Your Novel: Day by Day is designed to be an all-in-one guide to planning, writing, editing, and publishing a first novel, guiding a new novelist through the day-to-day details of the process. Its author, Mary Anna Evans, is an awardwinning writer with eight novels, two nonfiction books, and a collection of short works to her credit. She says, "This is the book that tells other writers the things I wish I'd known ten years ago." Work through this book of practical advice with Mary Anna, day by day and page by page, as she advises you on- crafting a plot, fleshing out believable characters, organizing a novel's timeline, crafting believable motivations for your characters, editing objectively, evaluating traditional and independent publishing options, and marketing to agents, publishers, and readers. Because she understands the importance of maintaining your own motivation during the arduous process of writing a novel, Mary Anna has chosen a narrative structure that will provide you with a written companion for a year's worth of writing. This book consists of 365 essays on topics that range from nuts-and-bolts writing tips to words of encouragement to periodic kicks in the pants. She has even included the actual synopsis she used to query her agent and to sell her first book. If she could sit with you, day by day, as you learn about this exciting art form, she would. Since she can't, this book is the next best thing.
2011 - Mississippi Author Award Winner "Evans has written a fascinating tale linking the history of New Orleans' levee system to the present and weaving into the story aspects of the city's widely diverse cultures." —Booklist STARRED review Centuries of tragedy shadow New Orleans: wars, slavery, and a monumental flood that killed a thousand people and still threatens to wash all that history away. Faye Longchamp and her team of archaeologists, fighting to save New Orleans' past, are horrified when they discover a corpse that's far too new to be an archaeological find. The police presume it's just another dead body in the long, sad sequence of bodies left by Hurricane Katrina, until Faye shows them a truth that only an archaeologist could see: the debris piled on top of the dead woman is all wrong. Someone brought Shelly Broussard to this flooded-out house and left her dead body behind. Faye and her assistant Joe Wolf Mantooth are drawn into the investigation by a detective who believes their professional expertise is critical to the case. They quickly learn that trouble swirled around the victim like winds around the eye of a hurricane. Is Shelly's heroic rescue work in the aftermath of Katrina the reason for her death? Or does the sheaf of photos in her work files hold the answer? Will Faye and Joe be the next victims engulfed in this deadly deception?
This contemporary mystery is drenched with Florida history and with gothic elements that should appeal to a broad range of readers." —Booklist Faye Longchamp and husband Joe Wolf Mantooth have founded an archaeological consulting firm—just in time for the economy to tank. But a meeting with a couple who run an elegant B&B in a historic home in St. Augustine, Florida, lands the firm's first big project. Within a day of their arrival at Dunkirk Manor, a lovely young employee disappears, leaving behind a sinister smear of blood in her car, a collection of priceless artifacts, and a note asking for Faye's help. Two days later, the missing woman's boyfriend is found floating in the Matanzas River, his throat slashed. The detective in charge of the case believes that the artifacts are key to the crime and hires Faye to track down their origin. The artifacts Faye and Joe excavate at their work site date from every era of St. Augustine history, and the discovery of a buried cache of children's toys from the 1920s hits eight-months-pregnant Faye particularly hard. Dunkirk Manor seems haunted in a way that Faye can't explain. Then a stunning discovery is made: the diary of a priest who left Spain in 1565 and was present at the city's birth. Faye is driven to translate the manuscript. In what could be an unfolding tale by the Brothers Grimm, Faye and Joe uncover some terrible secrets....
2007 - Florida Book Award Bronze Medal Winner "As an archeological tour alone the book would be worth reading, but it's the fascinating and complex characters that give the story life and vibrancy." —Rhys Bowen, New York Times bestselling author Faye Longchamp and Joe Wolf Mantooth have traveled to Neshoba County, Mississippi, to help excavate a site near Nanih Waiya, the sacred mound where tradition says the Choctaw nation was born. When farmer Carroll Calhoun refuses the archaeologists' request to investigate an ancient Native American mound, Faye and her colleagues are disappointed. But his next action breaks their hearts: he tries to bulldoze the huge relic to the ground. Later Calhoun is found dead, his throat sliced with a handmade stone blade. Was he killed by an archaeologist angered by his wanton destruction of history? Did a Choctaw take up arms to defend an embattled heritage? Did someone decide to even the score with an old rival?
