Another story about Maggie Barnes and her family. By digging into online genealogy records and talking with their chatty Aunt Lillian, Maggie's children discover the World War II struggles of their paternal grandparents and their silent father, Ross. It's not a story to make kids proud. They find it easier to be critical of their flawed family and assume the next generation will do better. Like an autopsy, Phantom Fathers exposes the problems of this thinking. Soon enough these critical children will be the parents of their own adult children, and they will have their day in court. As Maggie's children discover the trauma that tore through their father's life and the way their grandparents dealt with it--brutal events during World War II, desperate decisions that fractured the family, and a dishonorable emigration to the United States--they wonder if they could have done better under the circumstances. Ross's silence begins to make sense. Most surprising are events that stir the sympathy of disappointed children and open the way to admitting the truth about imperfect ancestors.
For most people, the U.S. suffrage campaign is encapsulated by images of iconic nineteenth-century orators like the tightly coifed Susan B. Anthony or the wimpled Elizabeth Cady Stanton. However, as Mary Chapman shows, the campaign to secure the vote for U.S. women was also a modern and print-cultural phenomenon, waged with humor, creativity, and style. Making Noise, Making News also understands modern suffragist print culture as a demonstrable link between the Progressive Era's political campaign for a voice in the public sphere and Modernism's aesthetic efforts to re-imagine literary voice. Chapman charts a relationship between modern suffragist print cultural "noise" and what literary modernists understood by "making it new," asserting that the experimental tactics of U.S. suffrage print culture contributed to, and even anticipated, the formal innovations of U.S. literary modernism. Drawing on little-known archives and featuring over twenty illustrations, Making Noise, Making News provides startling documentation of Marianne Moore's closeted career as a suffrage propagandist, the persuasive effects of Alice Duer Miller's popular poetry column, Asian-American author Sui Sin Far's challenge to the racism and classism of modern suffragism, and Gertrude Stein's midcentury acknowledgement of intersections between suffrage discourse and literary modernism.
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