THE SCULPTOR WHO CARVED THE FACES OF AMERICA’S HEROIC DEAD ON GRANITE MOUNTAINS—AND THEY WERE SELDOM BIG ENOUGH. First published in 1952, Robert John Casey co-wrote this fascinating biography with the wife of Gutzon Borglum (1867-1941), the American sculptor best known for his colossal sculpture of the faces of four U.S. presidents on Mount Rushmore in South Dakota. The son of Danish immigrants, Gutzon Borglum studied art in San Francisco and for four years in Paris at the Académie Julian and the École des Beaux-Arts. His painting and his sculpture were admitted to the officially recognized Salon and he subsequently received important commissions and royal recognition whilst in England. In 1901 Borglum established himself in New York City, where he sculpted a bronze group called The Mares of Diomedes, the first piece of American sculpture bought for the Metropolitan Museum of Art in New York. Versatile and prolific, Borglum sculpted many portrait busts of American leaders, as well as of figures such as the Twelve Apostles, which he created for the Cathedral Church of St. John the Divine in New York. He turned toward reviving the ancient Egyptian practice of carving gargantuan statues of political figures in natural formations of rock, and executed from a six-ton block of marble a colossal head of President Abraham Lincoln, which was placed in the Capitol Rotunda in Washington, D.C. This led to a commission in 1927 by the state of South Dakota to turn Mount Rushmore, in the Black Hills, into another colossal monument, and that same year Borglum began sculpting the 60-foot-high heads of George Washington, Thomas Jefferson, Abraham Lincoln, and Theodore Roosevelt on the face of the mountain. The project was completed in 1941 and became a national memorial. Physically only medium-sized, Borglum was a big man, colorful, worth knowing. The change to know him is here in the stimulating pages of Give the Man Room.
Nestled in the Black Hills of South Dakota is one of the most striking monuments in the United States. The Mount Rushmore National Memorial displays the faces of four of the most beloved US presidents. Readers of this book will learn how and why Mount Rushmore was created. They’ll see remarkable photographs of drillers and carvers in action, dwarfed by their huge work of art. Most importantly, readers will realize why this amazing landmark has become a significant part of our nation’s history.
After a devastating hurricane in 1919, the people of Corpus Christi faced the stark reality of their vulnerability. It was clear that something had to be done, but the mere will to take precautionary measures did not necessarily lead the way. Instead, two decades would pass before an effective solution was in place. Mary Jo O’Rear, author of Storm over the Bay, returns to tell the story of a city’s long and often frustrating path to protecting itself. Bulwark Against the Bay reveals the struggle to construct a seawall was not merely an engineering challenge; it was also bound up with the growing popularity of the Ku Klux Klan, local aversion to Roman Catholicism, the emergence of the League of United Latin American Citizens, new efforts on behalf of African American equality, the impact of the Great Depression, support for Franklin Roosevelt, and reactions to the New Deal. A case study of a community wrestling with itself even as it races with the clock, Bulwark Against the Bay adds to our understanding of urban history, boardroom and backroom politics, and the often harsh realities of geography and climate.
More than any other book that I can think of, Bronze Inside and Out puts a human face on Western art - indeed, all art. It invites us to ponder the very nature of the creative process. From the foreword by Brian W. Dippie, University of Victoria Bronze Inside and Out is a literary biography of sculptor Bob Scriver, written by his wife, Mary Strachan Scriver. Bob Scriver is best known for his work in bronze and for his pivotal role in the rise of "cowboy art." Living and working on the Montana Blackfeet Reservation, Scriver created a bronze foundry, a museum, and a studio - an atelier based on classical methods, but with local Blackfeet artisans. His importance in the still-developing genre of "western art" cannot be overstated. Mary Strachan Scriver lived and worked with Boba Scriver for over a decade and was instrumental in his rise to international acclaim. Working alongside her husband, she became intimately familiar with the man, his work, and his process. Her frank, uncensored, and highly entertaining biography reveals details that give the reader a unique picture of Scriver both as man and as artist. Bronze Inside and Out also provides a fascinating look into the practice of bronze casting, cleverly structuring the story of Bob Scriver's life according to the steps in this complicated and temperamental process.