The Longchamp mysteries combine history and mystery in a gritty way that makes them feel different from most amateur-sleuth fare—dark-edged rather than cozy. Faye, too, is not your traditional amateur sleuth; she could just as easily anchor a gritty thriller series and give some of the giants in that genre a run for their money." —Booklist In Undercurrents, the eleventh Faye Longchamp Mystery, Faye has traveled to Memphis, a city steeped in music, poverty, history, and the smoky tang of barbecue. She's there working alone to do an assessment of a site, welcome work for her small archaeological consulting firm. When Faye spies a child too young to be wandering along a creek alone, she follows the girl. A day later she uncovers a dying woman, buried alive near a spot where Kali might well be hiding. Nobody would blame Faye for running hard, but she can't make herself leave Kali, the woman's now orphaned daughter, who might be in danger. She's not welcomed by the people in Kali's struggling community, nor by the police working the crime. Yet she stays, for Kali, and for the bereaved who need her to communicate their fears to a police department that they trust even less than they trust Faye. When they confide rumors of other women beaten to death by a man so obsessed with burial that he places fresh flowers in their cold hands, Faye begs the police to widen the investigation to seek a serial killer. They refuse. Faye's gut is telling her that a monster is stalking Memphis, endangering the child she has come to love. If the police can't catch him, then she will have no choice but to try to find him herself.
Perfect for fans of The Alice Network and Kate Quinn, The Physicists' Daughter is "a fascinating and intelligent WWII home front story." —Rhys Bowen, New York Times bestselling author of The Venice Sketchbook. No one can be trusted. The fate of a country is at stake. And everything depends on the physicists' daughter. New Orleans, 1944. Sabotage. That's the word on factory worker Justine Byrne's mind as she is repeatedly called to weld machine parts that keep failing with no clear cause. Could someone inside the secretive Carbon Division be deliberately undermining the factory's Allied war efforts? Raised by her late parents to think logically, she also can't help wondering just what the oddly shaped carbon gadgets she assembles day after day have to do with the boats the factory builds. When a crane inexplicably crashes to the factory floor, leaving a woman dead, Justine can no longer ignore her nagging fear that German spies are at work within the building, trying to put the factory and its workers out of commission. Unable to trust anyone—not the charming men vying for her attention, not her unpleasant boss, and not even the women who work beside her—Justine draws on the legacy of her unconventional upbringing to keep her division running and protect her coworkers, her country, and herself from a war that is suddenly very close to home.
Evans always incorporates detailed research that adds depth and authenticity to her mysteries, and she beautifully conjures up the Micco County, FL, setting. This is a series that deserves more attention than it garners." —Library Journal STARRED review Faye Longchamp is once again at Joyeuse, the family plantation in Florida she labors so lovingly to restore. She's happily doing archaeological work on a site once owned by her family. But her joy abruptly ends when thieves break into the home of her friend and mentor Douglass Everett and kill him, inexplicably ignoring his impressive display of artifacts and valuable art work. All that's missing are Faye's field notes. Among the items the thieves left behind is the magnificent emerald that Faye had just unearthed and brought to Douglass that fateful evening. Why? Then another murder quickly furnishes a clue that only Faye is likely to interpret. It launches her on a treasure hunt connected to Marie Antoinette and to the history of the Confederacy. The killers have shown they will stop at nothing to get the information in Faye's notes. It's only a matter of time before they come for Faye.
