British colonists in 1830s India lived in terror of the Thugs. Reputed to be brutal criminals, the Thugs supposedly strangled, beheaded, and robbed thousands of travelers in the goddess Kali's name. The British responded with equally brutal repression of the Thugs and developed a compulsive fascination with tales of their monstrous deeds. Did the Thugs really exist, or did the British invent them as an excuse to seize tighter control of India? Drawing on historical and anthropological accounts, Indian tales and sacred texts, and detailed analyses of the secret Thug language, Martine van Woerkens reveals for the first time the real story of the Thugs. Many different groups of Thugs actually did exist over the centuries, but the monsters the British made of them had much more to do with colonial imaginings of India than with the real Thugs. Tracing these imaginings down to the present, van Woerkens reveals the ongoing roles of the Thugs in fiction and film from Frankenstein to Indiana Jones and the Temple of Doom.
Everyone's favorite astrology book, having sold over 700,000 copies, includes a PC- and Mac-compatible CD where you can create your own chart! This edition of The Only Astrology Book You'll Ever Need still includes detailed information about how to cast your own chart the old-fashioned way and, more importantly, how to interpret it once you're finished. And the CD allows the reader to cast his or her chart in just a few minutes by inputting the date, time, and place of birth into the computer, producing a personalized astrological chart in just a few minutes. Once the reader's chart is created, he or she is directed to the corresponding pages in the book to read further about moon signs, sun signs, ascending signs, placement of the planets in thehome, and much more.
This title contains foreword by Eric Van Furth, President, American Academy of Eating Disorders. This guide draws together the latest developments in eating disorders. Together with its companion volume "Annual Review of Eating Disorders Part 2", this resource covers the twenty key topics including binge eating, trauma, self-help, assessment and negative body image. It is a compilation of reviews from leading scientists and clinicians, and is the essential update for busy professionals and health researchers, with a clear emphasis on clinical implications. It also provides invaluable information for psychologists, psychiatrists, dieticians, family doctors, pediatricians, counsellors and educators. 'Very important. Successful. Well respected. Comprehensive. Appropriate for all clinicians, researchers, and trainees who work in the area of eating disorders. A great reference for those needing direction on the current available treatments.' - Shiela M Dowd, PhD, Rush University Medical Center, Illinois, USA. 'Presents information in manageable chunks which are easy to digest. Research is clearly linked to clinical practice. Easy to read. Helpful. Comprehensive. A valuable resource for new as well as experienced clinicians.' - Primary Care and Community Psychiatry. "Last year's Review was very well received, by researchers and clinicians alike, and I am confident that the same will be true this year. Keeping track of the latest developments in the research on eating disorders is a major challenge for all of us. The abundant information that is now available via journals, online reference web sites, university databases, and individualized e-alerts can be so overwhelming that it is difficult to see the forest trough the trees. Integrating results from various sources and translating these findings into day-to-day clinical practice is not easily done. The "Annual Review" truly is the best way to stay up to date!" - Eric F van Furth, in the Foreword.
A brilliant and darkly compelling thriller, with a genuinely creepy mix of mystery, psychology and murder.' - S. D. Sykes, author of Plague Land 'A dazzling new voice in crime fiction. Taut, twisty and addictive. Martine Bailey is one to watch.' - Louisa Treger, author of Madwoman Five candidates. One job. A killer prepared to murder their way to the top. Salford, 1983. Lorraine Quick is a single mother, a member of a band going nowhere fast, and personnel officer at the grim Memorial Hospital. A new general manager position is being introduced, and Lorraine's recent training in the cutting-edge science of psychometric testing will be pivotal. As the profiles start to emerge, a chilling light is cast on the candidates. When a lethal dose of anaesthetic is deliberately substituted for a flu vaccine, and a second suspicious death quickly follows, it's clear a killer is at work in the hospital. Can Lorraine's personality tests lead her to the murderer?
Offers qualitative studies of collaboration processes conducted in globalising companies based in Denmark and with subsidiaries in Asia. It addresses the specific contexts of collaboration and studies how people with different cultural backgrounds work together, both face-to-face and in the virtual workplace.
