In 1909, real estate developer Orlando D. Jarrell had a vision: He would sell lots near the Bartlett Western Railroad site and name the town Jarrell. When the railroad bypassed the nearby town of Corn Hill and Jarrell's lots began to sell, the residents of Corn Hill--and their houses--moved to the promising, new town. Rock quarries became and are still a mainstay of this area, shipping limestone all over the world. About 200 vintage photographs illustrate the time between 1855 and more recent years, including the monstrous 1997 tornado that put Jarrell into the national spotlight.
The role of the poet, Mary Kinzie writes, is to engage the most profound subjects with the utmost in expressive clarity. The role of the critic is to follow the poet, word for word, into the arena where the creative struggle occurs. How this mutual purpose is served, ideally and practically, is the subject of this bracingly polemical collection of essays. A distinguished poet and critic, Kinzie assesses poetry's situation during the past twenty-five years. Ours, she contends, is literally a prosaic age, not only in the popularity of prose genres but in the resultant compromises with truth and elegance in literature. In essays on "the rhapsodic fallacy," confessionalism, and the romance of perceptual response, Kinzie diagnoses some of the trends that diminish the poet's flexibility. Conversely, she also considers individual poets—Randall Jarrell, Elizabeth Bishop, Howard Nemerov, Seamus Heaney, and John Ashbery—who have found ingenious ways of averting the risks of prosaism and preserving the special character of poetry. Focusing on poet Louise Bogan and novelist J. M. Coetzee, Kinzie identifies a crucial and curative overlap between the practices of great prose-writing and great poetry. In conclusion, she suggests a new approach for teaching writers of poetry and fiction. Forcefully argued, these essays will be widely read and debated among critics and poets alike.
Pulitzer Prize–winning poet Richard Wilbur (b. 1921) is part of a notable literary cohort, American poets who came to prominence in the mid-twentieth century. Wilbur's verse is esteemed for its fluency, wit, and optimism; his ingeniously rhymed translations of French drama by Molière, Racine, and Corneille remain the most often staged in the English-speaking world; his essays possess a scope and acumen equal to the era's best criticism. This biography examines the philosophical and visionary depth of his world-renowned poetry and traces achievements spanning seventy years, from political editorials about World War II to war poems written during his service to his theatrical career, including a contentious collaboration with Leonard Bernstein and Lillian Hellman. Wilbur's life has been mistakenly seen as blessed, lacking the drama of his troubled contemporaries. Let Us Watch Richard Wilbur corrects that view and explores how Wilbur's perceived "normality" both enhanced and limited his achievement. The authors augment the life story with details gleaned from access to his unpublished journals, family archives, candid interviews they conducted with Wilbur and his wife, Charlee, and his correspondence with Robert Lowell, Elizabeth Bishop, John Berryman, John Malcolm Brinnin, James Merrill, and others.
This literary companion carries you into the lives and poetic lines of 41 of America's most admired poets from the last century. From popular favorites such as Robert Frost and Carl Sandburg to the more esoteric T. S. Eliot and Ezra Pound, this handbook also introduces you to living poets, such as Rita Dove, who are still inscribing their places in literary history. The book opens with an approach to analyzing poetry, and each author-specific chapter includes sections devoted to Chief Works, Discussion and Research Topics, and a Selected Bibliography. Complete list of authors covered in this comprehensive guide: Edgar Lee Masters, Edward Arlington Robinson, Robert Frost, Amy Lowell, Carl Sandburg, Wallace Stevens, William Carlos Williams, Ezra Pound, Hilda Doolittle (H. D.), Robinson Jeffers, Marianne Moore, T. S. Eliot, John Crowe Ransom, Edna St. Vincent Millay, Jean Toomer, Louise Bogan, Hart Crane, Allen Tare, Sterling Brown, Langston Hughes, Countée Cullen, Elizabeth Bishop, John Berryman, Randall Jarrell, Gwendolyn Brooks, Robert Lowell, Richard Wilbur, James Dickey, Denise Levertov, A.R. Ammons, Allen Ginsberg, W. S. Merwin, James Wright, Anne Sexton, Adrienne Rich, Sylvia Plath, Amiri Baraka, Wendy Rose, Joy Harjo, Rita Dove, Cathy Song
Mary, a Rust Belt farm girl, the bastard child of an unwed, unconventional single mother, claws her way out of poverty and weds, but soon stumbles over the myth of monogamy. When her first husband, Don, dies, she seeks a more honest, equitable relationship, determined that her infant son, Billy, will not be a fatherless child as she was. The day before she leaves on a freighter for Greece, she meets Isaac in the East Village, and their romance blooms as they shuttle back and forth between Brooklyn and Crete. In addition to the distance between them, however, Mary must also take on Isaac’s conventional Jewish mother and all her beliefs about how and where they should live. Fatherless, Fearless, Female follows the international adventures of the dauntless Mary as she moves from a mob-operated strip joint in Chicago to the vineyards and villages of Crete, from art schools in New York and Jerusalem to the Imperial Iranian Air Force Base in Isfahan during the revolution of ’78. Along the way, she navigates through a maze of broken vows, broken families, and broken educational systems—and learns, at last, the value of love and the true meaning of her mother’s deathbed story.
