Foreword Book of the Year Award Independent Publishers Award (IPPY) Lambda Literary Award Finalist Publishing Triangle Award Finalist GAMMA Award, Best Feature from The Magazine Association of the Southwest for “Getting the News,” The Georgia Review, Summer 2009 Notable Essay of the Year Citation in Best American Essays 2010 for “Getting the News” Named one of the Best Books of the Year by the Guerilla Girls On Tour and by WILLA: Women in Literary Arts and Letters An extended meditation on the nature of love and the nature of time inside illness, Called Back is both a narrative and non-narrative experiment in prose. The book moves through the standard breast cancer treatment trajectory (diagnosis, surgery, chemotherapy, radiation), with the aim of discovering unexpected vectors of observation, meaning and desire inside each phase of the typically mandated four-part ritual. A lyrical feminist critique of living with cancer at the turn of the twenty-first century in the United States, the book looks through the lens of cancer to discover new truths about intimacy and essential solitude, eroticism, the fact of the body, and the impossibility of turning away. Offering original exegeses of the work of Marsden Hartley, Emily Dickinson, Gertrude Stein, and Marcel Proust, Called Back relies on these artists’ queer aesthetics to tease the author back to life. What might a person tutored as a reader of signs “see” inside breast cancer’s paces, protocols, and regimes? What does the experience occlude, and what can we afford to liberate? The first chapter paves the way for the book’s central emphases: a meditation on the nature of “news” and the new, on noticing, on messages—including those that the body itself relies upon in the assumption of disease—and the interpretive methods we bring to them in medical crisis. Language is paramount for how we understand and act on the disease, how we imagine it, how we experience it, and how we treat it, Cappello argues. Working at the borders of memoir, literary nonfiction, and cultural analysis, Called Back aims to displace tonal and affective norms— infantilizing or moralizing, redemptive, sentimental or cute—with reverie, rage, passionate intensity, intelligence, and humor.
In By the Breath of Their Mouths, Mary Jo Bona examines the oral uses of language and the liberating power of speech in Italian American writing, as well as its influences on generations of assimilated Italian American writers. Probing and wide-ranging, Bona's analysis reveals the lasting importance of storytelling and folk narrative, their impact on ethnic, working-class, and women's literatures, and their importance in shaping multiethnic literature. Drawing on a wide range of material from several genres, including oral biographies, fiction, film, poetry, and memoir, and grounded in recent theories of narrative and autobiography, postcolonial theory, and critical multiculturalism, By the Breath of Their Mouths is must reading for students in Italian American studies in particular and ethnic studies and multiethnic literature more generally.
The Sacred Home in Renaissance Italy explores the rich devotional life of the Italian household between 1450 and 1600. Rejecting the enduring stereotype of the Renaissance as a secular age, this interdisciplinary study reveals the home to have been an important site of spiritual revitalization. Books, buildings, objects, spaces, images, and archival sources are scrutinized to cast new light on the many ways in which religion infused daily life within the household. Acts of devotion, from routine prayers to extraordinary religious experiences such as miracles and visions, frequently took place at home amid the joys and trials of domestic life — from childbirth and marriage to sickness and death. Breaking free from the usual focus on Venice, Florence, and Rome, The Sacred Home investigates practices of piety across the Italian peninsula, with particular attention paid to the city of Naples, the Marche, and the Venetian mainland. It also looks beyond the elite to consider artisanal and lower-status households, and reveals gender and age as factors that powerfully conditioned religious experience. Recovering a host of lost voices and compelling narratives at the intersection between the divine and the everyday, The Sacred Home offers unprecedented glimpses through the keyhole into the spiritual lives of Renaissance Italians.
