A hidden history of the South emerges when a worldly teacher leads Threestep, GA, to reinvent itself, setting in motion events that lead to triumph and tragedy for the black teenager who happens to be the smartest person in Piedmont County, Georgia, in 1938–39. As an epigraph from The Souls of Black Folk by W. E. B. Du Bois reminds us at the start of this novel, "Throughout history, the powers of single black men flash here and there like falling stars, and die sometimes before the world has rightly gauged their brightness." Protagonist Theo Boykin is a genius, an artist, an inventor, a Leonardo DaVinci–type, whose talents are sought after by local blacks and whites alike, but even this is not enough to save him. He falls victim to "the tragedy of ignorance and the damage caused by fear," in the words of poet Rita Dove—the first African American to serve as U.S. Poet Laureate and a member of the jury that conferred on The Cailiffs of Baghdad, Georgia the 2011 Anisfield-Wolf Award for books that "make a significant contribution to our understanding of racism and our appreciation for the diversity of human cultures." You won't forget Theo Boykin, nor will you forget his friends the Cailiffs, especially Gladys, who tells this story with love and bewilderment, and the teacher, Miss Spivey, who changes all their lives.
Abbys Answers continues to follow the everyday challenges and delights of Abby, Daisy, and the many colorful individuals who reside in rural Fairfield, New Hampshire. Mystery, romance, and adventure abound in this sequel to the novel, Daisys Dreams. Several new characters join the cast of familiar faces, as secrets are uncovered and love blossoms in the mid-1800s. When the beloved young minister of the community begins to act strangely, questions arise. Suspicions mount further at the discovery of his untimely disappearance. Amid the scandal, hope emerges. Will it last, or will it simply crumble under the pressure of new challenges? Will the Hunter and Browning families seemingly unshakeable faith withstand the onslaught of life-changing trials? An unsolved mystery is gradually unearthed, leading many to venture outside the comfortable borders of Fairfield to find answers. Can life ever remain the same, or will these answers change everything? Through the joys and heartaches, can the characters discover Gods amazing plan for the town?
Founded by Quakers in the late eighteenth century, Jamestown, North Carolina, has a rich heritage that distinguishes it from many neighboring Southern communities. From General Cornwallis in the waning years of the American Revolution to the flight of Jefferson Davis from the Confederate capital at Richmond with Union forces at his heels, history has not passed Jamestown by. The town has seen gold mines and gunsmiths, a forgotten school and a cotton mill from 1865 thats still spinning. Join local historian Mary A. Browning as she relates these short tales from the towns colorful past, drawn from her column in the Greensboro News & Record.
Oakdale Cotton Mills, in continuous operation in rural Jamestown since 1865, began as Logan Manufacturing Company immediately after the Civil War. Its primary backer, Cyrus P. Mendenhall, was a descendant of Jamestown's early Quaker settler James Mendenhall. In the late 1880s, the mill's ownership moved to the Ragsdale family, which still owns it five generations later. Oakdale's mill village dates from the same period. Some families have lived and worked at Oakdale for multiple generations, developing a culture based on mutual trust and respect. As the mill struggles to compete with overseas products and as the number of employees dwindles, it is clear that a way of life and an industrial era are ending.
Published in 1998, Ladies in the Laboratory provided a systematic survey and comparison of the work of 19th-century American and British women in scientific research. A companion volume, published in 2004, focused on women scientists from Western Europe. In this third volume, author Mary R.S. Creese expands her scope to include the contributions of 19th- and early 20th-century women of South Africa, Australia, New Zealand, and Canada. The women whose lives and work are discussed here range from natural history collectors and scientific illustrators of the early and mid years of the 19th century to the first generation of graduates of the new colonial colleges and universities. Rarely acknowledged in publications of the British and European specialists, the contributions of these women nonetheless formed a significant part of the natural history information about extensive, previously unknown regions and their products. Rather than a biographical dictionary or a collection of self-contained essays on individuals from many time periods, Ladies in the Laboratory III is a connected narrative tied into the wider framework of 19th-century science and education. A well-organized blend of individual life stories and quantitative information, this volume is for everyone interested in the story of women's participation in 19th century science. The stories of these women make for fascinating reading and serve as a valuable source for the student of women's and colonial history.
This volume explores how art and artifacts can tell women’s stories of war—a critical way into these stories, often hidden due to the second-tier status of reporting women’s accomplishments. This unique lens reveals personal, cultural, and historically noteworthy experiences often not found in records, manuscripts, and texts. Nine stories from history are examined, from the mythical Amazons of Ancient Greece to a female prisoner of war during World War II. Each of the social, political, and battlefield experiences of Penthesilea, Artemisia, Boudica, the feminine cavaliers, the Dahomey Amazons, suffragists, World War I medical corps, and a World War II prisoner of war are intertwined with a particular work of art or an artifact. These include pottery, iconographic images, public sculpture, stone engraving, clothing, decorative arts, paintings, and pulp art. While each story stands alone, brought together in this volume they represent a cross-sectional reflection on the record of women and war. The chapters cover not only a diverse range of women from around the globe - the African continent, the Hispanic territory of Europe, Carian and Ancient Greece and Rome, Iran, Great Britain-Scotland-ancient Caledonia, Western Europe, and North America—but also a diverse choice of artwork and artifacts, eras, and the nature of the wars being fought. This book will be of value to those interested in gender across history and its interplay in the field of war.