This title was first published in 2003. Xenotransplantation - the transplantation of animal organs into humans - poses a fascinating moral dilemma. Should this ability to extend the lives of millions of older people be permitted given that it might trigger a new pandemic similar to AIDS? This study examines the moral dilemma from a combination of humanistic, legalistic, bioethical, economical and technological perspectives. The first part of the book demonstrates that xenografts are the only realistic near-term technological answer to the organ shortage problem. The balance of the book is devoted to assessing whether doctrines such as the 'right to health care' trump the moral and ethical conundrums posed by xenotransplantation. The book concludes with a 'geoethical' solution that proposes authorization of xenotransplantation subject to the prior implementation of a new international organization for epidemiology and basic health care. It also suggests that the costs of operating such an organization could be covered by a global tax on xenografts.
CSS is a must-know language for all web developers. In this practical book, you’ll explore numerous techniques to improve the way you write CSS as you build 12 tiny projects. In Tiny CSS Projects you’ll build twelve exciting and useful web projects including: A loading screen created by styling SVG graphics A responsive newspaper layout with multiple columns Animating social media buttons with pseudo-elements Designing layouts using CSS grids Summary cards that utilize hover interactions Styling forms to make them more appealing to your users The projects may be tiny, but the CSS skills you’ll learn are huge! Tiny CSS Projects teaches you how to make beautiful websites and applications by guiding you through a dozen fun coding challenges. You’ll learn important skills through hands-on practice as you tinker with your own code and make real creative decisions about the projects you’re building. You’ll rapidly master the basics and then press on into CSS’s exciting layout features including grid and flexbox, animations, transitions, and media queries. About the Technology Don’t settle for boring web pages! With Cascading Style Sheets you can control color, layout, and typography to make your sites both functional and beautiful. CSS is a essential skill for web developers and designers. This book will help you get started the right way. About the Book Tiny CSS Projects builds your CSS skills by guiding you through 12 creative mini-projects. Each interesting challenge starts with a downloadable HTML skeleton. As you flesh it out with your own design ideas, you’ll master CSS concepts like transitions, layout, and styling forms, and explore powerful features including Flexbox and Grid. All the skills you’ll learn are easy to transfer to full-size applications. When you finish, you’ll have an exciting portfolio of designs ready to go for your next project. What's Inside Transitions and animations using keyframes Layout techniques including Grid and Flexbox Styling form elements including radio buttons Embedding fonts and typography-related styles Conditional styling using pseudo-elements and media queries About the reader For readers who know the basics of HTML and frontend development. No previous experience with CSS is required. About the author Martine Dowden is an author, speaker, and award-winning CTO. Michael Gearon is a user experience designer and frontend developer who has worked with many well-known brands. Table of Contents 1 CSS introduction 2 Designing a layout using CSS Grid 3 Creating a responsive animated loading screen 4 Creating a responsive web newspaper layout 5 Summary cards with hover interactions 6 Creating a profile card 7 Harnessing the full power of float 8 Designing a checkout cart 9 Creating a virtual credit card 10 Styling forms 11 Animated social media share links 12 Using preprocessors
Your Sun sign is the zodiac sign the Sun was traveling through at the time of your birth. It is the most important influence in your horoscope and in many ways determines how others see you. It governs your individuality, distinctive style, and drive to fulfill your goals. This elegant little volume is packed with what your Sun sign tells you about you.
Rose/House is a breathtaking and taut sci-fi gothic thriller from Arkady Martine, Hugo Award-winning author of A Memory Called Empire. “I’m a piece of architecture, Detective. How should I know how humans are like to die?” All of Basit Deniau’s houses were haunted. Rose House, his final architectural triumph built in the remote Mojave desert, was perhaps the most. A house embedded with an artificial intelligence is a common thing. But a house that is an artificial intelligence, infused in every crevice and corner with a thinking creature that is not human? That is something else altogether. That is Rose House. When Detective Maritza Smith gets a call from Rose House, she’s shocked to learn that there is a dead body behind its sealed-up door. Everybody in town knows it’s haunted. But Basit died more than a year ago, and everybody also knows that only his former protege, Dr. Selene Gisil, is permitted inside. But Selene wasn’t in the country when Rose House called in the death. Who is the dead body? How did they get in? And who—or what—killed them? The answers lie within the labyrinthine halls of Rose House. But even if Martiza can get inside, there is no guarantee she will ever be able to leave ... Also by Arkady Martine: A Memory Called Empire A Desolation Called Peace At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Today, it has been said, the world is "flat," as online media allow information to move easily from point to point across the earth. International legal differences, however, are increasingly affecting the ease with which data and ideas can be shared across nations. Copyright law, for example, affects the international flow of materials by stipulating who has the right to replicate or to share certain kinds of content. Similarly, perspectives on privacy rights can differ from nation to nation and affect how personal information is shared globally. Moreover, national laws can affect the exchange of ideas by stipulating the language in which information must be presented in different geopolitical regions. Today's technical communicators need to understand how legal factors can affect communication practices if they wish to work effectively in global contexts. This collection provides an overview of different legal aspects that technical communicators might encounter when creating materials or sharing information in international environments. Through addressing topics ranging from privacy rights and information exchange to the legalities of business practices in virtual worlds and perspectives on authorship and ownership, the contributors to this volume examine a variety of communication-based legal issues that can cause problems or miscommunication in international interactions. Reviewing such topics from different perspectives, the authors collectively provide ideas that could serve as a foundation for creating best practices on or for engaging in future research in the area of legal issues in international settings.
