The good news is we can find serenity by doing nothing. It doesn't cost any money, and it doesn't require anything out of us. The bad news is we can find serenity by doing nothing, we can't buy it, and it doesn't need anything out of us. Therein lies the challenge!" --Mary Faulkner The Easy Does It Meditation Book and Recovery Flash Cards is a profound, challenging, and comforting book that includes fifty-two meditations--one for each week of the year. These wise and witty musings are meant to encourage and inspire anyone traveling on the path of recovery. Also included are fifty-two Recovery Flash cards. Each card contains specially selected line drawings, Twelve-Step folk wisdom, and quotes from The Big Book of Alcoholics Anonymous. This is the essential tool for embracing the challenges of recovery. It provides a quick pick-me-up, a gentle reminder to refocus on your spiritual program, and a way of getting back on track.
In this stimulating study, Mary Weaks-Baxter views the Southern Renaissance, 1900--1960, from a fresh perspective. Many writers in the South began consciously to create new myths for the region at the start of the twentieth century, and these myths, Weaks-Baxter argues, reframed southern history and culture. Instead of being rooted in the plantation culture that had provided inspiration for nineteenth-century southern writers, the new literature was inspired by "southern folk," the common people who farmed the earth and whose values derived from Jeffersonian agrarianism and democracy. By glorifying the yeoman farmer -- a figure not only central to southern life but revered throughout the country -- southern writers confirmed the essential Americanness of southern literature and the southernness of American history, creating a viable myth that offered the promise of renewal and purpose. To illustrate how the myth crossed racial, gender, and economic boundaries as well as geographic lines, Weaks-Baxter examines the work of diverse writers, including Willa Cather, Ellen Glasgow, Olive Dargan, Zora Neale Hurston, Jean Toomer, Jesse Stuart, Elizabeth Madox Roberts, Harriette Arnow, William Faulkner, and the Nashville Agrarians. Their portrayals of the lives of common men and women provided hope for all Americans as they were confronted with industrialization and the Great Depression. Weaks-Baxter shows how this agrarian fable led to a new Southern Renaissance in the late twentieth century, influencing the work of contemporary southern writers such as Madison Smartt Bell, Wendell Berry, Alice Walker, Dori Sanders, and Bobbie Ann Mason. With lively arguments and keen insights, Reclaiming the American Farmer will change the terms of discussion about the Southern Renaissance and southern literature in general as it demonstrates how mythologies can unify southerners as well as divide them.
As the biographer of both Henry Miller (one of Mailer's heroes) and the radical journalist Louise Bryant, Dearborn is uniquely sensitive to Mailer's best and worst sides."--BOOK JACKET.
Many famous people have overcome difficult circumstances and gone on to become successful in their fields. This book profiles the lives of 75 courageous and persistent people who have triumphed over adversity. These individuals have conquered a range of problems, including physical, psychological, social, and economic handicaps. Individuals profiled come from a range of professions and reflect battles against religious prejudice, medical conditions, eating disorders, poverty, and other social ills. Among the people profiled are Mitch Albom, Hillary Clinton, Magic Johnson, Stephen King, Greg Louganis, and Henry Winkler. The volume includes an historical timeline, a list of relevant films documenting the achievements of these superstars, and a general bibliography. Some of the most successful people in our society have overcome great odds in order to achieve their dreams. Through courage and persistence, they have triumphed over a range of adversities and serve as models for students faced with similar circumstances. This book profiles the struggles and accomplishments of 75 such individuals from all walks of life. Each entry highlights the physical, psychological, social, or economic struggles of the person and discusses how the person won their battle against adversity. Among the individuals profiled are: Mitch Albom, Roseanne Barr, Sandra Cisneros, Hillary Clinton, Pat Conroy, Michael J. Fox, Magic Johnson, Stephen King, Greg Louganis, Jessica Lynch, Colin Powell, Salman Rushdie, Martin Sheen, Henry Winkler, and many more. The volume closes with an historical timeline, a list of films related to the achievements of these superstars, and a general bibliography. In addition to inspiring students to succeed against all odds, the book promotes respect for diversity and explores a host of social issues related to religious prejudice, eating disorders, medical conditions, poverty, and other concerns.
