Incorporating fascinating new research, Mary Dearborn’s revelatory investigation of Hemingway’s life and work substantially deepens our understanding of the artist and the man. A St. Louis Post Dispatch Best Book of the Year The “most fully faceted portrait of Hemingway now available” (The Washington Post) draws on a wide array of never-before-used material, resulting in the most nuanced biography to date of this complex, enigmatic artist. Considered in his time the greatest living American writer, Hemingway was a winner of the Pulitzer Prize and the Nobel Prize whose personal demons undid him in the end, and whose novels and stories have influenced the writing of fiction for generations after his death.
As the biographer of both Henry Miller (one of Mailer's heroes) and the radical journalist Louise Bryant, Dearborn is uniquely sensitive to Mailer's best and worst sides."--BOOK JACKET.
The first major biography in more than twenty years of one of America’s greatest writers, based on newly available letters and journals V. S. Pritchett called her “a genius.” Gore Vidal described her as a “beloved novelist of singular brilliance . . . Of all the Southern writers, she is the most apt to endure . . .” And Tennessee Williams said, “The only real writer the South ever turned out, was Carson.” She was born Lula Carson Smith in Columbus, Georgia. Her dream was to become a concert pianist, though she’d been writing since she was sixteen and the influence of music was evident throughout her work. As a child, she said she’d been “born a man.” At twenty, she married Reeves McCullers, a fellow southerner, ex-soldier, and aspiring writer (“He was the best-looking man I had ever seen”). They had a fraught, tumultuous marriage lasting twelve years and ending with his suicide in 1953. Reeves was devoted to her and to her writing, and he envied her talent; she yearned for attention, mostly from women who admired her but rebuffed her sexually. Her first novel—The Heart Is a Lonely Hunter—was published in 1940, when she was twenty-three, and overnight, Carson McCullers became the most widely talked about writer of the time. While McCullers’s literary stature continues to endure, her private life has remained enigmatic and largely unexamined. Now, with unprecedented access to the cache of materials that has surfaced in the past decade, Mary Dearborn gives us the first full picture of this brilliant, complex artist who was decades ahead of her time, a writer who understood—and captured—the heart and longing of the outcast.
The life story of the bohemian socialite who rebelled against her famous family and became a renowned art collector. Peggy Guggenheim was the ultimate self-invented woman, a cultural mover and shaker who broke away from her poor-little-rich-girl origins to shape a life for herself as the enfant terrible of the art world. Her visionary Art of This Century gallery in New York, which brought together the European surrealist artists with the American abstract expressionists, was an epoch-shaking “happening” at the center of its time. In Mistress of Modernism, Mary V. Dearborn draws upon her unprecedented access to the Guggenheim family, friends, and papers to craft a “thorough biography . . . [that] will appeal to art lovers interested in more than the paint” (Publishers Weekly). “With drive and clarity, Dearborn charts Guggenheim’s peripatetic life,” offering rich insight into Peggy’s traumatic childhood in German-Jewish “Our Crowd” New York, her self-education in the ways of art and artists, her caustic battles with other art-collecting Guggenheims, and her legendary sexual appetites (her lovers included Max Ernst, Samuel Beckett, and Marcel Duchamp, to name just a few) (Booklist). Here too is a poignant portrait of Peggy’s last years as l’ultima dogaressa—the last (female) doge—in her palazzo in Venice, where her collection still draws thousands of visitors every year. Mistress of Modernism is the first definitive biography of Peggy Guggenheim, whose wit, passion, and provocative legacy Dearborn brings compellingly to life.
Drawing on previously unpublished materials plus interviews with Miller's friends and associates, Dearborn provides the definitive biography of this important literary figure who came into the limelight in 1934, when his Tropic of Cancer was widely banned for its sexual passages. Miller became a symbol for the sexual revolution when the novel was finally published in the U.S. in 1961. 16-page photo insert.
This new biography of Peggy Guggenheim charts the life of the infamous, multi-talented art collector and personality. Great-granddaughter of Swiss immigrant Simon Guggenheim, and daughter of Benjamin Guggenheim, who went down on the Titanic, Peggy Guggenheim was an extremely controversial figure, censured for everything from stinginess to sexual voraciousness. She was known for taking lovers at the drop of a beret as much as for her choices in modern art. Known as the enfant terrible of the art world, Peggy Guggenheim was one of its most significant patrons and promoters as well as its impresario, with her personal and professional life intermingled. A captivating story of Peggy Guggenheim; her charismatic personality and her talents, the culture that shaped her and that she went on to transform. Mary Dearborn's colourful personal and cultural biography locates Peggy Guggenheim in an array of shifting and colliding cultures, providing a story of this complicated and talented woman and the culture that shaped her and that she went on to transform.
Strange and unusual things lurk behind the calm façade of Dearborn County. Several legends surround Hillforest Mansion, the home of one of Aurora's founding families. Many have seen the ghost of a farmer and his mule at Carnegie Hall in Moores Hill. The glowing grave at Riverview Cemetery may connect to the 1941 Agrue family massacre. St. Mary's Church rectory is said to be haunted by the former priest, and the spirits at Whisky's in Lawrenceburg are not just in the drinks. Several schools in the area echo with the sounds of former students and staff, and numerous local residences house the spirits of former owners who never left. Join Mary Ellen Quigley and Rebecca Wilhelm on a chilling tour from Lawrenceburg to Lawrenceville and beyond.
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