British colonists in 1830s India lived in terror of the Thugs. Reputed to be brutal criminals, the Thugs supposedly strangled, beheaded, and robbed thousands of travelers in the goddess Kali's name. The British responded with equally brutal repression of the Thugs and developed a compulsive fascination with tales of their monstrous deeds. Did the Thugs really exist, or did the British invent them as an excuse to seize tighter control of India? Drawing on historical and anthropological accounts, Indian tales and sacred texts, and detailed analyses of the secret Thug language, Martine van Woerkens reveals for the first time the real story of the Thugs. Many different groups of Thugs actually did exist over the centuries, but the monsters the British made of them had much more to do with colonial imaginings of India than with the real Thugs. Tracing these imaginings down to the present, van Woerkens reveals the ongoing roles of the Thugs in fiction and film from Frankenstein to Indiana Jones and the Temple of Doom.
Traveling salesmen like Robert Owens have passed through Evie Dawson's town before, but none of them offered anything like what he has to sell: dreams, made to order, with satisfaction guaranteed. Soon after he arrives, the community is shocked by the disappearance of Evie's young son. The townspeople, shaken by the Dawson family's tragedy and captivated by Robert's subversive magic, begin to experiment with his dreams. And Evie, devastated by grief, turns to Robert for a comfort only he can sell her. But the dream peddler's wares awaken in his customers their most carefully buried desires, and despite all his good intentions, some of them will lead to disaster.
Winner of the 2020 Hugo Award for Best Novel A Locus, and Nebula Award nominee for 2019 An NPR Favorite Book of 2019 An Esquire Best Sci-Fi Book of All Time A Guardian Best Science Fiction and Fantasy Book of 2019 and “Not the Booker Prize” Nominee A Goodreads Biggest SFF Book of 2019 and Choice Awards Nominee "A Memory Called Empire perfectly balances action and intrigue with matters of empire and identity. All around brilliant space opera, I absolutely love it."—Ann Leckie, author of Ancillary Justice Ambassador Mahit Dzmare arrives in the center of the multi-system Teixcalaanli Empire only to discover that her predecessor, the previous ambassador from their small but fiercely independent mining Station, has died. But no one will admit that his death wasn't an accident—or that Mahit might be next to die, during a time of political instability in the highest echelons of the imperial court. Now, Mahit must discover who is behind the murder, rescue herself, and save her Station from Teixcalaan's unceasing expansion—all while navigating an alien culture that is all too seductive, engaging in intrigues of her own, and hiding a deadly technological secret—one that might spell the end of her Station and her way of life—or rescue it from annihilation. Arkady Martine's debut novel A Memory Called Empire is a fascinating space opera and an interstellar mystery adventure. "The most thrilling ride ever. This book has everything I love."—Charlie Jane Anders, author of All the Birds in the Sky Also by Arkady Martine: A Desolation Called Peace Rose/House At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
This book is the first comparative study of early modern English and Dutch women writers. It explores women’s rich and complex responses to the birth of the public sphere, new concepts of privacy, and the ideology of domesticity in the seventeenth century. Women in both countries were briefly allowed a public voice during times of political upheaval, but were increasingly imagined as properly confined to the household by the end of the century. This book compares how English and Dutch women responded to these changes. It discusses praise of women, marriage manuals, and attitudes to female literacy, along with female artistic and literary expressions in the form of painting, engraving, embroidery, print, drama, poetry, and prose, to offer a rich account of women’s contributions to debates on issues that mattered most to them.
This translation is the result of a close collaboration between theatre director and playwright, Andy Hinds (author of Acting Shakespeares Language), and Classics scholar, Dr. Martine Cuypers (Trinity College Dublin). Whilst preserving a scholarly fidelity to the original Greek, the translation is written in a clear and energetic verse, designed to be as 'performable' in the theatre, as it is readable in the home or study. It will be of equal interest and use, therefore, to teachers, students and academics, to actors and directors, and to the general reader. The Oresteia is released as a companion volume to Hinds translation of Iphigenia in Aulis. Iphigenia represents Euripides version of a key episode in the great saga, The Fall of the House of Atreus, while The Oresteia relates Aeschylus version of the continuation and conclusion of the saga.
The Great Shift is a progress report from the field and the messages are positive. You don't have to logically do anything but 'show up' with spiritual intent, and the DNA quantum field is activated in your body, Kryon says. He tells us to expect changes and peace we may have never thought to see in our lifetimes, even in the Middle East. He...
Across the centuries, Eleanor Hope is called to restore a banished king to his throne and return the power of light to Albion. Her only weapons are the magical Fire Sword of St. Bridget and the powers of faith, courage and love. Repackaged to match The Crystal Sword and The Rainbow Sword.
