This book is an original exploration of the importance in the analytical relationship of an attentiveness to lived, conscious and unconscious experiences of time in its three dimensions. It critically discusses the diverse concepts of time implied in different writings in the psychoanalytic tradition, namely those of Freud, Jung, Klein, Lacan, and Winnicott. "Time in Practice" highlights the limitations of spatial metaphors and the emphasis on the past as determinative. It discusses the contributions of modern European philosophical concepts of temporality. Eva Hoffman's interweaving of time and language in her autobiographical descriptions is shown to be crucially relevant to psychoanalytic practices. Exploring psychoanalytic notions of 'cure', the book emphasizes the importance of language and imagination in opening out future possibilities for the patient. Lively references to case material illustrate the relevance of its arguments.
In the early years of the nineteenth century, Charles and Mary Lamb published several children’s books, including the famous ‘Tales from Shakespeare’, which would have a lasting influence on the course of children’s literature. Charles Lamb is also notable for his essays under the pseudonym Elia for the London Magazine. His style is highly personal and mannered, conjuring nostalgic scenes with humour and pathos. This comprehensive eBook presents Charles and Mary Lamb’s complete works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to the authors’ lives and works * Concise introductions to the famous texts * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Famous works such as ‘Tales from Shakespeare’ and ‘The Adventures of Ulysses’ are fully illustrated with their original artwork * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes Lamb’s complete prose works * Features Charles and Mary Lamb’s letters - spend hours exploring the authors’ personal correspondence * Special criticism section, with 9 essays evaluating Charles Lamb’s contribution to literature * Features four biographies, including Gilchrist’s seminal work on Mary Lamb - discover the authors’ intriguing lives * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Collaborative Works JOHN WOODVIL TALES FROM SHAKESPEARE MRS. LEICESTER’S SCHOOL POETRY FOR CHILDREN Charles Lamb’s Fiction A TALE OF ROSAMUND GRAY AND OLD BLIND MARGARET THE ADVENTURES OF ULYSSES Charles Lamb’s Plays MR H.; OR BEWARE A BAD NAME THE PAWNBROKER’S DAUGHTER THE WITCH THE WIFE’S TRIAL Charles Lamb’s Non-Fiction ON THE TRAGEDIES OF SHAKESPEARE WITCHES AND OTHER NIGHT FEARS ELIA AND THE LAST ESSAYS OF ELIA RECOLLECTIONS OF CHRIST’S HOSPITAL MISCELLANEOUS PROSE Charles Lamb’s Poetry POEMS FROM BLANK VERSE THE KING AND QUEEN OF HEARTS PRINCE DORUS SATAN IN SEARCH OF A WIFE ALBUM VERSES MISCELLANEOUS POEMS The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER Mary Lamb’s Essay ON NEEDLE-WORK BY ‘SEMPRONIA’ The Letters THE LETTERS OF CHARLES AND MARY LAMB The Criticism CHARLES LAMB by Thomas de Quincey ELIA, AND GEOFFREY CRAYON by William Hazlitt CHARLES LAMB by Walter Pater CHARLES LAMB by Arthur Symons CHARLES LAMB by John Cowper Powys CHARLES LAMB by Charles Edwyn Vaughan CHARLES LAMB by S. P. B. Mais CHARLES LAMB by Hattie Tyng Griswold CHARLES LAMB by Augustine Birrell THE LETTERS OF CHARLES LAMB by Augustine Birrell CHARLES LAMB by A. St. John Adcock The Biographies CHARLES LAMB by Walter Jerrold CHARLES LAMB: A MEMOIR by Barry Cornwall CHARLES LAMB by Alfred Ainger MARY LAMB by Mrs. Gilchrist Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks
Collecting and displaying finely crafted objects was a mark of character among the royals and aristocrats in Early Modern Spain: it ranked with extravagant hospitality as a sign of nobility and with virtue as a token of princely power. Objects of Culture in the Literature of Imperial Spain explores how the writers of the period shared the same impulse to collect, arrange, and display objects, though in imagined settings, as literary artefacts. These essays examine a variety of cultural objects described or alluded to in books from the Golden Age of Spanish literature, including clothing, paintings, tapestries, playing cards, monuments, materials of war, and even enchanted bronze heads. The contributors emphasize how literature preserved and transformed objects to endow them with new meaning for aesthetic, social, religious, and political purposes – whether to perpetuate certain habits of thought and belief, or to challenge accepted social and moral norms.