Top 12 Mystery Novels of 2017 by Strand Magazine 2018 - Willa Literary Award Finalist, Contemporary Fiction "Evans' signature archaeological lore adds even more interest to this tale of love, hate, and greed." —Kirkus Reviews A woman waits under five feet of dirt—a woman who is by now nothing but bones stained the deep red of Oklahoma clay. A delicate silver necklace, a handful of ancient pearls, and a priceless figurine rest with her. Twenty-nine years is a long time to wait for a proper burial. Faye Longchamp-Mantooth, who runs a small and shakily financed archaeological consulting firm with her husband, Joe, has come to Sylacauga so she and Joe can join his father, Sly Mantooth, in dispersing his mother's ashes. Fifteen years is a long time to wait for a proper ceremony. Faye has partially financed the trip by hiring on to consult on the reopening of a site closed down 29 years ago when archaeologist Dr. Sophia Townsend disappeared—for good. The Muscogee (Creek) Nation intends to create a park if nothing sacred lies in the soil. What no one expects is the lonely red bones that emerge as the backhoe completes its work. Inevitably they prove to be those of Sophia Townsend. And examination shows Sophia was first killed by a blow to the head. Chief Roy Cloud of the Muscogee (Creek) Nation's Lighthorse Tribal Police hires Faye, who clearly can't be a suspect, to consult. Which is fine with Faye, who won't rest easy until Sophia's murder is solved. But the investigation comes uncomfortably close to home when she learns that her father-in-law knows more about the dead woman than he is willing to admit. So, it appears, does everyone in tiny Sylacauga. Dr. Sophia Townsend had possessed a sexual magnetism as forceful as an Oklahoma tornado, and she had never hesitated to use it to manipulate everyone around her, people whose hearts she broke and whose marriages she destroyed. Was she killed by one of her lovers, or by one of their wives? Or by the woman who became enthralled with her? Or maybe Sly Mantooth? Or was something else elemental—greed, buried treasure, fame—at work? Faye's obsession with this case tests her professional ethics and it tests her marriage. Such was the power of Sophia Townsend that, twenty-nine years after her murder, she wreaks havoc (along with the weather) once again. 2018 - Oklahoma Book Award Finalist, Fiction 2018 - Will Rogers Bronze Medallion Award Winner, Western Fiction
First in a series of archaeological mysteries featuring Faye Longchamp, who uncovers more than artifacts from the past. "A haunting, atmospheric story." —P.J. Parrish, New York Times bestselling author Faye Longchamp has lost nearly everything except her determination to hang onto Joyeuse, a moldering plantation hidden along the Florida coast. No one knows how Faye's great-great-grandmother Cally, a newly freed slave barely out of her teens, came to own Joyeuse in the aftermath of the Civil War or how her descendants hung onto it through Reconstruction, world wars, the Depression, and Jim Crow. But Faye has inherited the family tenacity. When the property taxes rise beyond her means, she sets out to save Joyeuse by digging for artifacts on her property and selling them on the black market. But instead of pot shards and arrowheads, she uncovers a woman's shattered skull. If Faye reports the 40-year-old murder, she'll reveal her illegal livelihood, risk jail...and Joyeuse. So she probes into the dead woman's history, unaware that the past is rushing toward her like a hurricane across deceptively calm Gulf waters.... Winner of the 2004 Benjamin Franklin award in Mystery/Suspense
Next title in the Faye Longchamp Archaeological Mysteries. When tragedy strikes and everything she loves is threatened, Faye Longchamp, an expert in American archaeology, will resort to desperate measures. Because some losses cut to the bone... A murder mystery with an archaeological twist, Wrecked is: Florida-based mystery Perfect for fans of James Lee Burke and Nevada Barr For readers of archaeological mysteries The suspicious drowning death of Captain Edward Eubank breaks archaeologist Faye Longchamp's heart. It also confuses her, because he was found in scuba gear and she's never heard him even mention scuba diving. During their last conversation, he told her that he believed he'd found a storied shipwreck, but when Faye checks it out, she finds nothing there—not a plank, not a single gold coin, nothing. If there's no treasure, then why is her friend dead? But the situation quickly escalates beyond a murder mystery. Surrounded by a community struggling in the aftermath of a major hurricane that has changed the very landscape, Faye grapples not only with the loss of her friend, but with her fears for her daughter, who is being romanced by a man who may be very dangerous. As a professional with her own consulting firm, Faye had long ago given up her "anything goes" attitude when the law stood between her and an interesting dig. Now that recklessness is back. There's nothing she won't do to protect her daughter. In this riveting addition to an archaeological mystery and thriller series perfect for fans of Nevada Barr, Faye must save her most precious cargo—her daughter.
