Mary E. Wilkins Freeman (1852–1930) was one of the most popular American writers at the turn of the twentieth century, and her annual Christmas stories appeared in magazines and periodicals across the globe. Since then, the extraordinary stories that once delighted her legions of fans every festive season have gone largely out of print and unread. Now, for the first time, The Last Gift presents a collection of Freeman’s best Christmas writing, introducing these funny, poignant, provocative, and surprisingly timely holiday tales to a new generation of readers.
Taking a global, multicultural, social, and economic perspective, this work explores the diverse and colourful history of human attire. From prehistoric times to the age of globalization, articles cover the evolution of clothing utility, style, production, and commerce, including accessories (shoes, hats, gloves, handbags, and jewellery) for men, women, and children. Dress for different climates, occupations, recreational activities, religious observances, rites of passages, and other human needs and purposes - from hunting and warfare to sports and space exploration - are examined in depth and detail. Fashion and design trends in diverse historical periods, regions and countries, and social and ethnic groups constitute a major area of coverage, as does the evolution of materials (from animal fur to textiles to synthetic fabrics) and production methods (from sewing and weaving to industrial manufacturing and computer-aided design). Dress as a reflection of social status, intellectual and artistic trends, economic conditions, cultural exchange, and modern media marketing are recurring themes. Influential figures and institutions in fashion design, industry and manufacturing, retail sales, production technologies, and related fields are also covered.
This compelling novel centers on three couples whose relationships are thwarted by family strife, repressed emotions, strong-willed pride, and religious self-righteousness. Pembroke begins with a heated political argument between Barney Thayer and Cephas Barnard, the father of Barney's betrothed, Charlotte Barnard. The angry Cephas throws his prospective son-in-law out of the house and, because of his immense pride, Barney refuses to apologize, even though it means he cannot marry Charlotte. The Thayers and Barnards become locked in a clash of wills, and the broken engagement reverberates throughout the village, ultimately affecting the relationships of two other couples in the town. After years of seemingly interminable suffering, all of the ill-fated lovers are eventually united, but the reunions are bittersweet. In sharp contrast to the romantic literary tradition, Pembroke vividly depicts characters doomed to inherit the unhappiness of their ancestors. This dramatic and realistic portrayal of rural nineteenth-century New England life and Puritan ethos will reintroduce modern readers to a significant regionalist woman writer.
Mary Wilkins Freeman (1852–1930), born in Randolph, Massachusetts, began to publish stories about New England in the early 1880s. In the following decades, Freeman drew widespread praise for her intimate portraits of women and her realistic depictions of rural New England life. She published short stories, essays, novels, plays, and children’s books. Her stories, written in a clear and direct prose, are remarkable for their unpretentious, sympathetic portrayals of the lives of ordinary New Englanders of Freeman’s era. Many of the stories depict rebellion against oppressive social and private conditions. Others describe conflicting desires for independence and lasting relationships. This volume of twenty-eight stories is the first to provide a representative sample of Freeman’s finest work, from all phases of her career. It makes plain why Freeman (in the words of editor Mary R. Reichardt) is widely recognized as an important figure “in the history of American women’s fiction . . . and the development of the American short story.”
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