We as adults are reflected in our children, those in our literature as well as those in our familes, and so it is natural to want to examine their presence among us. Children and child speech are important literary elements which merit careful critical analysis. Surprisingly, comprehensive studies of the child in American fiction have not been previously attempted and fictional child speech, even that of individual characters has been almost totally ignored. Nevertheless, the language of fictional children warrants attention for several reasons. First, language and language acquisition are primary issues for children much as sexual development is primary issues for adolescents. Second, because vast linguistic efforts have been directed toward language acquisition research, a broad base of concrete information exists with which to explore the topic. And, third, language is a key which opens many doors. An understanding of fictional children's language leads to discoveries about various critical questions, sociological and psychological as well as textual and stylistic. This study examines the presentation of children and child language in American fiction by applying general linguistic principles as well as specific findings from child language acquisition research to children's speech in literary texts. It clarifies, sorts, and assesses the representations of child speech in American fiction. It tests on fictional discourse linguistic concepts heretofore applied exclusively to naturally occurring child language. The aim is not to evaluate the degree of realism in writers' presentations of child language, for that would be a simplistic and reductive enterprise. Rather, the overall object is to analyze fictional child language using linguistic methods.
When Mary Steedly went to North Sumatra, Indonesia, she intended to study the curing practices of Karo Batak spirit mediums, the gurus who keep a community in touch with its ancestors. She became fascinated by the stories these women and men told of their encounters with spirits in the ritual arena and on the borders of the everyday social world. In these stories, Karo mediums conveyed their sense of historical out-of-placeness, which they described as "hanging without a rope," in Indonesia's state-proclaimed Age of Development. Based on the author's three years of fieldwork in urban and rural Karoland, this engaging and sympathetic account focuses on issues of experience, memory, and narrative plausibility. Steedly approaches mediums' stories not simply as reservoirs of information about "what happened" at a particular moment, but as interested efforts to map a pathway across the shifting landscape of historical memory. Over the past century Karoland has been the scene of colonial conquest, Christian conversion, commercial agricultural development, military occupation, reolution, migration, and modernization. Storeis of spirit encounters, Steedly argues, provide an alternative, "unofficial" perspective on the historical transformation of the Karo social world. In addition to her rich ethnographic material, she draws on feminist theories of subjectivity, William Faulkner's reconstructions of personal and collective memory, and current anthropological explorations of the politics of representation to open the ethnographic imagination to historical eventfulness. Mary Margaret Steedly is Assistant Professor of Anthropology at Harvard University. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Peace Without Consensus' demonstrates that the rise of Sinn Féin and the Democratic Unionist Party (DUP) was not 'inevitable'. Rather, it argues that critics who blame Northern Ireland's power-sharing institutions for the electoral triumph of the political 'extremes' in 2003 have not fully considered how the US, British and Irish governments contributed to this outcome. Through interviews with key US, British and Irish officials this groundbreaking analysis, which represents the first examination of the Bush administration's vital role in the peace process, demonstrates that Washington and Dublin were considering a deal between the DUP and Sinn Féin as early as 2002. Profiled in the Guardian, the Observer, BBC Radio Four, the Irish Independent and in Henry McDonald's 'Gunsmoke and Mirrors', Mary-Alice C. Clancy's theoretically informed and empirically grounded book presents new and salient lessons for other regions embroiled in conflict and should be read by all those interested in Northern Ireland's peace process and US foreign policy.
Ernest Hemingway belongs to the triumvirate of the three greatest writers from America’s golden age of literature, including F. Scott Fitzgerald and William Faulkner, but little is known about his religious faith. Celebrated for The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, The Old Man and the Sea and many other award-winning literary works, he is also remembered for his machismo and spirit of adventure: a big game hunter, deep sea fisher, boxer, avid swimmer and skier, outdoorsman, and bull fighting aficionado with a bevy of friends—many of whom were well-known celebrities that he enjoyed drinking and socializing with. In addition, and perhaps surprisingly, Hemingway was deeply though quietly religious. In his writing, Hemingway consistently drew on his spirituality, the wellspring of which, besides his strong Christian upbringing, was his Catholic faith to which he converted during World War I at age 18. Previous biographers have either ignored this story or told it incompletely or inaccurately. This book seeks to fill the void and paint a portrait that reveals the real Hemingway, and the deep motivations and inspirations that left an indelible imprint on his life, his relationships, and his writing.
Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race.
It was a decade of flappers, Prohibition, and unprecedented prosperity that abruptly ended with the crash of '29. In New Orleans, steamships lined the wharves, vaudeville gave way to "talkies," and William Faulkner's Sherwood Anderson and Other Famous Creoles was the first book produced by a new publisher called Pelican Publishing Company. Mary Lou Widmer's fourth retrospect of the city reminisces about how New Orleans welcomed the economic growth of the postwar twenties in its own special way. The Crescent City celebrated this prosperity, giving birth to jazz halls in the Vieux Carrand launching the careers of musicians like Louis Armstrong. It was the most progressive era in the city's history since before the Civil War. From politics to homelife there is hardly an aspect of life in the twenties Widmer does not touch upon. A full chapter is devoted to how the city known for Bourbon Street and Mardi Gras reacted to Prohibition. Indoor plumbing and electric lights became the standard in homes throughout the city. Transportation opened up new neighborhoods as cars became status symbols and the streetcar system took riders to every neighborhood in the city. Mary Lou Widmer, a native of New Orleans, is former president of the South Louisiana Chapter of Romance Writers of America. She has written several novels set in New Orleans. A certified descendant of settlers in the area prior to the Louisiana Purchase, she is a member of the Louisiana Colonials and the Daughters of 1812. She is also the author of New Orleans in the Thirties, New Orleans in the Forties, and New Orleans in the Fifties, all published by Pelican.