Faye Longchamp, back in school to pursue her dream of becoming an archaeologist, has been asked to run a project for which she is barely qualified, under the direction of a man who doesn't seem to like her much. Her assignment: to uncover the origins of a mysterious ethnic group. The Sujosa have lived in Alabama's most remote hills for centuries and have shown impressive immunity to many diseases including AIDS. Late one night, Faye awakes to find the house in flames. She saves herself and one of her housemates. But her friend Carmen, the project historian, never had a chance. Then within days, an 18 - year - old boy jumps from a cell phone tower that, when completed, would connect the outside world to the Sujosa community....
Florida Book Awards Finalist "A worthwhile addition to Faye's long-running series that weaves history, mystery, and psychology into a satisfying tale of greed and passion." —Kirkus Reviews Archaeologist Faye Longchamp-Mantooth has dug herself a deep hole and she can't make her way out of it. As she struggles to recover from a shattering personal loss, she sees that everyone she loves is trying to reach out to her. If only she could reach back. Instead she's out digging holes all over her home, the Florida island of Joyeuse. In their old plantation home, Joe Wolf Mantooth is surrounded by family—Faye, the wife he loves; their toddler son he adores; and his father, who hasn't gotten around to telling him how long he's been out of prison or how he got there—yet Joe has never felt so helpless or alone. Then a close friend at the local marina is brutally murdered, the first in a string of crimes against women that rocks Micco County. Joe, desperate to help Faye, realizes she is in danger from both her inner demons and someone who has breached the island's isolation. Local law and environmental officials say they want to help, but to Faye and Joe they feel more like invaders. A struggling Faye reaches back over a century into her family's history for clues. And all the while, danger snakes further into their lives, threatening the people they love, their cherished home, even the very ground—some of it poisoned—beneath their feet.
2012 - Florida Book Award Bronze Medal Winner for General Fiction 2012 - Florida Book Award Bronze Medal Winner for Popular Fiction "Details of archaeology, pirate lore, and voodoo complement the strong, sympathetic characters, especially Amande, and the appealing portrait of Faye's family life." —Booklist Faye Longchamp and her Native American husband Joe Wolf Mantooth are working near the mouth of the Mississippi, researching archaeological sites soon to be flooded by oil. The Deepwater Horizon disaster has morphed her run-of-the-mill contract job into a task that might swamp her fledgling consulting business. Then her injured babysitter leaves Faye to work with a toddler underfoot. Thankfully, Amande, a bright and curious teen lives nearby with her eccentric grandmother. But when the girl's grandmother and her no-account uncle are murdered, Amande's prospects worsen. The girl has but two known relatives, both battling over her small inheritance: a raggedy houseboat, a few shares of stock, and a hurricane-battered island that's not even inhabitable. Pirate-era silver coins are found and disappear. A murderer is on the loose, and as the oil slick looms, Faye can see that Louisiana is still being plundered....