BEHOLD MY PRESENT TESTAMENT VOLUMES FORTY-NINE AND FIFTY CONSIST OF CURRENT SAYINGS THAT I RECEIVE FROM ALMIGHTY GOD FOR EVERYONE. THE BOOK CONTAINS PICTURES OF INDIVIDUALS WHOM THE LORD HAS SENT ME TO DURING MY MISSIONARY WORK FOR HIM. BEHOLD MY PRESENT TESTAMENT VOLUMES FORTY-NINE AND FIFTY PLACE EMPHASIS ON PRAYER AND THE BIRTH OF OUR LORD AND SAVIOR CHRIST JESUS.
The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are "maternal as well as paternal...stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry. Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.
This richly evocative study of photography has two major emphases, that the language of description (be it title, caption, or text) is deeply implicated in how a viewer looks at photographs, and that the use of a photograph determines its meaning.
Changing her name early in her career because her parents disapproved of her writing, Jamaica Kincaid crossed audiences to embrace feminist, American, postcolonial and world literature. This book offers an introduction and guided overview of her characters, plots, humor, symbols, and classic themes. Designed for students, fans, librarians, and teachers, the 84 A-to-Z entries combine commentary from interviewers, feminist historians, and book critics with numerous citations from primary and secondary sources and comparative literature. The companion features a chronology of Kincaid's life, West Indies heritage and works, and includes a character name chart.
A comet in the mounting firmament of third-world, non-white, female writers, Edwidge Danticat stands apart. An accomplished trilingual children's and YA author, she is also an activist, op-ed and cinema writer, and keynote speaker. Much of her work introduces the world to the cultural uniqueness of Haiti, the first black republic, and the elements of African heritage, language, and Vodou that continue to color all aspects of the island's art and self-expression. This companion provides an in-depth look into the world and writings of Danticat through A-Z entries. These entries cover both her works and the prevalent themes of her writing, including colonialism, slavery, superstition, adaptation, dreams and coming of age. It also provides a biography of Danticat, a list of 32 aphorisms from her fiction, a guide to the names and histories of the real places in her fiction, lesson planning aids, and a robust glossary offering translations and definitions for the many Creole, French, Japanese, Latin, Spanish, and Taino terms in Danticat's writing.
In her first book since "The Liar's Club", Karr delves into the autobiographical subject matter of her two early collections. Various beloveds are birthed and buried in these lyrics, some of which--as the title suggests--deal with drink. Exact and surprising, her poems "take on the bedevilments of fate and grief with a diabolical edge of their own" ("Poetry").