A historical novel of suspense, seasoned with recipes and remedies for broken hearts, THE PENNY HEART draws on age-old themes of cooking, trickery and revenge. Manchester 1809. Would-be industrialist Michael Croxon chases young street hawker Mary Jebb into a wretched warren after she cons his brother out of his money. In an unguarded moment he develops a suppressed attraction to the girl. After he bears witness in court against her, Mary sends him a Penny Heart token from the prison hulks bearing a strange verse, the reverse announcing that she will be transported for 7 years. Two years later, in order to build a manufactory, Michael has married awkward Jane Moore, who is overjoyed at her luck, but soon disappointed to learn it was only to gain her land. Meanwhile, Mary escapes from Botany Bay to be shipwrecked on the wild coast of New Zealand, where she loses her lover and the last of her scruples. Using her conning skills, Mary returns home and adopts the identity of 'Peg', the Croxon's cook at their lonely Hall. After Mary helps Jane compile a book of husband-pleasing recipes, Jane's new womanly wiles seem to earn Michael's affection. But when Jane discovers two matching Penny Heart love tokens that tell of banishment to the ends of the earth, she enters a world of deceit and double-crossing, and uncovers a tale of revenge that culminates in murder.
This book is a detailed study of the possessive semantic space within the framework of construction grammar. Using corpus data from Old Church Slavonic and Old Russian, the book uses semantic maps to document the relationship between form and meaning in a set of semantically closely related syntactic constructions that can all express adnominal possession and all partially overlap. The book also traces the development of these constructions from the earliest Slavic attestations towards Modern Russian, thus also using the semantic maps as a diachronic tool. This approach results in a much improved analysis of the data at hand: The competing possessive constructions are treated as partly synonymous constructions in the same semantic space. Changes are then seen to follow paths in this space. The constructionist perspective also allows discerning the relative contributions of the possessor nominal, the possessee nominal and properties of the constructions themselves. The book is a contribution to Slavic historical linguistics, to the general understanding of adnominal possession and to forwarding functionalist approaches to syntactic change.
Fifteen years ago, Luci's mother committed suicide, leaving behind a legacy of lies that Luci is still struggling to uncover. Now, a year after Luci was left reeling by the twin revelations that she had bipolar affective disorder, and that the grandfather she had thought was dead was still alive, she finally feels ready to meet her grandfather for the first time - hoping that he will be able to shed light on the secrets of the past. But Walter's reaction to Luci's visit raises more questions than it answers - and it is only after his death that Luci is able to discover the tragic truth, which shocks her to the very core of her being. Legacy of Lies is a heart-rending story that stretches back over several generations, unveiling the deplorable state of psychiatric care in the early twentieth century, but which ultimately offers a message of hope for those suffering mental illness today, and their families.
In this engagingly written account, Martine Batchelor relays the challenges a new ordinand faces in adapting to Buddhist monastic life: the spicy food, the rigorous daily schedule, the distinctive clothes and undergarments, and the cultural misunderstandings inevitable between a French woman and her Korean colleagues. She reveals as well the genuine pleasures that derive from solitude, meditative training, and communion with the deeply religiouswhom the Buddhists call "good friends." Batchelor has also recorded the oral history/autobiography of her teacher, the eminent nun Son'gyong Sunim, leader of the Zen meditation hall at Naewonsa. It is a profoundly moving, often light-hearted story that offers insight into the challenges facing a woman on the path to enlightenment at the beginning of the twentieth century. Original English translations of eleven of Son'gyong Sunim's poems on Buddhist themes make a graceful and thought-provoking coda to the two women's narratives. Western readers only familiar with Buddhist ideas of female inferiority will be surprised by the degree of spiritual equality and authority enjoyed by nuns in Korea. While American writings on Buddhism increasingly emphasize the therapeutic, self-help, and comforting aspects of Buddhist thought, Batchelor's text offers a bracing and timely reminder of the strict discipline required in traditional Buddhism.
The Edinburgh Festival of those days was a much more accessible village... The ground rules were well enough understood. Everything about it was containable. The Fringe was the seed bed for talent and ran happily in step with its established elders and betters. They both knew their place. But then something equally remarkable was about to take place in the New Town of the city I knew and loved... The same year, Roddy Martine is born. In 1963 when, at the age of sixteen, he interviewed Sir Yehudi Menuhin and David Frost for an Edinburgh Festival magazine he edited and the following year, met Marlene Dietrich. Both Richard and Roddy have unique perspectives on the most remarkable international festival of the arts the world has ever known. They have witnessed its evolution over the years and are passionate believers in the power of creativity within everyone. In this fascinating book, Richard – the 2013 UK recipient of the Citizen of Europe medal – explores the original world vision of Sir John Falconer and Rudolph Bing and, with Roddy, recalls the highs and lows of The Edinburgh International Festival, The Fringe, Art, Book, Jazz and Television Festivals, and The Royal Edinburgh Military Tattoo. Now in its eighth decade, can the Edinburgh Festival survive? Where do we go from here?