Evans's characters are vividly drawn, elevating this story and its revelations about women's little-celebrated contributions to the war effort."— Washington Post "An exciting read with historical tidbits, a hint of danger, and a touch of romance."— Kirkus Reviews The Traitor Beside Her is an intricately plotted WWII espionage novel weaving together mystery, action, friendship, and a hint of romance perfect for fans of The Rose Code and Code Name Helene. Justine Byrne can't trust the people working beside her. Arlington Hall, a former women's college in Virginia has been taken over by the United States Army where hundreds of men and women work to decode countless pieces of communication coming from the Axis powers. Justine works among them, handling the most sensitive secrets of World War II—but she isn't there to decipher German codes—she's there to find a traitor. Justine keeps her guard up and her ears open, confiding only in her best friend, Georgette, a fluent speaker of Choctaw who is training to work as a code talker. Justine tries to befriend each suspect, believing that the key to finding the spy lies not in cryptography but in understanding how code breakers tick. When young women begin to go missing at Arlington Hall, her deadline for unraveling the web of secrets becomes urgent and one thing remains clear: a single secret in enemy hands could end thousands of lives. "A fascinating and intelligent WWII home front story." —Rhys Bowen, New York Times bestselling author for The Physicists' Daughter
Faye Longchamp, back in school to pursue her dream of becoming an archaeologist, has been asked to run a project for which she is barely qualified, under the direction of a man who doesn’t seem to like her much. Her assignment: to uncover the origins of a mysterious ethnic group. The Sujosa have lived in Alabama’s most remote hills for centuries and have shown impressive immunity to many diseases...including AIDS. Late one night, Faye awakes to find the house in flames. She saves herself and one of her housemates. But her friend Carmen, the project historian, never had a chance. Then within days, an 18-year-old boy jumps from a cell phone tower that, when completed, would connect the outside world to the Sujosa community....
A suspenseful crime story with just a hint of something otherworldly." —Booklist Faye Longchamp doesn't believe in ghosts, but she's an archaeologist—dead people are her life. While working in Rosebower, a rural New York town founded by Spiritualists, Faye is surrounded by people who talk to the dead on a regular basis. So when influential Spiritualist Tilda Armistead invites Faye and her daughter to commune with the dead, she can't say no. An hour after Tilda's crystal ball shows Faye things no rational mind can explain, Tilda is dead. The evidence says someone trapped Tilda in a small room, nailing its one door shut before setting her house afire. There is no possible way for her to have escaped the blaze, let alone drive for miles before finding Faye and dying in her arms. Yet Tilda did. How? And why? Anywhere else, these people would be dismissed as crazy. But in Rosebower, "normal" is relative. As Faye watches psychics and charlatans jockey for power, Tilda's sister, Myrna, is slowly dying. Will Rosebower reveal its secrets before more goes up in flames?
A fascinating look at contemporary archaeology but also a twisted story of greed and its effects." —Dallas Morning News Faye Longchamp, back in school to pursue her dream of becoming an archaeologist, has been asked to run a project for which she is barely qualified, under the direction of a man who doesn't seem to like her much. Her assignment: to uncover the origins of a mysterious ethnic group. The Sujosa have lived in Alabama's most remote hills for centuries and have shown impressive immunity to many diseases...including AIDS. Late one night, Faye awakes to find the house in flames. She saves herself and one of her housemates. But her friend Carmen, the project historian, never had a chance. Within days, an 18-year-old boy jumps from a cell phone tower that, when completed, would connect the outside world to the Sujosa community. Are these events somehow related?
Evans always incorporates detailed research that adds depth and authenticity to her mysteries, and she beautifully conjures up the Micco County, FL, setting. This is a series that deserves more attention than it garners." —Library Journal STARRED review Faye Longchamp is once again at Joyeuse, the family plantation in Florida she labors so lovingly to restore. She's happily doing archaeological work on a site once owned by her family. But her joy abruptly ends when thieves break into the home of her friend and mentor Douglass Everett and kill him, inexplicably ignoring his impressive display of artifacts and valuable art work. All that's missing are Faye's field notes. Among the items the thieves left behind is the magnificent emerald that Faye had just unearthed and brought to Douglass that fateful evening. Why? Then another murder quickly furnishes a clue that only Faye is likely to interpret. It launches her on a treasure hunt connected to Marie Antoinette and to the history of the Confederacy. The killers have shown they will stop at nothing to get the information in Faye's notes. It's only a matter of time before they come for Faye.