When sixteen-year-old Angel meets Call at the mall, he buys her meals and says he loves her, and he gives her some candy that makes her feel like she can fly. Pretty soon she's addicted to his candy, and she moves in with him. As a favor, he asks her to hook up with a couple of friends of his, and then a couple more. Now Angel is stuck working the streets at Hastings and Main, a notorious spot in Vancouver, Canada, where the girls turn tricks until they disappear without a trace, and the authorities don't care. But after her friend Serena disappears, and when Call brings home a girl who is even younger and more vulnerable than her to learn the trade, Angel knows that she and the new girl have got to find a way out.
This book offers a comprehensive review and reassessment of the classical sources describing the cryptographic Spartan device known as the scytale. Challenging the view promoted by modern historians of cryptography which look at the scytale as a simple and impractical 'stick', Diepenbroek argues for the scytale's deserved status as a vehicle for secret communication in the ancient world. By way of comparison, Diepenbroek demonstrates that the cryptographic principles employed in the Spartan scytale show an encryption and coding system that is no less complex than some 20th-century transposition ciphers. The result is that, contrary to the accepted point of view, scytale encryption is as complex and secure as other known ancient ciphers. Drawing on salient comparisons with a selection of modern transposition ciphers (and their historical predecessors), the reader is provided with a detailed overview and analysis of the surviving classical sources that similarly reveal the potential of the scytale as an actual cryptographic and steganographic tool in ancient Sparta in order to illustrate the relative sophistication of the Spartan scytale as a practical device for secret communication. This helps to establish the conceptual basis that the scytale would, in theory, have offered its ancient users a secure method for secret communication over long distances.
Winner of the 2021 BPS Book Award: Academic Text category, this groundbreaking book employs a transdisciplinary and poststructuralist methodology to develop the concept of ‘postfeminist healthism,’ a twenty-first-century understanding of women’s physical and mental health formed at the intersections of postfeminist sensibilities, neoliberal constructs of citizenship and the notion of health as an individual responsibility managed through consumption. Postfeminist healthism is used in this book to explore seven topics where postfeminist sensibility has the most impact on women’s health: self-help, weight, surgical technologies, sex, pregnancy, responsibilities for others’ health and pro-anorexia communities. The book explores the ways in which the desire to be normal and live a good life is tied to expectations of ‘normal-perfection’ circulated across interpersonal interactions, media representations and expert discourses. It diagnoses postfeminist healthism as unhealthy for both those women who participate in it and those whom it excludes and considers how more positive directions may emerge. By exploring the under-researched intersection of postfeminism and health studies, this book will be invaluable to researchers and students in psychology, gender and women’s studies, health research, media studies and sociology.
This book looks at a much-debated phenomenon in contemporary cinema: the re-emergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses. France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema's sensory impact and transgressive nature: Adieu; A ma soeur; Baise-moi; Beau Travail; La Blessure; La Captive; Dans ma peau; Demonlover; L'Humanite; Flandres; L'Intrus; Les Invisibles; Lady Chatterley; Lecons de tenebres; Romance; Sombre; Tiresia; Trouble Every Day; Twentynine Palms; Vendredi soir; La Vie nouvelle; Wild Side; Zidane, un portrait du XXIeme siecle. These films, amongst others, typify a willingness to explore cinema's unique capacity to move us both viscerally and intellectually. Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of the likes of Deleuze, Merleau-Ponty and Bataille, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques and motifs which allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching those questions that are at the heart of today's most burning socio-cultural debates: from the growing supremacy of technology, to globalisation, exile and exclusion, these are the issues that appear embedded here in the very texture of images and sounds.
