The Survivors’ Club: Six men and one woman, injured in the Napoleonic Wars, their friendships forged in steel and loyalty. But for one, her trials are not over.... Since witnessing the death of her husband during the wars, Imogen, Lady Barclay, has secluded herself in the confines of Hardford Hall, their home in Cornwall. The new owner has failed to take up his inheritance, and Imogen desperately hopes he will never come to disturb her fragile peace. Percival Hayes, Earl of Hardford, has no interest in the wilds of Cornwall, but when he impulsively decides to pay a visit to his estate there, he is shocked to discover that it is not the ruined heap he had expected. He is equally shocked to find the beautiful widow of his predecessor’s son living there. Soon Imogen awakens in Percy a passion he has never thought himself capable of feeling. But can he save her from her misery and reawaken her soul? And what will it mean for him if he succeeds?
Where is Miss Palliser?' inquired Miss Pew, in that awful voice of hers, at which the class-room trembled, as at unexpected thunder. A murmur ran along the desks, from girl to girl, and then some one, near that end of the long room which was sacred to Miss Pew and her lieutenants, said that Miss Palliser was not in the class-room. 'I think she is taking her music lesson, ma'am,' faltered the girl who had ventured diffidently to impart this information to the schoolmistress. 'Think?' exclaimed Miss Pew, in her stentorian voice. 'How can you think about an absolute fact? Either she is taking her lesson, or she is not taking her lesson. There is no room for thought. Let Miss Palliser be sent for this moment.' At this command, as at the behest of the Homeric Jove himself, half a dozen Irises started up to carry the ruler's message; but again Miss Pew's mighty tones resounded in the echoing class-room. 'I don't want twenty girls to carry one message. Let Miss Rylance go.' There was a grim smile on the principal's coarsely-featured countenance as she gave this order. Miss Rylance was not one of the six who had started up to do the schoolmistress's bidding. She was a young lady who considered her mission in life anything rather than to carry a messageÑa young lady who thought herself quite the most refined and elegant thing at Mauleverer Manor, and so entirely superior to her surroundings as to be absolved from the necessity of being obliging. But Miss Pew's voice, when fortified by anger, was too much even for Miss Rylance's calm sense of her own merits, and she rose at the lady's bidding, laid down her ivory penholder on the neatly written exercise, and walked out of the room quietly, with the slow and stately deportment imparted by a long course of instruction from Madame Rigolette, the fashionable dancing-mistress. 'Rylance won't much like being sent on a message,' whispered Miss Cobb, the Kentish brewer's daughter, to Miss Mullins, the Northampton carriage-builder's heiress. 'And old Pew delights in taking her down a peg,' said Miss Cobb, who was short, plump, and ruddy, a picture of rude health and unrefined good looksÑa girl who bore 'beer' written in unmistakable characters across her forehead, Miss Rylance had observed to her own particular circle. 'I will say that for the old lady,' added Miss Cobb, 'she never cottons to stuckupishness.' Vulgarity of speech is the peculiar delight of a schoolgirl off duty. She spends so much of her life under the all-pervading eye of authority, she is so drilled, and lectured, and ruled and regulated, that, when the eye of authority is off her, she seems naturally to degenerate into licence. No speech so interwoven with slang as the speech of a schoolgirlÑexcept that of a schoolboy.
Rewrites our understanding of the last 50 years of Chicana/o cultural production. Chicana/o Remix casts new light not only on artists—such as Sandra de la Loza, Judy Baca, and David Botello, among others—but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it. Combining feminist theory, critical ethnic studies, art historical analysis, and extensive archival and field research, Karen Mary Davalos argues that narrow notions of identity, politics, and aesthetics limit our ability to understand the full capacities of Chicana/o art. She employs fresh vernacular concepts such as the “errata exhibit,” or the staging of exhibits that critically question mainstream art museums, and the “remix,” or the act of bringing new narratives and forgotten histories from the background and into the foreground. These concepts, which emerge out of art practice itself, drive her analysis and reinforce the rejection of familiar narratives that evaluate Chicana/o art in simplistic, traditional terms, such as political versus commercial, or realist versus conceptual. Throughout Chicana/o Remix, Davalos explores undocumented or previously ignored information about artists, their cultural production, and the exhibitions and collections that feature their work. Each chapter exposes and challenges conventions in art history and Chicana/o studies, documenting how Chicana artists were the first to critically challenge exhibitions of Chicana/o art, tracing the origins of the first Chicano arts organizations, and highlighting the influence of Europe and Asia on Chicana/o artists who traveled abroad. As a leading scholar in the study of Chicana/o artists, art spaces, and exhibition practices, Davalos presents her most ambitious project to date in this re-examination of fifty years of Chicana/o art production.
