An exhilarating read' New Statesman In Feminism Against Progress, Mary Harrington argues that the industrial-era faith in progress is turning against all but a tiny elite of women. Women's liberation was less the result of human moral progress than an effect of the material consequences of the Industrial Revolution. We've now left the industrial era for the age of AI, biotech and all-pervasive computing. As a result, technology is liberating us from natural limits and embodied sex differences. Although this shift benefits a small class of successful professional women, it also makes it easier to commodify women's bodies, human intimacy and female reproductive abilities. This is a stark warning against a dystopian future whereby poor women become little more than convenient sources of body parts to be harvested and wombs to be rented by the rich. Progress has now stopped benefiting the majority of women, and only a feminism that is sceptical of it can truly defend female interests in the 21st century.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Highlighting the singular experiences of one girls growth from early childhood through adolescence, Forever Yankee details both the joyfulness and struggles of coming-of-age during the 1950s and 1960s.
Two sisters in love with the same man -- one engaged to him and the other about to sabotage the wedding -- struggle to reconcile in this delicious novel from the bestselling author of The Irresistible Blueberry Bakeshop & Café. The Harrington sisters have never gotten along. Sara is a Type-A, career-focused event planner, and her younger sister Mariel is the opposite: bohemian, semi-employed, and recently engaged. When Sara's mother lures her back to Connecticut under false pretenses, she is perturbed to discover Mariel waiting for her, eager to reconcile their relationship -- and get some help with the final arrangements before her big day. The two sisters haven't spoken since the night Sara realized something was going on between Mariel and Sara's boyfriend, Carter Pryce. And now Mariel is about to marry Carter, the man she stole from Sara, the man Sara still loves. When Mariel asks Sara to stand in for a bridesmaid who has to cancel at the last minute, Sara realizes it's the perfect cover to unravel the nuptials and win Carter back. Sara begins to slowly sabotage Mariel's picture-perfect wedding, but when she crosses paths with David Cole, he challenges her self-image as the jilted second-fiddle to her spotlight-stealing sister. Will Sara realize what a bridesmaid-zilla she's become in time to fix the damage before Mariel's big day? Funny, soulful, and as sweet as buttercream, The Wedding Thief is the perfect summer read.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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