In the last three decades of the eighteenth century, a small but significant number of German actresses, including Sophie Albrecht (1757-1840), Marianne Ehrmann (1755-1795) and Elise BYrger (1769-1833), began to publish poetry, autobiography, drama and short fiction under their own names. These 'actress-writers' came of age at a time when the status of the actress was beginning to be radically redefined in accordance with Enlightenment aesthetics and the cult of sensibility, as the model of the enterprising actress-director in the tradition of Caroline Neuber gave way to an idealizing view of the actress as sentimental heroine. The Mask and the Quill: Actress-Writers in Germany from Enlightenment to Romanticism, is an exploration of this generation of actress-writers, their significance for German literary and cultural history, and their attempts to come to terms with the new image of the actress through literature and performance. In their texts and performances, Albrecht, Ehrmann and BYrger articulated an entirely new sense of what it meant to be an actress and a woman writer. They identified themselves with the cult of sensibility, with the theater reform movement, and above all with an image of the actress as GefYhlsschauspielerin or 'actress of emotion,' which emerged in the mid-1770s in response to the death of the Hamburg tragedienne Charlotte Ackermann (1757-1775). While some scholars have described this generation as a silent one, forced to submit to increasingly passive ideals of domesticity, actress-writers of the era defied this trend by using the image of the GefYhlsschauspielerin as a passport to literary activity. Their close relationship to theater and the nascent genre of 'paratheatrical literature' provided them with a public voice, access to literary circles and a language with which to articulate their identity as actresses and as writers. More importantly, it provided them with a space from which to critique contemporary notions of gender and virtue. Drawing on the methodologies of New Historicism and discourse analysis, The Mask and the Quill engages in readings of a broad spectrum of late-eighteenth- and early-nineteenth-century texts and cultural practices, from autobiographical fiction and lyric poetry to funeral rites and tableaux vivants. Through readings of diverse source material, it sheds light on an underrepresented group whose lives and works resist conventional notions about women's cultural contributions to the Goethezeit and beyond.
Settled by pioneers who referred to themselves as "rough and ready" and named after Thomas Jefferson's elegant estate in Virginia, Monticello has a colorful past that blends folklore and history to the point where separating one from the other would be nearly impossible--and controversial to boot. Continuous growth and prosperity have made it the hub of southeast Arkansas and a mecca for regionally located Arkansans when hard economic times have hit. Generally believed to be the most affluent town in the state from 1890 to 1920, Monticello provided opportunity, from early on, to those seeking fulfillment of the American Dream. Education has long been at the heart of Monticello's ability to flourish, and its relationship with the University of Arkansas at Monticello has always been symbiotic.
Disease is the true serial killer of human history: the horrors of bubonic plague, cholera, syphilis, smallpox, tuberculosis and the like have claimed more lives and caused more misery than the depredations of warfare, famine and natural disasters combined. Murderous Contagion tells the compelling and at times unbearably moving story of the devastating impact of diseases on humankind - from the Black Death of the 14th century to the Spanish flu of 1918-19 and the AIDS epidemic of the modern era. In this book Mary Dobson also relates the endeavours of physicians and scientists to understand and identify the causes of diseases and find ways of preventing them. This is a timely and revelatory work of popular history by a writer whose knowledge of, and enthusiasm for, her subject shines through her every word.
Charleston was founded in 1670 by people recruited in the coffeehouses and pubs of London. They were a diverse and interesting group that created a vibrant, sophisticated city in the wilderness. This book tells the stories of people in each era of the city's history. There is a second-grade class photograph that contains a mayor, an admiral, and the grandfather of a senator; Christopher Gadsden, who is buried in an unmarked grave because he feared his enemies would defile his body; and Isaac Hayne, who was hanged by the British for being a traitor. There is Mary Moultrie, who led the strike of hospital employees that earned equal pay and fair treatment for nurses. Today, Shepard Fairey, Stephen Colbert, and Tim Scott keep Charleston's reputation for rebelliousness alive.