This book uses a nine-year experience of teaching world mythology to art students in order to discuss why and how such ancient stories provide significance today. Myth’s weird images and metaphors recall Wyrd (Word), the goddess of the cauldron. Students can be guided into the cauldron of mythic language to feel the stirring of new awareness of what it really means to be human. Psychologically, myth offers insights into family relations, memory, imagination, and otherness. Ecological insights from myth teach the connection among human-animal-plant relations and the organicism of all life forms. Cosmological insights from myth surprisingly echo findings in new science, with its emphasis on quantum mechanics, force fields, black holes, subatomic particles, chaos, and the possibilities of time travel. Two areas often considered completely opposite -- myth and science—actually reflect one another, since both propose theories, albeit in different ways. Myth cannot be laughed away as “mere” fabula, since, like science and psychology, it has long explored adventures into unseen, unknown worlds that yield necessary knowledge about the place of humans in the scheme of things big and small. The “more” of myth will be of interest to teachers and students of curriculum studies, to those seeking to go beyond Oedipus and Gutenberg, and to readers who know that all forms of life (including fingernails and rocks) are wondrous, diverse, alive, capable, purposive, and necessary.
Focusing on British and American novels, Rogers takes a sociological look at the business of literature, the book industry, and the experiences of novelists and readers. Viewing the novel as a vehicle of cultural meaning, the author shows how the literary canon overlooks substantial similarities among novels in favor of restrictive codes based on social as well as literary considerations. She emphasizes the kinship between the social sciences and humanities in her analysis, by reinvigorating affection for the novel and also establishing its rich cultural significance.
Robert Motherwell was by far the most intellectual and articulate of the Abstract Expressionists. This book, written by a friend of the artist, the well-known writer and critic Mary Ann Caws, examines Motherwell’s way of thinking and writing in relation to his paintings. The artist, American by birth, yet simultaneously American and European in his way of visualizing and vocalizing artistic and philosophical traditions, always worked between these two poles, and it is this tension that imbues his œuvre with its particular intensity. The author bases her analysis of Motherwell on the artist’s own writings and readings, as well as on extensive conversations and interviews with him. She considers his work and interests in relation to those of other Abstract Expressionists as well as to the work of the Surrealists. Her book highlights his deep attraction to France and French literature and art, and his concern with the idea of elegy and the tragedy of the Spanish Civil War. His singularly American spirit provided him with a manner of painting and thinking unique among the Abstract Expressionists, as well as with a distinctive and highly personal filter through which to interpret his fascination with European literature and history.
William Gilmore Simms (1806–1870) was the preeminent southern man of letters in the antebellum period, a prolific, talented writer in many genres and an eloquent intellectual spokesman of r his region. During his long career, he wrote plays, poetry, literary criticism, biography and history; but he is best remembered for his numerous novels and tales. Many Ann Wimsatt provides the first significant full-length evaluation of Simms’s achievement in his long fiction, selected poetry, essays, and short fiction. Wimsatt’s chief emphasis is on the thirty-odd novels that Simms published from the mid-1830s until after the Civil War. In bringing his impressive body of work to life, she makes use of biographical and historical information and also of twentieth-century literary theories of the romance, Simm’s principal genre. Through analyses of such seminal works as Guy Rivers, The Yemassee, The Cassique of Kiawah, and Woodcraft, Wimsatt illuminates Simm’s contributions to the romance tradition—contributions misunderstood by previous critics—and suggests how to view his novels within the light of recent literary criticism. She also demonstrates how Simms used the historical conditions of southern culture as well as events of his own life to flesh out literary patterns, and she analyzes his use of low-country, frontier and mountain settings. Although critics praised Simms early in his career as “the first American novelist of the day,” the panic of 1837 and the changes in the book market that it helped foster severely damaged his prospects for wealth and fame. The financial recession, Wimsatt finds, together with shifts in literary taste, contributed to the decline of Simms’s reputation. Simms attempted to adjust to the changing climate for fiction by incorporating two modes of nineteenth-century realism, the satiric portrayal of southern manners and southern backwoods humor, into the framework of his long romances; but his accomplishments in these areas have been undervalued or misunderstood by critics since is time. Wimsatt’s book is the first to survey Simms’s fiction and much of his other writing against the background of his life and literary career and the first to make extensive use of his immense correspondence. It is an important study of a neglected author who once served as the leafing symbol of literary activity in the South. It fills what has heretofore been a serious gap in southern literary studies.
