The life story of the bohemian socialite who rebelled against her famous family and became a renowned art collector. Peggy Guggenheim was the ultimate self-invented woman, a cultural mover and shaker who broke away from her poor-little-rich-girl origins to shape a life for herself as the enfant terrible of the art world. Her visionary Art of This Century gallery in New York, which brought together the European surrealist artists with the American abstract expressionists, was an epoch-shaking “happening” at the center of its time. In Mistress of Modernism, Mary V. Dearborn draws upon her unprecedented access to the Guggenheim family, friends, and papers to craft a “thorough biography . . . [that] will appeal to art lovers interested in more than the paint” (Publishers Weekly). “With drive and clarity, Dearborn charts Guggenheim’s peripatetic life,” offering rich insight into Peggy’s traumatic childhood in German-Jewish “Our Crowd” New York, her self-education in the ways of art and artists, her caustic battles with other art-collecting Guggenheims, and her legendary sexual appetites (her lovers included Max Ernst, Samuel Beckett, and Marcel Duchamp, to name just a few) (Booklist). Here too is a poignant portrait of Peggy’s last years as l’ultima dogaressa—the last (female) doge—in her palazzo in Venice, where her collection still draws thousands of visitors every year. Mistress of Modernism is the first definitive biography of Peggy Guggenheim, whose wit, passion, and provocative legacy Dearborn brings compellingly to life.
This book is dedicated to all victims past and present. The victims that have escaped the violence without incident, victims that have lost their lives due to the violence, and those victims that have not gotten the courage to make the seperation from the violence. I pray that the information contained in this book will give victims of domestic violence the necessary tools to make a clean and safe break from the violence. I have over time noted some very crucial information that all victims need to know when they are in a domestic violence relationship, if they are trying to get out of a domestic violence relationship, or have just left a domestic violence relationship. If any of the above applies to you or someone you know or love this book may prove to be of great benefit to you.
A personal account by Ireland's first female president and the former United Nations High Commissioner traces her childhood in a deeply Catholic family, her landmark wins as an activist lawyer and her struggles to advocate on behalf of human rights throughout the world. 50,000 first printing.
The battle for legal contraception challenged key tenets of Irish identity: Catholicism, large families, traditional gender roles, and sexual puritanism. It is a story of gender, religion, social change, and failing efforts to reaffirm Irish moral exceptionalism.
Presents an overview and introduction to Lexical Functional Grammar (LFG), a theory of the content and representation of different aspects of linguistic structure and the relations that hold between them. This book also presents a theory of semantics and the syntax-semantics interface.
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
The first general survey of the history of women in early modern Ireland. Based on an impressive range of source material, it presents the results of original research into women’s lives and experiences in Ireland from 1500 to 1800. This was a time of considerable change in Ireland as English colonisation, religious reform and urbanisation transformed society on the island. Gaelic society based on dynastic lordships and Brehon Law gave way to an anglicised and centralised form of government and an English legal system.
Women have been writing in the Catholic tradition since early medieval times, yet no single volume has brought together critical evaluations of their works until now. The first reference of its kind, Catholic Women Writers provides entries on 64 Catholic women writers from around the world and across the centuries. Each of the entries is written by an expert contributor and includes a biography of the author; a critical discussion of her works, especially her Catholic and women's themes; an overview of her critical reception; and a bibliography of primary and secondary sources. Authors writing in all genres, including fiction, autobiography, poetry, children's literature, and essays, are represented. The entries give special attention to the authors' use of Catholic themes, structures, traditions, culture, and spirituality. The writers surveyed range from Doctors of the Church to mystics and visionaries, to those who employ Catholic themes primarily in historical and cultural contexts, to those who critique the tradition. An introductory essay places the writers within the historical and literary contexts of women's writing in the Catholic tradition, and the volume closes with a selected, general bibliography.