ANDERSEN's FAIRY TALES, which have been translated into more than "125 languages", have become culturally embedded in the West's collective consciousness, readily accessible to children, but presenting lessons of virtue and resilience in the face of adversity for mature readers as well.Some of his most famous fairy tales include "THE EMPEROR's NEW CLOTHEs", "THE LITTLE MERMAID", "THE NIGHTINGALE", "THE SNOW QUEEN", "THE UGLY DUCKLING", "THUMBELINA", and many more. In this book, you will find "ALL STORIES" that writen by the Author Early and Later Stories as Fully Well illustrated "126 STORIEs"..This collection of 126 of the Stories was translated by Mrs. Susannah Paull in 1872. Some of his most famous fairy tales include "THE EMPEROR's NEW CLOTHEs", "THE LITTLE MERMAID", "THE NIGHTINGALE", "THE SNOW QUEEN", "THE UGLY DUCKLING", "THUMBELINA", and many more. In this book, you will find "ALL STORIES" that writen by the Author Early and Later Stories as Fully Well illustrated "126 STORIEs"..This collection of 126 of the Stories was translated by Mrs. Susannah Paull in 1872.STORIES:1 . A Story2 . By the Almshouse Window3 . The Angel4 . Anne Lisbeth5 . The Conceited Apple-Branch6 . Beauty of Form and Beauty of Mind7 . The Beetle Who Went on His Travels8 . The Bell9 . The Bell-Deep10 . The Bishop of Borglum and His Warriors11 . The Bottle Neck12 . The Buckwheat13 . The Butterfly14 . A Cheerful Temper15 . The Child in the Grave16 . The Farm-Yard Cock and the Weather-Cock17 . The Daisy18 . The Darning-Needle19 . Delaying Is Not Forgetting20 . The Drop of Water21 . The Dryad22 . Jack the Dullard: An Old Story Told Anew23 . The Dumb Book24 . The Elf of the Rose25 . The Elfin Hill26 . The Emperor's New Suit27 . The Fir Tree28 . The Flax29 . The Flying Trunk30 . The Shepherd's Story of the Bond of Friendship31 . The Girl Who Trod on the Loaf32 . The Goblin and the Huckster33 . The Golden Treasure34 . The Goloshes of Fortune35 . She Was Good for Nothing36 . Grandmother37 . A Great Grief38 . The Happy Family39 . A Leaf from Heaven40 . Holger Danske41 . Ib and Little Christina42 . The Ice Maiden43 . The Jewish Maiden44 . The Jumper45 . The Last Dream of the Old Oak46 . The Last Pearl47 . Little Claus and Big Claus48 . The Little Elder-Tree Mother49 . Little Ida's Flowers50 . The Little Match-Seller51 . The Little Mermaid52 . Little Tiny or Thumbelina53 . Little Tuk54 . The Loveliest Rose in the World55 . The Mail-Coach Passengers56 . The Marsh King's Daughter57 . The Metal Pig58 . The Money-Box59 . What the Moon Saw60 . The Neighbouring Families61 . The Nightingale62 . There Is No Doubt About It63 . In the Nursery64 . The Old Bachelor's Nightcap65 . The Old Church Bell66 . The Old Grave-Stone67 . The Old House68 . What the Old Man Does Is Always Right69 . The Old Street Lamp70 . Ole-Luk-Oie, the Dream-God71 . Our Aunt72 . The Philosopher's Stone73 . The Garden of Paradise74 . The Pea Blossom75 . The Pen and the Inkstand76 . The Phoenix Bird77 . The Bird of Popular Song78 . The Portuguese Duck79 . The Porter's Son80 . Poultry Meg's Family81 . Children's Prattle82 . The Princess and the Pea83 . The Psyche84 . The Puppet-Show Man85 . The Races86 . The Red Shoes87 . Everything in the Right Place88 . A Rose from Homer's Grave89 . The Snail and the Rose-Tree90 . The Story of a Mother91 . The Saucy Boy92 . The Shadow93 . The Shepherdess and the Sheep94 . The Silver Shilling95 . The Shirt-Collar96 . The Snow Man97 . The Snow Queen98 . The Snowdrop99 . Something100 . Soup from a Sausage SkewerAnd More..
