This text analyses cultural forms to demonstrate the centrality of masculine sentiment in American literary and cultural history. They analyze sentimentalism not just as a literary game but as a structure of feeling manifested in many areas.
Depictions of the American west in literature, art and film perpetuate romantic stereotypes of the pioneers--the gold-crazed '49er, the intrepid sodbuster. While ennobling the woodsman, the farmwife and the lawman, this tunnel vision of American history has shortchanged the whaler, the assayer, the innkeeper and the inventor. The westward advance of the trailblazers created demand for a gamut of unsung adventurers--surveyors, financiers, politicians, surgeons, entertainers, grocers and midwives--who built communities and businesses in the wilderness amid clashes with Indians, epidemics, floods, droughts and outlawry. Chronicling the worthy deeds, ethnicities, languages and lifestyles of ordinary people who survived a stirring period in American history, this book provides biographical information for hundreds of individual pioneers on the North American frontier, from the Mississippi River Valley as far west as Alaska. Appendices list pioneers by state or country of departure, destination, ethnicity, religion and occupation. A chronology of pioneer achievements places them in perspective.
Few people have made greater contributions to protecting and improving the environment than the scientist, teacher, activist Dr. Barry Commoner. For half a century, Dr. Commoner has been an international leader in the environmental movement. On the occasion of his eightieth birthday, a symposium was held at which invited speakers discussed his contributions to a wide range of environmental issues. This book, collecting many of the invited papers, provides fascinating insights into the life and work of one of the twentieth century's most influential scientists and social activists. Chapters contributed by other activists, scientists, and scholars including Ralph Nader, Tony Mazzocchi and Peter Montague cover many of Dr. Commoner's major contributions.
The authors argue that the most influential and well-known educational policy programs in the past 30 years are not based on democratic consensus, but are instead formulated by the political community as symbolic efforts meant to generate personal partisan gain.
Bloomsbury on the Mediterranean," is how Vanessa Bell described France in a letter to her sister, Virginia Woolf. Remarking on the vivifying effect of Cassis, Woolf herself said, "I will take my mind out of its iron cage and let it swim.... Complete heaven, I think it." Yet until now there has never been a book that focused on the profound influence of France on the Bloomsbury group. In Bloomsbury and France: Art and Friends, Mary Ann Caws and Sarah Bird Wright reveal the crucial importance of the Bloomsbury group's frequent sojourns to France, the artists and writers they met there, and the liberating effect of the country itself. Drawing upon many previously unpublished letters, memoirs, and photographs, the book illuminates the artistic development of Virginia and Leonard Woolf, Clive Bell, David Garnett, E. M. Forster, Lytton Strachey, Dora Carrington, and others. The authors cover all aspects of the Bloomsbury experience in France, from the specific influence of French painting on the work of Roger Fry, Duncan Grant, and Vanessa Bell, to the heady atmosphere of the medieval Cistercian Abbaye de Pontigny, the celebrated meeting place of French intellectuals where Lytton Strachey, Julian Bell, and Charles Mauron mingled with writers and critics, to the relationships between the Bloomsbury group and Henri Matisse, Pablo Picasso, Gertrude Stein, Andre Gide, Jean Marchand, and many others. Caws and Wright argue that Bloomsbury would have been very different without France, that France was their anti-England, a culture in which their eccentricities and aesthetic experiments could flower. This remarkable study offers a rich new perspective on perhaps the most creative group of artists and friends in the 20th century.
Charity Alive: Sisters of Charity, Halifax, 1950-1980 is the sequel to Sister Maura Power's chronicle of the first one hundred years of the congregation's history (Ryerson, 1956). Based on congregational records and interviews with members of the order, the book traces, describes, and assesses the events which moved the Sisters from the traditional patterns of religious life over the first century into the 1980's. It shows the Sisters' response to the documents of Vatican II and the economic, cultural, and religious challenges during three decades of adaptation, renovation, and renewal. Charity Alive also presents the transformation effected within the congregation which liberated the Sisters and empowered them to reach beyond their traditional ministries of education, health and social services to embrace new forms of ministry such as serving the less visible needs of the economically poor on the fringes of society.