Gifted harpist Edna Phillips (1907–2003) joined the Philadelphia Orchestra in 1930, becoming not only that ensemble's first female member but also the first woman to hold a principal position in a major American orchestra. Plucked from the Curtis Institute of Music in the midst of her studies, Phillips was only twenty-three years old when Leopold Stokowski, one of the twentieth century's most innovative and controversial conductors, named her principal harpist. This candid, colorful account traces Phillips's journey through the competitive realm of Philadelphia's virtuoso players, where she survived--and thrived--thanks to her undeniable talent, determination, and lively humor. Drawing on extensive interviews with Phillips, her family, and colleagues as well as archival sources, One Woman in a Hundred chronicles the training, aspirations, setbacks, and successes of this pioneering woman musician. Mary Sue Welsh recounts numerous insider stories of rehearsal and performance with Stokowski and other renowned conductors of the period such as Arturo Toscanini, Fritz Reiner, Otto Klemperer, Sir Thomas Beecham, and Eugene Ormandy. She also depicts Phillips's interactions with fellow performers, the orchestra management, and her teacher, the wily and brilliant Carlos Salzedo. Blessed with a nimble wit, Phillips navigated a plethora of challenges, ranging from false conductors' cues to the advances of the debonair Stokowski and others. She remained with the orchestra through some of its most exciting years from 1930 to 1946 and was instrumental in fostering harp performance, commissioning many significant contributions to the literature. This portrait of Phillips's exceptional tenure with the Philadelphia Orchestra also reveals the behind-the-scenes life of a famous orchestra during a period in which Rachmaninoff declared it "the finest orchestra the world has ever heard." Through Phillips's perceptive eyes, readers will watch as Stokowski melds his musicians into a marvelously flexible ensemble; world-class performers reach great heights and make embarrassing flubs; Greta Garbo comes to Philadelphia to observe her lover Leopold Stokowski at work; and the orchestra encounters the novel experience of recording for Walt Disney's Fantasia. A colorful glimpse into a world-class orchestra at the height of its glory, One Woman in a Hundred tells the fascinating story of one woman brave enough and strong enough to overcome historic barriers and pursue her dreams.
Examining an impressive length of Irish cultural history, from 1700–1960, Reading the Irishwoman explores the dynamisms of cultural encounter and exchange in Irish women's lives. Analyzing the popular and consumer cultures of a variety of eras, it traces how the circulation of ideas, fantasies, and aspirations shaped women's lives both in actuality and in imagination. The authors uncover a huge array of different representations that Irish women have been able to identify with, including heroine, patriot, philanthropist, actress, singer, model, and missionary. By studying this diversity of viable roles in the Irish woman's cultural world, the authors point to evidence of women's agency and aspiration that reached far beyond the domestic sphere.
Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race.
This is of course a story of how a religious order gave new expression to its distinctive values and tradition in establishing a wider community of lay associates. The Sisters of St Joseph from the outset were practical, adaptable and relatively informal - focused on meeting needs where they saw them and stretching themselves thin to do so. Mary Cresp captures these Josephite values beautifully as she unfolds the development of the order's Associates/Companions. But it's not a book just about the Josephites. It's much more - a case study in how Catholic communities in several countries have responded to the challenges of the Second Vatican Council and to changing times. For that it's well worth a read. Peter Cahalan PhD - formerly CEO of the History Trust of South Australia. In her history of Josephite Associates over 40 years, Mary Cresp rsj informs her scholarly experience and thoroughness with documentation and contributions from more than 200 people who were themselves involved in creating that story. She describes the evolution of Josephite Associates to Josephite Companions as a "story of relationships". It is a story with lessons about relationships and formation, but also about persistence of vision, about living with unresolved questions, about fostering the emergence of new leadership and above all about walking together with joy in a shared baptismal mission. Anne Benjamin, Honorary Professor, Australian Catholic University. Consultant to Biographical Dictionary of Australian Catholic Educators.
History paints war out to be a man's business, but there is an army of women warriors who stand between the lines of history books, waiting to be seen. This biographical dictionary tells the story of the females who armed themselves against threats to self, family, home and country. Spanning 17 periods of world history, it compiles the daring deeds of 1,622 female fighters, from Bronze Age archers and Viking raiders, to helicopter pilots and commanders of aircraft carriers. Entries summarize heroes such as the Old Testament judge Deborah, Joan of Arc, Elizabeth I, Aisha, Mary Spencer-Churchill, Calamity Jane, Cleopatra VII, Molly Pitcher, Aung San Suu Kyi and-- surprisingly-- Julia Child. Included are the famous stands the unheralded scrappers and risk-takers took up in fierce crises.
