In the summer of 1909, the gruesome murder of nineteen-year-old Elsie Sigel sent shock waves through New York City and the nation at large. The young woman's strangled corpse was discovered inside a trunk in the midtown Manhattan apartment of her reputed former Sunday school student and lover, a Chinese man named Leon Ling. Through the lens of this unsolved murder, Mary Ting Yi Lui offers a fascinating snapshot of social and sexual relations between Chinese and non-Chinese populations in turn-of-the-century New York City. Sigel's murder was more than a notorious crime, Lui contends. It was a clear signal that attempts to maintain geographical and social boundaries between the city's Chinese male and white female populations had failed. When police discovered Sigel and Leon Ling's love letters, giving rise to the theory that Leon Ling killed his lover in a fit of jealous rage, this idea became even more embedded in the public consciousness. New Yorkers condemned the work of Chinese missions and eagerly participated in the massive national and international manhunt to locate the vanished Leon Ling. Lui explores how the narratives of racial and sexual danger that arose from the Sigel murder revealed widespread concerns about interracial social and sexual mixing during the era. She also examines how they provoked far-reaching skepticism about regulatory efforts to limit the social and physical mobility of Chinese immigrants and white working-class and middle-class women. Through her thorough re-examination of this notorious murder, Lui reveals in unprecedented detail how contemporary politics of race, gender, and sexuality shaped public responses to the presence of Chinese immigrants during the Chinese exclusion era.
Mary R. Lefkowitz has extensively revised and rewritten her classic study to introduce a new generation of students to the lives of the Greek poets. Thoroughly updated with references to the most recent scholarship, this second edition includes new material and fresh analysis of the ancient biographies of Greece's most famous poets. With little or no independent historical information to draw on, ancient writers searched for biographical data in the poets' own works and in comic poetry about them. Lefkowitz describes how biographical mythology was created and offers a sympathetic account of how individual biographers reconstructed the poets' lives. She argues that the life stories of Greek poets, even though primarily fictional, still merit close consideration, as they provide modern readers with insight into ancient notions about the creative process and the purpose of poetic composition.
Three stories, three lives, three journeys to find a place called home. Cheung Wing is escaping from war, Mei Lan’s had enough of the potato peeler, and Yi Di wants the impossible – her parents’ approval. Award-winning writer Mary Cooper and multilingual collaborator M W Sun have woven together stories of love and loss, struggle and survival into a powerful drama. Blending English, Mandarin and Cantonese, From Shore to Shore tells the untold stories of Chinese communities in the UK. Reviews "Drawn from conversations with Chinese people living in West Yorkshire, the stories are compelling not for any high drama but for the rich detail of lives lived. They have the impressionistic quality of a dream. There’s the boy separated from his mother during the Sino-Japanese war; the clever daughter born under China’s one-child policy, never good enough for the father who wanted a son; and the girl suffering playground racism after an early childhood in Hong Kong. Their displacement is not just from one side of the world to the other. It’s in the shifting attitudes of the generations, a clash of values as well as of cultures. What emerges is a quest for self-definition: what does it mean to be Chinese when being Chinese can mean so many things?" **** The Guardian Authors: Mary Cooper Award-winning writer, Mary Cooper, has written extensively for theatre, radio and television. She has written more than 30 stage plays which have been commissioned and toured by theatre companies throughout England and Wales. For radio, she has written seven single plays and a ten part series for BBC Radio Four. For screen, her short film Missing Out won the IVCA Award for Best Drama and for television she was a winner in the Granada/Yorkshire New Voices scheme. www.mary-cooper.co.uk MW Sun MW Sun 孙培德 was born in Shanghai but grew up in Hong Kong. She is a former news journalist reporting for the BBC, CNBC and Radio Television Hong Kong in London, China, Hong Kong and Singapore. Her short play, Arachnophobia, was produced by Yellow Earth Theatre. She is currently working on a commissioned new play and a novel.
