Living Folklore is a comprehensive, straightforward introduction to folklore as it is lived, shared and practiced in contemporary settings. Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation—from the field's history and major terms to theories and interpretive approaches. Living Folklore moves beyond genres and classifications, and encourages students who are new to the field to see the study of folklore as a unique approach to understanding people, communities, and day-to-day artistic communication. This revised edition incorporates new examples, research, and theory along with added discussion of digital and online folklore.
Living Folklore is a comprehensive, straightforward introduction to folklore as it is lived, shared and practiced in contemporary settings. Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation—from the field's history and major terms to theories and interpretive approaches. Living Folklore moves beyond genres and classifications, and encourages students who are new to the field to see the study of folklore as a unique approach to understanding people, communities, and day-to-day artistic communication. This revised edition incorporates new examples, research, and theory along with added discussion of digital and online folklore.
Emerging as the dark side of Romanticism, horror is one of literature’s oldest genres. Its history is so diverse it’s sometimes difficult to define. Are moody stories about ghosts and vampires related to gory tales of beasts and zombies? And what about the more realistic terrors of murderous rogues and diabolical doctors? The emotion of fear unifies the 14 stories in First Came Fear: New Tales of Horror. But fear is legion in its varieties. The authors skillfully navigate terror of all types. M.P. Diederich’s “Dressage for Beginners” and Christopher Calix’s “The Wedding Gift” are fine examples of the ghoulish humor tradition while J.P. Whitmer’s “Loved to Death” will frighten you in a stunningly visceral way. Oliver Ledesma’s “Atabey” and Samantha Pilecki’s “Roser and the Guide to the Inexplicable” impart fear through non-traditional storytelling and Sarah K. Stephens’ “The Factory” shows how effectively, and chillingly, horror can tackle social issues. All the stories are accompanied by Luke Spooner’s dramatic art, which combines Gothic macabre with echoes of classic horror illustration. The entire collection will have you gripping the edge of your seat or biting your fingernails, yet leave you longing for more!
Living Folklore is a comprehensive, straightforward introduction to folklore as it is lived, shared and practiced in contemporary settings. Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation—from the field's history and major terms to theories and interpretive approaches. Living Folklore moves beyond genres and classifications, and encourages students who are new to the field to see the study of folklore as a unique approach to understanding people, communities, and day-to-day artistic communication. This revised edition incorporates new examples, research, and theory along with added discussion of digital and online folklore.
Living Folklore is a comprehensive, straightforward introduction to folklore as it is lived, shared and practiced in contemporary settings. Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation—from the field's history and major terms to theories and interpretive approaches. Living Folklore moves beyond genres and classifications, and encourages students who are new to the field to see the study of folklore as a unique approach to understanding people, communities, and day-to-day artistic communication. This revised edition incorporates new examples, research, and theory along with added discussion of digital and online folklore.
Emerging as the dark side of Romanticism, horror is one of literature’s oldest genres. Its history is so diverse it’s sometimes difficult to define. Are moody stories about ghosts and vampires related to gory tales of beasts and zombies? And what about the more realistic terrors of murderous rogues and diabolical doctors? The emotion of fear unifies the 14 stories in First Came Fear: New Tales of Horror. But fear is legion in its varieties. The authors skillfully navigate terror of all types. M.P. Diederich’s “Dressage for Beginners” and Christopher Calix’s “The Wedding Gift” are fine examples of the ghoulish humor tradition while J.P. Whitmer’s “Loved to Death” will frighten you in a stunningly visceral way. Oliver Ledesma’s “Atabey” and Samantha Pilecki’s “Roser and the Guide to the Inexplicable” impart fear through non-traditional storytelling and Sarah K. Stephens’ “The Factory” shows how effectively, and chillingly, horror can tackle social issues. All the stories are accompanied by Luke Spooner’s dramatic art, which combines Gothic macabre with echoes of classic horror illustration. The entire collection will have you gripping the edge of your seat or biting your fingernails, yet leave you longing for more!
In this wide-reaching and comprehensive book psychologist Martine F. Delfos provides practical guidance on the diagnosis, support and treatment of a variety of childhood behavioural problems, including anxiety problems, aggression, depression and ADHD. Presenting a useful and compelling model of the interplay of environment, disposition and central nervous system development, Delfos shows how differences in brain structure between the sexes may have a part to play in behavioural problems in children and adolescents. Children and Behavioural Problems is an essential resource for teachers, psychologists, social workers and other professionals working with children, as well as for parents seeking to support their children with special needs throughout their development.
This paper assesses the impact of different types of flexible fiscal rules on the procyclicality of fiscal policy with propensity scores-matching techniques, thus mitigating traditional self-selection problems. It finds that not all fiscal rules have the same impact: the design matters. Specifically, investment-friendly rules reduce the procyclicality of both overall and investment spending. The effect appears stronger in bad times and when the rule is enacted at the national level. The introduction of escape clauses in fiscal rules does not seem to affect the cyclical stance of public spending. The inclusion of cyclical adjustment features in spending rules yields broadly similar results. The results are mixed for cyclically-adjusted budget balance rules: enacting the latter is associated with countercyclical movements in overall spending, but with procyclical changes in investment spending. Structural factors, such as past debt, the level of development, the volatility of terms of trade, natural resources endowment, government stability, and the legal enforcement and monitoring arrangements backing the rule also influence the link between fiscal rules and countercyclicality. The results are robust to a wide set of alternative specifications.
