Mary Robinson’s work has begun again to assume a central place in discussions of Romanticism. A writer of the 1790’s—a decade which saw the birth of Romanticism, revolution, and enormous popular engagement with political ideas—Robinson was acknowledged in her time as a leading poet. Her writing exhibits great variety: charm, theatricality, and emotional resonance are all characteristics Robinson displays. She was by turns a poet of sensibility, a poet of popular culture, a chronicler of the major events of the time, and a participant in some of its chief aesthetic innovations. This long-awaited collection is the first critical edition of her poems.
The English actress, poet and society beauty of the late eighteenth century, Mary Robinson was known as “the English Sappho” and earned her nickname “Perdita” for her celebrated role as the heroine of Shakespeare’s ‘The Winter’s Tale’. Robinson’s work has in more recent times received critical attention, recognising her importance in the development of Romanticism. In her day, she was acknowledged as a leading poet and her verses demonstrate wit, charm, theatricality and emotional resonance. A poet of sensibility, as well as of popular culture, Robinson wrote poems that chronicle the major events of her time, employing aesthetic innovations. The Delphi Poets Series offers readers the works of literature’s finest poets, with superior formatting. This volume presents Robinson’s collected poetical works, with related illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Robinson’s life and works * Concise introduction to Robinson’s life and poetry * Many rare poems appearing in digital print for the first time, including ‘Captivity’, the poem Robinson wrote after her experiences in a debtors’ prison * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes Robinson’s protofeminist essay ‘A Letter to the Women of England’ * Features the poet’s memoir - discover Robinson’s intriguing life * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to see our wide range of poet titles CONTENTS: The Life and Poetry of Mary Robinson Brief Introduction: Mary Robinson by John Joseph Knight Poems, 1775 Captivity: A Poem; and, Celadon and Lydia: A Tale Poems, 1791 Sight, the Cavern of Woe, and Solitude Monody to the Memory of the Late Queen of France Sappho and Phaon Lyrical Tales The Wild Wreath The Poems List of Poems in Chronological Order List of Poems in Alphabetical Order The Non-Fiction A Letter to the Women of England, on the Injustice of Mental Subordination The Memoir Mrs. Mary Robinson, Written by Herself Please visit www.delphiclassics.com to browse through our range of poetry titles or buy the entire Delphi Poets Series as a Super Set
Mary Robinson’s A Letter to the Women of England (1799) is a radical response to the rampant anti-feminist sentiment of the late 1790s. In this work, Robinson encourages her female contemporaries to throw off the “glittering shackles” of custom and to claim their rightful places as the social and intellectual equals of men. Separately published in the same year, Robinson’s novel The Natural Daughter follows the story of Martha Morley, who defies her husband’s authority, adopts a found infant, is barred from her husband’s estate and is driven to seek work as an actress and author. The novel implicitly links and critiques domestic tyrants in England and Jacobin tyrants in France. This edition also includes: other writings by Mary Robinson (tributes, and an excerpt from The Progress of Liberty); writings by contemporaries on women, society, and revolution; and contemporary reviews of both works.
This timely anthology offers a broad selection of critical texts - introductions, prefaces, periodical essays, literary reviews - written by women of the Romantic era. The collection offers fuel for some of the most topical debates in British Romantic period studies including professionalism, nationalism and the literary canon.
Walsingham is both a lively story and a commentary by Mary Robinson on her society’s constraints upon women. The novel follows the lives of two main characters, Walsingham Ainsforth and his cousin, Sir Sidney Aubrey, a girl who is passed off as a son by her mother so that she will become the family heir. Sidney, educated in France, returns to England as an adult and persistently sabotages Walsingham’s love interests (having secretly fallen in love with him herself). Eventually, Sidney reveals her identity, and she and Walsingham declare their mutual love, wed, and share the family’s estate. This Broadview edition includes a rich selection of primary sources material including contemporary reviews; historical and literary accounts of eighteenth-century female cross-dressers; and selections from contemporary works that focus on the figure of the "fallen" woman.
In eighteenth-century France, the ability to lose oneself in a character or scene marked both great artists and ideal spectators. Yet it was thought this same passionate enthusiasm, if taken to unreasonable extremes, could also lead to sexual deviance, mental illness—even death. Women and artists were seen as especially susceptible to these negative consequences of creative enthusiasm, and women artists, doubly so. Mary D. Sheriff uses these very different visions of enthusiasm to explore the complex interrelationships among creativity, sexuality, the body and the mind in eighteenth-century France. Drawing on evidence from the visual arts, literature, philosophy, and medicine, she portrays the deviance ascribed to both inspired men and women. But while various mythologies worked to normalize deviance in male artists, women had no justification for their deviance. For instance, the mythical sculptor Pygmalion was cured of an abnormal love for his statue through the making of art. He became a model for creative artists, living happily with his statue come to life. No happy endings, though, were imagined for such inspired women writers as Sappho and Heloise, who burned with erotomania their art could not quench. Even so, Sheriff demonstrates, the perceived connections among sexuality, creativity, and disease also opened artistic opportunities for creative women took full advantage of them. Brilliantly reassessing the links between sexuality and creativity, artistic genius and madness, passion and reason, Moved by Love will profoundly reshape our view of eighteenth- century French culture.
The denial of equal educational opportunities to women is arguably one of the great injustices in British history. In Willingly to School, Mary Cathcart Borer charts the gradual reversal of this inequality, and the revolutionary effect it has had on social structures, from the Anglo-Saxons to the twentieth century. Always mindful of the historical context of each period, Borer explores the significant early role of the church, the opportunities afforded to royal and noble girls, the origins of the various forms of privately and charitably funded school, and the emergence of the modern school system. Along the way, particular significant institutions and individuals such as Christ’s Hospital, Cheltenham Ladies College, the Brontë sisters and Fanny Burney are examined in depth. Writing in 1975, Borer described the mid-twentieth century as having ‘seen the culmination of women’s demands for full equality in society’. While the intervening years have shown that there is still much work to be done in the pursuit of equality, Borer’s analysis of the progress that has been made in women’s education remains as pertinent as ever.
In November of 1795, after William Godwin requested a sketch of Mary Hays’ life, she arrived at the idea of Memoirs of Emma Courtney. Godwin followed up his request with a “hint” that a fictional exploration of the painful experience she had undergone in her relationship with William Frend might help her to come to terms with it. It was to be an “instructive rather than self indulgent” work. The resulting novel is one of the most interesting and important explorations of gender-related issues of the time. Emma is exposed to a series of situations—motherlessness, orphanhood, poverty, dependence, and more—which encourage her to reflect “on the inequalities of society, the source of every misery and vice, and on the peculiar disadvanteges of my sex.” The novel quickly became viewed as “a scandalous disrobing in public” but it has endured as much on the basis of its readability as on its pointed social commentary.
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