Virtually Human explores what the not-too-distant future will look like when cyberconsciousness—simulation of the human brain via software and computer technology—becomes part of our daily lives. Meet Bina48, the world's most sentient robot, commissioned by Martine Rothblatt and created by Hanson Robotics. Bina48 is a nascent Mindclone of Martine's wife that can engage in conversation, answer questions, and even have spontaneous thoughts that are derived from multimedia data in a Mindfile created by the real Bina. If you're active on Twitter or Facebook, share photos through Instagram, or blogging regularly, you're already on your way to creating a Mindfile—a digital database of your thoughts, memories, feelings, and opinions that is essentially a back-up copy of your mind. Soon, this Mindfile can be made conscious with special software—Mindware—that mimics the way human brains organize information, create emotions and achieve self-awareness. This may sound like science-fiction A.I. (artificial intelligence), but the nascent technology already exists. Thousands of software engineers across the globe are working to create cyberconsciousness based on human consciousness and the Obama administration recently announced plans to invest in a decade-long Brain Activity Map project. Virtually Human is the only book to examine the ethical issues relating to cyberconsciousness and Rothblatt, with a Ph.D. in medical ethics, is uniquely qualified to lead the dialogue.
In translating Charles Perrault's seventeenth-century Histoires ou contes du temps passé, avec des Moralités into English, Angela Carter worked to modernize the language and message of the tales before rewriting many of them for her own famous collection of fairy tales for adults, The Bloody Chamber, published two years later. In Reading, Translating, Rewriting: Angela Carter's Translational Poetics, author Martine Hennard Dutheil de la Rochère delves into Carter's The Fairy Tales of Charles Perrault (1977) to illustrate that this translation project had a significant impact on Carter's own writing practice. Hennard combines close analyses of both texts with an attention to Carter's active role in the translation and composition process to explore this previously unstudied aspect of Carter's work. She further uncovers the role of female fairy-tale writers and folktales associated with the Grimms' Kinder- und Hausmärchen in the rewriting process, unlocking new doors to The Bloody Chamber. Hennard begins by considering the editorial evolution of The Fairy Tales of Charles Perrault from 1977 to the present day, as Perrault's tales have been rediscovered and repurposed. In the chapters that follow, she examines specific linkages between Carter's Perrault translation and The Bloody Chamber, including targeted analysis of the stories of Red Riding Hood, Bluebeard, Puss-in-Boots, Beauty and the Beast, Sleeping Beauty, and Cinderella. Hennard demonstrates how, even before The Bloody Chamber, Carter intervened in the fairy-tale debate of the late 1970s by reclaiming Perrault for feminist readers when she discovered that the morals of his worldly tales lent themselves to her own materialist and feminist goals. Hennard argues that The Bloody Chamber can therefore be seen as the continuation of and counterpoint to The Fairy Tales of Charles Perrault, as it explores the potential of the familiar stories for alternative retellings. While the critical consensus reads into Carter an imperative to subvert classic fairy tales, the book shows that Carter valued in Perrault a practical educator as well as a proto-folklorist and went on to respond to more hidden aspects of his texts in her rewritings.
The Ottoman Empire, 1915 On the Black Sea coast, Anyush Charcoudian dances at her friend's wedding, dreaming of a life beyond her small Armenian village. Defying tradition, she embarks on a secret and dangerous affair with a Turkish officer, Captain Jahan Orfalea. As the First World War rages, the Armenian people are branded enemies of the state, and atrocities grow day by day. Torn apart and catapulted into a struggle to survive in the face of persecution and hatred, the lovers strive desperately to be reunited.
This is the first empirical, mixed-methods study of copyright issues that speaks to writing specialists and legal scholars about the complicated intersections of rhetoric, technology, copyright law, and writing for the Internet. Martine Courant Rife opens up new conversations about how invention and copyright work together in the composing process for digital writers and how this relationship is central to contemporary issues in composition pedagogy and curriculum. In this era of digital writing and publishing, composition and legal scholars have identified various problems with writers’ processes and the law’s construction of textual ownership, such as issues of appropriation, infringement, and fair use within academic and online contexts. Invention, Copyright, and Digital Writing unpacks digital writers’ complex perceptions of copyright, revealing how it influences what they choose to write and how it complicates their work. Rife uses quantitative and qualitative approaches and focuses on writing as a tool and a technology-mediated activity, arguing the copyright problem is about not law but invention and the attendant issues of authorship. Looking at copyright and writing through a rhetorical lens, Rife leverages the tools and history of rhetoric to offer insights into how some of our most ancient concepts inform our understanding of the problems copyright law creates for writers. In this innovative study that will be of interest to professional and technical writers, scholars and students of writing and rhetoric, and legal professionals, Rife offers possibilities for future research, teaching, curriculum design, and public advocacy in regard to composition and changing copyright laws.
