THE STORY: Mimi Ralston, a wealthy and much-married divorcee, is giving a party in honor of the reputedly formidable parents of her daughter's fiancé. Typically she engages a stunt waiter to insult her guests and, specifically, to spill soup on t
From New York Times bestselling author Mary Monroe comes a powerful novel about the hopes, dreams, laughter--and limits--of six unique women surviving on the streets of San Francisco. . . They're about as different as six women can be--haughty and humble, beautiful and plain, young and not-so-young, black, white, Latina, and origins unknown. But aside from a gift for laughing hardship in the face, they have one very important thing in common--Clyde Brooks. You might say that Clyde is their "manager." And you might say that Lula Mae, Ester, Megan, Rosalee, Helen, and Rockelle are colleagues--in the world's oldest profession. Clyde likes to refer to them as his "wives." Maybe it's their love for the high life--and for each other--that makes the bond between Clyde's ladies so unbreakable. Maybe it's their private demons that keep them so loyal to Clyde--or so he thinks. For hard as they try to distract themselves, nothing can quell the women's longing for a life free from Clyde and what he represents--until one daring act of defiance changes everything. . . Praise for Mary Monroe "Reminiscent of Zora Neale Hurston." --Publishers Weekly "Watch out Toni Morrison, there is a new sister in town." --Rapport "Mary Monroe is a masterful storyteller." --Philadelphia Inquirer
The iconic photo of Bonnie Parker—cigar clenched in jaw, pistol in hand—says it all: America loves its bad girls. Now Mary Elizabeth Strunk tells us why. Wanted Women is a startling look at the lives—and legends—of ten female outlaws who gained notoriety during the tumultuous decades that bracketed the tenure of FBI director J. Edgar Hoover. Strunk looks at real-life events and fictional portrayals to decipher what our obsession with these women says about shifting gender roles, evolving law-enforcement practices, and American cultural attitudes in general. These women's stories reveal what it takes-and what it has meant--to be a high-profile female lawbreaker in America. Strunk introduces us to Kathryn "Mrs. Machine Gun" Kelly, Ma Barker, and Bonnie Parker from the 1930s, and, from the 1970s, we meet heiress-turned-revolutionary Patty Hearst, five other women of the Symbionese Liberation Army, and Black Panther Assata Shakur. All saw themselves as struggling against an oppressive legal system. All became "wanted" criminals and would play a part in shaping Hoover's legacy. And all spent enormous amounts of energy attempting to manipulate public opinion in their favor. Strunk argues that each woman's public persona was to some degree invented by Hoover, who saw outlaw women as an alarming threat to public morality. He went after them with a vengeance, but in many ways his obsession only added to their reputations. Strunk shows how Hoover's repeated use of popular culture to publicize the threat of violent women initially succeeded in strengthening his FBI, but his approach became a liability by the time law enforcement was pitted against the women outlaws of the 1970s. The book chronicles the careers of these infamous outlaws both in the real world and in popular culture—film, ads, true-crime stories, autobiographies—as well as Hoover's own forays into filmmaking. It boasts 27 compelling images of movie stills, wanted posters, and other ephemera that have been assembled nowhere else, including rarely reproduced SLA artifacts. Strunk's book is the first study to define the narrow "formula" necessary for a woman to cross over from criminal to outlaw. Hitting on key notes of American culture from Black and gender studies to cinematic and legal history, Wanted Women sets a new benchmark for how we view women and crime as it contributes fresh insights into twentieth-century social history.
Hannah Connelly, a twenty-eight-year old designer and rising star in the fashion world, is plunged into a web of horror and grief when she learns that Connelly Fine Reproductions, the family-owned furniture business founded by her grandfather, has been levelled by an explosion in the middle of the night. Everything has been destroyed - the warehouse, the showrooms, and the mansion where priceless antiques have been on permanent display. Worse, to escape the flames, Hannah's older sister, Kate, had jumped from a window and is now hospitalized in a medically induced coma, suffering from life-threatening injuries. The fire marshal on the scene is openly suspicious that someone, maybe even Kate, intentionally planned the explosion. Agonized with worry, Hannah can't understand why Kate would be in the warehouse at that hour of the night. What Hannah does not know is that Kate is most at risk from the people who have access to her in the hospital room. One of them is determined not to let her regain consciousness. That person is out to thwart Hannah, too, as she pursues her quest for the truth.
