In an historical novel based on the 1944 Barnum & Bailey's circus tent fire that killed hundreds, two survivors reexamine their lives and marriage while seeking the fire's true cause. By the author of The Port of Missing Men.
The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are "maternal as well as paternal...stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry. Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.
A study of the primitive and unconscious aspects of man's nature and the processes by which their energies may contribute to the integration of personality. New edition, comprehensively revised and enlarged, with many new illustrations.
Robert Stafford of Cumberland Island offers a rare glimpse into the life and times of a nineteenth-century planter on one of Georgia's Sea Islands. Born poor, Robert Stafford (1790-1877) became the leading planter on his native Cumberland Island. Specializing in the highly valued long staple variety of cotton, he claimed among his assets more than 8,000 acres and 350 slaves. Mary R. Bullard recounts Stafford's life in the context of how events from the Federalist period to the Civil War to Reconstruction affected Sea Island planters. As she discusses Stafford's associations with other planters, his business dealings (which included banking and railroad investments), and the day-to-day operation of his plantation, Bullard also imparts a wealth of information about cotton farming methods, plantation life and material culture, and the geography and natural history of Cumberland Island. Stafford's career was fairly typical for his time and place; his personal life was not. He never married, but fathered six children by Elizabeth Bernardey, a mulatto slave nurse. Bullard's discussion of Stafford's decision to move his family to Groton, Connecticut--and freedom--before the Civil War illuminates the complex interplay between southern notions of personal honor, the staunch independent-mindedness of Sea Island planters, and the practice and theory of racial separation. In her afterword to the Brown Thrasher edition, Bullard presents recently uncovered information about a second extralegal family of Robert Stafford as well as additional information about Elizabeth Bernardey's children and the trust funds Stafford provided for them.
In 1833 two missionary couples, the Walkers and the Eellses, joined a party going west as a reinforcement to the Oregon Mission. Mary Walker and Myra Eells kept diaries throughout the months on the hazardous trail. Throughout this combined account, the presence of Myra Fairbanks Eells is deeply felt, but it is Mary Richardson Walker who brings the trail alive again. 21 photos.
Five women revolutionize the modern art world in postwar America in this "gratifying, generous, and lush" true story from a National Book Award and Pulitzer Prize finalist (Jennifer Szalai, New York Times). Set amid the most turbulent social and political period of modern times, Ninth Street Women is the impassioned, wild, sometimes tragic, always exhilarating chronicle of five women who dared to enter the male-dominated world of twentieth-century abstract painting -- not as muses but as artists. From their cold-water lofts, where they worked, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and countless others to come. Gutsy and indomitable, Lee Krasner was a hell-raising leader among artists long before she became part of the modern art world's first celebrity couple by marrying Jackson Pollock. Elaine de Kooning, whose brilliant mind and peerless charm made her the emotional center of the New York School, used her work and words to build a bridge between the avant-garde and a public that scorned abstract art as a hoax. Grace Hartigan fearlessly abandoned life as a New Jersey housewife and mother to achieve stardom as one of the boldest painters of her generation. Joan Mitchell, whose notoriously tough exterior shielded a vulnerable artist within, escaped a privileged but emotionally damaging Chicago childhood to translate her fierce vision into magnificent canvases. And Helen Frankenthaler, the beautiful daughter of a prominent New York family, chose the difficult path of the creative life. Her gamble paid off: At twenty-three she created a work so original it launched a new school of painting. These women changed American art and society, tearing up the prevailing social code and replacing it with a doctrine of liberation. In Ninth Street Women, acclaimed author Mary Gabriel tells a remarkable and inspiring story of the power of art and artists in shaping not just postwar America but the future.
This oral history of foxhunting examines the mentors and influences of fifty people who have dedicated their lives to the sport of horse and hound. From the seventy some years of hound breeding experience of Melvin Poe, to the unusual story of a retired grandmother who decided to overcome her fear of horses and got her colors with Red Rock Hounds on her seventieth birthday, this oral history explores the depth and the breadth of foxhunting through the faces and voices of fifty different people who have been a tremendous influence on the sport or whose lives have been tremendously influenced by foxhunting. These oral histories are accompanied by beautiful black and white portraits taken by photographer Mary Kalergis.The recollected sights, sounds and scents of foxhunting shared within these pages are a feast for the senses and nourish the soul.
