The moral of my story: A Tulip is like a child You plant the bulb, nurture it and expose it to sunshine and life. Shower it with Love and watchIt Will Bloom. . .
Beginning with Aristotle and the Greeks and ending with semiotics and post-structuralism, Theories of the Theatre is the first comprehensive survey of Western dramatic theory. In this expanded edition the author has updated the book and added a new concluding chapter that focuses on theoretical developments since 1980, emphasizing the impact of feminist theory.
Pablo Adalberto Ortiz Quiñones (1914–2002) was one of the most gifted writers in Ecuador and all of Latin America. Yet outside of Ecuador and amongst Afro-Hispanic literature scholars in the United States, little critical attention has been given to this pioneer whose multi-genre contributions spanned decades. In his writings, Ortiz explores some of the defining social issues in the Americas since the African and European encounters with the New World, including the notion of “race.” He articulates a complex process of affirming the ethnic while not denying the national. Consequently, miscegenation—a biological process—as well as acculturation are motifs in his writings, which explore the essence of what it means to be Ecuadorian. Ortiz does not dwell upon the so-called “race” question, the issue that causes such anxiety and hostility, overtly and covertly, in the United States. Rather, he explores, in depth, ethnicity, class, and caste in his earlier writings and evolves into an international writer while maintaining a strong black awareness. Adalberto Ortiz’s transcendence of victimization to a broader view of the world is indicative of the title of Marvin A. Lewis’ analysis —from margin to center—and reflective of the approach taken by many Afro-Hispanic writers. The dialectical nature of Ortiz’s writings makes his work particularly interesting and rewarding, as revealed in Adalberto Ortiz: From Margin to Center. In this book, Lewis examines the form and content relationships between works published during different literary periods and movements. Emphasis is placed on Ortiz’s transition from the local to the international in each genre, and the theoretical approach is “eclectic,” depending upon the exigencies of the texts. Ecocriticism, post-colonialism, post-modernism, and other methodologies addressing the environment, place/displacement, identity, and historiographic metafiction are fundamental to the Lewis’ readings of Ortiz’s prose and poetry.
The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship. Overview of Commentary Organization Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology. Each section of the commentary includes: Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope. Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English. Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation. Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here. Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research. Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues. General Bibliography—occurring at the end of each volume, this extensive bibliographycontains all sources used anywhere in the commentary.
The first conference on concomitant infusion chemotherapy and radia tion therapy was organized with the intention of bringing together some of the investigators who have tested, during the last few years, the hypo thesis that continuous infusion chemotherapy could modulate the cytotoxic effect of radiation therapy to the point of having a strongly additive, if not synergistic activity on certain malignant tumors. This volume represents the detailed proceedings of this conference presented in a way that offers the reader a review of the on-going re search in the field. We have stressed a number of subjects from basic biologic research and influence of cell kinetics to the practical methods of drug delivery systems and early clinical experiences. The rationale for this new type of combined modality therapy has been presented by some of its pioneers. Early clinical investigations as well as the preliminary data of many that have not yet completely matured have also been included. The reader should look at these data with some reser vations. Ultimately, these results must be confirmed by larger prospective randomized studies with proper controls before becoming accepted as the treatment of choice in locally advanced tumors.
Advances in Computers covers new developments in computer technology. Most chapters present an overview of a current subfield within computer science, with many citations, and often include new developments in the field by the authors of the individual chapters. Topics include hardware, software, theoretical underpinnings of computing, and novel applications of computers. This current volume emphasizes architectural issues in the design of new hardware and software system. An architectural design evaluation process is described that allows developers to make sure that their source programs adhere to the architectural design of the specifications. This greatly aids in the maintenance of the system. Telecommunications issues are covered from the impact of new technology to security of wireless systems. Quantum computing, an exciting development that may greatly increase the speed of present computers, is described. The book series is a valuable addition to university courses that emphasize the topics under discussion in that particular volume as well as belonging on the bookshelf of industrial practitioners who need to implement many of the technologies that are described. In-depth surveys and tutorials on new computer technology Well-known authors and researchers in the field Extensive bibliographies with most chapters All chapters discuss aspects of architectural design of new hardware and software Quantum computing is an exciting new prospect for future machine design
Isaiah 1 -39, by Marvin A. Sweeney, is volume XVI of The Forms of the Old Testament Literature, a series that aims to present a form- critical analysis of every book and each unit in the Hebrew Bible. Fundamentally exegetical, the FOTL volumes examine the structure, genre, setting, and intention of the biblical literature in question. They also study the history behind the form-critical discussion of the material, attempt to bring consistency to the terminology for the genres and formulas of the biblical literature, and expose the exegetical procedure so as to enable students and pastors to engage in their own anlysis and interpretation of the Old Testament texts.