Liza Barclay, aged 10, shot her mother while trying to protect her from her violent stepfather, ex-FBI agent Charley Foster. Despite her stepfather's claim that it was a deliberate act, the Juvenile Court ruled the death an accident. Many people, however, agreed with Foster and tabloids compared Liza to the infamous murderess, Lizzie Borden, pointing even to the similarity in name. Growing up with adoptive parents who tried to erase every trace of her past, her name is changed to Celia. Always, though, the fear hung over her and the family - that someday, her vengeful stepfather would reappear to harm her. Aged 25, a successful interior designer, she marries a childless sixty-year old widower and they have a son. Before their marriage, she had confided her earlier life to her husband. Two years on, on his deathbed, he tells her that he would want her to re-marry, but makes her swear never to reveal her past to anyone, so that their son would not carry the burden of this family tragedy - a promise that plunges her into a new cycle of violence. Three years later, happily re-married, Celia is shocked when her second husband presents her with a gift -- the house where she killed her mother. When the real estate agent who has made the sale recognises her and, soon after, is murdrered, Celia is accused of the crime. Once again, she is home -- the place where she is stamped as a murderess.
Walt Disney Feature Animation Florida opened in Orlando at the dawn of the Disney Renaissance. As a member of the crew, Mary E. Lescher witnessed the small studio’s rise and fall during a transformative era in company and movie history. Her in-depth interviews with fellow artists, administrators, and support personnel reveal the human dimension of a technological revolution: the dramatic shift from hand-drawn cel animation to the digital format that eclipsed it in less than a decade. She also traces the Florida Studio’s parallel existence as a part of The Magic of Disney Animation, a living theme park attraction where Lescher and her colleagues worked in full view of Walt Disney World guests eager to experience the magic of the company’s legendary animation process. A ground-level look at the entertainment giant, The Disney Animation Renaissance profiles the people and purpose behind a little-known studio during a historic era.
Enjoy the bygone days of a time precariously nestled between the comforts of peace and the ever-present threat of impending war in 1939. Meander the dirt roads converging at the general store, where tall tales flow freely. A young parson from the Northeast arrives and receives an education from the mountaineers far beyond his preacher schooling. The unsolicited courtin assistance pushes his patience to the limits. Laugh with six brothers as they unconventionally live balancing compassion with tomfoolery; gaiety with grief; all while holding fast to a simple yet steadfast faith. A new resident arrives, not fitting the mold of a Greenbed woman; she clings to high fashion and longs for the social life she enjoyed in the big city. Her actions and attitudes alienate the residents from her husbands struggling store until she is forced to put her life into the hands of the most unlikely character in the mountain. The war touched the mountain community in a shocking manner theyd never imagined possible.
The true story of the Lovel family and their journey from middle America to the wilds of Alaska during the 1960's. Their success in homesteading land to earn and obtain title and the adventures they experience raising four small children in the wilderness.
