The phenomenon of multimodality is central to our everyday interaction. 'Hybrid' modes of communication that combine traditional uses of language with imagery, tagging, hashtags and voice-recognition tools have become the norm. Bringing together concepts of meaning and communication across a range of subject areas, including education, media studies, cultural studies, design and architecture, the authors uncover a multimodal grammar that moves away from rigid and language-centered understandings of meaning. They present the first framework for describing and analysing different forms of meaning across text, image, space, body, sound and speech. Succinct summaries of the main thinkers in the fields of language, communications and semiotics are provided alongside rich examples to illustrate the key arguments. A history of media including the genesis of digital media, Unicode, Emoji, XML and HTML, MP3 and more is covered. This book will stimulate new thinking about the nature of meaning, and life itself, and will serve practitioners and theorists alike.
The world is poised for another important transition. The United States is dealing with the impact of the Afghan and Iraq wars, the use of torture and secret detention, Guantanamo, climate change, nuclear proliferation, weakened international institutions, and other issues related directly or indirectly to international law. The world needs an accurate account of the important role of international law and The Power and Purpose of International Law seeks to provide it. Mary Ellen O'Connell explains the purpose of international law and the power it has to achieve that purpose. International law supports order in the world and the attainment of humanity's fundamental goals of peace, prosperity, respect for human rights, and protection of the natural environment. These goals can best be realized through international law, which uniquely has the capacity to bind even a superpower of the world. By exploring the roots and history of international law, and by looking at specific events in the history of international law, this book demonstrates the why and the how of international law and its enforcement. It directly confronts the notion that international law is "powerless" and that working within the framework of international law is useless or counter-productive. As the world moves forward, it is critical that both leaders and their citizens understand the true power and purpose of international law and this book creates a valuable resource for them to aid their understanding. It uses a clear, compelling style to convey topical, informative and cutting-edge information to the reader.
An extensive study of self-sacrificial images in Indian art, this book examines concepts such as head-offering, human sacrifice, blood, suicide, valour, self-immolation, and self-giving in the context of religion and politics to explore why these images were produced and how they became paradigms of heroism.
Many interpreters are employed as freelance or staff conference interpreters. This book provides background information on a large number of international organizations which employ interpreters. For example, in the case of the European Union and the United Nations, information is provided on language policy, recruitment procedures, and the number of interpreters employed plus listing all the different entities that make up the European Union and the United Nations. If you are confused about the Council of Europe, the European Commission, the Council of Ministers and the European Parliament, you will find the answers to your questions in this book." "Postal and Internet website addresses accompany all information. Professional interpreter Associations are listed which, via the internet, can be useful sources of new ideas for interpreters working thousands of miles away."--BOOK JACKET.
Mary Cyr addresses the needs of researchers, performers, and informed listeners who wish to apply knowledge about historically informed performance to specific pieces. Special emphasis is placed upon the period 1680 to 1760, when the viol, violin, and violoncello grew to prominence as solo instruments in France. Part I deals with the historical background to the debate between the French and Italian styles and the features that defined French style. Part II summarizes the present state of research on bowed string instruments (violin, viola, cello, contrebasse, pardessus de viole, and viol) in France, including such topics as the size and distribution of parts in ensembles and the role of the contrebasse. Part III addresses issues and conventions of interpretation such as articulation, tempo and character, inequality, ornamentation, the basse continue, pitch, temperament, and "special effects" such as tremolo and harmonics. Part IV introduces four composer profiles that examine performance issues in the music of Élisabeth Jacquet de La Guerre, Marin Marais, Jean-Baptiste Barrière, and the Forquerays (father and son). The diversity of compositional styles among this group of composers, and the virtuosity they incorporated in their music, generate a broad field for discussing issues of performance practice and offer opportunities to explore controversial themes within the context of specific pieces.
