Enjoy the bygone days of a time precariously nestled between the comforts of peace and the ever-present threat of impending war in 1939. Meander the dirt roads converging at the general store, where tall tales flow freely. A young parson from the Northeast arrives and receives an education from the mountaineers far beyond his "preacher schooling." The unsolicited courtin' assistance pushes his patience to the limits. Laugh with six brothers as they unconventionally live balancing compassion with tomfoolery; gaiety with grief; all while holding fast to a simple yet steadfast faith. A new resident arrives, not fitting the mold of a Greenbed woman; she clings to high fashion and longs for the social life she enjoyed in the big city. Her actions and attitudes alienate the residents from her husband's struggling store until she is forced to put her life into the hands of the most unlikely character in the mountain. The war touched the mountain community in a shocking manner they'd never imagined possible.
Anecdotes, tidbits and documents to provide insight into the lives of members of the Peterson, Freeland, gardner, Snider, Hurt and many other families of Tennessee, Kentucky, Virginia and North Carolina in the 18th, 19th and 20th centuries. Also, data on the Arnold family of Texas, the Ochs family of Tennessee and New York, the Wilder family of Vermont, the Barr family of Pennsylvania, and many others."--Back cover.
About a third of Mr. Gold's account deals with the general history of the county, with the balance devoted to the Civil War. The author provides an overview of the various troop movements throughout the county during the war, such as those under the command of Confederate General Jubal Early. The bulk of the volume examines the roles of Clarke County natives in the conflict.
More than 100 powerful images by noted photographer Russell Lee that document the working conditions and lives of coal mining communities in the postwar United States; publication coincides with an exhibition at the National Archives in Washington, DC. In 1946 the Truman administration made a promise to striking coal miners: as part of a deal to resume work, the government would sponsor a nationwide survey of health and labor conditions in mining camps. One instrumental member of the survey team was photographer Russell Lee. Lee had made his name during the Depression, when, alongside Dorothea Lange and Walker Evans, he used his camera to document agrarian life for the Farm Security Administration (FSA). Now he trained his lens on miners and their families to show their difficult circumstances despite their essential contributions to the nation's first wave of postwar growth. American Coal draws from the thousands of photographs that Lee made for the survey—also on view in the US National Archives and Records Administration’s exhibition Power & Light—and includes his original, detailed captions as well as an essay by biographer Mary Jane Appel and historian Douglas Brinkley. They place his work in context and illuminate how Lee helped win improved conditions for his subjects through vivid images that captured an array of miners and their communities at work and at play, at church and in school, in moments of joy and struggle, ultimately revealing to their fellow Americans the humanity and resilience of these underrecognized workers.
At the foot of the Ortega Mountains on the flank of Cleveland National Forest, the 3,300-acre Lake Elsinore is one of Southern Californias more spectacular natural wonders. It is also the regions only large natural lake. The city of the same name on its shores was incorporated in 1888 through the efforts of financier Franklin H. Heald. His partner, D. M. Graham, fancifully wrote, We can imagine no more enchanting picture than Elsinore will present when the taste and energy of the settlers shall have made it a valley of fruit and flowers in the midst of which the lake shall lie like a priceless gem. Named after the castle in Shakespeares Hamlet, the lake and city proved to be a stopover spot for hunters and ranchers, eventually vacationers, and then water and motor sports aficionados. Today Lake Elsinore has a thriving population of about 30,000 year-round residents in the southwestern corner of Riverside County.
Cumberland Island is a national treasure. The largest of the Sea Islands along the Georgia coast, it is a history-filled place of astounding natural beauty. With a thoroughness unmatched by any previous account, Cumberland Island: A History chronicles five centuries of change to the landscape and its people from the days of the first Native Americans through the late-twentieth-century struggles between developers and conservationists. Author Mary Bullard, widely regarded as the person most knowledgeable about Cumberland Island, is a descendant of the Carnegie family, Cumberland's last owners before it was acquired by the federal government in 1972 and designated a National Seashore. Bullard's discussion of the Carnegie era on Cumberland is notable for its intimate glimpse into how the family's feelings toward the island bore upon Cumberland's destiny. Bullard draws on more than twenty years of research and travels about the island to describe how water, wind, and the cycles of nature continue to shape it and also how humans have imprinted themselves on the face of Cumberland across time--from the Timuca, Guale, and Mocamo Indians to the subsequent appearances of Spanish, French, African, British, and American inhabitants. The result is an engaging narrative in which discussions about tidal marshes, sea turtles, and wild horses are mixed with accounts of how the island functioned as a center for indigo, rice, cotton, fishing, and timber. Even frequent visitors and former residents will learn something new from Bullard's account of Cumberland Island.