An amalgamation of many cultures, the Eastern Pyrenees is a fantastic region to visit. From towering mountainscapes in Aragón, to the exotic buzz of Perpignan, to the proud Catalan capital, Barcelona; the Eastern Pyrenees truly offer something for everyone. Footprint Focus provides invaluable information on transport, accommodation, eating and entertainment to ensure that your trip includes the best of this vibrant region of Europe. • Essentials section with useful advice on getting to and around the Eastern Pyrenees. • Comprehensive, up-to-date listings of where to eat, sleep and play. • Includes information on tour operators and activities, from hot-air balloon rides to astounding architecture. • Detailed maps for the key destinations in the Eastern Pyrenees. • Slim enough to fit in your pocket. With detailed information on all the main sights, plus many lesser-known attractions, Footprint Focus Eastern Pyrenees (includes Barcelona & Perpignan) provides concise and comprehensive coverage of one of Europe’s most dynamic regions.
BONUS: This edition contains an excerpt from Mary Balogh's The Secret Mistress. Set against the seductive backdrop of Regency England, New York Times bestselling author Mary Balogh’s latest novel sweeps us into the sensual, enthralling world of an elite academy for young ladies. Here, amid music lessons and garden parties, whispered confessions and secret yearnings, one of the school’s teachers—headmistress Claudia Martin—will find her well-ordered world jolted by love when she meets a man who would make the perfect husband…for somebody else. Tall, dark, and exquisitely sensual, he is the epitome of male perfection. Not that Claudia Martin is looking for a lover. Or a husband. As owner and headmistress of Miss Martin’s School for Girls in Bath, she long ago resigned herself to a life without love. Until Joseph, Marquess of Attingsborough, arrives unannounced and tempts her to toss away a lifetime of propriety for an affair that can only lead to ruin. Joseph has his own reasons for seeking Claudia out. Instantly, irresistibly attracted to the dedicated teacher, he embarks on a plan of seduction that leaves them both yearning for more. But as heir to a prestigious dukedom, Joseph is expected to carry on his family’s legacy. And Claudia knows she has no place in his world. Now that world is about to be rocked by scandal. An arranged marriage, a secret that will shock the ton, and a man from Claudia’s past conspire to drive the lovers apart. But Joseph is determined to make Claudia his at any cost. Even if that means defying convention and breaking every rule for a love that is everything he has ever wanted—a love that is perfection itself…
This valuable guide made an immediately favorable impression on me--I recommend it." --Letitia Baldridge Business communications expert Mary Mitchell gives business people and job seekers everything they need to make the right first impression, whether in person--at job interviews, sales calls, or social gatherings--or via letter, fax, or e-mail. Based on Mitchell's popular corporate seminars which have been attended by employees of Arthur Young, Ritz Carlton Hotels, Merck, and other top firms, The First Five Minutes. Gives practical tips on cultural customs, body language, and cross-dressing customs. * Uses realistic scenarios and sample dialogues to show readers what to do and what not to do in every type of first-meeting business situation. * Explains and simplifies the new and changing rules of conduct in today's global business environment. MARY MITCHELL (Philadelphia, Pennsylvania) is President of Uncommon Courtesies, a firm specializing in teaching business people better communication and relationships through improved social skills. She writes a syndicated column called "Ms. Demeanor" for King features, is the Prodigy online modern manners expert, and is the author of The Idiot's Guide to Etiquette. JOHN CORR (Philadelphia, Pennsylvania) is a writer with the Philadelphia Inquirer.
Since Roman times, the French department of the Somme has witnessed many wars, including Grecy (1346), Agincourt (1415), the Franco-Prussian War of 1870 and, of course, the two World Wars. It is the Great War that has the dubious distinction of being the most notorious and 1 July 1916, the opening day of the Battle of the Somme, was the costliest in our nation's long history with some 60,000 British casualties. Thirty-five years ago Martin Middlebrook opened his literary career by writing The First Day on the Somme and, seven years later, The Kaiser's Battle, his description of the first day of the German 1918 Spring Offensive over much the same area. Having also taken numerous tours and given many lectures he knows the ground intimately. This superb guide book sets out to describe every place on the Somme where there is a military cemetery, memorial, preserved trench or crater not just from the First World War but throughout the ages until the Allies swept away the Nazi armies during their 1944 advance. Aided by his wife Mary, Martin has used his encyclopaedic knowledge to make this a truly formidable work. It is more than just a guide book as readers will benefit from the descriptive powers and sound research that are the hallmarks of this highly respected historian.
Mary Helena Fortune (circa 1833 - circa 1910) was an Australian mystery, suspense, and horror writer who wrote under the pseudonyms "Waif Wander" and "W.W." She was one of the earliest female detective writers in the world (if not the earliest). She was also probably the first to write from the viewpoint of the detective. A prolific storyteller, she wrote at least 500 detective stories over 40 years, many featuring Detective Mark Sinclair. This volume reprints 15 of her classic stories (many for the first time) and is the largest collection of her work ever published. Included are: THE RED ROOM THE SPIRITS OF THE TOWER THE GREENSTONE GRAVES AT "THE RANGES" ILLILLIWA MY LODGER HEATHERVILLE THE WHITE MANIAC; A DOCTOR'S TALE THE SECRET OF THE KEYS TRACES OF CRIME THE QUEEN OF COOINDA THE BRAND OF CAIN THE ST. JOHNS AT THE NEW YEAR3 THE MURDER AT OZER'S If you enjoy this book, search your favorite ebook store for "Wildside Press Megapack" to see the 170+ entries in the MEGAPACKTM series, covering science fiction, fantasy, horror, mysteries, westerns, classics, adventure stories, and much, much more!