High Performance Liquid Chromatography focuses on the developments, operating techniques, practices, equipment, and packing materials involved in High Performance Liquid Chromatography (HPLC). The book first offers information on basic chromatographic theory, equipment, and the column. Topics include resolution, efficiency, pumps and gradient systems, connectors, detectors, injectors, column packing and testing, packing materials, and coupling of columns. The text also ponders on sample treatment and separation methods, as well as trace analysis, reversed phase chromatography, and selection/optimization conditions. The publication examines adjustment of selectivity by the use of eluent additives and preparative liquid chromatography. Discussions focus on chromatography on dynamically modified oxide gels, metal complexation, crown ethers, ion pair chromatography, materials for preparative chromatography, and separation strategy. The text also reviews the trends in the practice of HPLC and chiral chromatography. The book is a dependable reference for readers interested in High Performance Liquid Chromatography.
The Beach House Cookbook is the perfect gift for creative chefs looking to expand their summer cuisine. You don’t have to own a beach house to enjoy Mary Kay Andrews’ recipes. All you need is an appetite for delicious, casual dishes, cooked with the best fresh, local ingredients and presented with the breezy flair that make Mary Kay Andrews’ novels a summertime favorite at the beach. From an early spring dinner of cherry balsamic-glazed pork medallions and bacon-kissed Brussels sprouts to Fourth of July buttermilk-brined fried chicken, potato salad, and pudding parfaits to her New Year’s Day Open House menu of roast oysters, home-cured gravlax, grits 'n’ greens casserole, and lemon-cream cheese pound cake, this cookbook will supply ideas for menus and recipes designed to put you in a permanently carefree, coastal state of mind all year long.
Listeners, performers, students and teachers will find here the analytical tools they need to understand and interpret musical evidence from the baroque era. Scores for eleven works, many reproduced in facsimile to illustrate the conventions of 17th and 18th century notation, are included for close study. Readers will find new material on continuo playing, as well as extensive treatment of singing and French music. The book is also a concise guide to reference materials in the field of baroque performance practice with extensive annotated bibliographies of modern and baroque sources that guide the reader toward further study. First published by Ashgate (at that time known as Scolar Press) in 1992 and having been out of print for some years, this title is now available as a print on demand title.
Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions. Exploring nearly eighty comic operas, Hunter shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. In a concluding chapter, she discusses Cos" fan tutte as a work profoundly concerned with the conventions of its repertory and with the larger idea of convention itself and reveals the ways Mozart and da Ponte pointedly converse with their immediate contemporaries.
Between the Human and the Divine will introduce American readers to one of the most complex, troubled and troubling, luminous, path-breaking and neglected minds of our time. Dietz has taken an important step towards getting the measure of a thinker who measures our civilization.'-THE REVIEW OF POLITICS
In this book, expert authors describe advanced solar photon conversion approaches that promise highly efficient photovoltaic and photoelectrochemical cells with sophisticated architectures on the one hand, and plastic photovoltaic coatings that are inexpensive enough to be disposable on the other. Their leitmotifs include light-induced exciton generation, junction architectures that lead to efficient exciton dissociation, and charge collection by percolation through mesoscale phases. Photocatalysis is closely related to photoelectrochemistry, and the fundamentals of both disciplines are covered in this volume.
The Handbook of Air Toxics compiles, defines, and clarifies several methods and concepts of airborne toxic substances found in the environment. This comprehensive reference helps regulators, consultants, and other environmental professionals meet the challenges of sampling and analysis, emissions reductions, and health and safety issues related to human exposure. It is an important reference addressing the ongoing concern about the consequences of air pollution, and the implementation and modification of the Environmental Protection Agency's (EPA) Clean Air Act. Some of the methods described in the Handbook of Air Toxics include fluorescence, thermal desorption, selected ion monitoring, ion chromatography, light microscopy, specific electrode analysis, titration, colorimetry, atomic absorption, and spectrophotometry. It also covers the use of isokinetic sampling trains, midget impingers, carbon molecular sieves, and sampling canisters in the analysis of air toxics. The Handbook also contains recommendations from the EPA for analytical methods for those air toxics where methods do not already exist and provides advance information on future method development by the EPA.
