John Grisham is one of the most prolific and beloved mystery writers today, still reaching the top of the bestseller lists with books like The Testament (1999) and King of Torts (2003). In recent times, he has also experimented with different genres, such as A Painted House (2001), a semi-autobiographical work, and Skipping Christmas (2001), a holiday narrative. This volume follows up the critical analysis of Grisham's work in John Grisham: A Critical Companion, examining his writing from 1997 to the present.
With his seven legal thrillers, all published since 1989, John Grisham has won a huge following of readers and set a standard few contributors to the genre can match. Because of the success of his novels, the legal thriller is the most popular genre in American fiction today. In this study, Pringle explains how Grisham's legal thriller evolved from the thriller tradition and borrowed from the heroic romance novel, gothic novel, crime novel, and detective fiction. She shows how his novels examine contemporary social and legal problems that do not have simple solutions—ecology, ethnic relations, capital punishment, corporate greed, and health insurance—and how he depicts both the legal system and lawyers in their best and worst lights. Following a biographical chapter that focuses on Grisham's childhood in Arkansas, education, political career, and development as a writer, Pringle examines the legal thriller, its antecedents, and Grisham's contribution to the genre. An individual chapter is devoted to analysis of each of his novels. Each chapter synopsizes the novel, discusses its reception by critics, and features sections on plot development, character development, social/historical context and issues, and an alternative critical perspective from which to approach the novel, such as psychoanalytic theory or feminist criticism. The work includes a complete bibliography of Grisham's work, critical sources, and list of reviews of all of his novels. Because of Grisham's popularity with adults and young adults and the contemporary issues he raises, this study is valuable to students, book discussion group participants, and other interested readers, and is an essential purchase for school and public libraries.
Barbara Kingsolver wears the feminist mantle with joyful pride, and her spirited embrace of political themes is contagious. Responding to richly-drawn heroines along their journeys to do right by family and community, readers embrace Kingsolver's political novels, making them bestsellers. From the haunting Arizona landscape of Kingsolver's early trilogy of novels, to the lush African jungle that sets the scene in her latest, The Poisonwood Bible, Kingsolver weaves colorful tapestries with vivid prose, exceptional intelligence, and unexpected humor. DeMarr's comprehensive treatment covers not only Kingsolver's four novels, each with its own chapter, but also discusses with considerable insight her background as a feminist, as a journalist, and, most importantly, as a humanist. Introducing readers to Kingsolver, DeMarr devotes a chapter to her life and work, showing how the two are deeply intertwined. While Kingsolver's writing is never strictly autobiographical, the well-researched section on politics and genre discusses how experiences in Kingsolver's own life and in her work as a political journalist have influenced her fiction writing. In addition to the celebrated novels that readers have come to love: The Bean Trees, Pigs in Heaven, Animal Dreams, and The Poisonwood Bible, as well as the poems and short stories, DeMarr covers the nonfiction: the essays and political writings. A full chapter analyzes each novel in terms of plot and character development, thematic content, symbolism, and the importance of place and language. Students and fans of Kingsolver will find this work, including its well-organized bibliography, accessible and interesting.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.
Born to a tobacco farmer in rural North Carolina, Kaye Gibbons found her literary voice by speaking through the strong southern women who inhabit her novels. While concentrating on the places and people she knows well, Gibbons has managed to speak for people who struggle to find their own place, wherever they are, and her books have reached a worldwide audience. Whether for students assigned to read Ellen Foster or for lovers of literature, this companion—the first and only book-length study of its kind—provides insights and interpretations that will help readers enjoy and better appreciate the novels of Kaye Gibbons. Beginning with a biographical chapter, this companion shows how Gibbons's own life came to shape her fiction. Her place in and contributions to the genre of the southern novel are considered, and readers are taken through each of her six novels, starting with the highly acclaimed Ellen Foster (1987) and concluding with On the Occasion of My Last Afternoon (1998). For each work, lucid analyses of plot, character development, theme, and style are provided, along with an alternate critical perspective. The select bibliography includes reviews and further information on biographical and critical sources.
First published in 1875 and read by more than eight million people, this nondenominational book has a 119-year history of healing and inspiration. To attract a new audience, this time-honored message of healing has a powerful new cover, easy-to-read page layout, and word index. Named one of "75 Books by Women Whose Words Have Changed the World".
This collection of reviews is arranged by broad subject and indexed by narrow subject, by format and by title. This work offers nearly 50 reference sources, both print and electronic, published between 1996 and 1997.
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