Friends can be teachers, too! Readers discover this by following along as a relatable narrator learns important things from friends, including how to share and how to play a new game. The age-appropriate text makes it possible for early learners to read this delightful story on their own. It can also be read to them to develop an early love for reading. The close relationship between the text and the bright illustrations helps young readers develop comprehension skills. The illustrations also enhance the narrative in a way that's sure to charm even the most reluctant readers.
Two sisters of opposing temperaments who share the pangs of tragic love provide the theme for Jane Austen’s dramatically human narrative. Elinor, practical and conventional, is the perfection of sense. Marianne, emotional and sentimental, is the embodiment of sensibility. To each comes the sorrow of unhappy love. Their mutual suffering brings a closer understanding between the two sisters—and true love finally triumphs when sense gives way to sensibility and sensibility gives way to sense. Jane Austen’s authentic representation of early-nineteenth-century middle-class provincial life, written with forceful insight and gentle irony, makes her novels the enduring works on the mores and manners of her time. With an Introduction by Margaret Drabble and an Afterword by Mary Balogh
Children learn from many role models, whether they are friends, teachers, or family members. In this delightful book, a child learns useful lessons from her uncle. Readers follow along on a day of fun as a relatable narrator learns about telling time, music, and other important concepts. Colorful illustrations and accessible text help beginning readers and young listeners enjoy this entertaining narrative. This engaging book will make children excited to learn new things from the people they admire.
First published in 1939, Jane Austen and Her Art is a landmark in Jane Austen criticism. This was the first book to provide a full-scale account of the writer based upon thoroughhistorical and biographical scholarship; and on the critical front, Mary Lascelles broke new ground in applying the ideas of Henry James on the 'art' of the novel. In the years since the first publication of Jane Austen and Her Art, there has come an overwhelming body of critical writing about Jane Austen. But this classic study maintains its unique position, unchallenged and unimproved upon in its analysis of Jane Austen's style and narrative art and the experience of life and literature which formed the novels. A book for all students of Jane Austen, it is equally, as Winifred Husbands wrote in the Modern Language Review, a book for 'all lovers of Jane Austen'.
This book presents Jane Austen as a radical innovator. It explores the nature of her confrontation with the popular novelists of her time, and demonstrates how her challenge to them transformed fiction. It is evident from letters and other sources, as well as the novels themselves, that the Austen family developed a strong scepticism about contemporary notions of the proper content and purpose of fiction. Austen's own writing can be seen as a conscious demonstration of these disagreements. In thus identifying her literary motivation, this book (moving away from the questions of ideology which have so dominated Austen studies in this century) offers a unifying critique of the novels and helps to explain their unequalled durability with the reading public.
Jane Austen is often associated with conservatism and her novels are often seen as light entertainment depicting a vanished world and its manners. Mary Evan's study, first published in 1987, seeks to contradict the conventional wisdom regarding Austen's social and political leanings and argues that far from endorsing established and conservative views Jane Austen advances a radical critique of the morality of bourgeois capitalism and demonstrates a concern for the articulation of women's rights and views whilst simultaneously drawing attention to the vulnerability of women in the economic marketplace. Mary Evans adopts a multidisciplinary approach and her book will appeal to anyone who is interested in Jane Austen's writing as well as those concerned with the moral basis of contemporary politics.
First published in 1939, Jane Austen and Her Art is a landmark in Jane Austen criticism. This was the first book to provide a full-scale account of the writer based upon thoroughhistorical and biographical scholarship; and on the critical front, Mary Lascelles broke new ground in applying the ideas of Henry James on the 'art' of the novel. In the years since the first publication of Jane Austen and Her Art, there has come an overwhelming body of critical writing about Jane Austen. But this classic study maintains its unique position, unchallenged and unimproved upon in its analysis of Jane Austen's style and narrative art and the experience of life and literature which formed the novels. A book for all students of Jane Austen, it is equally, as Winifred Husbands wrote in the Modern Language Review, a book for 'all lovers of Jane Austen'.
