is the third volume of journal selections (2007-2011). Volume I included an Introduction and some biographical memories. As with the previous two volumes, the major events of life claim little diaristic attention, the overlooked or insignificant habitually capturing the author's attention. Most journals or notebooks of eminent writers conclude with their relative youth, when they pick up the pen to create an imaginative retrospective journey, so there is little available of aging journal-keepers describing the downward journey. Those who maintained journals intime, or other forms of introspective writing, were rarely long lived, so there is little available of the aging journal-keeper describing the downward journey. Added to this is the paucity of proximal contemporaries who share or admit to the narrowing path, seeking instead the rejuvenations of youth. "I unavoidably focus on the early twilight of this narrowing journey, lead me where it shall." Those interested in a more event-filled diary will find scant reportage in these pages.
As the dust settles on the 30th anniversary of Apollo 11, information is now coming to light that throws into serious doubt the authenticity of the Apollo record. New evidence clearly suggests that NASA hoaxed the photographs taken on the surface of the Moon. These disturbing findings are supported by detailed analysis of the Apollo images by professional photographer David S Percy ARPS and physicist David Groves PhD. The numerous inconsistencies clearly visible in the Apollo photographic account are quite irrefutable. Recent research indicates that the errors evidenced in DARK MOON were deliberately planted by individuals determined to leave clues to the faking in which they were unwillingly involved. DARK MOON is the answer to the question-did the Apollo missions really land a man on the Moon and return him alive and well to Earth, or is the record incorrect?
Is love worth the loss of one's freedom and independence? This is what Mrs. Tavernor must decide in the new novel in the Westcott series from New York Times bestselling author Mary Balogh. When Harry Westcott lost the title Earl of Riverdale after the discovery of his father's bigamy, he shipped off to fight in the Napoleonic Wars, where he was near-fatally wounded. After a harrowing recovery, the once cheery, light-hearted boy has become a reclusive, somber man. Though Harry insists he enjoys the solitude, he does wonder sometimes if he is lonely. Lydia Tavernor, recently widowed, dreams of taking a lover. Her marriage to Reverend Isaiah Tavernor was one of service and obedience, and she has secretly enjoyed her freedom since his death. She doesn't want to shackle herself to another man in marriage, but sometimes, she wonders if she is lonely. Both are unwilling to face the truth until they find themselves alone together one night, and Lydia surprises even herself with a simple question: "Are you ever lonely?" Harry's answer leads them down a path neither could ever have imagined...
From an acclaimed writer whose work invites comparisons to Elizabeth Strout, Rick Bass, and Richard Ford comes a brilliantly layered novel about self-sacrifice, family relationships, and the weight of our responsibility to those we love. The New York Times bestselling author of the critically acclaimed Crow Lake and The Other Side of the Bridge returns with a brilliantly layered novel about self-sacrifice, family relationships, and the weight of our responsibility to those we love. Twenty-one-year-old Megan Cartwright has never been outside Struan, Ontario, a small town of deep woods and forbidding winters. The second oldest in a house with seven brothers, Megan is the caregiver, housekeeper, and linchpin of the family, but the day comes when she decides it’s time she had a life of her own. Leaving everything behind, Megan sets out for London. In the wake of her absence, her family begins to unravel. Megan’s parents and brothers withdraw from one another, leading emotionally isolated lives while still under the same roof. Her oldest brother, Tom, reeling from the death of his best friend, rejects a promising future to move back home. Emily, her mother, rarely leaves the room where she dreamily dotes on her newborn son, while Megan’s four-year-old brother, Adam, is desperate for warmth and attention. And as time passes, Megan’s father, Edward, stubbornly refuses to acknowledge that his household is coming undone. Torn between her independence and family ties, Megan must make an impossible choice. Nuanced, compelling, and searingly honest, Road Ends illuminates how we each make peace with the demands of love. Mary Lawson delivers compassion and heartbreak in equal measure in her most stunning novel to date. Praise for Road Ends “Mary Lawson’s story of a dysfunctional family in a northern Ontario logging town is told in scenes that are as palpably tender and surprising as they are quietly disturbing. . . . [Lawson] has an uncanny talent for evoking the textures of her characters’ moods while moving them unsentimentally through London and Struan.”—The New York Times Book Review “Like all great writers—and Lawson is among the finest—she tells her story in a deceptively simple and straightforward way, but one that resonates with anyone who has ever struggled with doing the right thing by a family member despite a desperate longing to escape that burden.”—The Star “[Lawson] can justifiably lay claim to an oeuvre as well as a personal geography. If the part of Ontario west of Toronto is Munro country, then the area northwest of New Liskeard and Cobalt—where her fictional towns of Struan and Crow Lake are roughly located—may well end up being dubbed Lawson Country.”—National Post “A beautiful novel, with the psychological twists and turns of each character gently and poignantly unfurled.”—The Globe and Mail
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