A new edition of a classic text This new edition of Human Development has been thoroughly revised and updated to incorporate recent developments in the field. New material is introduced on the development of a sense of self, the social self and moral development. Beginning with a discussion of birth and childhood, the reader is lead through each of the crucial stages in human development. The authors reveal the intricate interplay between physical, emotional and psychological factors that contribute to the individual patterns of development that make each of us unique. All of the major milestones of life are covered, including adolescence, work, parenthood and old age. Employing psychoanalytic theories of development, this book reveals the richness that these ideas bring to well-known everyday phenomena. This highly accessible and jargon-free introduction to human development combines scientific objectivity with a sensitive and sympathetic approach to the subject. It will prove invaluable to anyone involved in the helping professions.
At some level, most patients who are undergoing therapy have issues of revenge and forgiveness to contend with. Mary Sherrill Durham explores the concepts of vengeance, revenge fantasies, and the granting or withholding of forgiveness, as they are manifested to the therapist during treatment. She argues that revenge is usually expressed in one of two ways, and categorizes patients accordingly into two archetypes. The `Exploited - Repressive Individual' is anxious and depressed, and during therapy wishes to retaliate against a parent who has used him or her in an inappropriate and self-serving manner. The `Vindictive Character', on the other hand, has usually been more openly rejected or manipulated and may well suffer from a personality disorder. This character is more likely to act out his or her rage than repress it. Identifying a renewed interest in the topic of forgiveness, the author takes a pragmatic view of its potential for healing and closure, and examines our ambivalent relationship to it. Mary Sherrill Durham draws on her extensive clinical experience to illustrate her arguments, and relates them to society in general. She devotes separate chapters to revenge and forgiveness as they are expressed by children and adolescents, and by offenders. She also examines potential for the therapist/patient relationship to become a re-enactment of an abusive or controlling situation.
This ambitious study offers a comprehensive analysis of the visual in authors from the Anglophone Caribbean. Mary Lou Emery analyses works by George Lamming, C. L. R. James, Derek Walcott, Wilson Harris, Jamaica Kincaid and David Dabydeen. This study is an original and important contribution to both transatlantic and postcolonial studies.
Traditionally, psychoanalytically oriented clinicians have eschewed a direct focus on symptoms, viewing it as superficial turning away from underlying psychopathology. But this assumption is an artifact of a dated classical approach; it should be reexamined in the light of contemporary relational thinking. So argues Mary Connors in Symptom-Focused Dynamic Psychotherapy, an integrative project that describes cognitive-behavioral techniques that have been demonstrated to be empirically effective and may be productively assimilated into dynamic psychotherapy. What is the warrant for symptom-focused interventions in psychodynamic treatment? Connors argues that the deleterious impact of symptoms on the patient's physical and emotional well being often impedes psychodynamic engagement. Symptoms associated with addictive disorders, eating disorders, OCD, and posttraumatic stress receive special attention. With patients suffering from these and other symptoms, Connors finds, specific cognitive-behavior techniques may relieve symptomatic distress and facilitate a psychodynamic treatment process, with its attentiveness to the therapeutic relationship and the analysis of transference-countertransference. Connors' model of integrative psychotherapy, which makes cognitive-behavioral techniques responsive to a comprehensive understanding of symptom etiology, offers a balanced perspective that attends to the relational embeddedness of symptoms without skirting the therapeutic obligation to alleviate symptomatic distress. In fact, Connors shows, active techniques of symptom management are frequently facilitative of treatment goals formulated in terms of relational psychoanalysis, self psychology, intersubjectivity theory, and attachment research. A discerning effort to enrich psychodynamic treatment without subverting its conceptual ground, Symptom-Focused Dynamic Psychotherapy is a bracing antidote to the timeworn mindset that makes a virtue of symptomatic suffering.
Treasure hunting is not for the faint of heart. Luckily, Lucy St. Elmo, owner of the Cape Cod antiques shop St. Elmo Fine Antiques, has more than enough heart. What she needs to improve are her tracking skills-or else the wrong man could be convince of a one-of-a-kind murder.
While critics collect around the question of what comes "after postmodernism," this book asks something different about recent American fiction: what if we are seeing not the end of postmodernism but its belated success? Succeeding Postmodernism examines how novels by DeLillo, Wallace, Danielewski, Foer and others conceptualize threats to individuals and communities posed by a poststructural culture of mediation and simulation, and possible ways of resisting the disaffected solipsism bred by that culture. Ultimately it finds that twenty-first century American fiction sets aside the postmodern problem of how language does or does not mean in order to raise the reassuringly retro question of what it can and does mean: it finds that novels today offer language as solution to the problem of language. Thus it suggests a new way of reading "antihumanist" late postmodern fiction, and a framework for understanding postmodern and twenty-first century fiction as participating in a long and newly enlivened tradition of humanism and realism in literature.