This book presents Jane Austen as a radical innovator. It explores the nature of her confrontation with the popular novelists of her time, and demonstrates how her challenge to them transformed fiction. It is evident from letters and other sources, as well as the novels themselves, that the Austen family developed a strong scepticism about contemporary notions of the proper content and purpose of fiction. Austen's own writing can be seen as a conscious demonstration of these disagreements. In thus identifying her literary motivation, this book (moving away from the questions of ideology which have so dominated Austen studies in this century) offers a unifying critique of the novels and helps to explain their unequalled durability with the reading public.
Friends can be teachers, too! Readers discover this by following along as a relatable narrator learns important things from friends, including how to share and how to play a new game. The age-appropriate text makes it possible for early learners to read this delightful story on their own. It can also be read to them to develop an early love for reading. The close relationship between the text and the bright illustrations helps young readers develop comprehension skills. The illustrations also enhance the narrative in a way that's sure to charm even the most reluctant readers.
Jane Austen is often associated with conservatism and her novels are often seen as light entertainment depicting a vanished world and its manners. Mary Evan's study, first published in 1987, seeks to contradict the conventional wisdom regarding Austen's social and political leanings and argues that far from endorsing established and conservative views Jane Austen advances a radical critique of the morality of bourgeois capitalism and demonstrates a concern for the articulation of women's rights and views whilst simultaneously drawing attention to the vulnerability of women in the economic marketplace. Mary Evans adopts a multidisciplinary approach and her book will appeal to anyone who is interested in Jane Austen's writing as well as those concerned with the moral basis of contemporary politics.
Almost Persuaded In this Regency tale of Robert and Jane, New York Times bestselling author Mary Balogh brings together former lovers who have seen beyond their past mistakes, and are determined to be together in this life and forever. Northanger Castle Caroline's obsession with Gothic novels serves as good training for a lifetime of destroying the undead with her newfound beau in this Regency by Colleen Gleason. Blood and Prejudice In fast-paced present-day New York City, Liz Bennett joins Mr. Darcy on his hunt to cure vampirism in New York Times bestselling author Susan Krinard's version of the classic story. Little to Hex Her Emma, a witch with a wizard boyfriend, runs a paranormal dating service in modern-day Washington, D.C., in this story from Janet Mullany.
From teenage girls waiting to dance their very first ball, to mothers hunting for rich husbands for their daughters, Jane Austen's love stories are famous throughout the world. This collection of adaptations of all six novels -- and one shorter tale -- with beautiful illustrations and summaries of the characters, is the perfect introduction to Jane Austen."--Page 4 of cover.
A lively Southern retelling of Jane Austen’s Persuasion, featuring Lucy Crawford, who is thrown back into the path of her first love while on a quest to save her beloved family home. Lucy Crawford is part of a wealthy, well-respected Southern family with a long local history. But since Lucy’s mother passed away, the family home, a gorgeous antebellum mansion, has fallen into disrepair and the depth of her father’s debts is only starting to be understood. Selling the family home may be the only option—until her Aunt Olympia floats the idea of using Crawford house to hold the local free medical clinic, which has just lost its space. As if turning the plantation home into a clinic isn’t bad enough, Lucy is shocked and dismayed to see that the doctor who will be manning the clinic is none other than Jeremiah Chevy—her first love. Lucy and Jeremiah were high school sweethearts, but Jeremiah was from the wrong side of the tracks. His family was redneck and proud, and Lucy was persuaded to dump him. He eventually left town on a scholarship, and now, ten years later, he’s returned as part of the rural physician program. And suddenly, their paths cross once again. While Lucy’s family still sees Jeremiah as trash, she sees something else in him—as do several of the other eligible ladies in town. Will he be able to forgive the past? Can she be persuaded to give love a chance this time around?
