The timeless and timely intersect in poems about our unique historical moment, from the prizewinning poet. In Zoom Rooms, Mary Jo Salter considers the strangeness of our recent existence, together with the enduring constants in our lives. The title poem, a series of sonnet-sized Zoom meetings—a classroom, a memorial service, an encounter with a new baby in the family—finds humor and pathos in our age of social distancing and technology-induced proximity. Salter shows too how imagination collapses time and space: in “Island Diaries,” the pragmatist Robinson Crusoe meets on the beach a shipwrecked dreamer from an earlier century, Shakespeare’s Prospero. Poems that meditate on objects—a silk blouse, a hot water bottle—address the human need to heal and console. Our paradoxically solitary but communal experiences find expression, too, in poems about art, from a Walker Evans photograph to a gilded Giotto altarpiece. In these beautiful new poems, Salter directs us to moments we may otherwise miss, reminding us that alertness is itself a form of gratitude.
A collection of verse by Mary Jo Salter that address a myriad of topics. There are poems both light and dark, adressing such varied things as divorce, death, and a football match between rival armies.
This “wholly attractive volume” that brings together twenty-five years of “elegantly shaped and voiced creations” (William Pritchard, The Boston Globe) offers a generous sampling of Mary Jo Salter’s five previous award-winning volumes and a collection of superb new poems. A mid-career retrospective of one of the major poets of her generation.
This “wholly attractive volume” that brings together twenty-five years of “elegantly shaped and voiced creations” (William Pritchard, The Boston Globe) offers a generous sampling of Mary Jo Salter’s five previous award-winning volumes and a collection of superb new poems. A mid-career retrospective of one of the major poets of her generation.
New poems from one of the major poets of her generation, along with a selection of the best from previous collections. In Salter's poetry we have a unique blend of domestic drama and the grittier wider world. In the title poem, she reimagines the technological simplicities and humanistic verities of the past with a disorienting detachment. Here are poems imbued with the violence of modern life, and others that bring a witty luminosity to peacocks in the park, to shoe-shine "thrones" at the airport, and to poetry itself. A tender elegy for the poet Anthony Hecht is followed by poems about the Baroque sculptor Bernini and the German Expressionist painter August Macke, which add to Salter's already impressive list of poems about image-making. Although in many of the poems Salter looks back wistfully at what is lost, she also sets her sights on the future: "Lord, surprise me with even more to miss."--From publisher description.
Mary Jo Salter’s sparkling new collection, Open Shutters, leads us into a world where things are often not what they seem. In the first poem, “Trompe l’Oeil,” the shadow-casting shutters on Genoese houses are made of paint only, an “open lie.” And yet “Who needs to be correct / more often than once a day? / Who needs real shadow more than play?” Open Shutters also calls to mind the lens of a camera—in the villanelle “School Pictures” or in the stirring sequence “In the Guesthouse,” which, inspired by photographs of a family across three generations, offers at once a social history of America and a love story. Darkness and light interact throughout the book—in poems about September 11; about a dog named Shadow; about a blind centenarian who still pretends to read the paper; about a woman shaken by the death of her therapist. A section of light verse highlights the wit and grace that have long distinguished Salter’s most serious work. Fittingly, the volume fools the eye once more by closing with “An Open Book,” in which a Muslim family praying at a funeral seek consolation in the pages formed by their upturned palms. Open Shutters is the achievement of a remarkable poet, whose concerns and stylistic range continue to grow, encompassing ever larger themes, becoming ever more open.
Renowned poet Mary Jo Salter, whose command of verse forms and high intelligence is universally acknowledged, selects the poems for the 2024 edition of The Best American Poetry, “a ‘best’ anthology that really lives up to its title” (Chicago Tribune). The Best American Poetry series has been “one of the mainstays of the poetry publication world” (Academy of American Poets) since 1988. Each volume presents a curated selection of the year’s most brilliant, striking, and innovative poems, with comments from the poets themselves offering unique insight into their work. Here, guest editor Mary Jo Salter, whose own poems display a sublime wit “driven by a compulsion to confront the inexplicable” (James Longenbach), has picked seventy-five poems that capture the dynamism of American poetry today. The series and guest editors contribute valuable introductory essays that assess the current state of American poetry, and this year’s edition is certain to capture the attention of both Best American Poetry loyalists and newcomers to the most important poetry anthology of our time.
The timeless and timely intersect in poems about our unique historical moment, from the prizewinning poet. In Zoom Rooms, Mary Jo Salter considers the strangeness of our recent existence, together with the enduring constants in our lives. The title poem, a series of sonnet-sized Zoom meetings—a classroom, a memorial service, an encounter with a new baby in the family—finds humor and pathos in our age of social distancing and technology-induced proximity. Salter shows too how imagination collapses time and space: in “Island Diaries,” the pragmatist Robinson Crusoe meets on the beach a shipwrecked dreamer from an earlier century, Shakespeare’s Prospero. Poems that meditate on objects—a silk blouse, a hot water bottle—address the human need to heal and console. Our paradoxically solitary but communal experiences find expression, too, in poems about art, from a Walker Evans photograph to a gilded Giotto altarpiece. In these beautiful new poems, Salter directs us to moments we may otherwise miss, reminding us that alertness is itself a form of gratitude.