Some of the loveliest works of Archaic art were the Athenian korai—sculptures of beautiful young women presenting offerings to the goddess Athena that stood on the Acropolis. Sculpted in the sixth and early fifth centuries B.C., they served as votives until Persians sacked the citadel in 480/79 B.C. Subsequently, they were buried as a group and forgotten for nearly twenty-four centuries, until archaeologists excavated them in the 1880s. Today, they are among the treasures of the Acropolis Museum. Mary Stieber takes a fresh look at the Attic korai in this book. Challenging the longstanding view that the sculptures are generic female images, she persuasively argues that they are instead highly individualized, mimetically realistic representations of Archaic young women, perhaps even portraits of real people. Marshalling a wide array of visual and literary evidence to support her claims, she shows that while the korai lack the naturalism that characterizes later Classical art, they display a wealth and realism of detail that makes it impossible to view them as generic, idealized images. This iconoclastic interpretation of the Attic korai adds a new dimension to our understanding of Archaic art and to the distinction between realism and naturalism in the art of all periods.
A Scottish lost treasures collection of two classic Scottish historical novels, each offering a superbly plotted and descriptive narrative, complemented by an autobiographical account of life in Scotland in the 19th century. "Palimpsest's eClassics series, Scottish Lost Treasures, shows us how much poorer Britain's cultural heritage would be without Scottish writers ... The best example I've seen of how curation and presentation can bring old books to new audiences" - The Observer "This strikes me as a fantastic venture, and one I hope will expand further" - Professor Willy Maley, University of Glasgow, Scotland on Sunday
Bloomsbury on the Mediterranean," is how Vanessa Bell described France in a letter to her sister, Virginia Woolf. Remarking on the vivifying effect of Cassis, Woolf herself said, "I will take my mind out of its iron cage and let it swim.... Complete heaven, I think it." Yet until now there has never been a book that focused on the profound influence of France on the Bloomsbury group. In Bloomsbury and France: Art and Friends, Mary Ann Caws and Sarah Bird Wright reveal the crucial importance of the Bloomsbury group's frequent sojourns to France, the artists and writers they met there, and the liberating effect of the country itself. Drawing upon many previously unpublished letters, memoirs, and photographs, the book illuminates the artistic development of Virginia and Leonard Woolf, Clive Bell, David Garnett, E. M. Forster, Lytton Strachey, Dora Carrington, and others. The authors cover all aspects of the Bloomsbury experience in France, from the specific influence of French painting on the work of Roger Fry, Duncan Grant, and Vanessa Bell, to the heady atmosphere of the medieval Cistercian Abbaye de Pontigny, the celebrated meeting place of French intellectuals where Lytton Strachey, Julian Bell, and Charles Mauron mingled with writers and critics, to the relationships between the Bloomsbury group and Henri Matisse, Pablo Picasso, Gertrude Stein, Andre Gide, Jean Marchand, and many others. Caws and Wright argue that Bloomsbury would have been very different without France, that France was their anti-England, a culture in which their eccentricities and aesthetic experiments could flower. This remarkable study offers a rich new perspective on perhaps the most creative group of artists and friends in the 20th century.
The decades between the close of World War I and the end of the Thatcher era have changed and challenged family life in England dramatically. The Depression and World War II shifted priorities and behaviour, as did the Welfare State, the Pill and Women's Lib later on. What threatened a family's respectability in the 1920s is often commonplace today - abortion, contraception, the single parent family, or gay relationships. Family Affairs explores the secret life of English families from 1920 to 1990. Mary Abbott takes the reader into her subjects' homes and hearts and provokes readers to reflect on families past and speculate on families future. A product of intense original research of primary and secondary sources, this volume is a useful contribution to the history of the family.
In the first edition of Women in Greek Myth, Mary R. Lefkowitz convincingly challenged narrow, ideological interpretations of the roles of female characters in Greek mythology. Where some scholars saw the Amazons as the last remnant of a forgotten matriarchy, Clytemnestra as a frustrated individualist, and Antigone as an oppressed revolutionary, Lefkowitz argued that such views were justified neither by the myths themselves nor by the relevant documentary evidence. Concentrating on those aspects of women’s experience most often misunderstood—life apart from men, marriage, influence in politics, self-sacrifice and martyrdom, and misogyny—she presented a far less negative account of the role of Greek women, both ordinary and extraordinary, as manifested in the central works of Greek literature. This updated and expanded edition includes six new chapters on such topics as heroic women in Greek epic, seduction and rape in Greek myth, and the parts played by women in ancient rites and festivals. Revisiting the original chapters as well to incorporate two decades of more recent scholarship, Lefkowitz again shows that what Greek men both feared and valued in women was not their sexuality but their intelligence.
