Sisters of the Revolutionaries focuses on the lives of Margaret and Mary Brigid Pearse, whose brothers, Patrick and Willie, were executed for their role in the Easter Rising and have been commemorated as martyrs ever since. Comparatively little is known about the two sisters, despite their considerable talents and their efforts to uphold the image of their brothers’ legacies. Margaret was an Irish language activist, politician and educator, working with Patrick in founding St Enda’s School in Dublin and taking it into her own hands following his execution. Mary Brigid was a musician and author of short stories and children’s fiction. The sisters’ successes were divergent, however, and their deep affection for their brothers never extended towards each other. Teresa and Mary Louise O’Donnell provide a fascinating insight into the lives of Margaret and Mary Brigid, illuminating the many joys of their upbringing, their personal trials following the Rising, and the poignant disintegration of their own relationship later in life. This book reveals the previously unknown importance of the Pearse sisters’ contributions and the formidability of their characters.
Sisters of the Revolutionaries focuses on the lives of Margaret and Mary Brigid Pearse, whose brothers, Patrick and Willie, were executed for their role in the Easter Rising and have been commemorated as martyrs ever since. Comparatively little is known about the two sisters, despite their considerable talents and their efforts to uphold the image of their brothers’ legacies. Margaret was an Irish language activist, politician and educator, working with Patrick in founding St Enda’s School in Dublin and taking it into her own hands following his execution. Mary Brigid was a musician and author of short stories and children’s fiction. The sisters’ successes were divergent, however, and their deep affection for their brothers never extended towards each other. Teresa and Mary Louise O’Donnell provide a fascinating insight into the lives of Margaret and Mary Brigid, illuminating the many joys of their upbringing, their personal trials following the Rising, and the poignant disintegration of their own relationship later in life. This book reveals the previously unknown importance of the Pearse sisters’ contributions and the formidability of their characters.
Mary S. Lovell's bestselling biography The Sound of Wings is the basis for the major movie Amelia, starring Richard Gere and Hilary Swank. When Amelia Earhart mysteriously disappeared in 1937 during her attempted flight around the world, she was already known as America's most famous female aviator. Her sense of daring and determination, rare for women of her time, brought her insurmountable fame from the day she became the first woman to cross the Atlantic in an airplane. In this definitive biography, Mary S. Lovell delivers a brilliantly researched account on Earhart's life using the original documents, letters, the logbooks of Earhart and her contemporaries, and personal interviews with members of Amelia's family, friends and rival aviators. The Sound of Wings vividly captures the drama and mystery behind the most influential woman in "The Golden Age of Flight"—from her tomboy days at the turn of the century and her early fascinations with flying, to the unique relationship she shared with G.P. Putnam, the flamboyant publisher and public relations agent who became both her husband and her business manager. This is a revealing biography of an uncommonly brave woman, and the man who both aided and took advantage of her dreams.
The city of Davenport traces its beginnings to an 1832 treaty signed by Chief Keokuk of the Sauk Indians, which transferred a fifty-mile strip of land along the Mississippi River from the Yellow River in the north to the Des Moines River in the south. Over the past 168 years, the resultant city has evolved from a frontier outpost to a premier gateway to the West, a commercial powerhouse on a prime river location to a Midwestern banking and financial center. This pictorial history documents the transformation of the city through more than 200 vintage photographs. Davenport was a major entrance to the West, as well as a destination itself during the 19th century. Pioneer families and immigrants alike found a haven in the rapidly growing city, and they founded department stores, construction companies, breweries, banks, and churches. Germans, Irish, Swedes, Hungarians, and African Americans all brought cultural traditions and ideas that contributed to the flavor of the city. The Great Depression, two world wars, and the economy's conversion from agriculture to commerce also delineated the boundaries of Davenport as we know it today.
This annotated bibliography constitutes a thoroughly revised and more easily readable study of Behn's publications, of those edited or translated by her, of publications that included her works, and of writings ascribed to her, along with an annotated bibliography of over 1600 works about her from 1671 to 2001, with an unannotated update covering 2002. The augmented primary bibliography describes all known editions and issues of her works to 1702, and adds a catalogue of editions to 2002, including on-line sources. The secondary bibliography adds close to 1000 items published since 1984 to the original 600 of the first edition along with about 175 more from 1671 to 1984, with attention to materials not in English. New appendices include a list of dedicatees, actors, recent productions (with reviews), and provenances. This volume will be invaluable for book dealers, collectors and librarians, as well as students and scholars of Aphra Behn and of Restoration literature.
This is an extensive listing of almost everything published about the fourteenth century Spanish "Libro de buen amor" by Juan Ruiz, Archpriest of Hita. It is essentially the same as the online bibliography at http: //my-lba.com but it also contains a history of this project starting in the 1970's and a listing of other bibliographies on this work of literature. In addition, it can be used in conjunction with the e-book version (which has a search engine) "A Bibliography for the Book of Good Love, Third Edition" found at Lulu.com.