A facsimile reprint of the Second Edition (1994) of this genealogical guide to 25,000 descendants of William Burgess of Richmond (later King George) County, Virginia, and his only known son, Edward Burgess of Stafford (later King George) County, Virginia. Complete with illustrations, photos, comprehensive given and surname indexes, and historical introduction.
A vivid and engaging biography of the remarkable Revolutionary Era military figure who scored a crucial victory at Fallen Timbers despite profound personal troubles
Provides a look at the network known as the Underground Railroad - that mysterious "system" of individuals and organizations that helped slaves escape the American South to freedom during the years before the Civil War. This work also explores the people, places, writings, laws, and organizations that made this network possible.
Charleston was founded in 1670 by people recruited in the coffeehouses and pubs of London. They were a diverse and interesting group that created a vibrant, sophisticated city in the wilderness. This book tells the stories of people in each era of the city's history. There is a second-grade class photograph that contains a mayor, an admiral, and the grandfather of a senator; Christopher Gadsden, who is buried in an unmarked grave because he feared his enemies would defile his body; and Isaac Hayne, who was hanged by the British for being a traitor. There is Mary Moultrie, who led the strike of hospital employees that earned equal pay and fair treatment for nurses. Today, Shepard Fairey, Stephen Colbert, and Tim Scott keep Charleston's reputation for rebelliousness alive.
Less celebrated than their male counterparts, women have been vital contributors to the arts. Works by women of the colonial era represent treasured accomplishments of American culture and still impress us today, centuries after their creation. The breadth of creative expression is as impressive as the women themselves. In American Colonial Women and Their Art: A Chronological Encyclopedia, Mary Ellen Snodgrass follows the history of creative expression from the early 1600s to the late 1700s. Drawing upon primary sources—such as letters, diaries, travel notes, and journals—this timeline encompasses a wide variety of artistic accomplishment, such as: Stitchery, quilting, and rug hooking Painting, sculpture, and sketches Essays, poems, and other writings Dance, acting, and oratory Musical composition and performance Individual talents highlighted in this volume include miniature portraits by Mary Roberts, pastel likenesses by Henrietta Dering Johnston, stagecraft by Elizabeth Sampson Sullivan Ashbridge, basketry by Namumpum Weetamoo, dance by Mary Stagg, metalwork by blacksmith Elizabeth Hager Pratt, calligraphy by Anna “Anastasia” Thomas Wüster, city planning by Deborah Dunch Moody, poems and essays by Phillis Wheatley, and fabric design by Anne Pogue McGinty. Featuring appendices that list individuals by skill and by state—as well as a glossary that clarifies the parameters of genres—this volume is essential to the study of Colonial women’s art. Resurrecting the efforts of women to record, adorn, and illustrate the spirit of their times, American Colonial Women and Their Art is a valuable resource that will be of interest to students and scholars of gender and women’s studies, art history, and American history.
William Gilmore Simms (1806–1870) was the preeminent southern man of letters in the antebellum period, a prolific, talented writer in many genres and an eloquent intellectual spokesman of r his region. During his long career, he wrote plays, poetry, literary criticism, biography and history; but he is best remembered for his numerous novels and tales. Many Ann Wimsatt provides the first significant full-length evaluation of Simms’s achievement in his long fiction, selected poetry, essays, and short fiction. Wimsatt’s chief emphasis is on the thirty-odd novels that Simms published from the mid-1830s until after the Civil War. In bringing his impressive body of work to life, she makes use of biographical and historical information and also of twentieth-century literary theories of the romance, Simm’s principal genre. Through analyses of such seminal works as Guy Rivers, The Yemassee, The Cassique of Kiawah, and Woodcraft, Wimsatt illuminates Simm’s contributions to the romance tradition—contributions misunderstood by previous critics—and suggests how to view his novels within the light of recent literary criticism. She also demonstrates how Simms used the historical conditions of southern culture as well as events of his own life to flesh out literary patterns, and she analyzes his use of low-country, frontier and mountain settings. Although critics praised Simms early in his career as “the first American novelist of the day,” the panic of 1837 and the changes in the book market that it helped foster severely damaged his prospects for wealth and fame. The financial recession, Wimsatt finds, together with shifts in literary taste, contributed to the decline of Simms’s reputation. Simms attempted to adjust to the changing climate for fiction by incorporating two modes of nineteenth-century realism, the satiric portrayal of southern manners and southern backwoods humor, into the framework of his long romances; but his accomplishments in these areas have been undervalued or misunderstood by critics since is time. Wimsatt’s book is the first to survey Simms’s fiction and much of his other writing against the background of his life and literary career and the first to make extensive use of his immense correspondence. It is an important study of a neglected author who once served as the leafing symbol of literary activity in the South. It fills what has heretofore been a serious gap in southern literary studies.
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