2012 - Florida Book Award Bronze Medal Winner for General Fiction 2012 - Florida Book Award Bronze Medal Winner for Popular Fiction "Details of archaeology, pirate lore, and voodoo complement the strong, sympathetic characters, especially Amande, and the appealing portrait of Faye's family life." —Booklist Faye Longchamp and her Native American husband Joe Wolf Mantooth are working near the mouth of the Mississippi, researching archaeological sites soon to be flooded by oil. The Deepwater Horizon disaster has morphed her run-of-the-mill contract job into a task that might swamp her fledgling consulting business. Then her injured babysitter leaves Faye to work with a toddler underfoot. Thankfully, Amande, a bright and curious teen lives nearby with her eccentric grandmother. But when the girl's grandmother and her no-account uncle are murdered, Amande's prospects worsen. The girl has but two known relatives, both battling over her small inheritance: a raggedy houseboat, a few shares of stock, and a hurricane-battered island that's not even inhabitable. Pirate-era silver coins are found and disappear. A murderer is on the loose, and as the oil slick looms, Faye can see that Louisiana is still being plundered....
Top 12 Mystery Novels of 2017 by Strand Magazine 2018 - Willa Literary Award Finalist, Contemporary Fiction "Evans' signature archaeological lore adds even more interest to this tale of love, hate, and greed." —Kirkus Reviews A woman waits under five feet of dirt—a woman who is by now nothing but bones stained the deep red of Oklahoma clay. A delicate silver necklace, a handful of ancient pearls, and a priceless figurine rest with her. Twenty-nine years is a long time to wait for a proper burial. Faye Longchamp-Mantooth, who runs a small and shakily financed archaeological consulting firm with her husband, Joe, has come to Sylacauga so she and Joe can join his father, Sly Mantooth, in dispersing his mother's ashes. Fifteen years is a long time to wait for a proper ceremony. Faye has partially financed the trip by hiring on to consult on the reopening of a site closed down 29 years ago when archaeologist Dr. Sophia Townsend disappeared—for good. The Muscogee (Creek) Nation intends to create a park if nothing sacred lies in the soil. What no one expects is the lonely red bones that emerge as the backhoe completes its work. Inevitably they prove to be those of Sophia Townsend. And examination shows Sophia was first killed by a blow to the head. Chief Roy Cloud of the Muscogee (Creek) Nation's Lighthorse Tribal Police hires Faye, who clearly can't be a suspect, to consult. Which is fine with Faye, who won't rest easy until Sophia's murder is solved. But the investigation comes uncomfortably close to home when she learns that her father-in-law knows more about the dead woman than he is willing to admit. So, it appears, does everyone in tiny Sylacauga. Dr. Sophia Townsend had possessed a sexual magnetism as forceful as an Oklahoma tornado, and she had never hesitated to use it to manipulate everyone around her, people whose hearts she broke and whose marriages she destroyed. Was she killed by one of her lovers, or by one of their wives? Or by the woman who became enthralled with her? Or maybe Sly Mantooth? Or was something else elemental—greed, buried treasure, fame—at work? Faye's obsession with this case tests her professional ethics and it tests her marriage. Such was the power of Sophia Townsend that, twenty-nine years after her murder, she wreaks havoc (along with the weather) once again. 2018 - Oklahoma Book Award Finalist, Fiction 2018 - Will Rogers Bronze Medallion Award Winner, Western Fiction
This contemporary mystery is drenched with Florida history and with gothic elements that should appeal to a broad range of readers." —Booklist Faye Longchamp and husband Joe Wolf Mantooth have founded an archaeological consulting firm—just in time for the economy to tank. But a meeting with a couple who run an elegant B&B in a historic home in St. Augustine, Florida, lands the firm's first big project. Within a day of their arrival at Dunkirk Manor, a lovely young employee disappears, leaving behind a sinister smear of blood in her car, a collection of priceless artifacts, and a note asking for Faye's help. Two days later, the missing woman's boyfriend is found floating in the Matanzas River, his throat slashed. The detective in charge of the case believes that the artifacts are key to the crime and hires Faye to track down their origin. The artifacts Faye and Joe excavate at their work site date from every era of St. Augustine history, and the discovery of a buried cache of children's toys from the 1920s hits eight-months-pregnant Faye particularly hard. Dunkirk Manor seems haunted in a way that Faye can't explain. Then a stunning discovery is made: the diary of a priest who left Spain in 1565 and was present at the city's birth. Faye is driven to translate the manuscript. In what could be an unfolding tale by the Brothers Grimm, Faye and Joe uncover some terrible secrets....
