The case history of the author's recovery from cancer after following a macrobiotic diet is used along with other similar case histories to advocate and explain macrobiotic living.
A facsimile reprint of the Second Edition (1994) of this genealogical guide to 25,000 descendants of William Burgess of Richmond (later King George) County, Virginia, and his only known son, Edward Burgess of Stafford (later King George) County, Virginia. Complete with illustrations, photos, comprehensive given and surname indexes, and historical introduction.
A provocative, unprecedented anthology featuring original short stories on what it means to be an American from thirty bestselling and award-winning authors with an introduction by Pulitzer Prize–winning author Viet Thanh Nguyen: “This chorus of brilliant voices articulating the shape and texture of contemporary America makes for necessary reading” (Lauren Groff, author of Fates and Furies). When Donald Trump claimed victory in the November 2016 election, the US literary and art world erupted in indignation. Many of America’s preeminent writers and artists are stridently opposed to the administration’s agenda and executive orders—and they’re not about to go gentle into that good night. In this “masterful literary achievement” (Kurt Eichenwald, author of Conspiracy of Fools), more than thirty of the most acclaimed writers at work today consider the fundamental ideals of a free, just, and compassionate democracy through fiction in an anthology that “promises to be both a powerful tool in the fight to uphold our values and a tribute to the remarkable voices behind it” (Anthony D. Romero, executive director of the ACLU). With an introduction by Pulitzer Prize-winning author, Viet Thanh Nguyen, and edited by bestselling author Jonathan Santlofer, this powerful anthology includes original, striking art from fourteen of the country’s most celebrated artists, cartoonists, and graphic novelists, including Art Spiegelman, Roz Chast, Marilyn Minter, and Eric Fischl. Transcendent, urgent, and ultimately hopeful, It Occurs to Me That I Am America takes back the narrative of what it means to be an American in the 21st century.
Some cities, through hardship or glory or a combination of both, produce extraordinary women. Richmond in the early twentieth century, dominated by its prominent families and still haunted by the ghosts of its Confederate past, produced a galaxy of such characters, including Ellen Glasgow, Mary Cooke Branch Munford, and Lila Meade Valentine. Elisabeth Scott Bocock, Victorian in values but modern in outlook, carried on this tradition with her unique combination of family wealth and connections, boundless energy, eccentricity, and visionary zeal. Her daughter Mary Buford Hitz's candid memoir reveals the pleasures and frustrations of growing up with a woman who expected so much from her children and from the city whose self-appointed guardian she became. Elisabeth Bocock's vision was of a city that would take historic preservation seriously, of a society that would accept the importance of conservation. Impatient with process and society's conventions, she used her enormous personal magnetism to circumvent them when founding many of the institutions Richmond takes for granted today. In the creation of the Historic Richmond Foundation, the Carriage Museum at Maymont, the Hand Workshop, and the Virginia Chapter of the Nature Conservancy she played the dual roles of visionary and bulldozer. While part of a tradition of strong southern women, Elisabeth Bocock's tactics were unique, as she sought to convince others of both the practical and aesthetic links between preservation and the environment. One of the "five little Scotts," children of the founder of the investment firm Scott & Stringfellow, she grew up with great privilege, and she schooled her children in how to take advantage of such privilege and how to ignore it. Whether in their winter residence at 909 West Franklin Street in Richmond or at their summer home, Royal Orchard, in the Blue Ridge Mountains, in her household she insisted both on achievement and on avoiding boredom at all costs. As Mary Buford Hitz recounts with intelligence and feeling, her mother often seemed like a natural force, leveling anything that stood in its way but leaving in its wake a brighter, changed world. Never Ask Permission is not only a daughter's honest portrait of a charismatic and difficult woman who broke the threads of convention; in Elisabeth Scott Bocock we recognize the flawed but feisty, enduring character of Richmond.
The Religious Society of Friends (Quakers) is small by anyone's definition, with only about 300,000 members worldwide, but its impact has been widely felt. Unlike other historical dictionaries, the authors present a series of worldwide essays on Quaker theology, history, and practice as well as the lives of individuals who have made this faith their life. The entries prove the variety among Friends today and also gives a clear sense of unity despite their diverse membership and their periodic disagreements and divisions.
A systematic survey and comparison of the work of 19th-century American and British women in scientific research, this book covers the two countries in which women of the period were most active in scientific work and examines all the fields in which they were engaged. The field-by-field examination brings out patterns and concentrations in women's research (in both countries) and allows a systematic comparison of the two national groups. Through this comparison, new insights are provided into how the national patterns developed and what they meant, in terms of both the process of women's entry into research and the contributions they made there. Ladies in the Laboratory? features a specialized bibliography of nineteenth century research journal publications by women, created from the London Royal Society's Catalogue of Scientific Papers, 1800-1900. In addition, 23 illustrations present in condensed form information about American and British women's scientific publications throughout the nineteenth century. This well-organized blend of individual life stories and quantitative information presents a great deal of new data and field-by-field analysis; its broad and methodical coverage will make it a basic work for everyone interested in the story of women's participation in nineteenth century science.