The Edinburgh Festival of those days was a much more accessible village... The ground rules were well enough understood. Everything about it was containable. The Fringe was the seed bed for talent and ran happily in step with its established elders and betters. They both knew their place. But then something equally remarkable was about to take place in the New Town of the city I knew and loved... The same year, Roddy Martine is born. In 1963 when, at the age of sixteen, he interviewed Sir Yehudi Menuhin and David Frost for an Edinburgh Festival magazine he edited and the following year, met Marlene Dietrich. Both Richard and Roddy have unique perspectives on the most remarkable international festival of the arts the world has ever known. They have witnessed its evolution over the years and are passionate believers in the power of creativity within everyone. In this fascinating book, Richard – the 2013 UK recipient of the Citizen of Europe medal – explores the original world vision of Sir John Falconer and Rudolph Bing and, with Roddy, recalls the highs and lows of The Edinburgh International Festival, The Fringe, Art, Book, Jazz and Television Festivals, and The Royal Edinburgh Military Tattoo. Now in its eighth decade, can the Edinburgh Festival survive? Where do we go from here?
Winner of the 2021 BPS Book Award: Academic Text category, this groundbreaking book employs a transdisciplinary and poststructuralist methodology to develop the concept of ‘postfeminist healthism,’ a twenty-first-century understanding of women’s physical and mental health formed at the intersections of postfeminist sensibilities, neoliberal constructs of citizenship and the notion of health as an individual responsibility managed through consumption. Postfeminist healthism is used in this book to explore seven topics where postfeminist sensibility has the most impact on women’s health: self-help, weight, surgical technologies, sex, pregnancy, responsibilities for others’ health and pro-anorexia communities. The book explores the ways in which the desire to be normal and live a good life is tied to expectations of ‘normal-perfection’ circulated across interpersonal interactions, media representations and expert discourses. It diagnoses postfeminist healthism as unhealthy for both those women who participate in it and those whom it excludes and considers how more positive directions may emerge. By exploring the under-researched intersection of postfeminism and health studies, this book will be invaluable to researchers and students in psychology, gender and women’s studies, health research, media studies and sociology.
Scotland's greatest gift to the world has been itself, its culture, its creativity, the extraordinary ability of its people to integrate and celebrate what truly matters in global terms, friendship and decency. Add in our greatest export, Scotch whisky; our iconic clan and family tartans; our golf courses and musical traditions, and you have an identity that is instantly recognisable and internationally respected and loved. Wear a kilt in Manhattan or Paris and you make friends for life. Art, culture and history circulate the lives of Richard Demarco and Roddy Martine. This compelling sequel to Demarco's Edinburgh battles for the soul of Scotland, tracing its roots from ancient pilgrimage routes to modern-day artistic endeavours. Richard Demarco's personal odyssey, from his encounter with Terry Newman and Southampton College of Art to his profound connections with the Polish art world, forms the cornerstone of this narrative. As he reflects on the essence of the Edinburgh Festival, he unveils a vision where Scotland's cultural legacy transcends geographical boundaries, embracing the world. Martine's meticulously crafted essays encapsulate Scotland's artistic landscape. through insightful reflections on Demarco's journey, you are invited to ponder profound questions about identity, heritage and the transformative power of art. A testament to the enduring spirit of creativity and the timeless quest for meaning that defines Scotland's cultural heritage, this book serves as a poignant reminder of the country's evolution into a global beacon of culture and enlightenment.
Clarendon and the Rhetoric of Historical Form is the first major evaluation from a literary point of view of the writings of Edward Hyde, the first Earl of Clarendon and the most important English historiographer of the seventeenth century. As an early reformer in the Long Parliament, as an adviser to Charles I and Charles II, as the major architect of the Restoration on the Royalist side, and as Lord Chancellor of England from 1660 to 1667, Clarendon played a crucial role in determining the course of English history during and after the tumultuous years of the civil wars. As a historian and a literary stylist, he produced the History of the Rebellion, generally regarded as the greatest historical work written in England during the seventeenth century. Martine Watson Brownley evaluates Clarendon's literary abilities and achievements, focusing on his prose style, narrative form, and thematic structure on biographical influences on his writing; and on his literary background and associations. She also places Clarendon in the context of the development of English literary historiography during the seventeenth century. Various political and literary changes—for example, the antiquarian movement, the civil wars, and alterations in English prose and narrative styles—made the seventeenth century a particularly crucial era in the evolution of an English historiography that would lead to historical works which were also classics of literature. Brownley demonstrates that, through his experiments in style and structure in the History of the Rebellion, and particularly through the imaginative overview which he evolved for and in his work, Clarendon made the most significant advances in English literary historiography before the late eighteenth-century triumvirate of Gibbon, Robertson, and Hume. Clarendon and the Rhetoric of Historical Form will be valuable to scholars interested in historiography, prose and narrative style, and seventeenth-century literature and history.
This guide to autistic spectrum disorders comes from a new scientific perspective. Delfos's biopsychological model provides a theoretical analysis of the nature of autism and the problems it can cause. She offers advice on how to approach problems from the perspectives of autistic children, adolescents and adults, as well as parents and carers.
In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR
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