Surveying the life, work and accolades of Irish playwright Brian Friel, this literary companion investigates his personal and professional relationships and his literary topics and themes, such as belonging, violence, patriarchy and hypocrisy. Character summaries describe his most significant figures, particularly St. Columba, the victims of Derry's Bloody Sunday, and Hugh O'Neill, the Lord of Tyrone. Entries analyze Friel's style in detail, from his column in the Irish Times and his short fiction in the New Yorker to his most recent plays, Philadelphia, Here I Come!, Translations, and Dancing at Lughnasa.
In 2004, Mary Montgomery was diagnosed with breast cancer. Instead of pursuing traditional health care, she researched alternative methods and found North America's best and longest practicing Oriental Medicine physicians. During an acupuncture session with him, her life dramatically changed. As soon as he closed the door behind him, I became aware of my Guides in the room. I didn ́t really see them; I felt their presence. And a sense of urgency in the air. Then they spoke. "We can cure you quickly if you make a promise to us." Thus began a series of conversations that showed Mary how to walk through the nightmare of cancer and out the other side.
Summoning everyday Catholic laywomen to the forefront of twentieth-century Catholic history, Mary J. Henold considers how these committed parishioners experienced their religion in the wake of Vatican II (1962–1965). This era saw major changes within the heavily patriarchal religious faith—at the same time as an American feminist revolution caught fire. Who was the Catholic woman for a new era? Henold uncovers a vast archive of writing, both intimate and public facing, by hundreds of rank-and-file American laywomen active in national laywomen's groups, including the National Council of Catholic Women, the Catholic Daughters of America, and the Daughters of Isabella. These records evoke a formative period when laywomen played publicly with a surprising variety of ideas about their own position in the Catholic Church. While marginalized near the bottom of the church hierarchy, laywomen quietly but purposefully engaged both their religious and gender roles as changing circumstances called them into question. Some eventually chose feminism while others rejected it, but most, Henold says, crafted a middle position: even conservative, nonfeminist laywomen came to reject the idea that the church could adapt to the modern world while keeping women's status frozen in amber.
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
A critical examination of the wrongdoing underlying the 2008 financial crisis An unprecedented breakdown in the rule of law occurred in the United States after the 2008 financial collapse. Bank of America, JPMorgan, Citigroup, Goldman Sachs, and other large banks settled securities fraud claims with the Securities and Exchange Commission for failing to disclose the risks of subprime mortgages they sold to the investing public. But a corporation cannot commit fraud except through human beings working at and managing the firm. Rather than breaking up these powerful megabanks, essentially imposing a corporate death penalty, the government simply accepted fines that essentially punished innocent shareholders instead of senior leaders at the megabanks. It allowed the real wrongdoers to walk away from criminal responsibility. In The Case for the Corporate Death Penalty, Mary Kreiner Ramirez and Steven A. Ramirez examine the best available evidence about the wrongdoing underlying the financial crisis. They reveal that the government failed to use its most powerful law enforcement tools despite overwhelming proof of wide-ranging and large-scale fraud on Wall Street before, during, and after the crisis. The pattern of criminal indulgences exposes the onset of a new degree of crony capitalism in which the most economically and political powerful can commit financial crimes of vast scale with criminal and regulatory immunity. A new economic royalty has seized the commanding heights of our economy through their control of trillions in corporate and individual wealth and their ability to dispense patronage. The Case for the Corporate Death Penalty shows that this new lawlessness poses a profound threat that urgently demands political action and proposes attainable measures to restore the rule of law in the financial sector.
New Orleans is one of America's richest architectural possessions ... these architecture books lay a solid foundation in the field, are a gift to general historians, and, as the authors hoped, have contributed immeasurably to the maintenance of extant architectural treasures.This look at the bustling business district is designed to serve as a guide for renovation and restoration.
A picture is worth a thousand laughs. Wise-cracking wedding photographer Zest Renald has just been served divorce papers when she agrees to accompany a lesbian softball team during their elopement to California. She's doesn't know anything about gay marriage, and her only exposure to lesbian culture is an addiction to the talk show Ellen. But with her assets frozen and her husband claiming their house for the Other Woman's Love Child, she needs the job. Zest's gaffes and notoriously bad gaydar endear her to the brides, as well as Bradford, the beautiful male stylist who travels with them. Just when Zest is figuring out how to manage her attraction to the unattainable "safe" man, they arrive in California amidst the worst anti-gay protests San Diego has ever seen. When the minister the women hired turns out to be a Prop 8 zealot hell-bent on preventing the wedding, Zest and the brides are chased across the city in a hilarious yet poignant attempt to foil the protesters and tie the white knot.
