Merry Bunny loves to play with her bunny friends, but she begins to see differences between them and her. Overwhelmed, she isolates herself until her friend Claire Bear visits. Claire persuades Merry to come to the boxing gym with her to help with their tremors. However, Merry is afraid to box since she is a small animal. Her fears only grow when Wally Wolf growls “bunnies don’t box” at the door of the gym. Merry almost gives up, but Claire convinces her to come inside. Her journey as a boxer and with Wally continues from there. Merry Bunny’s journey echoes the real life experiences of illustrator Mary and her life with Parkinson’s Disease.
Merry Bunny loves to play with her bunny friends, but she begins to see differences between them and her. Overwhelmed, she isolates herself until her friend Claire Bear visits. Claire persuades Merry to come to the boxing gym with her to help with their tremors. However, Merry is afraid to box since she is a small animal. Her fears only grow when Wally Wolf growls “bunnies don’t box” at the door of the gym. Merry almost gives up, but Claire convinces her to come inside. Her journey as a boxer and with Wally continues from there. Merry Bunny’s journey echoes the real life experiences of illustrator Mary and her life with Parkinson’s Disease.
Surveying the life, work and accolades of Irish playwright Brian Friel, this literary companion investigates his personal and professional relationships and his literary topics and themes, such as belonging, violence, patriarchy and hypocrisy. Character summaries describe his most significant figures, particularly St. Columba, the victims of Derry's Bloody Sunday, and Hugh O'Neill, the Lord of Tyrone. Entries analyze Friel's style in detail, from his column in the Irish Times and his short fiction in the New Yorker to his most recent plays, Philadelphia, Here I Come!, Translations, and Dancing at Lughnasa.
New York Times bestseller Twenty years after the publication of the bestselling All’s Fair, James Carville and Mary Matalin look at how they—and America—have changed in the last two decades. James Carville and Mary Matalin have long held the mantle of the nation’s most ideologically mismatched and intensely opinionated political couple. In this follow-up to All’s Fair, Carville and Matalin pick up the story they began in that groundbreaking bestseller and talk family, faith, love, and politics in their two winning voices. If nothing else, this new collaboration proves that after twenty years of marriage they can still manage to agree on a few things. A fascinating look at the last two decades in American politics and an intimate, quick-witted primer on grown-up relationships and values, Love & War provides unprecedented insight into one of our nation’s most intriguing and powerful couples. With their natural charm and sharp intelligence, Carville and Matalin have written undoubtedly the most spirited memoir of the year.
The deluxe eBook edition of Love & War includes over twenty five additional photos of James Carville and Mary Matalin over the course of their celebrated careers in politics, and at home with their family in Louisiana. Interspersed throughout the text are eleven exclusive videos of them expanding on the various topics discussed within the book, providing an exclusive glimpse into the dynamic between this fascinating couple. For twenty years, James Carville and Mary Matalin have held the mantle of the nation’s most politically opposed, ideologically mismatched, and intensely opinionated couple. In this follow-up to their groundbreaking All’s Fair: Love, War, and Running for President, Carville and Matalin take a look at how they—and America—have changed in the last two decades. If nothing else, this new collaboration proves that after twenty years of marriage they can still manage to agree on a few things. Love & War traces, in their two distinct voices, James and Mary’s story from the end of the 1992 presidential campaign—where he managed Bill Clinton’s electoral triumph while she suffered defeat as George H. W. Bush’s key strategist—till now. Mary focuses on issues of family, faith, and foreign enemies and offers insights from her kitchen table as well as the White House Cabinet Room, while James’s concentration is politics and love—the triumphant and troubled Clinton era, George W. Bush’s complicated presidency, the election of Barack Obama, the rise of the corrosive partisanship that dominates political life in Washington today, and the overriding abiding romance he holds for his native Louisiana and his wife and children. Together, the Carville-Matalins reflect on raising two daughters in the pressure cooker of the nation’s capital, and their momentous 2008 decision to leave D.C. and move their family to New Orleans. Post-Katrina, James and Mary’s efforts to rebuild and promote that city have become a central part of their lives—and a poignant metaphor for moving the nation forward. A fascinating look at the last two decades in American politics and an intimate, quick-witted primer on grown-up relationships and values, Love & War provides unprecedented insight into one of our nation’s most intriguing and powerful couples. With their natural charm and sharp intelligence, Carville and Matalin have written undoubtedly the most spirited memoir of the year.
Born Catholic. Raised Catholic. Americans across generations have used these phrases to describe their formative days, but the experience of growing up Catholic in the United States has changed over the last several decades. While the creed and the sacraments remain the same, the context for learning the faith has transformed. As a result of demographic shifts and theological developments, children face a different set of circumstances today from what they encountered during the mid-twentieth-century. Through a close study of autobiographical and fictional texts that depict the experience, Ingrained Habits explores the intimate details of everyday life for children growing up Catholic during the 1940s, 50s, and 60s. These literary portrayals present upbringings characterized by an all-encompassing encounter with religion. The adult authors of such writings run the gamut from vowed priests to unwavering atheists and their depictions range from glowing nostalgia to deep-seated resentment; however, they curiously describe similar experiences from their childhood days in the Church.