This first volume of the definitive edition of her fiction includes four novels and eight classic stories by the witty and provocative writer who defined a generation In 1942, Mary McCarthy provoked a scandal with her electrifying debut novel, The Company She Keeps, announcing the arrival of a major new voice in American literature. A candid, thinly-veiled portrait of the late-1930s New York intellectual scene, its penetrating gaze and creative fusion of life and literature—“mutual plagiarism,” she called it—became the hallmark of McCarthy's fiction, which the Library of America now presents in full for the first time in deluxe collector's edition. The Oasis (1949), a wicked satire about a failed utopian community, and The Groves of Academe (1952), a pioneering campus novel depicting the insular and often absurd world of academia, burnished her reputation as an acerbic truth-teller, but it was with A Charmed Life (1955), a searing story of small-town infidelity, that McCarthy fully embraced the frank and avant-garde treatment of gender and sexuality that would inspire generations of readers and writers. Also included are all eight of McCarthy's short stories, four from her collection Cast a Cold Eye (1950), and four collected here for the first time. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
A terrific manual for small schools or conversion efforts. Provides a logical road map and tools, and shows educators how to lead groups and engage the community in the rebuilding effort." —Sue Showers, Educational Consultant Bigger is not necessarily better. While current research shows that comprehensive high schools remain the norm, effective small-scale high schools feature lower student-to-teacher ratios, longer instructional blocks, more parent involvement, and increased advisory and student support. The resulting instructional benefits include reduced dropout rates, increased attendance, higher student achievement, and fewer discipline problems. Based on the authors′ work at the nationally renowned Center for Collaborative Education, Creating Small Schools presents an A–to–Z guide for developing small school communities that personalize the educational experience for all students, helping them form lasting bonds with faculty and ultimately increasing their chances of going to college. Success for students and schools depends on small class size, unifying vision, autonomy, and accountability. This research-based guidebook offers school leaders: Ways to establish new schools or convert existing ones Step-by-step instructions for developing a small schools plan Lessons, case studies, practical tools, advice, and vignettes Guidance for forging partnerships with district administration and the community Discover how small schools can effectively reach and motivate underserved learners, and watch as achievement levels rise for all students.
A vivid history of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Italian Renaissance. The fifteenth and sixteenth centuries was an era of dramatic political, religious, and cultural change in the Italian peninsula, witnessing major innovations in the visual arts, literature, music, and science. Princes of the Renaissance charts these developments in a sequence of eleven chapters, each of which is devoted to two or three princely characters with a cast of minor ones—from Federigo da Montefeltro, Duke of Urbino, to Cosimo I de' Medici, Duke of Florence, and from Isabella d'Este of Mantua to Lucrezia Borgia. Many of these princes were related by blood or marriage, creating a web of alliances that held Renaissance society together—but whose tensions could spark feuds that threatened to tear it apart. A vivid depiction of the lives and times of the aristocratic elite whose patronage created the art and architecture of the Renaissance, Princes of the Renaissance is a narrative that is as rigorous and definitively researched as it is accessible and entertaining. Perhaps most importantly, Mary Hollingsworth sets the aesthetic achievements of these aristocratic patrons in the context of the volatile, ever-shifting politics of an age of change and innovation.
The #1 New York Times–bestselling author of The Group takes readers on a captivating journey to one of the world’s most celebrated cities. Mary McCarthy brings her novelist’s unerring eye to a book that blends art, politics, religion, music, and history to create a living portrait of “the world’s loveliest city.” Like a painter capturing the city’s essence on canvas, McCarthy uses words to create stunning visuals that bring both the old and new Venice to enchanting life. From her apartment overlooking the garden of a palazzo, McCarthy takes us into the museums and monasteries of this city of canals and gondolas, Machiavelli and Tintoretto. And she reveals some little-known facts: Venetians love pets, but prefer cats to dogs; during World War II, the Allies captured the city with a fleet of gondolas; and without Napoleon, Venice wouldn’t be what it is today. From the ancient roots of The Merchant of Venice’s pound of flesh to the quotidian details of daily life, it’s all here—the magnificent frescoes, the sublime music of Mozart, the virgins, and the saints. At once a comprehensive travelogue and a powerful piece of reportage, Venice Observed is a testimony of McCarthy’s love affair with the City of Canals. This ebook features superb color reproductions of the works of Giorgione, Veronese, Titian, Canaletto, Guardo, Bellini, and Tiepolo, and an illustrated biography of Mary McCarthy including rare images from the author’s estate.
Having founded the bank that became the most powerful in Europe in the fifteenth century, the Medici gained massive political power in Florence, raising the city to a peak of cultural achievement and becoming its hereditary dukes. Among their number were no fewer than three popes and a powerful and influential queen of France. Their influence brought about an explosion of Florentine art and architecture. Michelangelo, Donatello, Fra Angelico, and Leonardo were among the artists with whom they were socialized and patronized.Thus runs the "accepted view” of the Medici. However, Mary Hollingsworth argues that this is a fiction that has now acquired the status of historical fact. In truth, the Medici were as devious and immoral as the Borgias. In this dynamic new history, Hollingsworth argues that past narratives have focused on a sanitized view of the Medici—wise rulers, enlightened patrons of the arts, and fathers of the Renaissance—and their story was reinvented in the sixteenth century, mythologized by later generations of Medici who used this as a central prop for their legacy.Hollingsworth's revelatory re-telling of the story of the family Medici brings a fresh and exhilarating new perspective to the story behind the most powerful family of the Italian Renaissance.