In the tradition of BECAUSE OF WINN-DIXIE and THE BEAN TREES comes a novel that charms and amazes, with a voice that draws you in like a warm-hearted charismatic friend. Cedar B. Hartley is exasperating and potentially infamous. She steps on cracks. She plans to live an unusual life. She is the winner of her school's Bat Pole Championship, (which she made up). She misses her brother Barnaby, who ran away, and who sends her postcards from all over the country. And she's definitely a hopeless winker -- both eyes go at once, like a blink. But Cedar B. Hartley has potential. She knows the d ifference between touching and touching on a couch. She knows the long distance between an idea and the real thing. And she has a green thumb for people, like Ricci, the
In Palermo Italian yes-no interrogatives, if the last syllable of a phrase is unstressed, the nuclear pitch contour is rising-falling, whereas if it is stressed, the contour is simply rising. Such context-dependent variation cannot be adequately accounted for within a British-style approach to intonation. By contrast, autosegmental pitch accent studies of intonation, where nuclear pitch configurations are expressed in terms of H(igh) and L(ow) tones, are shown to offer the flexibility necessary to do so. These tones are incorporated into a hierarchical structure in which they have either an accentual or a primarily delimitative function. In the former case, tones are part of a Pitch Accent which has an association to a syllable; in the latter case, tones are associated to nodes representing higher prosodic constituents, either the intermediate phrase or the intonation phrase, and are realised as boundary tones. Building on current analyses, a model is proposed in which tones in the Pitch Accent are also hierarchically structured, involving two levels: the Supertone and Tone. This extended Pitch Accent structure not only explains apparent inconsistencies in phonetic alignment in Palermo Italian, but also accounts for equivalent consistency in alignment in English. In addition it allows leading tones in Palermo Italian to be treated in a qualitatively different way from leading tones in English. The Palermo Italian interrogative marker consists of a L*+H Pitch Accent. There is no paradigmatic contrast on the intermediate phrase boundary tone (it is always L) which means that its function is purely delimitative. This tone is only fully realised when a postaccentual syllable is available to carry it; technically, it requires a secondary attachment to a syllable. The absence of the falling part of the L*+HL (L) configuration in phrases with no postaccentual syllable is thus explained.
The Edinburgh Festival of those days was a much more accessible village... The ground rules were well enough understood. Everything about it was containable. The Fringe was the seed bed for talent and ran happily in step with its established elders and betters. They both knew their place. But then something equally remarkable was about to take place in the New Town of the city I knew and loved... The same year, Roddy Martine is born. In 1963 when, at the age of sixteen, he interviewed Sir Yehudi Menuhin and David Frost for an Edinburgh Festival magazine he edited and the following year, met Marlene Dietrich. Both Richard and Roddy have unique perspectives on the most remarkable international festival of the arts the world has ever known. They have witnessed its evolution over the years and are passionate believers in the power of creativity within everyone. In this fascinating book, Richard – the 2013 UK recipient of the Citizen of Europe medal – explores the original world vision of Sir John Falconer and Rudolph Bing and, with Roddy, recalls the highs and lows of The Edinburgh International Festival, The Fringe, Art, Book, Jazz and Television Festivals, and The Royal Edinburgh Military Tattoo. Now in its eighth decade, can the Edinburgh Festival survive? Where do we go from here?
In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR
This guide to autistic spectrum disorders comes from a new scientific perspective. Delfos's biopsychological model provides a theoretical analysis of the nature of autism and the problems it can cause. She offers advice on how to approach problems from the perspectives of autistic children, adolescents and adults, as well as parents and carers.
OVER HALF A MILLION COPIES SOLD! This is the classic guide to astrological history, legend, and practice! Readers will enjoy simple, computer-accurate planetary tables that allow anyone born between 1900 and 2100 to pinpoint quickly their sun and moon signs, discover their ascendants, and map out the exact positions of the planets at the time of their birth. In addition to revealing the planets' influence on romance, health, and career, The Only Astrology Book You'll Ever Need takes a closer look at the inner life of each sign. Celebrated astrologer Joanna Martine Woolfolk offers abundant insights on the personal relationships and emotional needs that motivate an individual, on how others perceive astrological types, and on dealing with the negative aspects of signs. Readers will also welcome the inclusion of new discoveries in astronomy. Lavishly illustrated and with an updated design, this new edition is an indispensable sourcebook for unlocking the mysteries of the cosmos through the twenty-first century and beyond.