All of the available letters of Charles Lamb, a master of the English essay, and his sister Mary Anne published in this definitive, scrupulously edited work. The letters, many of them written to illustrious figures of the Romantic period, are generally agreed to rank among the finest in the English language. Transcribing where possible from the originals or facsimiles, Professor Marrs corrects textual errors found in previous editions, and he pays particular attention to establishing precise dates for the correspondence. He includes letters that were omitted from the last collection (published in 1935 and long out of print), and he has uncovered more than eighty letters never published before. The Letters of Charles and Mary Anne Lamb totals five or six volumes, and presents nearly 1200 letters written by Charles and Mary, singly or together. The correspondence is fully annotated, the volumes are illustrated, and the holographic idiosyncrasies of the originals are rendered typographically wherever possible. Rich in revelations about the extraordinary lives of the Lambs, these beautifully written letters are an inexhaustible store of information about the Romantic era and its major figures-Wordsworth, Keats, and Coleridge. The publication of unexpurgated and authoritative texts is an important literary event. The first volume was published in 1975, the bicentenary of Charles Lamb's birth. It contains 102 letters written by Charles, many of them after Mary murdered their mother. Among the recipients were the poets Coleridge, Southey, and Wordsworth. The letters provide shrewd observations on his friends' writings and his own, vivid descriptions of life in London, and compassionate but candid remarks concerning his family and acquaintances. Notes to each letter place it in context, quoting where necessary from the correspondence Lamb is answering. Volume I includes Professor Marrs's extensive Introduction to the entire collection. After supplying a biography of the Lamb family up to the murder, he treats Mary's and Charles's life together until Charles's death, tracing through the letters a relationship that remained warm and affectionate even under the shadow of Mary's insanity. Professor Marrs also gives the publishing history of the letters and sets forth the principles upon which his edition is based.
Incorporating fascinating new research, Mary Dearborn’s revelatory investigation of Hemingway’s life and work substantially deepens our understanding of the artist and the man. A St. Louis Post Dispatch Best Book of the Year The “most fully faceted portrait of Hemingway now available” (The Washington Post) draws on a wide array of never-before-used material, resulting in the most nuanced biography to date of this complex, enigmatic artist. Considered in his time the greatest living American writer, Hemingway was a winner of the Pulitzer Prize and the Nobel Prize whose personal demons undid him in the end, and whose novels and stories have influenced the writing of fiction for generations after his death.
Margaret Finnegan's pathbreaking study of woman suffrage from the 1850s to the Nineteenth Amendment in 1920 reveals how activists came to identify with consumer culture and employ its methods of publicity to win popular support through carefully crafted images of enfranchised women as "personable, likable, and modern." Drawing on organization records, suffragists' papers and memoirs, and newspapers and magazines, Finnegan shows how women found it in their political interest to ally themselves with the rise of consumer culture--but the cost of this alliance was a concession of possibilities for social reform. When manufacturers and department stores made consumption central to middle-class life, suffragists made an argument for the ballot by comparing good voters to prudent comparison shoppers. Through suffrage commodities such as newspapers, sunflower badges, Kewpie dolls, and "Womanalls" (overalls for the modern woman), as well as pantomimes staged on the steps of the federal Treasury building, fashionable window displays, and other devices, "Votes for Women" entered public space and the marketplace. Together these activities and commodities helped suffragists claim legitimacy in a consumer capitalist society.Imaginatively interweaving cultural and political history, Selling Suffrage is a revealing look at how the growth of consumerism influenced women's self-identity.
This 1912 classic of the JewishAmerican immigrant experience was aninstant critical and popular success. Itsauthor arrived in Boston from Russia asa 12-year-old in the 1890s. Her movingnarrative of Old and New World cultureswas acclaimed by The New YorkTimes as "a unique contribution to ourmodern literature and to our modernhistory."Reprint of the Houghton MifflinCompany, Boston and New York, 1912edition.