This vintage book contains an exhaustive dictionary of fashion terms, with instructions for pronunciation, brief explanations, and lists of synonyms. Timeless and comprehensive, “The Language Of Fashion Dictionary And Digest Of Fabric, Sewing And Dress” will be of utility to those involved in the fashion industry, and is not to be missed by the discerning collector. Contents include: “Belts”, “Bindings”, “Blouses”, “Bobs”, “Bodices”, “Bonnets”, “Boots”, “Bows”, “Bracelets”, “Braids”, “Buckles”, “Bustles”, “Buttons”, “Buttonholes”, “Canvas”, “Caps”, “Capes”, “Checks”, “Coats”, “Collars”, “Color”, “Combs”, “Cottons”, “Crepes”, “Cuffs”, “Dots”, “Dress and Dresses”, “Dyeing”, “Embroideries”, “Eyelets”, “Fabric”, “Fancy Dress”, etc. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, high-quality edition complete with a specially commissioned new introduction on the history of textiles and weaving. This book was first published in 1939.
This first in-depth account of Euripides' relationship with the visual arts demonstrates how frequently the tragedian used language to visual effect, whether through allusion or actual references to objects, motifs built around real or imaginary objects, or the use of technical terminology.
This highly acclaimed collection, the first sourcebook on ancient women and now in its fourth edition, provides a unique look into the public and private lives and legal status of Greek and Roman women. The texts represent women of all social classes, from public figures remembered for their deeds (or misdeeds), to priestesses, poets, and intellectuals, to working women, such as musicians, wet nurses, and prostitutes, to homemakers. The editors have selected texts from hard-to-find sources, such as inscriptions, papyri, and medical treatises, many of which have not previously been translated into English. The resulting compilation is both an invaluable aid to research and a clear guide through this complex subject. The brand new design of the fourth edition integrates the third edition's appendix and adds many new and unusual texts and images, as well as such student-friendly features as a map and chapter overviews. Many notes and explanations have been revised with the non-classicist in mind. Its readings cover women's legal status, domestic conditions, health issues, and relations with other people. The emphasis throughout is not so much on what ancient writers thought about women, as on what women actually did, both within the home and outside it, from their intellectual achievements, benefactions, and religious roles, to humble jobs and acts of physical and moral courage.
The first book of its kind, Gender & Rock introduces readers to how gender operates in multiple sites within rock culture, including its music, lyrics, imagery, performances, instruments, and business practices. Additionally, it explores how rock culture, despite a history of regressive gender politics, has provided a place for musicians and consumers to experiment with alternate identities and ways of being. Drawing on feminist and queer scholarship in popular music studies, musicology, cultural studies, sociology, performance studies, literary analysis, and media studies, Gender & Rock provides readers with a survey of the topics, theories, and methods necessary for understanding and conducting analyses of gender in rock culture. Via an intersectional approach, the book examines how the gendering of particular roles, practices, technologies, and institutions within rock culture is related to discourses of race, sexuality, age, and class.
Not Out of Africa has sparked widespread debate over the teaching of revisionist history in schools and colleges. Was Socrates black? Did Aristotle steal his ideas from the library in Alexandria? Do we owe the underlying tenets of our democratic civilizaiton to the Africans? Mary Lefkowitz explains why politically motivated histories of the ancient world are being written and shows how Afrocentrist claims blatantly contradict the historical evidence. Not Out of Africa is an important book that protects and argues for the necessity of historical truths and standards in cultural education.For this new paperback edition, Mary Lefkowitz has written an epilogue in which she responds to her critics and offers topics for further discussion. She has also added supplementary notes, a bibliography with suggestions for further reading, and a glossary of names.
Why are there so many Italian hairdressers and Chinese restaurants in Glasgow? Who's more Glaswegian: an Irishman, a Highlander or a Pole? Whos city is this anyway? For the past 200 years, immigrants to Glasgow have found prosperity and poverty in its streets and closes. Mary Edward investigates their history, and the contribution they have brought to the city. With clear-sighted social analysis and an impressive assembly of historical evidence, Edward weaves a vivid tapestry of the many peoples and cultures that have created contemporary Glasgow. The staggering diversity of languages, religions and ethnicities is no new phenomenon in this city on the Clyde. Today's Glasweigans are the children, grandchildren and great-grandchildren of yesterday's incomers, all of whom have chosen this great Scottish melting pot as their own. This book will be an education and a delight to generations of Glasweigans - and all those proud to belong to Glasgow.
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