Features menus and instructions for outdoor dinners and celebrations, including recipes for appetizers, soups, breads, main courses, salads, desserts, and beverages.
Little golden cloudlets, like winged living creatures, were hanging high up in the rosy glow above Santa Maria della Salute, and all along the Grand Canal the crowded gondolas were floating in a golden haze, and all the westward-facing palace windows flashed and shone with an illumination which the lamps and lanterns that were to be lighted after sundown could never equal, burnt they never so merrily. It was Shrove Tuesday in Venice, Carnival time. The sun had been shining on the city and on the lagunes all day long. It was one of those Shrove Tuesdays which recall the familiar proverb— “Sunshine at Carnival, Fireside at Easter.” But who cares about the chance of cold and gloom six weeks hence when to-day is fair and balmy? A hum of joyous, foolish voices echoed from those palace façades, and floated out seaward, and rang along the narrow Calle, and drifted on the winding water-ways, and resounded under the innumerable bridges; for everywhere in the City by the Sea men, women, and children were making merry, and had given themselves up to a wild and childish rapture of unreasoning mirth, ready to explode into loud laughter at the sorriest jokes. An old man tapped upon the shoulder by a swinging paper lantern—a boy whose hat had been knocked off—a woman calling to her husband or her lover across the gay flotilla—anything was food for mirth on this holiday evening, while the great gold orb sank in the silvery lagoon, and all the sky yonder towards Chioggia was dyed with the crimson afterglow, and the Chioggian fishing-boats were moving westward in all the splendour of their painted sails. At Danieli’s the hall and staircase, reading-room, smoking-room, and saloons were crowded with people; English and American for the most part, but with a sprinkling of French and German. Shrewd Yankees were bargaining on the sea-washed steps below the hall-door with gondoliers almost as shrewd. Quanto per la notte—tutte la notte, sul canale? To-night the gondoliers would have it all their own way, for every one wanted a gondola to row up and down the Grand Canal, with gaudy Chinese lanterns, and singing men, twanging guitar or tinkling mandoline to that tune which is almost the national melody of Venice fin de siècle—“Funicoli, funicola.” The dining-rooms at Danieli’s are capacious enough for all ordinary occasions, but to-night there was not space for half the number who wanted to dine. The waiters were flying about wildly, trying to appease the hungry crowd with promises of tables subito, subito. But travellers in Italy know what subito means in an Italian restaurant, and were not comforted by these assurances. Amiable Signor Campi moved about among his men, and his very presence gave comfort somehow, and finally everybody had food and wine, and a din of jovial voices rose up from the table d’hôte to the grand old rooms above, on that upper story which is called the noble floor, a place of strange histories, perhaps, in those stern days when these hotels were palaces.
This comprehensive guide for mental health practitioners and medical professionals addresses the delicate issues surrounding breast cancer and the processes involved in emotional coping and healing. Unlike other works, this volume takes a practice-oriented approach, offering readers a review of the medical, psychological and social aspects of breast cancer. Using case studies that depict women from diverse backgrounds, this text focuses on current research, interventions, psychological assessment, and addresses the concerns of women. Students and practitioners alike will appreciate this engagingly written and informative book.
In increasingly diverse classrooms, an understanding of standards-based instruction and assessment for ELLs is essential for achieving both excellence and equity in our education system.
Mary Jo Bona reconstructs the literary history and examines the narrative techniques of eight Italian American women's novels from 1940 to the present. Largely neglected until recently, these women's family narratives compel a reconsideration of what it means to be a woman and an ethnic in America. Bona discusses the novels in pairs according to their focus on Italian American life. She first examines the traditions of italianitá (a flavor of things Italian) that inform and enhance works of fiction. The novelists in that tradition were Mari Tomasi (Like Lesser Gods, 1949) and Marion Benasutti (No Steady Job for Papa, 1966). Bona then turns to later novels that highlight the Italian American belief in the family's honor and reputation. Conflicts between generations, specifically between autocratic fathers and their children, are central to Octavia Waldo's 1961 A Cup of the Sun and Josephine Gattuso Hendin's 1988 The Right Thing to Do. Even when writers choose to steer away from the familial focus, Bona notes, their developmental narratives trace the reintegration of characters suffering from a crisis of cultural identity. Relating the characters' struggles to their relationship to the family, Bona examines Diana Cavallo's 1961 A Bridge of Leaves and Dorothy Bryant's 1978 Miss Giardino. Bona then discusses two innovative novels—Helen Barolini's 1979 Umbertina and Tina De Rosa's 1980 Paper Fish—both of which feature a granddaughter who invokes her grandmother, a godparent figure. Through Barolini's feminist and De Rosa's modernist perspectives, both novels present a young girl developing artistically. Closing with a discussion of the contemporary terrain Italian American women traverse, Bona examines such topics as sexual identity when it meets cultural identity and the inclusion of italianitá when Italian American identity is not central to the story. Italian American women writers, she concludes, continue in the 1980s and 1990s to focus on the interplay between cultural identity and women's development.
