Poetry. Moving from illness, back into memory, and again into an ever-present present, the poems in HOW SMALL THE SKY REALLY DREAMS find new spaces to inhabit within the undulating, rhythmic, teeming natural world, a world of bodies, movement, and deep interconnections, a world where upheaval and terror are not separate, extraordinary experiences but deeply part of the warp and weft of existence. In short, this is a book that pushes limits of the human need to settle into received narratives and instead finds peace through the ongoing change and chaos of an endlessly shifting world. HOW SMALL THE SKY REALLY DREAMS is very much a book of this current moment of uncertainty and change, while at the same time part of an ongoing, eternal spiritual exploration into the nature of being and becoming.
The extraordinarily productive life of curator, artist, and activist Margaret Burroughs was largely rooted in her work to establish and sustain two significant institutions in Chicago: the South Side Community Art Center (SSCAC), founded in 1940, and the DuSable Museum of African American History, founded in her living room in 1961. As Mary Ann Cain's South Side Venus: The Legacy of Margaret Burroughs reveals, the primary motivations for these efforts were love and hope. Burroughs was spurred by her love for Chicago's African American community—largely ill served by mainstream arts organizations—and by her hope that these new, black-run cultural centers would welcome many generations of aspiring artists and art lovers. This first, long–awaited biography of Burroughs draws on interviews with peers, colleagues, friends, and family, and extensive archival research at the DuSable Museum, the Art Institute of Chicago, and the Chicago Public Library. Cain traces Burroughs's multifaceted career, details her work and residency on Chicago's South Side, and highlights her relationships with other artists and culture makers. Here, we see Burroughs as teacher and mentor as well as institution builder. Anchored by the author's talks with Burroughs as they stroll through her beloved Bronzeville, and featuring portraits of Burroughs with family and friends, South Side Venus will enlighten anyone interested in Chicago, African American history, social justice, and the arts.
Stressing the social dimensions of composing, this book inquires into the problems of interpreting and representing writers' talk in both academic and self directed writing groups, arguing for the value of such talk as a distinct mode of knowing that both complements and criticizes more traditional forms of inquiry. Emphasizing the role of writers' talk in shaping the text that they produce, it discusses the problem of representing and interpreting writers' talk in the context of composition studies, using feminist theoretical perspectives to illuminate the difficulty in representing the writer as a knowing subject, neither essentialist nor totally constructivist. Revisioning Writers' Talk also investigates the idea of the social in social-constructivist theories of composing, arguing that they maintain rather than demystify hierarchies of discourse and, in turn, the subjects and objects of composing. Cain's own story of composing is told in the context of her educational experiences as a writer. Finally, the book discusses the constructions of power and authority by both academic and self-directed writing groups.
Stressing the social dimensions of composing, this book inquires into the problems of interpreting and representing writers' talk in both academic and self directed writing groups, arguing for the value of such talk as a distinct mode of knowing that both complements and criticizes more traditional forms of inquiry. Emphasizing the role of writers' talk in shaping the text that they produce, it discusses the problem of representing and interpreting writers' talk in the context of composition studies, using feminist theoretical perspectives to illuminate the difficulty in representing the writer as a knowing subject, neither essentialist nor totally constructivist. Revisioning Writers' Talk also investigates the idea of the social in social-constructivist theories of composing, arguing that they maintain rather than demystify hierarchies of discourse and, in turn, the subjects and objects of composing. Cain's own story of composing is told in the context of her educational experiences as a writer. Finally, the book discusses the constructions of power and authority by both academic and self-directed writing groups.
The extraordinarily productive life of curator, artist, and activist Margaret Burroughs was largely rooted in her work to establish and sustain two significant institutions in Chicago: the South Side Community Art Center (SSCAC), founded in 1940, and the DuSable Museum of African American History, founded in her living room in 1961. As Mary Ann Cain's South Side Venus: The Legacy of Margaret Burroughs reveals, the primary motivations for these efforts were love and hope. Burroughs was spurred by her love for Chicago's African American community—largely ill served by mainstream arts organizations—and by her hope that these new, black-run cultural centers would welcome many generations of aspiring artists and art lovers. This first, long–awaited biography of Burroughs draws on interviews with peers, colleagues, friends, and family, and extensive archival research at the DuSable Museum, the Art Institute of Chicago, and the Chicago Public Library. Cain traces Burroughs's multifaceted career, details her work and residency on Chicago's South Side, and highlights her relationships with other artists and culture makers. Here, we see Burroughs as teacher and mentor as well as institution builder. Anchored by the author's talks with Burroughs as they stroll through her beloved Bronzeville, and featuring portraits of Burroughs with family and friends, South Side Venus will enlighten anyone interested in Chicago, African American history, social justice, and the arts.
Mary S. Lovell's bestselling biography The Sound of Wings is the basis for the major movie Amelia, starring Richard Gere and Hilary Swank. When Amelia Earhart mysteriously disappeared in 1937 during her attempted flight around the world, she was already known as America's most famous female aviator. Her sense of daring and determination, rare for women of her time, brought her insurmountable fame from the day she became the first woman to cross the Atlantic in an airplane. In this definitive biography, Mary S. Lovell delivers a brilliantly researched account on Earhart's life using the original documents, letters, the logbooks of Earhart and her contemporaries, and personal interviews with members of Amelia's family, friends and rival aviators. The Sound of Wings vividly captures the drama and mystery behind the most influential woman in "The Golden Age of Flight"—from her tomboy days at the turn of the century and her early fascinations with flying, to the unique relationship she shared with G.P. Putnam, the flamboyant publisher and public relations agent who became both her husband and her business manager. This is a revealing biography of an uncommonly brave woman, and the man who both aided and took advantage of her dreams.
The last 25 years have witnessed extraordinary growth in the academic specialization variously described as composition studies or rhetoric and composition. What was noticeable about the field in its infancy was a preoccupation with practice, a lack of emphasis on theory, and an exclusive reliance on the writing process. As its disciplinary status has grown, the field has become far more theoretical. Composition studies has expanded its focus, reconceptualized the writing process, and embraced a wide range of critical perspectives. The result of this change is that terms such as poststructuralism, social construction, gender, and genre, which were largely unknown in 1965, now dominate discussion. This reference book is a guide to the multiplicity of theories that have emerged to form the disciplinary foundation of composition studies. The volume consists of 66 entries, each of which is written by an expert contributor and focuses on a particular theory or group of theories. While the entries show how various individuals have contributed to theoretical movements, very few concentrate on the work of a single theorist. Each entry first provides a critical summary of a particular theory or group of theories, including key elements, basic concepts and claims, and information about seminal or particularly influential works. It then reviews the theory's critical reception in composition studies and discusses its significance in the field. The bibliography at the end of each entry lists primary texts and major scholarship related to the theory and provides additional suggestions for further reading. The volume closes with a selected bibliography of important works.
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