Mary Bonner: Impressions of a Printmaker is the definitive account of the life of an iconic Texas artist known for her delicate etchings and prints of the places and people that make South Texas unique. Mary Bonner begins with the artist’s early years in San Antonio and continues through her awakening as an artist at the Woodstock colony in upstate New York in summer 1922 to her years in France under the instruction of master printmaker Édouard Henri Léon. In Paris, Bonner began entering her work in juried exhibitions, and these early Paris prints were met with some acclaim. She came into her own when she began experimenting with a more innovative and modern style, exemplified by Les cowboys, a three-part frieze inspired by memories of her family’s ranch in Texas. After several years of dedicated study in Paris, Bonner began splitting her time between San Antonio and Paris. By 1928 she had begun to take on the causes of art and conservation in San Antonio, devoting less time to her own work. She spent the last years of her life at the family residence in San Antonio and died in 1935 at age forty-eight. Bonner’s legacy, both as an accomplished artist and as a steadfast advocate for the arts, lives on, especially in San Antonio. Mary Bonner is copublished with the National Trust for Historic Preservation and Villa Finale. The book will accompany a retrospective of Bonner’s work at the McNay Art Museum in San Antonio. This edition includes a new preface, an introduction by McNay curator Lyle Williams, and an afterword by Jane Lewis, director of Villa Finale.
A brief overview of the political, economic, social, cultural, scientific, and technological advances of the twentieth century and introduces students to the individuals who made history in each decade. Includes suggested activities.
THE SCULPTOR WHO CARVED THE FACES OF AMERICA’S HEROIC DEAD ON GRANITE MOUNTAINS—AND THEY WERE SELDOM BIG ENOUGH. First published in 1952, Robert John Casey co-wrote this fascinating biography with the wife of Gutzon Borglum (1867-1941), the American sculptor best known for his colossal sculpture of the faces of four U.S. presidents on Mount Rushmore in South Dakota. The son of Danish immigrants, Gutzon Borglum studied art in San Francisco and for four years in Paris at the Académie Julian and the École des Beaux-Arts. His painting and his sculpture were admitted to the officially recognized Salon and he subsequently received important commissions and royal recognition whilst in England. In 1901 Borglum established himself in New York City, where he sculpted a bronze group called The Mares of Diomedes, the first piece of American sculpture bought for the Metropolitan Museum of Art in New York. Versatile and prolific, Borglum sculpted many portrait busts of American leaders, as well as of figures such as the Twelve Apostles, which he created for the Cathedral Church of St. John the Divine in New York. He turned toward reviving the ancient Egyptian practice of carving gargantuan statues of political figures in natural formations of rock, and executed from a six-ton block of marble a colossal head of President Abraham Lincoln, which was placed in the Capitol Rotunda in Washington, D.C. This led to a commission in 1927 by the state of South Dakota to turn Mount Rushmore, in the Black Hills, into another colossal monument, and that same year Borglum began sculpting the 60-foot-high heads of George Washington, Thomas Jefferson, Abraham Lincoln, and Theodore Roosevelt on the face of the mountain. The project was completed in 1941 and became a national memorial. Physically only medium-sized, Borglum was a big man, colorful, worth knowing. The change to know him is here in the stimulating pages of Give the Man Room.
Mary Jo O’Rear rounds out her coastal bend trilogy with a deep and engaging look at the prehistory and history of the Texas barrier islands. In Barrier to the Bays, O’Rear captures the deep time of the islands (Mustang, Padre, and San José), the bays (Aransas, Corpus Christi, Copano, Redfish, and Nueces), and Aransas Pass. From the earliest human settlements to the twentieth century, O’Rear explores the complex interplay between people and economies struggling to survive in a region dominated by indifferent forces of nature. Barrier to the Bays opens with the natural formation and development of the barrier isles and the arrival of Native Americans, Spanish castaways, French explorers, and Catholic missionaries. European settlements on the mainland eventually led to rich commercial development of the area and its bounty as ranching, fishing, and transportation took hold. By the early twentieth century, the people of the Coastal Bend began wrestling with a new drive to create deep-water harbors along the coastline in the face of the ever-present hurricane threat. O’Rear shows that by World War II the region had settled into a kind of “practicality” as tourists and traders took their place among the denizens of the islands and bays. In addition to the stories of familiar historical figures, Barrier to the Bays stresses the importance of technology in the settlement and development of the region. “Nothing could have been achieved among the barriers and bays of the Coastal Bend without the right tools.” O’Rear underscores the importance of properly designed sailing vessels and the centrality of navigation technology as an integral part of the barrier isle story.
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