Fifteen years after the end of the American Civil War, a North Carolina widow travels to Elmira, New York, the site of an infamous Confederate prisoner of war camp, to confront the woman who may know the meaning of an engraved ring found in the pocket of her deceased husband’s Rebel uniform. The answer emerges through fictionalized first person accounts from a Rebel prisoner, a Union guard, a crusading Elmira Female College student, and John W. Jones, the actual fugitive slave and Underground Railroad conductor ironically tasked with overseeing the burials of the nearly 3000 Confederate soldiers who died at the camp. Their diverse voices provide an intimate look into the build-up and conduct of the war from the passionate perspectives of those who fought for either side, those left to wait at home, and those whose very freedom depended on the war’s outcome. Their deeply held beliefs and loyalties are challenged when their fates converge in the harsh shadow of the Elmira prison camp, a place where suffering blurs the line between enemy and friend, and where empathy can turn to love.
Donald Baxter MacMillan explored and researched the frigid Arctic for nearly fifty years-longer than anyone else. His long and distinguished career include many contributions to environmental science and to the cultural understanding of Northern people.
Examines ways in which Germans of different generations lived through the violent eruptions and rapid regime changes of the 20th century, revealing striking generational patterns.
All of the available letters of Charles Lamb, a master of the English essay, and his sister Mary Anne published in this definitive, scrupulously edited work. The letters, many of them written to illustrious figures of the Romantic period, are generally agreed to rank among the finest in the English language. Transcribing where possible from the originals or facsimiles, Professor Marrs corrects textual errors found in previous editions, and he pays particular attention to establishing precise dates for the correspondence. He includes letters that were omitted from the last collection (published in 1935 and long out of print), and he has uncovered more than eighty letters never published before. The Letters of Charles and Mary Anne Lamb totals five or six volumes, and presents nearly 1200 letters written by Charles and Mary, singly or together. The correspondence is fully annotated, the volumes are illustrated, and the holographic idiosyncrasies of the originals are rendered typographically wherever possible. Rich in revelations about the extraordinary lives of the Lambs, these beautifully written letters are an inexhaustible store of information about the Romantic era and its major figures-Wordsworth, Keats, and Coleridge. The publication of unexpurgated and authoritative texts is an important literary event. The first volume was published in 1975, the bicentenary of Charles Lamb's birth. It contains 102 letters written by Charles, many of them after Mary murdered their mother. Among the recipients were the poets Coleridge, Southey, and Wordsworth. The letters provide shrewd observations on his friends' writings and his own, vivid descriptions of life in London, and compassionate but candid remarks concerning his family and acquaintances. Notes to each letter place it in context, quoting where necessary from the correspondence Lamb is answering. Volume I includes Professor Marrs's extensive Introduction to the entire collection. After supplying a biography of the Lamb family up to the murder, he treats Mary's and Charles's life together until Charles's death, tracing through the letters a relationship that remained warm and affectionate even under the shadow of Mary's insanity. Professor Marrs also gives the publishing history of the letters and sets forth the principles upon which his edition is based.
At Cheniere Caminada, Athenaise, Desiree's Baby, The Story of an Hour, Wiser Than a God.Grammardog Teacher's Guide contains 16 quizzes for this short story collection. All sentences are from the stories. Language describes the culture and setting of the Louisiana Gulf Coast in the late 1800s where women characters begin to question traditional roles (Is "marriage a trap" or can it be "what story books promise?"). Figurative language reflects the conflict between religion, the expectations of the Southern culture and personal choice (Faust, Eve, Holy Ghost, Satan, Judgment Day, Terpsichore and goddess of Victory).
The Quiet Trailblazer recounts Mary Frances Early’s life from her childhood in Atlanta, her growing interest in music, and her awakening to the injustices of racism in the Jim Crow South. Early carefully maps the road to her 1961 decision to apply to the master’s program in music education at the University of Georgia, becoming one of only three African American students. With this personal journey we are privy to her prolonged and difficult admission process; her experiences both troubling and hopeful while on the Athens campus; and her historic graduation in 1962. Early shares fascinating new details of her regular conversations with civil rights icon Dr. Martin Luther King Jr. at Ebenezer Baptist Church in Atlanta. She also recounts her forty-eight years as a music educator in the state of Georgia, the Southeast, and at the national level. She continued to blaze trails within the field and across professional associations. After Early earned her master’s and specialist’s degrees, she became an acclaimed Atlanta music educator, teaching music at segregated schools and later being promoted to music director of the entire school system. In 1981 Early became the first African American elected president of the Georgia Music Educators Association. After she retired from working in public schools in 1994, Early taught at Morehouse College and Spelman College and served as chair of the music department at Clark Atlanta University. Early details her welcome reconciliation with UGA, which had failed for decades to publicly recognize its first Black graduate. In 2018 she received the President’s Medal, and her portrait is one of only two women’s to hang in the Administration Building. Most recently, Early was honored by the naming of the College of Education in her honor.
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