In analyzing the fraud-facilitated leveraged buyouts engineered by Michael Milken and the firm of Drexel Burnham Lambert, the author suggests that such buyouts have multiple and extensive consequences for the organization of business and the economy. Zey also demonstrates how ordinary bond trading networks were linked to the extraordinary networks of the Boesky Organizations and Employee Private Partnerships in order to defraud bond issuers and buyers. This book debunks the myth of rational economic organization in the 1980s and establishes broad implications for theories of organizational deviance.
Spirited and insightful essays from the #1 New York Times–bestselling author of Memories of a Catholic Girlhood and a “delightfully polished writer” (The Atlantic Monthly). Whether penning criticism, memoir, or fiction, the New York Times–bestselling author of The Group invariably wrote with “an icily honest eye and a glacial wit” (The New York Times). Gathered here are three collections of her personal essays and literary criticism. Occasional Prose: McCarthy imbues this collection with her unique gifts of clear-eyed observation, sharp insight, and heartfelt passion as she gives us the story of La Traviata in her own words, reviews a charming and practical book on gardening, revisits Tolstoy’s Anna Karenina, and eulogizes friends, including Hannah Arendt. “Bracing opinions tartly expressed . . . May she continue to call us all to attention . . . showing us the world of her imagination, thought and rich experience.” —The New York Times The Writing on the Wall: With engaging and thought-provoking essays on Madame Bovary, Macbeth, Vladimir Nabokov, George Orwell, William S. Burroughs, J. D. Salinger, and Hannah Arendt, this collection of literary reactions is distinguished by McCarthy’s savage intelligence, clarity of thought, and utter lack of pretension. “The brand name tells all. Potential readers do not have to be informed by me of the excellence of this volume—the acumen, intelligence, clarity, wit and lack of bitchiness.” —Anthony Burgess, The New York Times Ideas and the Novel: In this lively, erudite book, McCarthy throws down the gauntlet: Why did the nineteenth century produce novels of ideas while the twentieth century is so lacking in serious fiction? Could Henry James be a big part of the problem? With verve and passion, McCarthy provides a critique of how the novel has evolved—or not—in the last century. “[McCarthy’s] writing is spirited. [Her] musings serve a larger purpose, make a grander statement, or rather, indictment. She means to set the modern novel apart.” —The Harvard Crimson
Sharply observed literary fiction from the #1 New York Times–bestselling author of The Group and a “delightfully polished writer” (The Atlantic Monthly). New York Times–bestselling author Mary McCarthy wrote with “an icily honest eye and a glacial wit that make her portraits stingingly memorable” (The New York Times). From a trenchant portrait of marriage to an academic satire to an unconventional thriller, the three novels in this collection show the range of an author possessed of “an uncanny flair for fastening on detail that has an electric impact on the reader” (The Atlantic Monthly). A Charmed Life: In this New York Times bestseller, former actress and budding playwright Martha Sinnott longs to recapture the “charmed life” she abandoned when she divorced her first husband. So she returns to her beloved New England artists’ colony with her second spouse. But her arrogant ex, Miles, lives dangerously close by with his new wife. And in a pervasive atmosphere of falsehoods and self-delusions, the biggest lie of all is Martha’s belief that her reunion with Miles won’t somehow wreak terrible havoc on all she holds dear. “A glittering tragedy.” —The New York Times The Groves of Academe: College instructor Henry Mulcahy embarks on a fanatical quest to save his job—and enact righteous revenge—in this “brilliantly stinging” satire of university politics during the early Cold War years (The New York Times). “Brilliant . . . Bitterly tongue-in-cheek.” —The New Yorker Cannibals and Missionaries: En route to Iran, a plane is hijacked by Middle Eastern terrorists intent on holding hostage the politicians, religious leaders, and activists on a mission to investigate charges of human rights violations by the Shah. Soon the kidnappers discover a greater treasure onboard: prominent art collectors with access to some of the world’s most valuable paintings—which could fund global terrorism. As both captors and captives confront bitter truths about their conflicting values and ideologies, the clock races toward an explosive endgame. “Tense, intelligent entertainment.” —Chicago Tribune