A brilliant, original, and powerful book. . . . This is the most skillful integration of feminism and Marxist literary criticism that I know of." So writes critic Stephen Greenblatt about The Proper Lady and the Woman Writer, Mary Poovey's study of the struggle of three prominent writers to accommodate the artist's genius to the late eighteenth- and early nineteenth-century ideal of the modest, self-effacing "proper lady." Interpreting novels, letters, journals, and political tracts in the context of cultural strictures, Poovey makes an important contribution to English social and literary history and to feminist theory. "The proper lady was a handy concept for a developing bourgeois patriarchy, since it deprived women of worldly power, relegating them to a sanctified domestic sphere that, in complex ways, nourished and sustained the harsh 'real' world of men. With care and subtle intelligence, Poovey examines this 'guardian and nemesis of the female self' through the ways it is implicated in the style and strategies of three very different writers."—Rachel M. Brownstein, The Nation "The Proper Lady and the Woman Writer is a model of . . . creative discovery, providing a well-researched, illuminating history of women writers at the turn of the nineteenth century. [Poovey] creates sociologically and psychologically persuasive accounts of the writers: Wollstonecraft, who could never fully transcend the ideology of propriety she attacked; Shelley, who gradually assumed a mask of feminine propriety in her social and literary styles; and Austen, who was neither as critical of propriety as Wollstonecraft nor as accepting as Shelley ultimately became."—Deborah Kaplan, Novel
Did you know you can see a princess in the sky when you look at the stars? That princess is Andromeda, whose story in Greek mythology is so famous that a constellation is named after her. Readers explore the Andromeda myth and information about the Andromeda constellation, such as where to find it and what objects in space can also be seen while looking at it. This topic explores important areas of science curricula in an engaging way, with many fun facts and vibrant photographs of the stars.
Life in a small town is similar to life in a city, but it’s also different in important ways. Readers discover these differences and similarities as they explore what it’s like to call a small town home. Colorful photographs of small-town life introduce readers to places such as the town library and town hall. These photographs are accompanied by accessible text designed to reflect early social studies curriculum topics. A helpful picture glossary allows readers to enhance their vocabulary skills as they take a fun tour of a small town.
This hilarious Southern retelling of Jane Austen’s Pride and Prejudice tells the story of two hard-headed Civil war historians who find that first impressions can be deceiving. Shelby Roswell, a Civil War historian and professor, is on the fast track to tenure—that is, until her new book is roasted by the famous historian Ransom Fielding in a national review. With her career stalled by a man she’s never met, Shelby struggles to maintain her composure when she discovers that Fielding has taken a visiting professorship at her small Southern college. Ransom Fielding is still struggling with his role in his wife’s accidental death six years ago and is hoping that a year at Shelby’s small college near his hometown of Oxford, Mississippi, will be a respite from the pressures of Ivy League academia. He never bargained for falling in love with the one woman whose career—and pride—he injured, and who would do anything to make him leave. When these two hot-headed southerners find themselves fighting over the centuries-old history of local battles and antebellum mansions, their small college is about to become a battlefield of Civil War proportions. With familiar and relatable characters and wit to spare, Pride, Prejudice and Cheese Grits shows you that love can conquer all…especially when pride, prejudice, love, and cheese grits are involved!
Praise for The Perfect Bride for Mr. Darcy: "Another superior Jane Austen homage...will entertain those who already know their Austen and Georgette Heyer by heart, as well as fans of old-fashioned romance." -Publishers Weekly A GENTLEMAN should always render an APOLOGY When Mr. Darcy realizes he insulted Miss Elizabeth Bennet at the Meryton Assembly, he feels duty bound to seek her out and apologize... When he has INSULTED a LADY But instead of meekly accepting his apology, Elizabeth stands up to him, and Darcy realizes with a shock that she is a very different type of lady than he is used to... Darcy is more intrigued than he's ever been by any young lady, but he's already entangled in a courtship. It's a brutal predicament for a man of honor who only longs to follow his heart...
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