With the nation on the verge of civil war, Claire Winston becomes a crusading abolitionist. But she takes an even greater risk when she finds herself in love with John Taylor, her husband's nephew. As much as John loves her, his devotion is to the Confederacy-and to the rebellious fighters known as Morgan's Raiders. Separated from him by the war, Claire boldly travels across the war-torn country in search of her lover. Disguised as a male soldier, she suddenly finds herself drafted by none other than General Morgan himself, swept up in the greatest guerilla raid in American history-and caught between her loyalty to the Union and her love for John.
The College of Saint Elizabeth is the first permanent four-year liberal arts college for women ever established in New Jersey. In over two hundred photographs, many of them published here for the first time, we can follow the story of the first hundred years of this Catholic institution, founded in 1899 by the Sisters of Charity of Saint Elizabeth. Today the founding organization continues to sponsor and participate in the growth and development of the college. As we look back with them over their first century, we can see the progress achieved through dedication to women's education and the full participation of women in society. The establishment of graduate departments in education, health care, theology, and management has helped establish Saint Elizabeth as a strong, growing community of learning in the Catholic liberal arts tradition.
This is a practical guide for Occupational Therapists and others who provide services to people who have Duchenne muscular dystrophy. The goal of the book is to deepen the readers understanding of the support that occupational therapists can offer to families who are affected by this condition. Written by experienced occupational therapists with a special interest in Duchenne muscular dystrophy. The book will provide information and support to therapists who may be working in isolation, or who rarely work with this client group. It is for the experienced therapist as well as the student. Each chapter of this book gives a clear and comprehensive description of different aspects of occupational therapy assessments and interventions.
Students learning how to witness the best version of themselves was an important aspect of pioneering multicultural education. I wanted the children to learn the larger truth about how the knowledge of themselves and others can spin into arguments and judgments. Unlearning something when new facts reveal that an original assumption is outdated or not factual is good! While human skin comes in a variety of shades, we all share the same color bones and the same color blood. The purpose of my book, “Flying With Peek-a-Boo Multicolored Feathers” is to share, based on my personal experience as a classroom teacher, what it is like in a classroom setting to develop in students a better awareness, knowledge, understanding and appreciation of our Canadian identity. The clinical conclusions indicate that when students are introduced and interact with people of various cultural traditions and religions as members of a family who shop at the same stores, enjoys TV and sports every bit as much as they do, the students increase by a measurable margin a better appreciation of our various Canadian traditions. Most importantly, the students also gain in self-esteem in a measurable margin.
Ireland’s Great Famine in Irish-American History: Enshrining a Fateful Memory offers a new, concise interpretation of the history of the Irish in America. Author and distinguished professor Mary Kelly’s book is the first synthesized volume to track Ireland’s Great Famine within America’s immigrant history, and to consider the impact of the Famine on Irish ethnic identity between the mid-1800s and the end of the twentieth century. Moving beyond traditional emphases on Irish-American cornerstones such as church, party, and education, the book maps the Famine’s legacy over a century and a half of settlement and assimilation. This is the first attempt to contextualize a painful memory that has endured fitfully, and unquestionably, throughout Irish-American historical experience.
The confident, impatient Aries personality in 600+ quotes and examples from celebrated Aries Thomas Jefferson, Robert Frost, Aretha Franklin, Robert Downey Jr., Lady Gaga and more. The book addresses Aries traits such as Courage, Temper, and Moving On and includes more than a dozen Aries specialties such as more actor Oscars and more divas than any other zodiac sign.
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
This companion, appropriate for the lay reader and researcher alike, provides analysis of characters, plots, humor, symbols, philosophies, and classic themes from the writings and tellings of Leslie Marmon Silko, the celebrated novelist, poet, memoirist and Native American wisewoman. The text opens with an annotated chronology of Silko's multiracial heritage, life and works, followed by a family tree of the Leslie-Marmon families that clarifies relationships of the people who fill her autobiographical musings. In the main text, 87 A-to-Z entries combine literary and cultural commentary with generous citations from primary and secondary sources and comparisons to classic and popular literature. Back matter includes a glossary of Pueblo terms and a list of 43 questions for research, writing projects, and discussion. This much-needed text will aid both scholars and casual readers interested in the work and career of the first internationally-acclaimed native woman author in the United States.
This annotated bibliography constitutes a thoroughly revised and more easily readable study of Behn's publications, of those edited or translated by her, of publications that included her works, and of writings ascribed to her, along with an annotated bibliography of over 1600 works about her from 1671 to 2001, with an unannotated update covering 2002. The augmented primary bibliography describes all known editions and issues of her works to 1702, and adds a catalogue of editions to 2002, including on-line sources. The secondary bibliography adds close to 1000 items published since 1984 to the original 600 of the first edition along with about 175 more from 1671 to 1984, with attention to materials not in English. New appendices include a list of dedicatees, actors, recent productions (with reviews), and provenances. This volume will be invaluable for book dealers, collectors and librarians, as well as students and scholars of Aphra Behn and of Restoration literature.