DIVDIVMary McCarthy, one of our most brilliant and beloved authors, serves up wit, insight, and her unique worldview in this diverse collection of essays/divDIV In provocatively titled pieces such as “The Contagion of Ideas,” “Tyranny of the Orgasm,” and “No News, or,What Killed the Dog,” Mary McCarthy expresses her frank, unflinching, often contrarian point of view./divDIV Nothing—and no one—is safe from her merciless writer’s eye—from politics to the ever-changing social scene to the strengths and weaknesses of her native country, where she believes “passivity and not aggressiveness is the dominant trait of the American character.” On the Contrary also features a cast of memorable characters. In “Naming Names,” Arthur Miller’s testimony before the House Un-American Activities Committee results in an indictment for contempt of Congress. McCarthy reviews The Human Condition, Hannah Arendt’s breakthrough book, and despairs of finding a “really American place” to take a visiting existentialist—a thinly disguised Simone de Beauvoir? /divDIV From Dickens to Gandhi to the Kinsey Reports, with pithy and wide-ranging articles on everything from fashion to fiction, the human condition, religion, and sex, On the Contrary raises controversial questions to which, even today, there are no easy answers./div This ebook features an illustrated biography of Mary McCarthy including rare images from the author’s estate. /div
Soluble Fish transports readers to a place of discovery, exploring issues of borders, familial and love relationships, and other aspects of being human. Mary Jo Firth Gillett layers her poems in rich metaphor as she searches for meaning in everyday life. Contemplating a range of topics from teaching poetry to watching her father filet a fish, Gillett’s humorous and playful collection celebrates language and life.
DIVDIVA college instructor embarks on a fanatical quest to save his job—and enact righteous revenge—in this brilliantly acerbic satire of university politics during the early Cold War years/divDIV Henry Mulcahy’s future is in question. An instructor of literature at Jocelyn College, an institute of higher learning renowned for its progressive approach to education, he has just received word that he will not be teaching next semester. He strongly suspects that his dismissal has been engineered by his nemesis, the college president, who Henry believes resents his superior skills as an educator. Or perhaps he is being targeted by the government in this Cold War era, now that Senator Joseph McCarthy’s communist witch hunt is in full swing, especially since Henry’s dedication to independent thinking is, he believes, renowned. Whatever the case, Henry Mulcahy wants justice—and vengeance—and he will not go quietly without a fight. But the battle might expose too much of Henry’s true nature . . ./divDIV Witty and biting, Mary McCarthy’s The Groves of Academe is a deliciously pointed satire of the world of higher education and its petty despots, tiny wars, and internal politics./divDIV This ebook features an illustrated biography of Mary McCarthy including rare images from the author’s estate./divDIV/div/div
The celebrated author of The Group offers a “clever, witty, polished” portrait of the 1940s NYC literary bohemia she knew so well in this debut novel (The New York Times). Margaret Sargent is young and fearless, a deep thinker inspired by the bohemian energy that abounds in New York City in the years leading up to the Second World War. With careless abandon, she destroys her marriage and numerous love affairs as she moves through the social circles of artists and writers, playing at the fringes of political extremism. She is an enigma, often wanton and frivolous, but possessing intelligence and a razor-sharp wit, as well as a troubling core of inner darkness, self-doubt, and puzzling tendencies toward self-destruction. For Margaret, urban life in the 1930s is an ongoing adventure—ever-changing, always surprising, and deeply, profoundly unsatisfying. Mary McCarthy, author of the bestselling American classic The Group, burst boldly onto the literary scene with her provocative debut, The Company She Keeps. A brilliant, stylistically inventive novel, it offers a rich portrait of a truly fascinating protagonist in six revealing episodes. Love her, despise her, or fear for her, you will never forget Margaret Sargent. This ebook features an illustrated biography of Mary McCarthy including rare images from the author’s estate.
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