Less celebrated than their male counterparts, women have been vital contributors to the arts. Works by women of the colonial era represent treasured accomplishments of American culture and still impress us today, centuries after their creation. The breadth of creative expression is as impressive as the women themselves. In American Colonial Women and Their Art: A Chronological Encyclopedia, Mary Ellen Snodgrass follows the history of creative expression from the early 1600s to the late 1700s. Drawing upon primary sources—such as letters, diaries, travel notes, and journals—this timeline encompasses a wide variety of artistic accomplishment, such as: Stitchery, quilting, and rug hooking Painting, sculpture, and sketches Essays, poems, and other writings Dance, acting, and oratory Musical composition and performance Individual talents highlighted in this volume include miniature portraits by Mary Roberts, pastel likenesses by Henrietta Dering Johnston, stagecraft by Elizabeth Sampson Sullivan Ashbridge, basketry by Namumpum Weetamoo, dance by Mary Stagg, metalwork by blacksmith Elizabeth Hager Pratt, calligraphy by Anna “Anastasia” Thomas Wüster, city planning by Deborah Dunch Moody, poems and essays by Phillis Wheatley, and fabric design by Anne Pogue McGinty. Featuring appendices that list individuals by skill and by state—as well as a glossary that clarifies the parameters of genres—this volume is essential to the study of Colonial women’s art. Resurrecting the efforts of women to record, adorn, and illustrate the spirit of their times, American Colonial Women and Their Art is a valuable resource that will be of interest to students and scholars of gender and women’s studies, art history, and American history.
This work presents material about the Brethren in Christ, a small, little-known religious group. In addition to drawing from official church doctrine, statements and records, it also features a variety of authors in church-related publications, records of congregational life, and archival sources.
Wisconsin's most notorious crimes and criminals are profiled in this book of the Crimes of the Century series. Read about the killer dairy princess and meet notorious fiends Edward Gein, Jeffery Dahmer, and others.
This is a broad-ranging look at the lands and people and the cities of Australia and New Zealand; it also presents their common heritage as former British colonies and their differences as diverse nations.
A history of the Denver-based candy company. In 1920, Carl T. Hammond founded his company with a commitment to quality. He single-handedly developed recipes, sold candy and handled everything else required to run the small operation. Nearly a century after that humble beginning, Hammond’s Candies still clings to that original vision, creating prized confections by hand. The Mitchell Sweet, first introduced in the 1930s, is still a top seller, and visitors touring the factory can view the original machinery being used in production. Author Corky Thompson traces the history and growth of this family-owned company from 1920 until its sale at the end of the twentieth century and follows its transition under new ownership to the present time.
The Zurich Congress marked a return to the origins of Analytical Psychology: here it was that C.G. Jung lived for the first six decades of this century and developed the school of psychology he came to be known for. Here, too, is where many of today's Jungian analysts from all over the world received their training, and their initiation into the profession. As this collection of the complete proceedings attests, the theme of open questions drew a bountiful array of intriguing responses, and this to the largest gathering of Jungian analysts ever: more than 800 in all.
A theoretical and practical guide to integrating human values into the conception and design of digital games, with examples from Call of Duty, Journey, World of Warcraft, and more. All games express and embody human values, providing a compelling arena in which we play out beliefs and ideas. “Big ideas” such as justice, equity, honesty, and cooperation—as well as other kinds of ideas, including violence, exploitation, and greed—may emerge in games whether designers intend them or not. In this book, Mary Flanagan and Helen Nissenbaum present Values at Play, a theoretical and practical framework for identifying socially recognized moral and political values in digital games. Values at Play can also serve as a guide to designers who seek to implement values in the conception and design of their games. After developing a theoretical foundation for their proposal, Flanagan and Nissenbaum provide detailed examinations of selected games, demonstrating the many ways in which values are embedded in them. They introduce the Values at Play heuristic, a systematic approach for incorporating values into the game design process. Interspersed among the book's chapters are texts by designers who have put Values at Play into practice by accepting values as a design constraint like any other, offering a real-world perspective on the design challenges involved.
This book was designed to help teachers supplement science curricula with human stories of discovery in the chemical sciences. Chemical Achievers presents the lives and work of two types of achievers. First are the historical greats, those chemical scientists most often referred to in introductory courses. Second are those scientists who made contributions in areas of the chemical sciences that are of special relevance to modern life and the career choices students will make. The human faces summarized in this book range from Robert Boyle to Glenn Seaborg and Stephanie Kwolek. In this lively and comprehensive collection of photographs and biographies, Bowden illuminates how much the chemical sciences owe to the individual achiever. Over 150 images can be easily reproduced as overhead transparencies or other visual teaching aids.
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
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