This handbook contains all the information needed to pass the driving test, covering both theory and practical examinations in one volume. Produced in a clear, modern style, with full-colour photographs and diagrams, this format is designed to appeal to young readers. The book takes readers through all areas of learning to drive - from choosing a driving instructor to taking the test. The two main sections include information on all elements of the practical test and list all the official theory questions.
This handbook contains all the information needed to pass the driving test, covering both theory and practical examinations in one volume. Produced in a clear, modern style, with full-colour photographs and diagrams, this format is designed to appeal to young readers. The book takes readers through all areas of learning to drive - from choosing a driving instructor to taking the test. The two main sections include information on all elements of the practical test and list all the official theory questions.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In 1882 Oscar Wilde toured America as the "Apostle of Aestheticism". The nation was still shaken by the Civil War, and Wilde's message of regeneration through art and beauty seemed to open new horizons. In this first cultural history of the aesthetic movement in the U.S., Mary Blanchard provides an imaginative account of a neglected dimension of our history. 221 illustrations.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In 1905 two Montreal women, Alice Peck and May Phillips, founded the Canadian Handicrafts Guild. Inspired by British and American women in the arts and crafts movement, and spurred by their thirty-year rivalry with Mary Dignam of the Toronto-based Women's Art Association of Canada, these two created an organization that revived popular interest in traditional handwork done by women, Canadiens, Indigenous people, and new Canadians.
A facsimile reprint of the Second Edition (1994) of this genealogical guide to 25,000 descendants of William Burgess of Richmond (later King George) County, Virginia, and his only known son, Edward Burgess of Stafford (later King George) County, Virginia. Complete with illustrations, photos, comprehensive given and surname indexes, and historical introduction.
Given the pressures of integration and assimilation, how are people within communities able to make decisions about their own environment, whether individually or collectively? Governing Ourselves? explores issues of influence and power within local institutions and decision-making processes using numerous illustrations from municipalities across Canada. It shows how communities large and small, from Toronto to Iqaluit, have distinctive political cultures and therefore respond differently to changing global and domestic environments. Case studies illuminate historical and contemporary challenges to local governance. This book covers topics including government structures and institutions and intergovernmental relations and reaches more broadly into geography, urban planning, environmental studies, public administration, and sociology.
Steadfast Charity covers the history of the Sisters of Charity of Halifax during the years 1972—2002 as the congregation met the challenges of Vatican II and created new models for living vowed religious life. New ways of praying, of being community, of giving service, of understanding the vows—all required trust, openness, risk and a willingness to let go of security. As the congregation responded to the call to renewal, little did the sisters realize how much would change. In this book, Sisters of Charity Mary Sweeney, Martha Westwater, Elaine Nolan and Julia Heslin explore these times by examining the life and practices of the sisters and by contextualizing decisions that were made by the governing bodies during those years. They tell the story of an organization and its evolution as a part of the “Church in the Modern World.” The authors offer an inside view of a congregation which, in navigating its transformation through a time of upheaval in the Church and in the world, remained faithful to its purpose, as stated in its Constitutions: “to give joyful witness to love.”
There was a time when having a child out of wedlock was socially unacceptable. Many young mothers had to go away during their pregnancy to avoid moral condemnation. My birth mother was one of these. For every one of these young women, however, there was another woman desperate to start a family with her husband, yet unable to conceive. My adopted mother was one of these. I was the very lucky baby who was given the opportunity to know and love both of these courageous mothers and their spouses. This book is an attempt to describe just how fortunate I am to have had two sets of parents in my life and a total of three siblings. It is one thing to grow up in a family and be nurtured and loved by them, but to have had two such experiences is beyond wonderful. It is nothing short of a miracle. I know there are adoptees like myself who have found a birth parent and experienced quite a different outcome than I have. To these people, I offer my hope that your adoptive parents have given you the love and the support that you needed in order to become all that you could be. The plain and simple fact is that some people should never have children. To those adoptees contemplating searching for their birth mother or father, I would encourage you to open that potentially fearful door; just be prepared emotionally for what may come of the attempt to find your roots. You might be rejected because it would create too many problems at this point in your birth parent's life. On the other hand, you might be received with open arms and love what you find, as I did. You might also be welcomed and not like what you find. At least, however, you would know where you began. Whether or not our birth parents are people with whom we can connect emotionally, they still gave us life. I have had relatives and good friends ask why I am writing this book. I see it as a way of honouring both sets of parents. My adopted parents died before I felt the need to find my birth mother. I pray that they are aware of how successful my search was, and of the deep bond that has developed between my birth mother and myself. I would like to think that they would not be threatened by this relationship. Though I genuinely love my birth mother, it is a different kind of relationship that we have, because she was unable to raise me. This memoir is meant to honour my adoptive parents while, at the same time, confirm my gratitude to and love for my birth mother....
In the raucous decade following World War I, newly blurred boundaries between male and female created fears among the French that theirs was becoming a civilization without sexes. This new gender confusion became a central metaphor for the War's impact on French culture and led to a marked increase in public debate concerning female identity and woman's proper role. Mary Louise Roberts examines how in these debates French society came to grips with the catastrophic horrors of the Great War. In sources as diverse as parliamentary records, newspaper articles, novels, medical texts, writings on sexology, and vocational literature, Roberts discovers a central question: how to come to terms with rapid economic, social, and cultural change and articulate a new order of social relationships. She examines the role of French trauma concerning the War in legislative efforts to ban propaganda for abortion and contraception, and explains anxieties about the decline of maternity by a crisis in gender relations that linked soldiery, virility, and paternity. Through these debates, Roberts locates the seeds of actual change. She shows how the willingness to entertain, or simply the need to condemn, nontraditional gender roles created an indecisiveness over female identity that ultimately subverted even the most conservative efforts to return to traditional gender roles and irrevocably altered the social organization of gender in postwar France.
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