Spirited and insightful essays from the #1 New York Times–bestselling author of Memories of a Catholic Girlhood and a “delightfully polished writer” (The Atlantic Monthly). Whether penning criticism, memoir, or fiction, the New York Times–bestselling author of The Group invariably wrote with “an icily honest eye and a glacial wit” (The New York Times). Gathered here are three collections of her personal essays and literary criticism. Occasional Prose: McCarthy imbues this collection with her unique gifts of clear-eyed observation, sharp insight, and heartfelt passion as she gives us the story of La Traviata in her own words, reviews a charming and practical book on gardening, revisits Tolstoy’s Anna Karenina, and eulogizes friends, including Hannah Arendt. “Bracing opinions tartly expressed . . . May she continue to call us all to attention . . . showing us the world of her imagination, thought and rich experience.” —The New York Times The Writing on the Wall: With engaging and thought-provoking essays on Madame Bovary, Macbeth, Vladimir Nabokov, George Orwell, William S. Burroughs, J. D. Salinger, and Hannah Arendt, this collection of literary reactions is distinguished by McCarthy’s savage intelligence, clarity of thought, and utter lack of pretension. “The brand name tells all. Potential readers do not have to be informed by me of the excellence of this volume—the acumen, intelligence, clarity, wit and lack of bitchiness.” —Anthony Burgess, The New York Times Ideas and the Novel: In this lively, erudite book, McCarthy throws down the gauntlet: Why did the nineteenth century produce novels of ideas while the twentieth century is so lacking in serious fiction? Could Henry James be a big part of the problem? With verve and passion, McCarthy provides a critique of how the novel has evolved—or not—in the last century. “[McCarthy’s] writing is spirited. [Her] musings serve a larger purpose, make a grander statement, or rather, indictment. She means to set the modern novel apart.” —The Harvard Crimson
Stange and Oyster (religion and women's studies, Skidmore College and psychology, U. of Wisconsin-LaCrosse, respectively) describe their personal relationships to guns, express appreciation for the beauty and skill of shooting, and excoriate the hyperbole on either side of the debate over guns. While asserting the feminist aspects of gun ownership in slightly more nuanced terms than usual, the volume is perhaps too dependent on anecdote to answer the philosophical, psychological, and political questions it engages. Annotation copyrighted by Book News Inc., Portland, OR
DIVDIVFrom Madame Bovary to Macbeth, this collection by Mary McCarthy offers surprising revelations about some of the world’s most beloved works/divDIV Shakespeare, Nabokov, Orwell, and Burroughs are just a few of the literary immortals featured in this engaging and thought-provoking volume./divDIV In one remarkable essay, McCarthy provides a lively discourse on the true nature of evil in Shakespeare’s plays. Focusing on the character of Macbeth, she reveals why Lady Macbeth, who has to “unsex herself” and “wear the pants,” is the more human of the two. She tells us why the often-overlooked character of Madame Bovary’s husband, Charles, is the true hero, and not Emma Bovary, whom Flaubert once famously said was himself. Also included here is McCarthy’s impassioned defense of Hannah Arendt’s controversial book Eichmann in Jerusalem, as well as a discussion of the reactionary leftist writers, and a look at why J. D. Salinger was the obvious successor to Hemingway./divDIV Distinguished by McCarthy’s savage intelligence, clarity of thought, and utter lack of pretension, The Writing on the Wall is a timeless gem from an author who reveres the written word./divDIV This ebook features an illustrated biography of Mary McCarthy including rare images from the author’s estate./div/div
Follow in the footsteps of history to discover the hidden places, extraordinary people, and captivating stories of Paris. Paris: Secret Gardens, Hidden Places, and Stories of the City of Light, Mary McAuliffe’s multilayered exploration of Paris, weaves a narrative that takes the reader into secret and hidden places, even in the midst of the most well-known Paris destinations. McAuliffe’s hidden places can be small but are always revealing, whether a bas-relief on an ignored corner of Notre-Dame or an overlooked courtyard inside an ancient and busy hospital. She takes the reader below the streets and sidewalks of Paris to discover ancient aqueducts and a lost river, and she prompts the reader to notice overlooked treasures in the most trafficked of museums. Always, McAuliffe’s focus is on people and their stories. Evil queens, designing noblemen, bold chevaliers, and desperate lovers mingle with Resistance fighters and obsessed artists rising out of abject poverty into unexpected fame and fortune, adding to the tidal wave of creativity that is the lifeblood of the City of Light. One person, place, and story lead to another, each linked by a common thread within the layered richness of Paris’s past. The story of Paris is not a chronology but an exploration of the many layers of this remarkable city throughout the ages.
A collection that shows Freeman's many modes - romantic, gothic, and psychologically symbolic - as well as her use of pathos and sentimentality, humour, satire and irony. These stories centre on questions of women's integrity, courage and privation; explore the idea of masculinity; and dramatise the relationship between rural New England and modern culture and commerce. Also included here is 'The Jamesons', a series of sketches about village life reprinted for the first time since the turn of the 20th century. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
First published in 2003, this book examines the creative partnership of Elizabeth Barrett and Robert Browning, and provides a critical analysis of the poems written by this famous couple during the 16 year period of their friendship, courtship and marriage. Even quite early in their relationship, the Brownings shared a frame of reference: similar themes, narrative structures, and details of phrasing resonate in their works and suggest dialogue, rather than merely mutual influence. Pollock traces parallels between the Brownings' lives and works even before they met, and then throughout their courtship and married life, suggesting that their creative dialogue continued after Barrett Browning died in 1861, as her presence and themes continued to inform Browning's poetry for at least a decade afterward.
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