This book takes a radical approach to the study of traditional songs. Folk song scholarship was originally obsessed with notions of completeness and narrative coherence; even now long narratives hold a privileged place in most folk song canons. Yet field notebooks and recordings (and, increasingly, publications) overwhelmingly suggest that apparently 'broken' and drastically shortened versions are not perceived as incomplete by those who sing them. Dealing with a wide range of traditions and languages, this study turns the focus on these 'dog-ends' of oral tradition, and looks closely at how very short texts convey meaning in performance by working the audience's knowledge of a highly allusive idiom. What emerges is the tenacity of meaning in the connotative and metaphorical language of traditional song, and the extraordinary adaptability of songs in different cultural contexts. Such pieces have a strong metonymic force: they should not be seen as residual 'last leaves' of a once-complete tradition, but as dynamic elements in the process of oral transmission. Not all song fragments remain in their natural environment, and this book also explores relocations and dislocations as songs are adapted to new contexts: a ballad of love and death is used to count pins in lace-making, song-snippets trail subversive meanings in the novels of Charles Dickens. Because they are variable and elusive to dating, songs have had little attention from the literary establishment: the authors show both how certain critical approaches can be fruitfully applied to song texts, and how concepts from studies in oral traditions prefigure aspects of contemporary critical theory. Like the songs themselves, this book crosses and recrosses the perceived divide between the literary and the oral. Coverage includes English, Welsh, Breton, American, and Finnish songs.
Mary Cyr provides here the tools needed to understand and interpret musical evidence from the baroque era. Scores for eleven works, many reproduced in facsimile, are included for close study. Readers will find new material on continuo playing, as well a
Considers migration to, from and within Ireland in the twenty-first century, covering the Celtic Tiger era of mass immigration to Ireland as well as the dramatic growth in levels of emigration that has occurred since the Irish economic collapse.
Sisters of the Revolutionaries focuses on the lives of Margaret and Mary Brigid Pearse, whose brothers, Patrick and Willie, were executed for their role in the Easter Rising and have been commemorated as martyrs ever since. Comparatively little is known about the two sisters, despite their considerable talents and their efforts to uphold the image of their brothers’ legacies. Margaret was an Irish language activist, politician and educator, working with Patrick in founding St Enda’s School in Dublin and taking it into her own hands following his execution. Mary Brigid was a musician and author of short stories and children’s fiction. The sisters’ successes were divergent, however, and their deep affection for their brothers never extended towards each other. Teresa and Mary Louise O’Donnell provide a fascinating insight into the lives of Margaret and Mary Brigid, illuminating the many joys of their upbringing, their personal trials following the Rising, and the poignant disintegration of their own relationship later in life. This book reveals the previously unknown importance of the Pearse sisters’ contributions and the formidability of their characters.
History paints war out to be a man's business, but there is an army of women warriors who stand between the lines of history books, waiting to be seen. This biographical dictionary tells the story of the females who armed themselves against threats to self, family, home and country. Spanning 17 periods of world history, it compiles the daring deeds of 1,622 female fighters, from Bronze Age archers and Viking raiders, to helicopter pilots and commanders of aircraft carriers. Entries summarize heroes such as the Old Testament judge Deborah, Joan of Arc, Elizabeth I, Aisha, Mary Spencer-Churchill, Calamity Jane, Cleopatra VII, Molly Pitcher, Aung San Suu Kyi and-- surprisingly-- Julia Child. Included are the famous stands the unheralded scrappers and risk-takers took up in fierce crises.
New York Times Editors’ Choice, One of NPR’s Best Books of the Year In this “infinitely readable” biography, award-winning author Mary Gabriel chronicles the meteoric rise and enduring influence of the greatest female pop icon of the modern era: Madonna (People Magazine) With her arrival on the music scene in the early 1980s, Madonna generated nothing short of an explosion—as great as that of Elvis or the Beatles—taking the nation by storm with her liberated politics and breathtaking talent. Within two years of her 1983 debut album, a flagship Macy's store in Manhattan held a Madonna lookalike contest featuring Andy Warhol as a judge, and opened a department called “Madonna-land.” But Madonna was more than just a pop star. Everywhere, fans gravitated to her as an emblem of a new age, one in which feminism could shed the buttoned-down demeanor of the 1970s and feel relevant to a new generation. Amid the scourge of AIDS, she brought queer identities into the mainstream, fiercely defending a person's right to love whomever—and be whoever—they wanted. Despite fierce criticism, she never separated her music from her political activism. And, as an artist, she never stopped experimenting. Madonna existed to push past boundaries by creating provocative, visionary music, videos, films, and live performances that changed culture globally. Deftly tracing Madonna’s story from her Michigan roots to her rise to super-stardom, master biographer Mary Gabriel captures the dramatic life and achievements of one of the greatest artists of our time.
Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race.
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