*INSTANT NEW YORK TIMES BESTSELLER* A behind-the-scenes look into the creation and legacy of The West Wing as told by cast members Melissa Fitzgerald and Mary McCormack, with compelling insights from cast and crew exploring what made the show what it was and how its impassioned commitment to service has made the series and relationships behind it endure. Step back inside the world of President Jed Bartlet’s Oval Office with Fitzgerald and McCormack as they reunite the West Wing cast and crew in a lively and colorful “backstage pass” to the timeless series. This intimate, in-depth reflection reveals how The West Wing was conceived, and spotlights the army of people it took to produce it, the lifelong friendships it forged, and the service it inspired. From cast member origin stories to the collective cathartic farewell on the show’s final night of filming, What’s Next will delight readers with on-set and off-camera anecdotes that even West Wing superfans have never heard. Meanwhile, a deeper analysis of the show’s legacy through American culture, service, government, and civic life underscores how the series envisaged an American politics of decency and honor, creating an aspirational White House beyond the bounds of fictional television. What’s Next revisits beloved episodes with fresh, untold commentary; compiles poignant and hilarious stories from the show’s production; highlights initiatives supported by the cast, crew, and creators; and makes a powerful case for competent, empathetic leadership, hope, and optimism for whatever lies ahead.
In this stimulating study, Mary Weaks-Baxter views the Southern Renaissance, 1900--1960, from a fresh perspective. Many writers in the South began consciously to create new myths for the region at the start of the twentieth century, and these myths, Weaks-Baxter argues, reframed southern history and culture. Instead of being rooted in the plantation culture that had provided inspiration for nineteenth-century southern writers, the new literature was inspired by "southern folk," the common people who farmed the earth and whose values derived from Jeffersonian agrarianism and democracy. By glorifying the yeoman farmer -- a figure not only central to southern life but revered throughout the country -- southern writers confirmed the essential Americanness of southern literature and the southernness of American history, creating a viable myth that offered the promise of renewal and purpose. To illustrate how the myth crossed racial, gender, and economic boundaries as well as geographic lines, Weaks-Baxter examines the work of diverse writers, including Willa Cather, Ellen Glasgow, Olive Dargan, Zora Neale Hurston, Jean Toomer, Jesse Stuart, Elizabeth Madox Roberts, Harriette Arnow, William Faulkner, and the Nashville Agrarians. Their portrayals of the lives of common men and women provided hope for all Americans as they were confronted with industrialization and the Great Depression. Weaks-Baxter shows how this agrarian fable led to a new Southern Renaissance in the late twentieth century, influencing the work of contemporary southern writers such as Madison Smartt Bell, Wendell Berry, Alice Walker, Dori Sanders, and Bobbie Ann Mason. With lively arguments and keen insights, Reclaiming the American Farmer will change the terms of discussion about the Southern Renaissance and southern literature in general as it demonstrates how mythologies can unify southerners as well as divide them.
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
History paints war out to be a man's business, but there is an army of women warriors who stand between the lines of history books, waiting to be seen. This biographical dictionary tells the story of the females who armed themselves against threats to self, family, home and country. Spanning 17 periods of world history, it compiles the daring deeds of 1,622 female fighters, from Bronze Age archers and Viking raiders, to helicopter pilots and commanders of aircraft carriers. Entries summarize heroes such as the Old Testament judge Deborah, Joan of Arc, Elizabeth I, Aisha, Mary Spencer-Churchill, Calamity Jane, Cleopatra VII, Molly Pitcher, Aung San Suu Kyi and-- surprisingly-- Julia Child. Included are the famous stands the unheralded scrappers and risk-takers took up in fierce crises.
In Planetary Longings eminent cultural theorist Mary Louise Pratt posits that the last decade of the twentieth century and the first decades of the twenty-first mark a turning point in the human and planetary condition. Examining the forces of modernity, neoliberalism, coloniality, and indigeneity in their pre- and postmillennial forms, Pratt reflects on the crisis of futurity that accompanies the millennial turn in relation to environmental disaster and to the new forms of thinking it has catalyzed. She turns to 1990s Latin American vernacular culture, literary fiction, and social movements, which simultaneously registered neoliberalism’s devastating effects and pursued alternate ways of knowing and living. Tracing the workings of colonialism alongside the history of anticolonial struggles and Indigenous mobilizations in the Americas, Pratt analyzes indigeneity both as a key index of coloniality, neoliberal extraction, and ecological destruction, and as a source for alternative modes of thought and being. Ultimately, Pratt demonstrates that the changes on either side of the millennium have catalyzed new forms of world-making and knowledge-making in the face of an unknowable and catastrophic future.
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