Mary Frances Willard, a public-school principal from Chicago, was one of thousands of American women who served as welfare workers for U.S. troops in France during World War I. During the war's final months, she operated a canteen and post exchange in Troyes, attended to convalescing servicemen, arranged their burials and wrote letters to their families. After the Armistice, she headed canteen operations in Le Mans for hundreds of thousands of returning servicemen in embarkation camps. In her final months in France, she toured battlefields and the decimated towns along the Western Front. Presented in historical context, her weekly letters home--from August 1918 through July 1919--relate stories of her service to the doughboys and her interactions with French citizens.
Published to commemorate the 80th anniversary of the military mission that changed World War II, D-Day Landings: A Travel Guide to Normandy’s Beaches and Battlegrounds is Bradt’s new guidebook to visiting beaches, memorials, museums, battlefields and other sites associated with D-Day and the Battle of Normandy (Operation Overlord). A simple-to-follow, portable guide for independent travellers, it includes maps and driving instructions to help visitors go back in time to explore World War II history. Written by two experienced travel writers who, between them, are experts in France and military history, D-Day Landings is designed for visitors who want to see all or part of Normandy. Covering the ground from the D-Day landing beaches (Sword, Juno, Gold, Omaha and Utah) up to Cherbourg and inland to Falaise, it encompasses every major site and a host of smaller, less well-known locations – venturing well beyond the coast to include sites associated with the capture of Caen and the closing of the Falaise Gap, which marked the end of the Overlord campaign. Although organised geographically – as befits a travel guide rather than history book – there’s plenty of information on the historical context, identifying where sites fit into the timeline of the Battle of Normandy and escorting readers through the invasion in a simple, practical format. D-Day Landings aims to enhance the visitor experience by alerting readers to unexpected features, such as a German tobruk with a gun turret around which Utah Beach Museum was constructed. Quirky snippets and human stories colour the text. Learn how Lord Lovat’s Commando piper Bill Millin saw himself as a ballerina or how the Utah Beach landings were accidentally more successful than planned. Whether you are a military-history enthusiast, have family who fought in Normandy or are simply visiting northern France on holiday, Bradt’s D-Day Landings is the guidebook to both plan your trip and take with you.
This book is the third to appear in the SIBIL series based on results from the European Science Foundation's Additional Activity on the second language acquisition of adult immigrants. It analyses from a longitudinal and cross-linguistic perspective the acquisition of the linguistic means to express spatial relations in the target languages English, French and German. Learners' progress in the expression of spatial relations is closely followed over a period of 30 months using a wide range of oral data, and the factors determining both the specifics of individual source/target language pairings, and the general characteristics of all cases of acquisition studied, are carefully described. In particular, a basic system for the expression of spatial relations common to all learners from all language backgrounds is identified. The book is of particular significance for the field of second language acquisition in that this is the first time that results are presented in English on the acquisition of L2 means to express the basic cognitive and communicational category of space from a comparative linguistic point of view.
Pulitzer Prize–winning poet Richard Wilbur (b. 1921) is part of a notable literary cohort, American poets who came to prominence in the mid-twentieth century. Wilbur's verse is esteemed for its fluency, wit, and optimism; his ingeniously rhymed translations of French drama by Molière, Racine, and Corneille remain the most often staged in the English-speaking world; his essays possess a scope and acumen equal to the era's best criticism. This biography examines the philosophical and visionary depth of his world-renowned poetry and traces achievements spanning seventy years, from political editorials about World War II to war poems written during his service to his theatrical career, including a contentious collaboration with Leonard Bernstein and Lillian Hellman. Wilbur's life has been mistakenly seen as blessed, lacking the drama of his troubled contemporaries. Let Us Watch Richard Wilbur corrects that view and explores how Wilbur's perceived "normality" both enhanced and limited his achievement. The authors augment the life story with details gleaned from access to his unpublished journals, family archives, candid interviews they conducted with Wilbur and his wife, Charlee, and his correspondence with Robert Lowell, Elizabeth Bishop, John Berryman, John Malcolm Brinnin, James Merrill, and others.
Advancing a Chicana feminist interpretation, Davalos carefully explores both the history of nineteenth- and twentieth-century museum practices and the more recent phenomenon of physically locating Mestizo/Chicano art within "insider spaces" (such as ethnically or racially specific cultural institutions and alternative galleries). Just as public museums instruct visitors about who does and who does not belong to a nation's legacy, Davalos makes clear that exhibitions in so-called minority museums are likewise shaped by notions of difference and nationalism and by the politics of identity and race."--BOOK JACKET.
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