Using valuable primary source material, most of which is previously unpublished, and some of which has been translated from the Flemish-Dutch and French, editors Mary Eggermont-Molenaar and Paul Callens introduce the Van Tighem brothers to today's reader. Missionaries Among Miners, Migrants, and Blackfoot: The Vantighem Brothers Diaries, Alberta 1875-1917, contains the transcribed diaries of brothers Leonard and Victor Van Tighem, Belgian Catholic missionaries in Alberta between 1874 and 1917. Leonard, an Oblate priest, served in a number of parishes in southern Alberta, some of which he helped establish. Victor, a member of the Belgian Van Dale congregation, served on the Peigan and Blood reserves, in the southern part of the province. Their diaries are interspersed with letters from family and friends and letters and articles by contemporary bishops and fellow priests and lay-brothers. The Van Tighems' diaries offer a fascinating glimpse of life during Alberta's early settlement and growth -- the immigration boom, the development of Lethbridge and the Peigan reserve, railroads, the mining industry, and the impact of World War I are all part of the historical backdrop of the brothers' diaries.
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.
This collection of eleven essays, written jointly by the authors, argues that science and religion should be seen as mutually enriching worldviews with no need of reconciliation. The essays are organised in three parts, which deal with the definition and development of the concept of metaphoric process and its implications for illuminating what it means to understand something, the exploration of the so-called bidisciplinary dialogue, and the differences and similarities between studying science and religion respectively.
Antonio Gardano's publications are among the most important sources of sixteenth-century music. This final volume in Mary Lewis's three volume set completes the catalogue of Antonio Gardano's publications, covering the years 1560-1569.
Politics in Europe, Seventh Edition introduces students to the power of the European Union as well as seven political systems—the UK, France, Germany, Italy, Sweden, Russia, Poland—within a common analytical framework that enables students to conduct both single-case and cross-national analysis. Each case addresses the most relevant questions of comparative political analysis: who governs, on behalf of what values, with the collaboration of what groups, in the face of what kind of opposition, and with what socioeconomic and political consequences? Packed with captivating photos and robust country descriptions from regional specialists, the Seventh Edition enables students to think critically about these questions and make meaningful cross-national comparisons.
Isabella Mary Beeton was the 19th century's Martha Stewart, and she is responsible for organizing the rules of domestic life into the first easy-to-follow guide. Includes recipes for all different types of food and beverages, as well as tips on table decoration and the proper arrangement of a functional kitchen.
This introductory text helps students think through the basic questions that arise in the study of religion. What is the nature of religious experience? How does religion shape the actions of individuals and communities? How does religion promote or inhibit human development and well-being? This 2nd edition has been updated throughout, including new examples, new themes such as religious fundamentalism and violence, and a new emphasis on environmental issues.
Can a link remain between a daughter and the mother she never knew? Monique Dubois, born a child of privilege and affluence, witnesses the destruction of her entire family as Hitler's armies invade France in 1940. In the years that follow, both her innocence and her material possessions are lost. Her passion for freedom carries her into the dark and dangerous world of espionage, working alongside her friend, Zoe, a gifted movie star, who finds a useful outlet for her talent in the sinister corners of Paris working as an agent for the French resistance. As time passes, the gentle, compassionate girl she was becomes buried behind the walls of a resistance fighter. Then a handsome American airman arrives, and Monique begins to think there might be a life left for her after all. Her Mother's Heart spans decades and generations as it follows Angelina on a quest to discover the truth about her mother. Author Mary Travers's intriguing, romantic novel tells two stories-one of Monique in the 1940s and one of Angelina in late-1960s, both linked by a common desire for truth and love. As Angelina is propelled forward, deeper into the truths behind her mother's former life, she finally realizes the depths and capacity of Her Mother's Heart.