Western philosophical orthodoxy places many aspects of other people's lives outside the scope of our knowledge. Demonstrating an alternative to this view, however, this book argues that Jean-Paul Sartre's application of his unique psychoanalytic method to Gustave Flaubert is the culmination of his project to show that it is possible to know everything there is to know about another person. It examines how Sartre aims to revolutionize our way of thinking about others by presenting his existential psychoanalysis as the means to knowledge of both ourselves and others. By so doing, it highlights how his determination to solve the longstanding philosophical conundrum about other minds drives him not only to incorporate insights from Descartes, Hegel, Husserl, Freud, Marx, and Beauvoir into his philosophy, but also to supplement and enhance his philosophy through the development and application of a new form of psychoanalysis. Sartre's Existential Psychoanalysis integrates, for the first time, Sartre's psychoanalysis into his overarching philosophical project. By offering a critical interrogation of the role his psychoanalytical studies played in the development of his existentialism, Mary Edwards uncovers the overlooked philosophical significance of his existential psychoanalysis and brings it into a new and productive dialogue with current research in the fields of philosophy, psychology, and psychotherapy.
The distinguished contributors to Confidentiality probe the ethical, legal, and clinical implications of a deceptively simple proposition: Psychoanalytic treatment requires a confidential relationship between analyst and analysand. But how, they ask, should we understand confidentiality in a psychoanalytically meaningful way? Is confidentiality a therapeutic requisite of psychoanalysis, an ethical precept independent of psychoanalytic principles, or simply a legal accommodation with the powers that be? In wrestling with these questions, the contributors to Confidentiality are responding to a professional, ethical, and political crisis in the field of mental health. Psychotherapy - especially long-term psychotherapy in its psychoanalytic variants - has been undermined by an erosion of personal privacy that has become part of our cultural zeitgeist. The heightened demand for public transparency has forced caregivers from all walks of professional life to submit to increasing bureaucratic regulation. For the contributors to this collection, the need for confidentiality is centrally involved in the relationship of the psychotherapeutic professions both to society and to the law. No less importantly, the requirement of confidentiality brings a clarifying perspective to debates within the psychotherapeutic literature about the relationship of theory to practice. It thereby provides a framework for shaping a set of ethical principles specifically adapted to the psychotherapeutic, and especially to the psychoanalytic, relationship. Linking general issues of privacy to the intimate details of psychotherapeutic encounter, Confidentiality will serve as a basic guide to a wide range of professionals, including lawyers, social scientists, philosophers, and, of course, psychotherapists. Therapy patients, policy makers, and the wider public will also find it instructive to know more about the special protected conditions under which one can better come to "know thyself.
This accessible guide to the study and appraisal of paintings shows how you can learn to look at and understand an image by analysing how it works, what its pictorial elements are and how they relate to each other.
Thirty-five years after her death, this book reassesses the Argentinian poet Alejandra Pizarnik (1936-72) in the light of recent publications of her 'complete' poetry and prose, diaries, and previously unavailable archive material.The essays in this volume explore Pizarnik's work from new angles: they examine her production as a literary critic, revealing her intense identificatory strategies as a reader, and the impact of such activities upon her own creative process. They also weigh up the influence of her ambiguous attitudes towards sexuality on her poetic personae, as well as the ways in which her concern with sex inspires her experimentation with humorous prose. New approaches are taken to key texts and themes: in the case of the much-studied work, 'La condesa sangrienta', through a detailed philosophical reading involving comparisons with Kafka, and, in the case of the theme of the split subject, through the lens of translation.By broadening the scope of Pizarnik studies, this book will act as a catalyst for further research into the work of this compelling poet.
Exploring how readers received and responded to literary works in the long eighteenth century, M-C. Newbould focuses on the role played by Laurence Sterne’s fiction and its adaptations. Literary adaptation flourished throughout the eighteenth century, encouraging an interactive relationship between writers, readers, and artists when well-known works were transformed into new forms across a variety of media. Laurence Sterne offers a particularly dynamic subject: the immense interest provoked by The Life and Opinions of Tristram Shandy, Gentleman and A Sentimental Journey through France and Italy inspired an unrivalled number and range of adaptations from their initial publication onwards. In placing her examination of Sterneana within the context of its production, Newbould demonstrates how literary adaptation operates across generic and formal boundaries. She breaks new ground by bringing together several potentially disparate aspects of Sterneana belonging to areas of literary studies that include drama, music, travel writing, sentimental fiction and the visual. Her study is a vital resource for Sterne scholars and for readers generally interested in cultural productivity in this period.