This dictionary attempts in nearly 2,200 entries to cover all workers in the various branches of the Dublin book trade until the Act of Union in 1800. All grades of workers from apprentice to master, and papermakers, engravers, hawkers and other peripheral traders are considered, as well as the all-important printers and booksellers. Entries naturally vary from one or two lines to one or two pages in length. The aim is to illustrate the working life of each subject by reference to contemporary sources such as records of the stationer's Guild, state papers, imprints, newspaper advertisements, customers' accounts, etc, with documentation for each statement made. Entries will thus give practical clues to dating undated books, as well as provide a basis for further research into individual traders' work and the Dublin trade as a whole. Some account of the history and organization of the Dublin Guild of St Luke (cutlers, painter-stainers, and stationers) appears as introduction.
This work proposes a new approach to literary history that locates the historicity of a literary work of art in the visual image that initiates the work and is fundamental to it, a visual metaphor of which the text is the verbalization.
Conflict can appear with varying degrees of intensity or hostility, but if ignored or managed ineffectively, it can slow or jeopardize an institution's success. Chairs and deans, who have leadership responsibilities to both administrators and faculty, often find a significant portion of their jobs devoted to conflict management. Their leadership success depends on their ability to effectively manage a variety of conflict-laden situations, and negotiate people’s varying needs and personalities. This book, at its core, is about communication strategies that support effective leadership. First it shows how to establish a foundation for effective leadership communication; next, it discusses developing a fair and effective leadership communication style; and finally, it shows how to employ leadership communication to manage especially difficult people, from prima donnas to pot stirrers. Each chapter contains a series of questions and prompts to guide readers through a hypothetical but realistic situation, and encourages them to cultivate and practice the first-person participant and third-person observer roles. By moving between these two perspectives, readers will gain more insight into their own style of managing conflict and understanding of leadership. This skill also permits academic leadership to have more strategic control over the communication in a particular situation, thus empowering them to feel and to be more in control in every situation.
This work examines slave emancipation and opposition to it as a far-reaching, national event with profound social, political, and cultural consequences. The author analyzes multiple views of the African American child to demonstrate how Americans contested and defended slavery and its abolition.
Millions of Southerners left the South in the twentieth century in a mass migration that has, in many ways, rewoven the fabric of American society on cultural, political, and economic levels. Because the movements of Southerners—and people in general—are controlled not only by physical boundaries marked on a map but also by narratives that define movement, narrative is central in building and sustaining borders and in breaking them down. In Leaving the South: Border Crossing Narratives and the Remaking of Southern Identity, author Mary Weaks-Baxter analyzes narratives by and about those who left the South and how those narratives have remade what it means to be southern. Drawing from a broad range of narratives, including literature, newspaper articles, art, and music, Weaks-Baxter outlines how these displacement narratives challenged concepts of Southern nationhood and redefined Southern identity. Close attention is paid to how depictions of the South, particularly in the media and popular culture, prompted Southerners to leave the region and changed perceptions of Southerners to outsiders as well as how Southerners saw themselves. Through an examination of narrative, Weaks-Baxter reveals the profound effect gender, race, and class have on the nature of the migrant’s journey, the adjustment of the migrant, and the ultimate decision of the migrant either to stay put or return home, and she connects the history of border crossings to the issues being considered in today’s national landscape.
This book explores the significant intellectual impact the philosopher Jean Wahl had on the directions Gilles Deleuze took as a philosopher and writer of a philosophy of experimentation. The study of this influence also brings to light the significance of Deleuze's emphasis on la pragmatique, inspired by Wahl's writings and teachings and his fascination with American pluralism and pragmatism, particularly that of William James. This book also attempts to put Deleuze's theories into action, to write in a deleuzian way about American 'minor' literature and thought which Deleuze deemed 'superior.' This text inherently challenges and potentially provides an alternative way of reading/writing to standard critical approaches which Deleuze tells us necessarily reduce and distort a 'minor' work's most lively, subtle and micro-politically efficient elements as they abort them from their 'minoritarian' fields of meaning to coerce them into already existing, standard and standardizing concepts that belong to and reinforce the 'Major Order's' organizational grid.