For fans of Katherine Rundell’s Rooftoppers comes a story about mothers and daughters and magical trees that Rebecca Stead calls “an utter delight.” All Molly wants is to be normal like her friend Ellen Palmer. Ellen, with her neat braids and a tidy house and a mother and father who are home for dinner every night. But Molly’s mom spends her mornings tramping through the woods, looking for ingredients for her potions. Their house is not neat, and their rooster, the Gentleman, runs wild in their yard. And it is the Gentleman that angers their grumpy neighbors, the Grimshaws. So Molly’s mom makes a potion that will grow a tree between their houses. When Molly’s mom accidentally drinks the potion and turns into the tree, Molly is determined to get her back. But with the Grimshaws planning to cut down the tree branches that reach onto their property, time is of the essence. With the help of her mysterious classmate Pim Wilder, Molly sets out to save her mother and discovers the wonder that lies in the ordinary. Praise for Molly & Pim and the Millions of Stars: “Open-hearted and magical—an utter delight.” —Rebecca Stead, author of When You Reach Me and Goodbye, Stranger “A beautiful, magical story, full of surprises and brimming with wisdom.” —Karen Foxlee, author of Ophelia and the Marvelous Boy
This ebundle includes: A Memory Called Empire and A Desolation Called Peace. The action-packed space opera series from Arkady Martine, Teixcalaan, blends mystery and adventure on an interstellar scale. In the first book, A Memory Called Empire, the new Ambassador Mahit Dzmare arrives in the center of the ever-expanding Teixcalaanli Empire only to realize that her predecessor’s death, occurring at the height of political instability, was no accident. Acclimatizing to an alien culture, tracking down the murderer of the former ambassador to their small but independent mining community, and saving herself from harm’s way, makes for a riveting debut that will leave readers “utterly dazzled.”— New York Times Book Review A Memory Called Empire: Ambassador Mahit Dzmare arrives in the center of the multi-system Teixcalaanli Empire only to discover that her predecessor, the previous ambassador from their small but fiercely independent mining Station, has died. But no one will admit that his death wasn't an accident—or that Mahit might be next to die, during a time of political instability in the highest echelons of the imperial court. Now, Mahit must discover who is behind the murder, rescue herself, and save her Station from Teixcalaan's unceasing expansion—all while navigating an alien culture that is all too seductive, engaging in intrigues of her own, and hiding a deadly technological secret—one that might spell the end of her Station and her way of life—or rescue it from annihilation. A Desolation Called Peace: An alien armada lurks on the edges of Teixcalaanli space. No one can communicate with it, no one can destroy it, and Fleet Captain Nine Hibiscus is running out of options. In a desperate attempt at diplomacy with the mysterious invaders, the fleet captain has sent for a diplomatic envoy. Now Mahit Dzmare and Three Seagrass—still reeling from the recent upheaval in the Empire—face the impossible task of trying to communicate with a hostile entity. Their failure will guarantee millions of deaths in an endless war. Their success might prevent Teixcalaan’s destruction—and allow the empire to continue its rapacious expansion. Or it might create something far stranger . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
As the argument of Indeterminacy and Intelligibility develops, Martine shows that indeterminacy in our experience in logically bound to the determinate dimensions of thought and practice. Continuing the investigation that began in his earlier book Individuals and Individuality, the author draws concrete experience together with abstract reflection to reveal the ontological relation between determinacy and indeterminacy that lies at the very core of our drive to understand.
Over the past decade or so, the social scientific sociological analysis of the family has been obliged to reconsider its traditional view that industrialisation triggered a shift within society from the 'large family', which fulfilled all social functions from socialising the children to caring for the sick and the old, to the modern nuclear family, which was regarded solely as being the locus for emotional relationships. Historians have shown that in the past there was a variety of family structures within a range of varying demographic, economic and cultural frameworks, distinctive for each society. At the same time, the interaction between sociology and social anthropology has led to a clearer conceptual analysis of that vague, polysemic term 'family'; and notions of dwelling-place, descent, marriage, the relative roles of husband and wife and parent-child relations, as well as the more general relations between generations, have in a variety of past and present social contexts been taken apart and analysed. In this book, the author synthesises European and North American historical and social anthropological material on the family that shows the reversal of the frequently held view of the family as an institution in decline, showing it instead to be both dynamic and resistant.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.