Whereas my husband, Enoch Darling, has at sundry times used me in so improper and cruel a manner, as to destroy my happiness and endanger my life, and whereas he has not provided for me as a husband ought, but expended his time and money unadvisedly, at taverns . . . . I hereby notify the public that I am obliged to leave him. Phebe Darling, January 13, 1796 Hundreds of provocative notices such as this one ran in New England newspapers between 1790 and 1830. These elopement notices--advertisements paid for by husbands and occasionally wives to announce their spouses' desertions as well as the personal details of their marital conflicts--testify to the difficulties that many couples experienced, and raise questions about the nature of the marital relationship in early national New England. Stray Wives examines marriage, family, gender, and the law through the lens of these elopement notices. In conjunction with legal treatises, court records, and prescriptive literature, Mary Beth Sievens highlights the often tenuous relationships among marriage law, marital ideals, and lived experience in the early Republic, an era of exceptional cultural and economic change. Elopement notices allowed couples to negotiate the meaning of these changes, through contests over issues such as gender roles, consumption, economic support, and property ownership. Sievens reveals the ambiguous, often contested nature of marital law, showing that husbands' superior status and wives' dependence were fluid and negotiable, subject to the differing interpretations of legal commentators, community members, and spouses themselves.
In most studies of nationalism, the United States is curiously ignored or is examined only during its colonial and republican periods. But it was the Civil War, argues Susan-Mary Grant, that truly formed the American nation by unifying the states once and for all, abolishing slavery, and setting the country on the path to modernity. In light of this, says Grant, the antebellum period was the crucial phase of American national construction. In North Over South, Grant offers an original and controversial interpretation of a much discussed but poorly understood period of American history. Despite the attention generally given to Southern nationalism, Grant focuses on what Northerners thought about the South and how their beliefs created a distinct outlook: a Northern nationalism based on opposition to things Southern. Grant identifies Northern views of the South between 1830 and 1856 and examines how they developed, how they changed, and how they were used by the Republican Party in its first national election campaign. She demonstrates that the Republicans employed negative images of the South to transform Northern regionalism into a self-styled "American nationalism"-at the same time transforming the South into a region antithetical to the nation. In support of this thesis, Grant examines attitudes toward the South expressed by writers, travelers, and politicians. Focusing on works of such prominent writers as Ralph Waldo Emerson, William Cullen Bryant, and Horace Mann, she shows that the North used the South as a negative point of reference against which to define its own-hence American-identity, effectively excluding the South from full participation in the process of American national construction. This provocative study links the process of national construction in America with recent studies of European nationalism and fills a gap in the historiography of North-South relations. One of the first scholars to relate new theories of national construction to America, Grant shows that the United States has more in common with the European experience than is often acknowledged and offers a unique and illuminating perspective on the process of American nation-building. Her book will be required reading for anyone interested in antebellum America and the origins of the Civil War.
Everyday Ideas: Socioliterary Experience among Antebellum New Englanders takes an unprecedented look at the use of literature in everyday life in one of history's most literate societies-the home ground of the American Renaissance. Using information pulled from four thousand manuscript letters and diaries, Everyday Ideas provides a comprehensive picture of how the social and literary dimensions of human existence related in antebellum New England. Penned by ordinary people-factory workers, farmers, clerks, storekeepers, domestics, and teachers and other professionals-the writings examined here brim with thoughtful references to published texts, lectures, and speeches by the period's canonized authors and lesser lights. These personal accounts also give an insider's perspective on issues ranging from economic problems, to social status conflicts, to being separated from loved ones by region, state, or nation. Everyday Ideas examines such references and accounts and interprets the multiple ways literature figured into the lives of these New Englanders. An important aid in understanding historical readers and social authorship practices, Everyday Ideas is a unique resource on New England and provides a framework for understanding the profound role of ideas in the everyday world of the antebellum period.
The War for a Nation provides a brief introduction to the American Civil War from the perspective of military personnel and civilians who participated in the conflict. Susan-Mary Grant brings the war, its many battles, and those who fought them – male and female, black and white – to the center of a riveting narrative that is accessible to general readers and students of American history. The War for a Nation explains, in a clear narrative structure, the war's origins, its battles, the expansion of the Union, the struggle for emancipation, and the following saga of Reconstruction. By drawing its examples from primary source documents, first-hand accounts, and scholarly research, The War for a Nation introduces readers to the human-interest aspects as well as the historiographical debates surrounding what was the most destructive war ever fought on American soil.
Whereas my husband, Enoch Darling, has at sundry times used me in so improper and cruel a manner, as to destroy my happiness and endanger my life, and whereas he has not provided for me as a husband ought, but expended his time and money unadvisedly, at taverns . . . . I hereby notify the public that I am obliged to leave him. Phebe Darling, January 13, 1796 Hundreds of provocative notices such as this one ran in New England newspapers between 1790 and 1830. These elopement notices--advertisements paid for by husbands and occasionally wives to announce their spouses' desertions as well as the personal details of their marital conflicts--testify to the difficulties that many couples experienced, and raise questions about the nature of the marital relationship in early national New England. Stray Wives examines marriage, family, gender, and the law through the lens of these elopement notices. In conjunction with legal treatises, court records, and prescriptive literature, Mary Beth Sievens highlights the often tenuous relationships among marriage law, marital ideals, and lived experience in the early Republic, an era of exceptional cultural and economic change. Elopement notices allowed couples to negotiate the meaning of these changes, through contests over issues such as gender roles, consumption, economic support, and property ownership. Sievens reveals the ambiguous, often contested nature of marital law, showing that husbands' superior status and wives' dependence were fluid and negotiable, subject to the differing interpretations of legal commentators, community members, and spouses themselves.
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