The best-selling student edition on the market, now available in a Second Edition. Almost two centuries after its publication, Frankenstein remains an indisputably classic text and Mary Shelley’s finest work. This extensively revised Norton Critical Edition includes new texts and illustrative materials that convey the enduring global conversation about Frankenstein and its author. The text is that of the 1818 first edition, published in three volumes by Lackington, Hughes, Harding, Mavor, and Jones. It is accompanied by an expansive new preface, explanatory annotations, a map of Geneva and its environs, and seven illustrations, five of them new to the Second Edition. Context is provided in three supporting sections: “Circumstance, Influence, Composition, Revision,” “Reception, Impact, Adaptation,” and “Sources, Influences, Analogues.” Among the Second Edition’s new inclusions are historical-cultural studies by Susan Tyler Hitchcock, William St. Clair, and Elizabeth Young; Chris Baldrick on the novel’s reception; and David Pirie on the novel’s many film adaptations. Related excerpts from the Bible and from John Milton’s Paradise Lost are now included, as is Charles Lamb’s poem “The Old Familiar Faces.” “Criticism” collects sixteen major interpretations of Frankenstein, nine of them new to the Second Edition. The new contributors are Peter Brooks, Bette London, Garrett Stewart, James. A. W. Heffernan, Patrick Brantlinger, Jonathan Bate, Anne Mellor, Jane Goodall, and Christa Knellwolf. A Chronology and Selected Bibliography are also included.
Poetry. Designed by James Dissette with original illustrations by Abigail Rorer. In Mary Jo Salter's new chapbook, the poet explores the art of losing, elegizing lost language, people, and places. LOST ORIGINALS moves from the landscape of a twentieth century nursing home, to William Blake's illuminated engravings and printer's proofs, to the burial traditions of ancient Egypt, and to a museum in snowy, present-day Chicago. This edition is an offset paperback version of the original letterpress hardcover edition.
Writing and composing with honesty and humanism, Lucille Clifton is known for her themes of the body, family, community, politics, womanhood, and the spirit. While much of her work deals with the African American experience, she does not limit herself to that perspective, addressing topics common to all women, to all people. This timely and important biography will give readers a glimpse into the life and work of this important and revered African American poet, writer, and educator, exploring themes that run throughout her writing, as well as the personal obstacles she faced and overcame. Lucille Clifton was born in Depew, New York, in 1936. Today, she is one of the most important and revered African American poets, writers, and educators in the nation. In addition to several works of poetry, she has written more than 15 children's books. Her work has been nominated for three Pulitzer Prizes and two National Book Awards, one of which she won for Blessing the Boats: New and Selected Poems 1988-2000 in 2000. In 1999, she was appointed and remains a Chancellor of the American Academy of Poets, one of the most prestigious honors in American letters. Among her best known works is the poem miss rosie, anthologized many times over and a standard part of high school curriculums. She has won an Emmy award, a Lannan Literary Award, two fellowships from the National Endowmant for the the Arts, and many other prestigious awards. Writing and composing with honesty and humanism, Clifton is known for her themes of the body, family, community, politics, womanhood, and the spirit. While much of her work deals with the African American experience, she does not limit herself to that perspective, addressing topics common to all women, to all people. This biography covers Clifton's life and work, addressing themes that run throughout her writing as well as the personal obstacles she faced and overcame, including her own faultering health. This timely and important biography will give readers a glimpse into the life of one of America's most important, influential, and enduring writers.
The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are "maternal as well as paternal...stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry. Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.
Mary Blachford Tighe was born in Dublin in 1772 and became a poet by the age of seventeen. Her enormously popular 1805 epic poem "Psyche; or, The Legend of Love" made her a fixture of English literary history for much of the nineteenth century. For much of the twentieth century, however, Tighe was better known for her influence on Keats's poetry than the considerable merits of her own work. The Collected Poems and Journals of Mary Tighe restores Tighe to the general canon of English literature of the period. With over eighty-five poems, including the complete Psyche, and extracts from several journals, both by and about Tighe, Harriet Kramer Linkin's annotated edition is the most complete collection of Mary Tighe's work to be published in one volume.
A beautiful collection of verse––both light and dark, elegiac and affirmative––from one of our most admired poets. The title Nothing by Design is taken from Salter’s villanelle “Complaint for Absolute Divorce,” in which we’re asked to entertain the thought of a no-fault universe. The wary search for peace, personal and public, is a constant theme in poems as varied as “Our Friends the Enemy,” about the Christmas football match between German and British soldiers in 1914; “The Afterlife,” in which Egyptian tomb figurines labor to serve the dead; and “Voice of America,” where Salter returns to the Saint Petersburg of her exiled friend, the late Joseph Brodsky. A section of charming light verse serves as counterpoint to another series entitled “Bed of Letters,” in which Salter addresses the end of a long marriage. Artfully designed, with a highly intentional music, these poems movingly give form to the often unfathomable, yet very real, presence of nothingness and loss in our lives.
In 1909, Crowley received and wrote down his visions in the Sahara. In them, he gives an account of crossing the Abyss and attaining the grade of Master of the Temple. The core of this book is a record of his visions of the 30 Aethyres of the Enochian Magick developed by John Dee and Edward Kelley. It includes Crowley's own diagrams and the original typescript of the Commentaries. There is also a record of Crowley's magical work conducted with Victor B. Neuberg, and includes the "Esoteric Record of the Paris Working" as well as "The Holy Hymns to the Great Gods of Heaven".
First published in 1875 and read by more than eight million people, this nondenominational book has a 119-year history of healing and inspiration. To attract a new audience, this time-honored message of healing has a powerful new cover, easy-to-read page layout, and word index. Named one of "75 Books by Women Whose Words Have Changed the World".
This new study guide presents all the important topics covered on emergency medicine exams with a special emphasis on comparing and contrasting disease presentations and treatments to one another. Written by experts in residency education, Last Minute Emergency Medicine provides an outstanding final tune-up to board review.
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