Inorganic Phosphors: Compositions, Preparation and Optical Properties addresses practical and theoretical aspects of inorganic phosphors used in lighting and display applications. Authors Yen and Weber present the synthesis of phosphors in a ...cookbook... style that features nearly 300 ...recipes... using the most up-to-date guidelines and methods
Long awaited 3rd edition of a classic. Over 1,900 illustrations. Written by surgeons for surgeons. All chapters have been revised and updated to reflect the advances in fracture care.
Spanish filmmaker Carlos Saura, who began his career under the censorship of Franco's regime, has forged an international reputation for his unique cinematic treatment of emotional and spiritual responses to repressive political conditions. In films such as Carmen and El Dorado, where reality and fantasy are deliberately fused together, Saura reveals the illusions of Franco's mythologized Spain--a chaste, Catholic, and heroic Spain of the Golden Age--that tend to isolate Spaniards from the rest of Europe, from each other, and from their own individuality. In this first English-language book on Saura, Marvin D'Lugo looks at the social and artistic forces behind this film auteur's highly personal cinema. Tracing Saura's career over three decades, D'Lugo discusses each work from Hooligans (1959), a realist film about a Madrid street-gang member trying to become a bullfighter, to The Dark Night (1989), a film dealing with the persecution of the religious reformer St. John of the Cross in the late sixteenth century. Throughout he argues that Saura's cinematic style results from a highly original response to the political and historical constraints of Spanish culture. D'Lugo shows how in order to explore the complex cultural politics of "Spanishness" as it was institutionalized under Franco, Saura frames his narrations through the eyes of characters who question the forces that shape personal and collective identity. Moving beyond the limits of traditional auteur studies, this book addresses the relationship between the filmmaker and the cultural ideology that historically has thwarted and manipulated the expressions of individuality in Spanish society.
Perhaps the best-known Spanish filmmaker to international audiences, Pedro Almodóvar gained the widespread attention of English-speaking critics and fans with the Oscar-nominated Women on the Verge of a Nervous Breakdown and the celebrated dark comedy Tie Me Up! Tie Me Down!. Marvin D'Lugo offers a concise, informed, and insightful commentary on a preeminent force in modern cinema. D'Lugo follows Almodóvar's career chronologically, tracing the director's works and their increasing complexity in terms of theme and the Spanish film tradition. Drawing on a wide range of critical sources, D'Lugo explores Almodóvar's use of melodrama and Hollywood genre film, his self-invention as a filmmaker, and his on-screen sexual politics. D'Lugo also discusses what he calls "geocultural positioning," that is, Almodóvar's paradoxical ability to use his marginal positions—in terms of his class, geographical origin, and identity—to develop an expressive language that is emotionally recognizable by audiences worldwide. Two fascinating interviews with the director round out the volume. An exciting consideration of an arthouse giant, Pedro Almodóvar mixes original interpretations into an analysis sure to reward film students and specialists alike.
