Nothing is what it seems in NPR correspondent Mary Louise Kelly’s “riveting, twisty tale” (Hallie Ephron, author of Night Night, Sleep Tight), in which a woman discovers a decades-old bullet at the base of her neck. Caroline Cashion is stunned when an MRI reveals that she has a bullet lodged near the base of her skull. It makes no sense: she has never been shot. She has no scar. When she confronts her parents, she learns the truth: she was adopted when she was three years old, after her real parents were murdered in cold blood. Caroline had been there the night of the attack, and she’d been hit by a single gunshot to the neck. Buried too deep among vital nerves and blood vessels, the surgeons had left it, and stitched up the traumatized little girl with the bullet still inside. Now, thirty-four years later, Caroline returns to her hometown to learn whatever she can about who her parents were, and why they died. A cop who worked the case reveals that even after all these years, police still don’t have enough evidence to nail their suspect. The bullet in Caroline’s neck could identify the murderer... and that person will do anything to keep it out of the law’s hands. Now Caroline will have to decide: run for her life, or stay and fight? With non-stop action, “an extremely likable narrator and twists and turns galore” (Alice LaPlante, author of Turn of Mind), The Bullet will keep you riveted until the very last page.
The bestselling, wonderfully unconventional, “warmly conspiratorial…seriously good” (The New York Times) literary memoir from the award-winning actress that has received fabulous and wide praise. “There is no one else quite like Mary-Louise Parker…Funny, heartbreaking and profound” (Elle). An extraordinary literary work, Dear Mr. You renders the singular arc of a woman’s life through letters Mary-Louise Parker composes to the men, real and hypothetical, who have informed the person she is today. Beginning with the grandfather she never knew, the letters range from a missive to the beloved priest from her childhood to remembrances of former lovers to an homage to a firefighter she encountered to a heartfelt communication with the uncle of the infant daughter she adopted. Readers will be amazed by the depth and style of these letters, which reveal the complexity and power to be found in relationships both loving and fraught.
In the raucous decade following World War I, newly blurred boundaries between male and female created fears among the French that theirs was becoming a civilization without sexes. This new gender confusion became a central metaphor for the War's impact on French culture and led to a marked increase in public debate concerning female identity and woman's proper role. Mary Louise Roberts examines how in these debates French society came to grips with the catastrophic horrors of the Great War. In sources as diverse as parliamentary records, newspaper articles, novels, medical texts, writings on sexology, and vocational literature, Roberts discovers a central question: how to come to terms with rapid economic, social, and cultural change and articulate a new order of social relationships. She examines the role of French trauma concerning the War in legislative efforts to ban propaganda for abortion and contraception, and explains anxieties about the decline of maternity by a crisis in gender relations that linked soldiery, virility, and paternity. Through these debates, Roberts locates the seeds of actual change. She shows how the willingness to entertain, or simply the need to condemn, nontraditional gender roles created an indecisiveness over female identity that ultimately subverted even the most conservative efforts to return to traditional gender roles and irrevocably altered the social organization of gender in postwar France.
An Instant New York Times Bestseller “This voice-driven, relatable, heartfelt and emotional story will make any parent tear up.” —Good Morning America, “15 Delightful Books Perfect for Spring Reading” Operating Instructions meets Glennon Doyle in this new book by famed NPR reporter Mary Louise Kelly that is destined to become a classic—about the year before her son goes to college—and the joys, losses and surprises that happen along the way. The time for do-overs is over. Ever since she became a parent, Mary Louise Kelly has said “next year.” Next year will be the year she makes it to her son James’s soccer games (which are on weekdays at 4 p.m., right when she is on the air on NPR’s All Things Considered, talking to millions of listeners). Drive carpool for her son Alexander? Not if she wants to do that story about Ukraine and interview the secretary of state. Like millions of parents who wrestle with raising children while pursuing a career, she has never been cavalier about these decisions. The bargain she has always made with herself is this: this time I’ll get on the plane, and next year I’ll find a way to be there for the mom stuff. Well, James and Alexander are now seventeen and fifteen, and a realization has overtaken Mary Louise: her older son will be leaving soon for college. There used to be years to make good on her promises; now, there are months, weeks, minutes. And with the devastating death of her beloved father, Mary Louise is facing act three of her life head-on. Mary Louise is coming to grips with the reality every parent faces. Childhood has a definite expiration date. You have only so many years with your kids before they leave your house to build their own lives. It’s what every parent is supposed to want, what they raise their children to do. But it is bittersweet. Mary Louise is also dealing with the realities of having aging parents. This pivotal time brings with it the enormous questions of what you did right and what you did wrong. This chronicle of her eldest child’s final year at home, of losing her father, as well as other curve balls thrown at her, is not a definitive answer―not for herself and certainly not for any other parent. But her questions, her issues, will resonate with every parent. And, yes, especially with mothers, who are judged more harshly by society and, more important, judge themselves more harshly. What would she do if she had to decide all over again? Mary Louise’s thoughts as she faces the coming year will speak to anyone who has ever cared about a child or a parent. It. Goes. So. Fast. is honest, funny, poignant, revelatory, and immensely relatable.
We invite you to journey with Mary (Louise) into the supernatural world of God where the supernatural transcends the natural world. All things are possible with God. He is continuously sending miracles our way. How many of these wonderful blessings from God go unnoticed by us? These miracles large and small are what Louise affectionately refers to as Godsends. Skeptics may ask why they don’t see any miracles in their own lives. Louise would quickly remind them that we can’t even breathe without God’s help. No matter how tough we believe ourselves to be, the truth is, we are merely fragile flesh and blood and greatly in need of His love and attention. We should watch for our miracles and thank Him for them when we notice them and even when we don’t. We can’t always discern God’s hand in our situations with our natural senses. Jesus was truly the most wonderful Godsend of all. The Father will instruct Jesus to come again at the appointed time to bring His children home. Will you join with Louise as she watches the Eastern sky for our Savior?
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