A brief history for New Orleans' greatest admirers. This concise history of the Crescent City contains chapters covering the Mississippi River, the city's founding, European rule, and more, updated with expanded jazz and African American sections. It is a must for every library and home, and for those who love New Orleans and its rich history.
This book is intended for film buffs of all ages, and in fact anyone interested in learning more about the history of fi lm. 6 Degrees of Film will take you on a short trip through the history of the movies where you will learn about the surprising connections between the fi lms of the past and the films of today Some stories may surprise you, and some will simply entertain. 6 Degrees of Film connects the films and the film makers from the Silent Era and the Golden Age of Film with many of the movies that are made today. Youll learn why we are in a new Golden Age of Film that is defined by movies like Star Wars and companies such as George Lucas state-of the-art special-effects company-Industrial Light & Magic.
As preservationist Mary Carol Miller talked with Mississippians about her books on lost mansions and landmarks, enthusiasts brought her more stories of great architecture ravaged by time. The twenty-seven houses included in her new book are among the most memorable of Mississippi's vanished antebellum and Victorian mansions. The list ranges from the oldest house in the Natchez region, lost in a 1966 fire, to a Reconstruction-era home that found new life as a school for freed slaves. From two Gulf Coast landmarks both lost to Hurricane Katrina, to the mysteriously misplaced facades of Hernando's White House and Columbus's Flynnwood, these homes mark high points in the broad sweep of Mississippi history and the state's architectural legacy. Miller tells the stories of these homes through accounts from the families who built and maintained them. These structures run the stylistic gamut from Greek revival to Second Empire, and their owners include everyone from Revolutionary-era soldiers to governors and scoundrels.
A Synopsis of Materials and Teaching Process: Values-based stories, grades 522, three stories each level, address interest categories of adventure, biography, children/family, church history/religion, cross-cultural stories, history, problems/challenges, human relations, and missions. The first class session offers an inventory of each students reading experience, interests, and felt needs. Students indicate story preferences within the categorized stories. A graded story list aids teacher planning. In daily free class discussion, students use questions generated while reading and the thought questions provided with each story. Appendix C: The Daily Class Discussion Assignment helps thinking flow. The teacher assigns the Final Written Reflection for that days story and begins process on the subsequent story. Dr. Nance did not see a truck driver who could not read or write wellshe saw potential. I cannot really comment on the technical side of what she did, and I cannot tell you how or what she didbut whatever it wasit obviously worked. She transformed a truck driver who had done little reading into someone who finished his bachelors, masters, and has now completed a doctoral degree! What I do know is that her kind spirit and gentle encouragement spurred me onwards toward a thirst for reading and learning all I can. The simple reality is this: the work Dr. Mary Nance has done works! I am living proof! Dr. Ashley Olinger, Senior Pastor, First Baptist Church, Williston, North Dakota
Despite its cozy image, the bungalow in literature and film is haunted by violence even while fostering possibilities for personal transformation, utopian social vision and even comedy. Originating in Bengal and adapted as housing for colonialist ventures worldwide, the homes were sold in mail-order kits during the "bungalow mania" of the early 20th century and enjoyed a revival at century's end. The bungalow as fictional setting stages ongoing contradictions of modernity--home and homelessness, property and dispossession, self and other--prompting a rethinking of our images of house and home. Drawing on the work of writers, architects and film directors, including Katherine Mansfield, E. M. Forster, Amitav Ghosh, Frank Lloyd Wright, Willa Cather, Buster Keaton and Walter Mosley, this study offers new readings of the transcultural bungalow.
The tensions, dilemmas, and exhilarating pleasures of feminist teaching converge in this fascinating book, which documents actual classroom give-and-take. In addition to observing, the authors interviewed the teachers and several students in each class. The result is a Rashomon portrayal of the same moment, differently perceived, as well as fresh insight into interaction between social positioning, experience, and learning." Considearzioni di: Barrie Thorne, author of Gender Play: Girls and Boys in School.
DIVDIVA collection of dazzling and thought-provoking essays from lauded author Mary Gordon/divDIV Much acclaimed for her novels, Mary Gordon is also a brilliant and wide-ranging essayist. Gathering together twenty-eight of her forays into nonfiction, Good Boys and Dead Girls provides a richly autobiographical context for the themes that mark her fiction, such as Irish-American life, Catholicism, embattled families, and the redeeming power of art. Many of the pieces offer insights into artists and other writers: There are admiring accounts of Edith Wharton, Stevie Smith, and Ford Madox Ford, and a piquant critique of the depiction of women by certain celebrated male novelists. Whatever the topic at hand, Gordon proves lively and illuminating company. /divDIV/div/div
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