FOR BETTER, FOR WORSE - Belfast 1946. Deserted by the father of her unborn child, Eileen Ross has not married Johnny Clearly for love. Handsome, devoted and eight years her senior, he offers Eileen respectability rather than happiness. Her sister Claire vows to do things differently - and the magic of romance with Michael O'Hara is all she dreamed it would be. Or might it perhaps be the other way round?..... PLAYING WITH FIRE - In Jim Brady, Susan Cummings has found a man who is perfect marriage material: tall, good-looking, decent and caring. But love never runs smooth and in Belfast in the late 1950s it is as rough as it's possible to be. For Jim is a Catholic and Susan knows that her Protestant parents will never accept such a union. When the inevitable happens, Susan learns that she has a number of other suitors keen to comfort her. She doesn't know how her future will play outt - but she knows one thing: she's playing with fire.....
1971. With the troubles in Belfast at their height, a happy domestic life is something that Tess Maguire yearns for. Yet the political and social unrest are sending ripples of uncertainty through every aspect of her life. Whilst her partnership with her friend Theresa Cunningham in a dressmaking firm is successful, it's beginning to affect her romantic interests. Theresa's boyfriend Bob always seems to be near Tess. Near enough, one night, to declare his true feelings for her... Tess, in confusion, has to confront her own mixed up emotions concerning Bob. And to address her feelings for her own ever-faithful boyfriend Tony. Especially when he asks her to marry him ... Tess's widowed mother Alice marries Dan, her long-standing partner who can now spend the rest of his years with Alice and his beloved grandson Jackie. Jackie is almost an orphan: his father Jack died in a motorcycle accident. His mother Colette may as well be dead - she decamped to Canada shortly after his birth. But then Colette suddenly shows up to reclaim her son and her arrival in Belfast opens old wounds, triggers a bitter custody battle - and unearths secrets that will change everyone's lives for ever.
To her neighbours in Belfast, Maura Brady looks like she has it all - an attractive husband, a comfortable home and a gorgeous little boy, Danny. But behind closed doors, things are far from idyllic. Maura had long harboured doubts that her husband Adam had only married her on the re-bound from his childhood sweetheart Evelyn. But now Evelyn has returned, as gorgeous and provocative as ever, can Adam keep his unresolved feelings in check? As Maura's suspicions grow, she turns to her good friend Francie for support - but will her own innocent feelings spill into something more with him?
Susan's boyfriend of six months, Jim, is a Catholic and her parents haven't yet found out. Jim has said all along that their romance is doomed and she must understand this - but, in fact, neither can bear not to see each other. Finally, Jim realises Susan is angling for a marriage proposal and he knows he must end their relationship. Susan is distraught and ends up being comforted (too much so!) by her sister Alison's current boyfriend, Graham, resulting in a pregnancy. Susan flees to her aunt in Darlington in shame, but has to return to Belfast when her mother has a stroke and Graham is in a car accident. Susan gives birth to a beautiful son but still refuses to tell anyone who the father is. And there are now three men in her life - Jim, who doesn't want to be the stepfather of someone else's son; Graham, who believes he is the father and who loves Susan and believes she loves him; and Donald, a man she met in Darlington...
Belfast, the 1960s. When Tess Maguire and her best friend Agnes Quinn get free tickets to see the Rolling Stones, there is nothing that will stop them from going to the Ulster Hall, not even the disapproval of Tess's mother Alice. And though Alice's concerns about trouble are to prove right, for Tess and Agnes they have a silver lining. As the concert ends in panic and confusion, the girls are helped out by their very own pair of Jumping Jack Flashes - Jack Thompson and Tony Burke. To begin with, Tess is far keener on Jack than Agnes is on Tony. But after six, short, wonderful weeks, Jack suddenly stops contacting her. And when Tess pays his home a visit to find out the reason why, she soon discovers the shocking truth: Colette Burns, with her thick black hair and sultry looks, has captured his heart instead. Then Tess meets Dominic Sullivan, a Belfast boy who left Ireland for America many years earlier. Returning to his home city for a wedding, his good looks and sharp humour could be what Tess has been waiting for. But with Agnes interested in Dominic as well, their best laid plans might just become their worst-case scenario instead...