This guide to Spanish film documents the film industry's interpretation of the isolating effects of the cultural traditionalism of the early twentieth century to the expanding international popularity of such films as Trueba's Belle Epoque, Aranda's Amantes, and Bigas Luna's Jamón, Jamón, and such actors as Victoria Abril, Carmen Maura, and Antonio Banderas. This is the first volume in a new Greenwood series that discusses, historically and critically, films, directors, and actors in film industries throughout the world. Each volume will include a detailed historical introduction and will provide an in-depth treatment of the most important films and individuals involved in the industry. End-of-entry bibliographies provide sources for further reading and appendixes provide additional useful information. The Guides will be valuable to scholars, students, and film buffs. Spanish cinema is in many ways a microcosm of the tensions and conflicts that have shaped the evolution of the nation over the course of this century. Spanish film as a cultural institution is rarely divorced from the political and social currents that have shaped the larger Spanish culture torn as it was between tendencies of localism and internationalism. It languished in industrial and artistic underdevelopment for many years under Franco; it is now, however, experiencing international recognition while remaining rooted in the specificity of its own popular cultural styles.
The Seventeenth Century Hebrew Book covers the gamut of Hebrew literature in that century. Each entry has a descriptive text page and an accompaning reproduction. There is an extensive introduction with an overview of Hebrew printing in the seventeenth century.
The moral of my story: A Tulip is like a child You plant the bulb, nurture it and expose it to sunshine and life. Shower it with Love and watchIt Will Bloom. . .
Speaking in Tongues presents a unique account of how language has been employed in the theatre, not simply as a means of communication but also as a stylistic and formal device, and for a number of cultural and political operations. The use of multiple languages in the contemporary theatre is in part a reflection of a more globalized culture, but it also calls attention to how the mixing of language has always been an important part of the functioning of theatre. The book begins by investigating various "levels" of language-high and low style, prose and poetry-and the ways in which these have been used historically to mark social positions and relationships. It next considers some of the political and historical implications of dialogue theatre, as well as theatre that literally employs several languages, from classical Greek examples to the postmodern era. Carlson treats with special attention the theatre of the postcolonial world, and especially the triangulation of the local language, the national language, and the colonial language, drawing on examples of theatre in the Caribbean, Africa, Australia, and New Zealand. Finally, Carlson considers the layering of languages in the theatre, such as the use of supertitles or simultaneous signing. Speaking in Tongues draws important social and political conclusions about the role of language in cultural power, making a vital contribution to the fields of theatre and performance. Marvin Carlson is Sidney E. Cohn Professor of Theatre and Comparative Literature, CUNY Graduate Center. He is author of Performance: A Critical Introduction; Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present; and The Haunted Stage: The Theatre as Memory Machine, among many other books.
A time-tested, systematic approach to the buying and selling of complex research instruments Searching for the best laboratory instruments and systems can be a daunting and expensive task. A poorly selected instrument can dramatically affect results produced and indirectly affect research papers, the quality of student training, and an investigator's chances for advancement. Buying and Selling Laboratory Instruments offers the valuable insights of an analytical chemist and consultant with over four decades of experience in locating instruments based upon both need and price. It helps all decision makers find the best equipment, service, and support while avoiding the brand-loyalty bias of sales representatives so you can fully meet your laboratory's requirements. The first section of the book guides buyers through the hurdles of funding, purchasing, and acquiring best-fit instruments at the least-expensive price. It explains how to find vendors that support their customers with both knowledgeable service and application support. Also offered is guidance on adapting your existing instruments to new applications, integrating new equipment, and what to do with instruments that can no longer serve in research mode. The second section explains the sales process in detail. This is provided both as a warning against manipulative sales reps and as a guide to making the sale a win-win process for you and your vendor. It also shows you how to select a knowledgeable technical guru to help determine the exact system configuration you need and where to find the best price for it. Added bonuses are summary figures of buying sequence and sales tools and an appendix containing frequently asked questions and memory aids. Buying and Selling Laboratory Instruments is for people directly involved in selecting and buying instruments for operational laboratories, from the principle investigator to the person actually delegated with investigating and selecting the system to be acquired. Sales representatives; laboratory managers; universities; pharmaceutical, biotech, and forensic research firms; corporate laboratories; graduate and postdoctoral students; and principle investigators will not want to be without this indispensible guide.
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