Bloomsbury on the Mediterranean," is how Vanessa Bell described France in a letter to her sister, Virginia Woolf. Remarking on the vivifying effect of Cassis, Woolf herself said, "I will take my mind out of its iron cage and let it swim.... Complete heaven, I think it." Yet until now there has never been a book that focused on the profound influence of France on the Bloomsbury group. In Bloomsbury and France: Art and Friends, Mary Ann Caws and Sarah Bird Wright reveal the crucial importance of the Bloomsbury group's frequent sojourns to France, the artists and writers they met there, and the liberating effect of the country itself. Drawing upon many previously unpublished letters, memoirs, and photographs, the book illuminates the artistic development of Virginia and Leonard Woolf, Clive Bell, David Garnett, E. M. Forster, Lytton Strachey, Dora Carrington, and others. The authors cover all aspects of the Bloomsbury experience in France, from the specific influence of French painting on the work of Roger Fry, Duncan Grant, and Vanessa Bell, to the heady atmosphere of the medieval Cistercian Abbaye de Pontigny, the celebrated meeting place of French intellectuals where Lytton Strachey, Julian Bell, and Charles Mauron mingled with writers and critics, to the relationships between the Bloomsbury group and Henri Matisse, Pablo Picasso, Gertrude Stein, Andre Gide, Jean Marchand, and many others. Caws and Wright argue that Bloomsbury would have been very different without France, that France was their anti-England, a culture in which their eccentricities and aesthetic experiments could flower. This remarkable study offers a rich new perspective on perhaps the most creative group of artists and friends in the 20th century.
This book presents an integrated interpretation and appraisal of Kant's mature aesthetic. The writer draws readers into the realization of what is important and enduring in the Critique of Aesthetic Judgment by taking up the issues Kant raises and relating them to contemporary themes in aesthetics. Those parts of Kant's theory that raise issues engaging contemporary discussion and debate, such as the role of pleasure, the tenability of the aesthetic attitude, the justification of claims to interpersonal agreement in aesthetic judgment in and the relation of beauty to excellence in art are given special emphasis and subjected to careful scrutiny.
Literature gives access to the “verge,” to the place where the full terror of falling is felt, and yet both feet are still on the ground. Empire on the Verge of a Nervous Breakdown offers pleasurable instruction to readers who want to know and feel their ways through and beyond disciplinary conventions towards new and clearer understandings of how empires and texts shiver and fall, and why. Literature makes a difference to the ways that these questions are asked and explored. A cavalcade of writers—among them Edward Gibbon, Edgar Allan Poe, James Joyce, Sigmund Freud, the Wolf-Man, Gertrude Stein, Monique Wittig, Jeanette Winterson, Monty Python and even Miguel de Cervantes and A. Conan Doyle-- have written about empire, femininity, Spain, pain, wounds, war and love. Symptoms of imperial panic abound in their pages, very frequently manifesting directly or indirectly in allusions to Spain and things Spanish. Here female or feminized bodies often bear the brunt of any acting-out. In these highly original and highly engaging essays the reader confronts verges of cliffs, madness, window ledges, rooftops; verges of virgins and whores, slippery slopes and razor’s edges. Gossy argues that masculinity and femininity are always on the verge of slipping away from what they are supposed to be, and of dragging fantasies of imperial domination over the edge with them. The Spain of lost empire accompanies these acute symptoms of anxiety, even in texts and authors where—as in Monty Python’s version of the Spanish Inquisition—no one expects it.
*Winner of the Guild of Food Writers First Book Award 2014* Food writer and baker extraordinaire Mary-Anne Boermans has delved into the UK’s fine baking history to rediscover the long-forgotten recipes of our past. These are recipes that fill a cook with confidence, honed and perfected over centuries and lovingly adapted for use in 21st-century kitchens. Here you will find such tempting delights as Welsh Honey Cake, Lace Meringues, Rich Orange Tart, Butter Buns, Pearl Biscuits and Chocolate Meringue Pie. They are triple-tested recipes that do not rely on processed, pre-packaged ingredients and they are all delicious. And Mary-Anne reveals the stories behind the bakes, with tales of escaped princes, hungry politicians and royal days out to sample the delicacies of Britain’s historic bakeries. This very special collection sits confidently among the best of British cookery writing, with recipes that have stood the test of time and that will both surprise and delight for years to come.
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