More than any other book that I can think of, Bronze Inside and Out puts a human face on Western art - indeed, all art. It invites us to ponder the very nature of the creative process. From the foreword by Brian W. Dippie, University of Victoria Bronze Inside and Out is a literary biography of sculptor Bob Scriver, written by his wife, Mary Strachan Scriver. Bob Scriver is best known for his work in bronze and for his pivotal role in the rise of "cowboy art." Living and working on the Montana Blackfeet Reservation, Scriver created a bronze foundry, a museum, and a studio - an atelier based on classical methods, but with local Blackfeet artisans. His importance in the still-developing genre of "western art" cannot be overstated. Mary Strachan Scriver lived and worked with Boba Scriver for over a decade and was instrumental in his rise to international acclaim. Working alongside her husband, she became intimately familiar with the man, his work, and his process. Her frank, uncensored, and highly entertaining biography reveals details that give the reader a unique picture of Scriver both as man and as artist. Bronze Inside and Out also provides a fascinating look into the practice of bronze casting, cleverly structuring the story of Bob Scriver's life according to the steps in this complicated and temperamental process.
Antonio Gardano's publications are among the most important sources of 16th-century music. The second volume describes the output of this leading Italian music press in its cultural, bibliographical, and musical context. The first part of the book consists of an overview of Gardano's repertory from the fifties and the cultural and musical milieu in which he worked. It includes discussions of the continuing popularity of his earlier repertory, the music of the younger generation introduced in the fifties, the music of the composers around San Marco, and genres such as the multi-movement madrigal, the canzoni villanesche, instrumental works, and new anthologies. Also discussed are the dating of some undated editions, unconfirmed and doubtful prints, and ordering within the editions. A chapter on binder's copies describes groups of editions bound together by their early owners and serves as a valuable index to the tastes of the collectors. The catalog section covers all Gardano's known publications of the fifties, and provides full titles, bibliographical information, contents with concordant sources for each piece, and locations of individual copies with notes on their bindings, owners' marks, annotations, and other significant characteristics. The catalog is indexed by composer, first line, and short title, and includes a list of primary and secondary sources consulted.
“Anyone interested in the history of media and communications should read Beth Berry's extraordinary book. Learned, lucid, and lively, it has much to teach students of premodern societies in Europe and elsewhere.”—Anthony Grafton, Henry Putnam University Professor of History, Princeton University “In Japan in Print, Mary Elizabeth Berry crisply condenses a remarkable amount of primary research on difficult and little-known materials, and it interprets those materials in a highly original framework. The scholarship is superb, and the writing is as masterful as the research. Anyone interested in East Asian cultural production will find this compelling reading.”—Kären E. Wigen, author of The Making of a Japanese Periphery, 1750-1920 “This is a very important book, not only for its insights into a vast body of previously overlooked texts, but also for its methodology. While historians have known that early modern Japan produced maps, for example, no one has heretofore compared them to their medieval predecessors or examined them for what they say about an emerging Japanese cartographic imagination. This is a highly original work, and it will change the field.”—Anne Walthall, author of The Weak Body of a Useless Woman: Matsuo Taseko and the Meiji Restoration
The Baroque Libretto catalogues the Baroque Italian operas and oratorios in the Thomas Fisher Library at the University of Toronto and offers an analysis of how the study of libretto can inform the understanding of opera.
In this collection of essays Mary Cyr explores some of the written and unwritten performance conventions that applied to French and English music of the 17th and early 18th centuries. Using composers' own notations, marks added by 18th-century performers, historical treatises, and pictorial evidence, she investigates both vocal and instrumental genres, including opera, cantatas, instrumental chamber music, and solo music for the viol and violin. Some of the performance conventions remain controversial, such as the use of gesture by the French opera chorus, and others are still little-known, such as the use of the double bass for rhythmic and harmonic support in early 18th-century French opera. As many of these essays demonstrate, French Baroque music allowed performers a wider latitude of nuance and expression than is often assumed today. The essays in this volume will be of particular interest to scholars and performers who are interested in adopting a historically-informed approach to performing music by Henry Purcell, Élisabeth-Claude Jacquet de La Guerre, Jean-Philippe Rameau, and their contemporaries. Several studies also deal with attributions, sources, and the discovery of a cantata by Rameau.
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