This story describes a new species of human, Homo transformans, and conflicts that arise from their ability to transform into different animal species including apex predators. Gene functions and the (imaginary) genetics of transformation support an innovative story of how some Homo sapiens became Homo transformans. The narrative describes the clash between morally corrupt organizations that use the capabilities of H. transformans to achieve dominance and the groups that defend and support them. Two factions emerge to determine the fate of the new species. In the end, the species defenders must face their mortal enemy in a battle they cannot win.
The first major biography in more than twenty years of one of America’s greatest writers, based on newly available letters and journals V. S. Pritchett called her “a genius.” Gore Vidal described her as a “beloved novelist of singular brilliance . . . Of all the Southern writers, she is the most apt to endure . . .” And Tennessee Williams said, “The only real writer the South ever turned out, was Carson.” She was born Lula Carson Smith in Columbus, Georgia. Her dream was to become a concert pianist, though she’d been writing since she was sixteen and the influence of music was evident throughout her work. As a child, she said she’d been “born a man.” At twenty, she married Reeves McCullers, a fellow southerner, ex-soldier, and aspiring writer (“He was the best-looking man I had ever seen”). They had a fraught, tumultuous marriage lasting twelve years and ending with his suicide in 1953. Reeves was devoted to her and to her writing, and he envied her talent; she yearned for attention, mostly from women who admired her but rebuffed her sexually. Her first novel—The Heart Is a Lonely Hunter—was published in 1940, when she was twenty-three, and overnight, Carson McCullers became the most widely talked about writer of the time. While McCullers’s literary stature continues to endure, her private life has remained enigmatic and largely unexamined. Now, with unprecedented access to the cache of materials that has surfaced in the past decade, Mary Dearborn gives us the first full picture of this brilliant, complex artist who was decades ahead of her time, a writer who understood—and captured—the heart and longing of the outcast.
Times move on for the Adams family in south London, and as business prospers, there are new worries to deal with. A young woman arrives who is intent on ruining Sammy Adams' winter fashion show, and Sammy must deal with her unwelcome attention. Boots has to find a solution when one of his female employees tells him about a sinister visitor, but he doesn't realize that his family are being observed. Out of the shadows come dark and mysterious figures from the past who intrude on Boots, Polly and the twins, and his adopted daughter Rosie.Meanwhile Rosie has her hands full as her daughter Emily continues to rebel against everything around her. How will the Adams family cope, as trouble seems to lurk around every corner?
In her biography of writer Flannery O’Connor (1925–1964, née Mary Flannery), Mary Carpenter introduces young readers to one of the most renowned American authors. With an accessible style of writing, Flannery O’Connor gives younger readers an overview of O’Connor’s life and examines the influences, such as her family, region, and education, that helped her become one of the most respected fiction writers of the twentieth century. In a frank but age-appropriate manner, Carpenter discusses the writer’s rural southern upbringing, her relationship to race, her chronic lupus, and her Catholic faith. The book will appeal to younger (nine- to ten-year-old) readers with sophisticated interests along with, and maybe more importantly, those older middle-school students who are not yet skillful readers and who thus often search with difficulty for interesting topics presented in books of a shorter length than most written for that age group. Mary Flannery’s life is inspirational. Her childhood in Savannah, Georgia, was both difficult and privileged. During the Great Depression, her father had to leave home to find work and then became very ill. Later in small-town Milledgeville, Georgia, Flannery lived with her mother and an extended family of strong women. Flannery’s ability to know her mind at an early age helped her build an artistic reputation starting in high school. Through her fiction, she went on to become a role model for unconventional girls everywhere and for anyone who dreams of becoming a writer.
Now available for the first time in paperback, Farm House tells the story of the first structure built on the Iowa State University campus. Mary Atherly provides a comprehensive history of the Farm House from its founding days to its role as the center of activity for the new college to its second life as a welcoming museum visited by thousands each year. Construction on the little red brick house on the prairie began in 1860, two years after the state legislature passed a measure providing for the establishment of the State Agricultural College and Model Farm. In the 1860s, as the only finished house on campus, the building was the first home for all new faculty members, farm managers, farm superintendents, the college’s first president, and their families. In the 1870s, after the college officially opened its doors, the Farm House also served meals to as many as thirty people each day, most of whom boarded there. As the college grew, the house became home to the deans of agriculture; it was expanded in 1886 and renovated in the 1890s. After the last dean of agriculture moved out in 1970, the Farm House was lovingly restored to its nineteenth- and early twentieth-century appearance. Now a National Historic Landmark, it opened to the public as a museum on July 4, 1976. This second edition includes a discussion of the archaeological dig of 1991, which carefully excavated the area under the Farm House, and thoroughly documents the extensive renovation and reconstruction of the exterior of the house during the 1990s. New photographs add to the first edition’s rich array of images and a foreword by Gregory Geoffroy, ISU’s president since 2001, adds to its historical content. The history of Iowa’s only land-grant university and its impressive cultural and educational impact on the state and the nation as it evolved from model farm to college to modern multipurpose university is inseparable from the history of the Farm House.
This A-to-Z compendium explores more than 150 American women activists from colonial times to the present, examining their backgrounds and the focus of their activism, and provides examples of their speeches. Throughout history, American women's oratory has crusaded for religious rights, abolitionism, and peace, as well as for Zionism, immigration, and immunization. This text examines more than 150 influential American women activists and their speeches on vital issues. Each entry outlines the speaker's motivation and provides examples of their speeches in context, supplying information about the setting, audience, reception, and lasting historical significance. This collection of women's speeches emphasizes primary sources that underscore the goals of the Common Core Standards. Entries support classroom discussion on a range of topics, from women's suffrage and birth control to civil rights and 20th- and 21st-century labor law. No other reference work compiles examples of female activism and oration across a 400-year span of history along with analysis of the speaker's intent, forum, listeners, and public and media response.
Provides a look at the network known as the Underground Railroad - that mysterious "system" of individuals and organizations that helped slaves escape the American South to freedom during the years before the Civil War. This work also explores the people, places, writings, laws, and organizations that made this network possible.
Like a flash of lightning it came to him—the unathletic high school student Ted Kooser saw a future as a famous poet that promised everything: glory, immortality, a bohemian lifestyle (no more doing dishes, no more cleaning his room), and, particularly important to the lonely teenager, girls! Unlike most kids with a sudden ambition, Kooser, winner of the Pulitzer Prize for Poetry and thirteenth poet laureate of the United States, made good on his dream. But glory was a long time coming, and along the way Kooser lived the life that has made his poetry what it is, as deeply grounded in family, work, and the natural world as it is attuned to the nuances of language. Just as so much of Kooser’s own writing weaves geography, history, and family stories into its measures, so does this first critical biography consider the poet’s work and life together: his upbringing in Iowa, his studies in Nebraska with poet Karl Shapiro as mentor, his career in insurance, his family life, his bout with cancer, and, always, his poetry. Combining a fine appreciation of Kooser’s work and life, this book finally provides a fuller and more complex picture of a writer who, perhaps more than any other, has brought the Great Plains and the Midwest, lived large and small, into the poetry of our day.
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