DIVDIVA collection of dazzling and thought-provoking essays from lauded author Mary Gordon/divDIV Much acclaimed for her novels, Mary Gordon is also a brilliant and wide-ranging essayist. Gathering together twenty-eight of her forays into nonfiction, Good Boys and Dead Girls provides a richly autobiographical context for the themes that mark her fiction, such as Irish-American life, Catholicism, embattled families, and the redeeming power of art. Many of the pieces offer insights into artists and other writers: There are admiring accounts of Edith Wharton, Stevie Smith, and Ford Madox Ford, and a piquant critique of the depiction of women by certain celebrated male novelists. Whatever the topic at hand, Gordon proves lively and illuminating company. /divDIV/div/div
A teenage orphan from Vermont, Mary Gibson burst onto the literary scene during the early 1850s as a star writer, under the pseudonym Winnie Woodfern, for more than half a dozen Boston “story papers,” mass-circulation weekly periodicals that specialized in popular fiction. Although she would soon join such famous woman authors as Fannie Fern and E. D. E. N. Southworth as featured contributors to the New York Ledger, America’s greatest story paper, Gibson’s subsequent output rarely matched the gender-bending creativity of the tales written in her late teens and early twenties and reprinted in this volume. But “Hero Strong” and Other Stories does much more than recover the work of a forgotten literary prodigy. As explained by historian Daniel A. Cohen, Gibson’s tales also illuminate major interrelated transformations in American girlhood and American women’s authorship. Challenging traditional gender expectations, thousands of girls of Gibson’s generation not only aspired to public careers as writers, artists, educators, and even doctors but also began to experiment with new forms of “female masculinity” in attitude, bearing, behavior, dress, and sexuality—a pattern only gradually domesticated by the nonthreatening image of the “tomboy.” Some, such as Gibson, at once realized and reenacted their dreams on the pages of antebellum story papers. This first modern scholarly edition of Mary Gibson’s early fiction features ten tales of teenage girls (seemingly much like Gibson herself) who fearlessly appropriate masculine traits, defy contemporary gender norms, and struggle to fulfill high worldly ambitions. In addition to several heroines who seek “fame and riches” as authors or artists, Gibson’s unconventional protagonists include three female medical students who resort to grave robbing and a Boston ingénue who dreams of achieving military glory in battle. By moving beyond “literary domesticity” and embracing bold new models of women’s authorship, artistry, and worldly achievement, Gibson and her fictional protagonists stand as exemplars of “the first generation of American girls who imagined they could do almost anything.” Daniel A. Cohen is an associate professor of history at Case Western Reserve University. His previous publications include Pillars of Salt, Monuments of Grace: New England Crime Literature and the Origins of American Popular Culture, 1674–1860 and ‘The Female Marine’ and Related Works: Narratives of Cross-Dressing and Urban Vice in America’s Early Republic.
In the second volume of this exciting mystery series, the Haskell grandparents, Abby and Josh, take their four grandchildren and two friends to Medora in the beautiful North Dakota Badlands to help Aunt Gracie and Uncle Clyde run the C&G Ranch. But little do they know of the summer adventure that awaits! At first, life at the ranch couldnt be better. Responsible thirteen-year-old Audrey becomes a good horse trainer while her twelve-year-old brother Denny and his friend, Randy, cant stay out of trouble. Dennys twin sister, sarcastic Jenny, and her eleven-year-old friend Missy learn to take care of each other. Enthusiastic eight-year-old Ty continues to be a source of fun and amazement. Together, the kids form the Peanut Butter Club. When Uncle Clyde tells the kids about the mysterious horse thieves that never leave a footprint or a fingerprint, the club springs into action. In their investigation, they meet a host of colorful characters including the suspicious Sheriff Rudolph, the rugged Rattlesnake Lenny, and the mysterious Black Knight. But whoor whatis jinxing the C&G Ranch? With good teamwork, true friendship, and a little help from the adults, the Peanut Butter Club is determined to solve the mystery and save the ranch from financial ruin before its too late!
In this account of life in Australia during the extraordinary years of ‘The Great Depression’ and World War II, Mary Thorogood has depicted the extremely harsh conditions her family endured, as they struggled to put food on the table, with little or no money or regular income. This book exemplifies how love can keep families together despite such hardships. They derive pleasure from the simple things in life: wildflowers; sunsets; the antics of children and animals; storytelling at the campfire. They are Professional Fishermen; Dinkum Ausie Battlers, who strived to keep their families fed during hard times. Always short of money, they are honest, hardworking, industrious, and innovative people who persevere despite horrendous problems that are no fault of their own.
Stories have always been a way of expressing feelings and opinions about many contemporary issues. These stories touch on such subjects as revenge, reincarnation, paranoia, love, vengeance, ruthless ambition, loyalty, segregation, ESP, loneliness, compassion, friendship, beloved pets, prison system, hypnotism, bigotry, murder, brutality in the workplace, the Bermuda Triangle, guilt, other worldly events, and ghosts.
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