The author of the bestselling The Sisters: The Saga of the Mitford Family brings her trademark brio and relish to the charming and fascinating world of the Château de l'Horizon on the French Riviera The Riviera Set reveals the story of the group of people who lived, partied, bed-hopped and politicked at the Château de l'Horizon near Cannes, over the course of forty years from the time when Coco Chanel made southern French tans fashionable in the twenties to the death of the playboy Prince Aly Khan in 1960. At the heart of dynamic group was the amazing Maxine Elliott, the daughter of a fisherman from Connecticut, who built the beautiful art deco Château and brought together the likes of Noel Coward, the Aga Khan, the Duke and Duchess of Windsor and two very saucy courtesans, Doris Castlerosse and Daisy Fellowes, who set out to be dangerous distractions to Winston Churchill as he worked on his journalism and biographies during his 'wilderness years' in the thirties. After the War the story continued as the Château changed hands and Prince Aly Khan used it to entertain the Hollywood set, as well as launch his seduction of and eventual marriage to Rita Hayworth Bringing a bygone era back to life, Mary Lovell cements her spot as one of our top social historians in this captivating and evocative new book.
Written by an interdisciplinary team of scholars, this substantial volume offers a wide-ranging examination, from a Christian perspective, of the many complexities surrounding gender relations, showing how they have changed and how they still need to change if we are to be the men and women God meant us to be. No other book treats the systemic embedding of gender issues in all areas of life.
In this visually rich, multigenerational lyric essay, Mary Ann Hogan reflects on a life of letters and her relationship to her late father, Bill Hogan, well-known literary editor at the San Francisco Chronicle, whom John Steinbeck once dubbed “an old and valued friend.” Circle Way is a bittersweet memoir of a father, daughter, and a prominent California family. Written in an evocative, expressionistic style, this work of creative nonfiction flutters somewhere between journalism and poetry. At the heart of the story, journalist Mary Ann Hogan grapples with identity, family, and the creative calling. Sifting through her father's notebooks after his death, Mary Ann discovers a man whose unrealized dreams echo her own. Eager to learn more about her family even as she wrestles with terminal illness, Mary Ann explores the fascinating cast of characters who were her forebearers. We meet the author’s great grandfather, an Oakland lumber baron who lost his fortune in the crash of ’29, and a great uncle who was sent to San Quentin for two deaths some say he may not have caused. Richly illustrated with Bill Hogan’s original sketches and watercolors, this poignant and absorbing tale is an immersive feast for anyone interested in literature, history, and the often-mysterious facets of family.
Charity Alive: Sisters of Charity, Halifax, 1950-1980 is the sequel to Sister Maura Power's chronicle of the first one hundred years of the congregation's history (Ryerson, 1956). Based on congregational records and interviews with members of the order, the book traces, describes, and assesses the events which moved the Sisters from the traditional patterns of religious life over the first century into the 1980's. It shows the Sisters' response to the documents of Vatican II and the economic, cultural, and religious challenges during three decades of adaptation, renovation, and renewal. Charity Alive also presents the transformation effected within the congregation which liberated the Sisters and empowered them to reach beyond their traditional ministries of education, health and social services to embrace new forms of ministry such as serving the less visible needs of the economically poor on the fringes of society.
A widely used instruction book of classic knitting patterns and how to create them. Patterns — illustrated in charts, diagrams, and photographs — range from cross and cross-over motifs to lace knitting, medallion knitting, and filet lace.
A Sacred Covenant: The Spiritual Ministry of Nursing focuses on the nurse's personal spiritual needs. Grounded in biblical passages taken from both Old and New Testament scripture, it provides a broad spiritual foundation. Each chapter begins with a scripturally oriented nursing meditation and ends with a biblically themed nurse's prayer. Anecdotes from practicing nurses are woven throughout each chapter to illustrate the spiritual themes.
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
Fascinating, the way all great family stories are fascinating."—Robert Gottlieb, New York Times Book Review This is the story of a close, loving family splintered by the violent ideologies of Europe between the world wars. Jessica was a Communist; Debo became the Duchess of Devonshire; Nancy was one of the best-selling novelists of her day; beautiful Diana married the Fascist leader Sir Oswald Mosley; and Unity, a close friend of Hitler, shot herself in the head when England and Germany declared war. The Mitfords had style and presence and were remarkably gifted. Above all, they were funny—hilariously and mercilessly so. In this wise, evenhanded, and generous book, Mary Lovell captures the vitality and drama of a family that took the twentieth century by storm and became, in some respects, its victims.
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