2011 - Mississippi Author Award Winner "Evans has written a fascinating tale linking the history of New Orleans' levee system to the present and weaving into the story aspects of the city's widely diverse cultures." —Booklist STARRED review Centuries of tragedy shadow New Orleans: wars, slavery, and a monumental flood that killed a thousand people and still threatens to wash all that history away. Faye Longchamp and her team of archaeologists, fighting to save New Orleans' past, are horrified when they discover a corpse that's far too new to be an archaeological find. The police presume it's just another dead body in the long, sad sequence of bodies left by Hurricane Katrina, until Faye shows them a truth that only an archaeologist could see: the debris piled on top of the dead woman is all wrong. Someone brought Shelly Broussard to this flooded-out house and left her dead body behind. Faye and her assistant Joe Wolf Mantooth are drawn into the investigation by a detective who believes their professional expertise is critical to the case. They quickly learn that trouble swirled around the victim like winds around the eye of a hurricane. Is Shelly's heroic rescue work in the aftermath of Katrina the reason for her death? Or does the sheaf of photos in her work files hold the answer? Will Faye and Joe be the next victims engulfed in this deadly deception?
First in a series of archaeological mysteries featuring Faye Longchamp, who uncovers more than artifacts from the past. "A haunting, atmospheric story." —P.J. Parrish, New York Times bestselling author Faye Longchamp has lost nearly everything except her determination to hang onto Joyeuse, a moldering plantation hidden along the Florida coast. No one knows how Faye's great-great-grandmother Cally, a newly freed slave barely out of her teens, came to own Joyeuse in the aftermath of the Civil War or how her descendants hung onto it through Reconstruction, world wars, the Depression, and Jim Crow. But Faye has inherited the family tenacity. When the property taxes rise beyond her means, she sets out to save Joyeuse by digging for artifacts on her property and selling them on the black market. But instead of pot shards and arrowheads, she uncovers a woman's shattered skull. If Faye reports the 40-year-old murder, she'll reveal her illegal livelihood, risk jail...and Joyeuse. So she probes into the dead woman's history, unaware that the past is rushing toward her like a hurricane across deceptively calm Gulf waters.... Winner of the 2004 Benjamin Franklin award in Mystery/Suspense
Between 1900 and 1940 American family farming gave way to what came to be called agribusiness. Government policies, consumer goods aimed at rural markets, and the increasing consolidation of agricultural industries all combined to bring about changes in farming strategies that had been in use since the frontier era. Because the Midwestern farm economy played an important part in the relations of family and community, new approaches to farm production meant new patterns in interpersonal relations as well. In Preserving the Family Farm Mary Neth focuses on these relations--of gender and community--to shed new light on the events of this crucial period. (source: 4e de couverture).
A distinguished scholar presents a landmark historical perspective on parenthood in America. This trailblazing book suggests that behind the rhetoric of maternal responsibility are issues of power, resources, and control. "Berry's book could be a significant impetus for corporate executives and political leaders, conservatives and liberals, and mothers and fathers to support parental involvement that is gender-free."--The Washington Post Book World.
Next title in the Faye Longchamp Archaeological Mysteries. When tragedy strikes and everything she loves is threatened, Faye Longchamp, an expert in American archaeology, will resort to desperate measures. Because some losses cut to the bone... A murder mystery with an archaeological twist, Wrecked is: Florida-based mystery Perfect for fans of James Lee Burke and Nevada Barr For readers of archaeological mysteries The suspicious drowning death of Captain Edward Eubank breaks archaeologist Faye Longchamp's heart. It also confuses her, because he was found in scuba gear and she's never heard him even mention scuba diving. During their last conversation, he told her that he believed he'd found a storied shipwreck, but when Faye checks it out, she finds nothing there—not a plank, not a single gold coin, nothing. If there's no treasure, then why is her friend dead? But the situation quickly escalates beyond a murder mystery. Surrounded by a community struggling in the aftermath of a major hurricane that has changed the very landscape, Faye grapples not only with the loss of her friend, but with her fears for her daughter, who is being romanced by a man who may be very dangerous. As a professional with her own consulting firm, Faye had long ago given up her "anything goes" attitude when the law stood between her and an interesting dig. Now that recklessness is back. There's nothing she won't do to protect her daughter. In this riveting addition to an archaeological mystery and thriller series perfect for fans of Nevada Barr, Faye must save her most precious cargo—her daughter.