Mary, the heroine of this fiction, was the daughter of Edward, who married Eliza, a gentle, fashionable girl, with a kind of indolence in her temper, which might be termed negative good-nature: her virtues, indeed, were all of that stamp. She carefully attended to the shews of things, and her opinions, I should have said prejudices, were such as the generality approved of. She was educated with the expectation of a large fortune, of course became a mere machine: the homage of her attendants made a great part of her puerile amusements, and she never imagined there were any relative duties for her to fulfil: notions of her own consequence, by these means, were interwoven in her mind, and the years of youth spent in acquiring a few superficial accomplishments, without having any taste for them. When she was first introduced into the polite circle, she danced with an officer, whom she faintly wished to be united to; but her father soon after recommending another in a more distinguished rank of life, she readily submitted to his will, and promised to love, honour, and obey, (a vicious fool, ) as in duty bound
Susan's boyfriend of six months, Jim, is a Catholic and her parents haven't yet found out. Jim has said all along that their romance is doomed and she must understand this - but, in fact, neither can bear not to see each other. Finally, Jim realises Susan is angling for a marriage proposal and he knows he must end their relationship. Susan is distraught and ends up being comforted (too much so!) by her sister Alison's current boyfriend, Graham, resulting in a pregnancy. Susan flees to her aunt in Darlington in shame, but has to return to Belfast when her mother has a stroke and Graham is in a car accident. Susan gives birth to a beautiful son but still refuses to tell anyone who the father is. And there are now three men in her life - Jim, who doesn't want to be the stepfather of someone else's son; Graham, who believes he is the father and who loves Susan and believes she loves him; and Donald, a man she met in Darlington...
Rio de Janeiro in the first half of the nineteenth century had the largest population of urban slaves in the Americas—primary contributors to the atmosphere and vitality of the city. Although most urban historians have ignored these inhabitants of Rio, Mary Karasch's generously illustrated study provides a comprehensive description and analysis of the city's rich Afro-Cariocan culture, including its folklore, its songs, and accounts of its oral history. Professor Karasch's investigation of the origins of Rio's slaves demonstrates the importance of the "Central Africaness" of the slave population to an understanding of its culture. Challenging the thesis of the comparative mildness of the Brazilian slave system, other chapters discuss the marketing of Africans in the Valongo, the principal slave market, and the causes of early slave mortality, including the single greatest killer, tuberculosis. Also examined in detail are adaptation and resistance to slavery, occupations and roles of slaves in an urban economy, and art, religion, and associational life. Mary C. Karasch is Associate Professor of History at Oakland University in Rochester, Michigan. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Most works on media developments and Christianity approach the subject from the perspective of the implications of new media technologies for traditional Christian practices or how churches can use new media to further their goals. The common framework of analysis is a 'given reality' of traditional institutional Christianity and how it interacts with, affects and is affected by media. Media are treated as a separate cultural reality. This book presents, in an accessible form, the new directions that approach the interaction of media and religion from a cultural perspective, and illustrates these new directions by a number of international and intercultural case studies and explorations. Looking at how global media are constructing cultural forms, structures and processes, the authors show how these have become the life out of which individual and social meaning is created and practised. Examining how individuals create religious meaning by interacting with media of various kinds, crossing boundaries of traditional religious cultures and contemporary media cultures, this book reveals how Christian institutions are also defined in the process of living culturally within their broader media context.
First published in 1875 and read by more than eight million people, this nondenominational book has a 119-year history of healing and inspiration. To attract a new audience, this time-honored message of healing has a powerful new cover, easy-to-read page layout, and word index. Named one of "75 Books by Women Whose Words Have Changed the World".
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