This book is a resource for understanding why Lightning continues to be a major health hazard, especially in the developing world, and equips researchers, governments, and public health advocates with the knowledge and techniques needed to reduce lightning casualties worldwide.
Lightning Injuries: Electrical, Medical, and Legal Aspects presents a thorough examination of injuries inflicted by lightning strikes. The expertise of acknowledged world authorities from three continents have been brought together to create this truly remarkable volume. Lightning Injuries: Electrical, Medical, and Legal Aspects begins with a short historical review featuring a discussion of the physics of lightning phenomena and the aspects of electrical circuit theory. This review provides the background for following chapters, which address topics such as the epidemiology of lightning injury, the pathogenesis of the features of lightning injury, the clinical aspects of managing patients with lightning injury, and lightning injury mediated by communications systems (including telephones). The book also describes the problem of finding protection against lightning strikes and the issues that arise in legal liability as a result of lightning strikes. The book is written for a diverse audience and includes material that makes it appropriate for all professionals in medical, legal, and technical fields. Never before has such a comprehensive collation of related facets of lightning injury been published within a single volume.
This book is a resource for understanding why Lightning continues to be a major health hazard, especially in the developing world, and equips researchers, governments, and public health advocates with the knowledge and techniques needed to reduce lightning casualties worldwide.
Throughout the centuries, ballet has had a rich and ever-evolving role in the humanities. Renowned choreographers, composers, and performers have contributed to this unique art form, staging enduring works of beauty. Significant productions by major companies embrace innovations and adaptations, enabling ballet to thrive and delight audiences all over the globe. In The Encyclopedia of World Ballet,Mary Ellen Snodgrass surveys the emergence of ballet from ancient Asian models to the present, providing overviews of rhythmic movement as a subject of art, photography, and cinema. Entries in this volume reveal the nature and purpose of ballet, detailing specifics about leaders in classic design and style, influential costumers and companies, and trends in technique, partnering, variation, and liturgical execution. This reference covers: Choreographers Composers Costumers Dance companies Dancers Productions Set designers Techniques Terminology Among the principal figures included here are Alvin Ailey, Afrasiyab Badalbeyli, George Balanchine, Mikhail Baryshnikov, Pierre Beauchamp, Sergei Diaghilev, Agnes DeMille, Nacho Duato, Isadora Duncan, Boris Eifman, Mats Ek, Erté, Martha Graham, Inigo Jones, Louis XIV, Amalia Hernández Navarro, Rudolf Nureyev, Marius Petipa, Jerome Robbins, Twyla Tharp, and Agrippina Vaganova. This work also features dance companies from the Americas, Australia, China, Cuba, Egypt, Iran, Korea, New Zealand, Russia, South Africa, and Vietnam. Productions include such universal narrative favorites as Coppélia, The Nutcracker, The Sleeping Beauty, Scheherazade, Firebird, and Swan Lake. Featuring a chronology that identifies key events and figures, this volume highlights significant developments in stage presentations over the centuries. The Encyclopedia of World Ballet will serve general readers, dance instructors, and enthusiasts from middle school through college as well as professional coaches and performers, troupe directors, journalists, and historians of the arts.
