When Sister Maria Amata--the former Emily Barone--enters newly-established Mater Christi Monastery, she is eager to become a spouse of Christ--to give all she is and has to God. However, Sister Maria Amata finds that living in the monastery with the other nuns radically confronts her understanding of the life itself and her own motives. Why did she really enter the monastery? To give herself completely to God? Or is she instead running from facing her inability to forgive the man who murdered her brother? The possibility of acquiring a long-desired bell for the monastery catapults Sister Maria Amata into a crisis. The novice mistress, Sister Maria Bernadette, challenges the young novice by appointing her as the bell ringer for the Angelus each day. She must choose to live in the ways of freedom and love if her gift to God at first profession is to be truly one of total surrender. She can no longer hold onto her anger and lack of forgiveness. Can Sister Maria Amata overcome her fear of ringing the bell? More importantly, will she open her heart to God's grace and forgive?
When Sister Maria Amata--the former Emily Barone--enters newly-established Mater Christi Monastery, she is eager to become a spouse of Christ--to give all she is and has to God. However, Sister Maria Amata finds that living in the monastery with the other nuns radically confronts her understanding of the life itself and her own motives. Why did she really enter the monastery? To give herself completely to God? Or is she instead running from facing her inability to forgive the man who murdered her brother? The possibility of acquiring a long-desired bell for the monastery catapults Sister Maria Amata into a crisis. The novice mistress, Sister Maria Bernadette, challenges the young novice by appointing her as the bell ringer for the Angelus each day. She must choose to live in the ways of freedom and love if her gift to God at first profession is to be truly one of total surrender. She can no longer hold onto her anger and lack of forgiveness. Can Sister Maria Amata overcome her fear of ringing the bell? More importantly, will she open her heart to God's grace and forgive?
Beyond Grammar: Language, Power, and the Classroom asks readers to think about the power of words, the power of language attitudes, and the power of language policies as they play out in communities, in educational institutions, and in their own lives as individuals, teachers, and participants in the larger community. Each chapter provides extended discussion of a set of critical language issues that directly affect students in classrooms: the political nature of language, the power of words, hate language and bullying, gender and language, dialects, and language policies. Written for pre-service and practicing teachers, this text addresses how teachers can alert students to the realities of language and power--removing language study from a “neutral” corner to situate it within the context of political, social, and cultural issues. Developing a critical pedagogy about language instruction can help educators understand that classrooms can either maintain existing inequity or address and diminish inequity through critical language study. A common framework structures the chapters of the text: * Each chapter begins with an overview of the language issue in question, and includes references for further research and for classroom use, and provides applications for classroom teachers. * Numerous references to the popular press and the breadth of language issues found therein foreground current thought on socio-cultural language issues, attitudes, standards, and policies found in the culture(s) at large. * References to current and recent events illustrate the language issue’s importance, cartoons address the issue, and brief “For Thought” activities illustrate the point being discussed and extend the reader’s knowledge and awareness. * “Personal Explorations” ask readers to go beyond the text to develop further understanding; “Teaching Explorations” ask teachers to apply chapter content to teaching situations. Beyond Grammar: Language, Power, and the Classroom is intended for undergraduate and master’s level courses that address literacy education, linguistics, and issues of language and culture.
Brad has vowed never to risk his heart again. But he hadn't counted on the power of one woman's touch to make him reconsider. He thinks at last he's found a woman he can trust-until a secret from her past makes him believe otherwise.
From New York Times bestselling author Mary Balogh comes the first novel in the Horsemen trilogy, a scandalous romance of yearning passion and dangerous desires... In the country visiting his twin brother, Viscount Rawleigh longs for a little diversion and beautiful young widow Catherine Winters seems like easy prey. But Rex’s target is a lady of virtue, and when she roundly rejects his improper proposal to become his mistress, Rex finds himself faced with a delectable challenge. Catherine knows she must fight the indecent feelings the Viscount arouses within her—feelings that bring to life a past she had sought to escape—even as the handsome lord refuses to relent in his amorous attentions. But even though she knows one kiss could bring her to ruin, temptation proves an insurmountable foe—and Catherine can not ignore the beating of her treacherous heart....
Wisconsin's most notorious crimes and criminals are profiled in this book of the Crimes of the Century series. Read about the killer dairy princess and meet notorious fiends Edward Gein, Jeffery Dahmer, and others.
In the decades spanning the nineteenth century, thousands of women entered the literary marketplace. Twelve of the century's most successful women writers provide the focus for Mary Kelley's landmark study: Maria Cummins, Caroline Howard Gilman, Caroline Lee Hentz, Mary Jane Holmes, Maria McIntosh, Sara Parton, Catharine Maria Sedgwick, E.D.E.N. Southworth, Harriet Beecher Stowe, Mary Virginia Terhune, Susan Warner, and Augusta Evans Wilson. These women shared more than commercial success. Collectively they created fictions that Kelley terms "literary domesticity," books that both embraced and called into question the complicated expectations shaping the lives of so many nineteenth-century women. Matured in a culture of domesticity and dismissed by a male writing establishment, they struggled to reconcile public recognition with the traditional roles of wife and mother. Drawing on the 200 volumes of published prose and on the letters, diaries, and journals of these writers, Kelley explores the tensions that accompanied their unprecedented literary success. In a new preface, she discusses the explosion in the scholarship on writing women since the original 1984 publication of Private Woman, Public Stage and reflects on the book's ongoing relevance.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.