Elise Boulding has been among the most influential of social reformers to advocate the integration of peace studies and women's studies. Her ideas inspired a number of works addressing the role of the family in producing social change and discussing women's unique capacity for promoting peace through nurturing and networking. Boulding's additional ideas on transnational networks and their relationship to global understanding are considered seminal contributions to modern peace studies and have earned her the title of "matriarch" of the 20th century peace movement. This biography is divided into three parts. The first and third deal chronologically with the life of Elise Boulding, beginning with her childhood experiences as a Scandinavian immigrant. The 1940 Nazi invasion of Norway significantly influenced her concepts of pacifism and Quaker spiritualism, laying the foundation for her future work as a leader in the Women's International League for Peace and Freedom and her dynamic professional partnership with and marriage to the internationally known Quaker economist and poet Kenneth Boulding. Part Two expounds upon Boulding's philosophy of education, her role as a member of the Religious Society of Friends, her espousal of the conceptual evolution of cultures of peace, and her theoretical work in women's studies and peace research. In recognition of these achievements, Boulding has been the recipient of more than 19 awards and was a 1990 nominee for the Nobel Peace Prize.
Captivating portraits of two of the world’s most beguiling cities from the New York Times–bestselling author of The Group. Mary McCarthy blends art, politics, religion, music, and history to create unique living portraits of two of Italy’s most enchanting cities in these enthralling books now available in one volume. The Stones of Florence: The book Library Journal called “Mary McCarthy’s classic” takes readers on a timeless journey to the place where the Renaissance began. From Michelangelo to the Medicis, The Stones of Florence is McCarthy’s hymn to this immortal hub of art and commerce. Venice Observed: McCarthy trains her gaze on the immortal City of Canals. At once a comprehensive travelogue and a powerful piece of reportage, Venice Observed contains “searching observations and astonishing comprehension of the Venetian taste and character” (New York Herald Tribune).
Winzy è l’umile allievo dell’alchimista Cornelius Agrippa. È da sempre innamorato della sua amica di infanzia Bertha, ma la loro unione è impossibile. La fanciulla inoltre si diverte a farlo ingelosire con altri pretendenti più facoltosi di lui. Perciò quando un giorno Winzy ha la possibilità di bere un filtro per disamorarsi, creato dal suo maestro, non si lascia sfuggire l’occasione. Ma la bevanda, lungi dallo spegnere il suo amore per Bertha, produce un effetto totalmente inaspettato.
Jessica Goodman sheds new light on Carlo Goldoni's experience as a dramatic author in 1760s Paris, and on his critical reactions to that experience. She draws on contemporary Comedie-Italienne archives to offer the most comprehensive existing account of this oft-neglected theatre and its authorial relations.
BOLOGNA REFLECTIONS: AN UNCOMMON GUIDE provides the visitor to Bologna with a different approach to encountering a remarkable city. The walking itineraries explore its historical and artististic heritage and point out hidden treasures not often found in traditional guidebooks. The tourist and the armchair traveler alike visit Bologna through the stories that reveal the heart and soul of the Bolognese people, who become the real guides to their city and past. Original drawings and art invoke Bologna's medieval past and celebrate her modern charm, as the visitor meanders in the unknown corners of a seductive city. Practical information, including maps of relevant neighborhoods, assists the traveler in planning the visit and experiencing the city during the sojourn. A more extensive, up-to-date website supports the practical information, which will continue to assist the traveler for future visits to the Citta Rossa.
Footprintfocus Sicily: Palermo and Northwest is the only dedicated guide available covering this popular Italian destination. Features an Essentials section with practical tips to help plan a trip, detailed information on attractions and comprehensive listings of where to eat, sleep and have fun. • Essentials section with tips on getting there and around • Up-to-date recommendations of great places to stay and eat • Highlights map of the region plus detailed street maps where relevant • Slim enough to fit in a pocket Loaded with advice and information on how to get around, this concise Footprintfocus guide will help travellers get the most out of Palermo and the northwest region of Sicily without weighing them down. The content of the Footprintfocus Sicily: Palermo and Northwest guide has been extracted from Footprint's Sicily guide.
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