While there are books about folk dances from individual countries or regions, there isn’t a single comprehensive book on folk dances across the globe. This illustrated compendium offers the student, teacher, choreographer, historian, media critic, ethnographer, and general reader an overview of the evolution and social and religious significance of folk dance. The Encyclopedia of World Folk Dancefocuses on the uniqueness of kinetic performance and its contribution to the study and appreciation of rhythmic expression around the globe. Following a chronology of momentous events dating from prehistoryto the present day, the entries in this volume include material on technical terms, character roles, and specific dances. The entries also summarize the historical and ethnic milieu of each style and execution, highlighting, among other elements, such features as: origins purpose rituals and traditions props dress holidays themes
While female performers in the early 20th century were regularly advertised as dancers, mimics, singers, or actresses, they wove together techniques and elements drawn from a wide variety of genres and media. Onstage and onscreen, performers borrowed from musical scores and narratives, referred to contemporary shows, films, and events, and mimicked fellow performers. Behind the scenes, they experimented with cross-promotion and new advertising techniques and technologies to broadcast images and tales of their performances and lives well beyond the walls of American theaters, cabarets, and halls. The performances and conceptions of art that emerged were innovative, compelling, and deeply meaningful. Body Knowledge examines these performances and the performers behind them, highlighting the Ziegfeld Follies and The Passing Show revues, Salome dancers, Isadora Duncan's Wagner dances, Adeline Genée and Bessie Clayton's danced histories, Hazel Mackaye and Ruth St. Denis's pageants, and Anna Pavlova's opera and film projects. As a whole, it re-imagines early twentieth-century art and entertainment as both fluid and convergent.
An authorized account of the Civil War, drawn from the diaries of a Southern aristocrat, records the disintegration and final destruction of the Confederacy
Having organized neighborhood discussion groups before World War I, Follett traces the dynamics she noticed in these forums and develops some core concepts useful for those working on questions of public deliberation today. She also shows how deliberation informs debates that raged in political theory during her own era. She discusses the works of pluralists (Harold Laski), idealists (T. H. Green and Bernard Bosanquet), and pragmatists (William James) and makes important arguments about the relationship between socialism and democracy. Her work is marked by rigorous thinking about the implications of democratic principles as they relate to political and socioeconomic organization. This book articulates the formation of a &“new state&” growing out of the local activities of citizens and renews the American idea of &"federalism&" in order to balance local activities and national purposes. By doing this, Follett leaves us with a pathbreaking work that demands more attention today. With preliminary essays by Benjamin Barber and Jane Mansbridge, plus a historical introduction provided by Kevin Mattson, this reissued edition will be of use to scholars and activists who are currently working on issues of democratic participation, civic education, and public deliberation.
Photos and reminiscences of life the 1950s, part of the decade-by-decade series that vividly documents the Crescent City’s history. Remember when Mardi Gras was cancelled in 1951 in tribute to the men fighting the Korean War? Surely you were there for Elvis Presley’s visit to the Municipal Auditorium in 1956, and you must recall the first time you crossed the brand-new Greater New Orleans Bridge. How about the milk bottle on top of the Cloverland Dairy? For those who were there and those who wish they were, Mary Lou Widmer recalls these and many other images and events that define the decade. Packed with photographs, her remembrances will delight and entertain all who lived through this unique decade in New Orleans and fascinate anyone intrigued by the city’s past—from the tumult of integration to the worries about communism to the rapid growth of Gentilly, Metairie, and other suburbs.
Pulitzer Prize-winning historian C. Vann Woodward and Chesnut's biographer Elisabeth Muhlenfeld present here the previously unpublished Civil War diaries of Mary Boykin Chesnut. The ideal diarist, Mary Chesnut was at the right place at the right time with the right connections. Daughter of one senator from South Carolina and wife of another, she had kin and friends all over the Confederacy and knew intimately its political and military leaders. At Montgomery when the new nation was founded, at Charleston when the war started, and at Richmond during many crises, she traveled extensively during the war. She watched a world "literally kicked to pieces" and left the most vivid account we have of the death throes of a society. The diaries, filled with personal revelations and indiscretions, are indispensable to an appreciation of our most famous Southern literary insight into the Civil War experience.
White County, Tennessee originally encompassed all of what is now Warren County, as well as parts of the counties of Cannon, Coffee, De Kalb, Franklin, Grundy, Putnam, and Van Buren. The 2,000 marriages in this book, as the title indicates, are the oldest on record. The marriages are arranged alphabetically by the names of the grooms and furnish the names of brides and officiating ministers, along with a number of genealogical annotations.
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