In the 1970s, Kelly's transgressive projects helped to instigate conceptual art's second phase; her daring critiques of the female body as a fetishized, allegorized, commodified site were debated long after they were first seen in galleries and discussed in catalogues, and long before the debut of the "bad girls" in the 1990s. In fact, the debates currently surrounding Kelly's work are a necessary and defining element of theoretical discourse about art today.
Kinnear (history, U. of Manitoba) analyzes women's work in Manitoba from 1870 to 1970 and shows it was, in every domain, undervalued. She describes how early pioneers, East European immigrants, and professional women lived, and provides insight into what they thought of the work world, often in their own words. Canadian card order number: C98-900861-4Annotation copyrighted by Book News, Inc., Portland, OR
This volume explores the conservation and presentation of dress in museums and beyond as a complex, collaborative process. Recognizing this process as a dynamic interaction of investigation, interpretation, intervention, re-creation, and display, Refashioning and Redress: Conserving and Displaying Dress examines the ways in which these seemingly static exhibitions of “costume” or “fashion” are actively engaged in cultural production. The seventeen case studies included here reflect a broad range of practice and are presented by conservators, curators, makers, and researchers from around the world, exposing changing approaches and actions at different times and in different places. Ranging from the practical to the conceptual, these contributions demonstrate the material, social, and philosophical interactions inherent in the conservation and display of dress and draw upon diverse disciplines ranging from dress history to social history, material cultural studies to fashion studies, and conservation to museology. Case studies include fashion as spectacle in the museum, dress as political and personal memorialization, and theatrical dress, as well as dress from living indigenous cultures, dress in fragments, and dress online.
Taking a global, multicultural, social, and economic perspective, this work explores the diverse and colourful history of human attire. From prehistoric times to the age of globalization, articles cover the evolution of clothing utility, style, production, and commerce, including accessories (shoes, hats, gloves, handbags, and jewellery) for men, women, and children. Dress for different climates, occupations, recreational activities, religious observances, rites of passages, and other human needs and purposes - from hunting and warfare to sports and space exploration - are examined in depth and detail. Fashion and design trends in diverse historical periods, regions and countries, and social and ethnic groups constitute a major area of coverage, as does the evolution of materials (from animal fur to textiles to synthetic fabrics) and production methods (from sewing and weaving to industrial manufacturing and computer-aided design). Dress as a reflection of social status, intellectual and artistic trends, economic conditions, cultural exchange, and modern media marketing are recurring themes. Influential figures and institutions in fashion design, industry and manufacturing, retail sales, production technologies, and related fields are also covered.
Fam'ly is a heartwarming family saga about the author's large family of seven children, whose parents married young, possessing only minimal skills and education during the Great Depression in this country, and their struggles to rise above their marginal existence. Although both of the writer's parents had been encouraged by their families to acquire skills before getting married, the couple believed they could obtain advanced skills and have a much better life after marrying by moving from their small South Carolina rural setting to Charlotte, North Carolina, a much bigger city. Fam'ly shares the story of the young black couple's struggles amid a backdrop of the Jim Crow and segregation era and a depressed economy to overcome adversity; to better their lives, their extended family members' lives as well as their children's lives; and to make sure all their seven children obtained a higher education so they could have a better quality of life than they had experienced. The narrative tells how the pair's tenacity, strong bonds of love and support from their immediate and extended families--some of whom had followed the Great Migration and moved to Northern cities such as Brooklyn and Bronx, New York--and love and faith in God helped them to overcome obstacles and accomplish goals in their lives. The story also shows that those you help or who help you do not have to be members of your immediate or extended families. They can be members of various family circles in your life, like church, work, or community families. Fam'ly highlights the efforts of an extended family--not just the immediate family--working together to help one another succeed. While the book does have its serious side, it is lighthearted, funny, informative, and entertaining but with a historical, factual, and real-life backdrop.
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