A suspenseful crime story with just a hint of something otherworldly." —Booklist Faye Longchamp doesn't believe in ghosts, but she's an archaeologist—dead people are her life. While working in Rosebower, a rural New York town founded by Spiritualists, Faye is surrounded by people who talk to the dead on a regular basis. So when influential Spiritualist Tilda Armistead invites Faye and her daughter to commune with the dead, she can't say no. An hour after Tilda's crystal ball shows Faye things no rational mind can explain, Tilda is dead. The evidence says someone trapped Tilda in a small room, nailing its one door shut before setting her house afire. There is no possible way for her to have escaped the blaze, let alone drive for miles before finding Faye and dying in her arms. Yet Tilda did. How? And why? Anywhere else, these people would be dismissed as crazy. But in Rosebower, "normal" is relative. As Faye watches psychics and charlatans jockey for power, Tilda's sister, Myrna, is slowly dying. Will Rosebower reveal its secrets before more goes up in flames?
What secrets lie deep beneath the surface? A deafening explosion rocks a historic Oklahoma City hotel, sending archaeologist Faye Longchamp-Mantooth crashing to the marble floor of the lobby. She's unhurt but shaken—after all, any time something blows up in Oklahoma City, the first word on everyone's lips is the same: bomb. Faye is in town for a conference celebrating indigenous arts, but is soon distracted by the aftermath of the explosion, which cracks open the old hotel's floor to reveal subterranean chambers that had housed Chinese immigrants a century before. Faye is fascinated by the tunnels, which are a time capsule back to the early 20th century—but when the bodies of three children are discovered deep beneath the city, her sense of discovery turns to one of dread...
Perfect for fans of The Alice Network and Kate Quinn, The Physicists' Daughter is "a fascinating and intelligent WWII home front story." —Rhys Bowen, New York Times bestselling author of The Venice Sketchbook. No one can be trusted. The fate of a country is at stake. And everything depends on the physicists' daughter. New Orleans, 1944. Sabotage. That's the word on factory worker Justine Byrne's mind as she is repeatedly called to weld machine parts that keep failing with no clear cause. Could someone inside the secretive Carbon Division be deliberately undermining the factory's Allied war efforts? Raised by her late parents to think logically, she also can't help wondering just what the oddly shaped carbon gadgets she assembles day after day have to do with the boats the factory builds. When a crane inexplicably crashes to the factory floor, leaving a woman dead, Justine can no longer ignore her nagging fear that German spies are at work within the building, trying to put the factory and its workers out of commission. Unable to trust anyone—not the charming men vying for her attention, not her unpleasant boss, and not even the women who work beside her—Justine draws on the legacy of her unconventional upbringing to keep her division running and protect her coworkers, her country, and herself from a war that is suddenly very close to home.
2007 - Florida Book Award Bronze Medal Winner "As an archeological tour alone the book would be worth reading, but it's the fascinating and complex characters that give the story life and vibrancy." —Rhys Bowen, New York Times bestselling author Faye Longchamp and Joe Wolf Mantooth have traveled to Neshoba County, Mississippi, to help excavate a site near Nanih Waiya, the sacred mound where tradition says the Choctaw nation was born. When farmer Carroll Calhoun refuses the archaeologists' request to investigate an ancient Native American mound, Faye and her colleagues are disappointed. But his next action breaks their hearts: he tries to bulldoze the huge relic to the ground. Later Calhoun is found dead, his throat sliced with a handmade stone blade. Was he killed by an archaeologist angered by his wanton destruction of history? Did a Choctaw take up arms to defend an embattled heritage? Did someone decide to even the score with an old rival?
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