JULEP THOUGHT SURVIVING THE MOB WAS HARD... ...but surviving her guilt is another thing entirely. Running her investigation agency is Julep's only distraction from her losses over the last few months. With a few new minions on Julep's payroll, she's been taking on various investigation jobs, including one for Mrs. Antolini--the wife of a computer engineer arrested for embezzling a whole lot of money from his company. She's convinced he did it at the behest of the New World Initiative, a leadership cult that just so happens to be run by a grifter who supposedly went straight. Julep's not so sure she wants the case--going up against any grifter, even an ex-grifter, is no joke--but Mrs. Antolini's story links to a mysterious blue fairy, and potentially to Julep's own missing mother. To complicate matters, someone's put a contract on Julep's head, so even if she manages to take down the con artist at the top of the New World Initiative, she may not live to tell the tale. With a war on multiple fronts, and her enigmatic shadow, Dani Ivanov, as her only protection, Julep must face the ghosts of her past to even have a chance at surviving the present. Will Julep escape the clutches of everyone who wants her dead? Worse, will she escape the burgeoning feelings she's been catching for her mob-enforcer bodyguard? Get the book now to find out! EDITORIAL REVIEWS "The action moves as quickly and crisply as the dialogue... A clever romp that keeps readers guessing." --Kirkus Reviews "I would trust Julep Dupree with my life, Dani Ivanov with my heart--and Mary Elizabeth Summer with my every late-night can't-stop-reading session. An intelligent, fierce heroine of strength and loyal heart who refuses to suffer fools lightly? Yes, please." --Jennifer Longo, award-winning author of What I Carry "An irresistible mix of intrigue, high stakes, and self-discovery." --Lee Kelly, author of City of Savages and The Antiquity Affair "An engaging, fast-paced read." --VOYA Magazine
While on a weekend vacation to see their beloved LSU Tigers play, Jim and Mary T deBrueys get a call that would stop any parent’s heart. “We’re calling to let you know that a boat transporting your son, James, and others has gone missing.” From that surreal moment and on through the next ten years, Mary T, Jim, and their family and friends have nothing but love, grace, family, and faith to see them through. In this unusual memoir, Mary T's recollections and correspondence from friends paint a colorful picture of James, a hilarious, sweet-natured twenty-two-year-old determined to do good in the world. He is on a volunteer mission to teach impoverished children in the Marshall Islands when his boat goes missing. But readers will get to know James personally from the letters he writes home; witty, loving, observant, and kind, they paint a portrait of an exceptional young man on the cusp of adulthood, with plans to make a difference. A story of unimaginable loss and the path to finding grace, Jambos with James will speak eloquently to others who have lost children and to young people who have lost friends and/or siblings, showing the hope and even joy that comes from living through and accepting such a tragedy.
Shell Bluff, a renovated mansion somewhere south of Savannah, had been the home of the Warren family since 1898. St. Julien Warren, a timber merchant, and his new wife Susan Winthrop, daughter of the Boston shipping Winthrops, intended it to become the ancestral home of a Warren dynasty. Their son, Winthrop Warren, near manhood, handsome and accomplished, and their four daughters, destined to become southern beauties, seemed a secure underpinning for the future. But the House of Warren was not to be. St. Julien became a victim of the 1918 influenza plague. Then, in 1920, the sudden and inexplicable death of his widow Susan put his orphaned children in the care of their aunt, Claudia. The mischief had begun.The Warren fortune was substantial and the terms of its inheritance was unusual; the assets could only be passed to the oldest male child of one of the children. Perhaps Aunt Claudia was tempted to advance her own cause in the matter. Perhaps others, with real or perceived interests, were drawn into the ensuing turmoil: a tumult of arson, embezzlement and seduction.In the end, the legal machinery of the time was put to an exacting test. It might have done better. Or perhaps, in retrospect, it could have done worse.
First published in 1875 and read by more than eight million people, this nondenominational book has a 119-year history of healing and inspiration. To attract a new audience, this time-honored message of healing has a powerful new cover, easy-to-read page layout, and word index. Named one of "75 Books by Women Whose Words Have Changed the World".
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