In today’s business environment, as organizations constantly seek to growth and develop through the optimization of their innovative and creative potential, understanding the critical issues and management practices in R & D is essential. This book provides a critical revaluation of the state of the art issues and concepts in R&D management. The views expressed are those of leading French researchers and professionals in this field, fed by empirical studies in national and international firms.
‘Tense, atmospheric, you won’t know who to trust … An Aussie crime fiction star in the making.’ Candice Fox, author of Crimson Lake and Devil’s Kitchen A year after a tragic incident splintered their friendship, three women travel to Marcoy, a regional town, in attempt to reconnect. Melissa has slept much of the past twelve months away, and she hopes this weekend will help her re-emerge from the depression she’s been living with. Bridie worries that she is not a good enough mother. She worries about most things, really, but she’s dealing with things just fine. At least that’s what she tells herself. What Cassandra really needs is a break, so she’s come away to forget it all, to enjoy a cab sav and an open fire and the company of her long-lost friends. This weekend is about being together, about enjoying their friendship the way they used to, while not—at any cost—having to address the reason for the distance between them. But when they witness a young girl being coerced into a car by a man she fears, they are forced to reckon with the chasm of grief and trauma that’s kept them apart. Everywhere We Look explores domestic abuse, the dynamics of female friendship, and the danger that can hide in plain sight. PRAISE FOR EVERYWHERE WE LOOK ‘There is pain, rage and beauty on every page and in every line of this book and I couldn’t get enough.’ – Dinuka McKenzie, author of The Tipping Point ‘Big Little Lies meets Wake in Fright ... Everywhere We Look is spine tingling, goosebumps making and chillingly truthful about the threats that walk amongst us.’ – Kris Kneen, author of Wintering and Fat Girl Dancing ‘A multi-layered exploration of friendship, trust and personal tragedies that forces readers to ask the question we shouldn’t need to keep asking: When and how will women ever feel – and be – safe?’ – Lyn Yeowart, author of The Silent Listener ‘An elegantly written story full of atmosphere and unexpected turns ... Stunning.’ – Venero Armanno, author of The Crying Forest
Invasions of introduced species cause varying degrees of harm on the ecosystems in question and it is up to society to deal with the consequences. How can we prevent biological invasions? How can we assess the risk they represent? What can be done to control current invasions? Aware of this problem, the Ministry of Ecology has requested a community of researchers from a variety of disciplines to decipher these questions using biological, sociological and economic approaches. Although the definitive response to the problems raised by invasive species in natural spaces is not provided here, undeniable progress in understanding mechanisms underlying these invasions can shed light on the decisions which have to be taken by environmental managers. Scientists, teachers and students will also find results and thought-processes in this book to supplement their knowledge.
Drawing together many stories from the archives of difficult events and volatile histories, Archiving Loss: Holding Places for Difficult Memories asks how we might cut and walk a path for memory, loss, and silence in the archive. The difficult events discussed in this book include state responses to refugees, events of genocide, alongside other less documented pockets of trauma, violence, and loss. This book describes the archives whose language and logic have shaped our ways we remember and respond to difficult events and the ways in which we expect memory and loss to be coherent, credible, and lead to clear conclusions. In asking what is missing and what is found in the archives of difficult events this book argues for the necessity of looking more closely at other ways of remembering loss and archiving memory.
This book deals with shared verb morphology in Japanese and other languages that have been identified as Transeurasian (traditionally: “Altaic”) in previous research. It analyzes shared etymologies and reconstructed grammaticalizations with the goal to provide evidence for the genealogical relatedness of these languages.
Living Folklore is a comprehensive, straightforward introduction to folklore as it is lived, shared and practiced in contemporary settings. Drawing on examples from diverse American groups and experiences, this text gives the student a strong foundation—from the field's history and major terms to theories and interpretive approaches. Living Folklore moves beyond genres and classifications, and encourages students who are new to the field to see the study of folklore as a unique approach to understanding people, communities, and day-to-day artistic communication. This revised edition incorporates new examples, research, and theory along with added discussion of digital and online folklore.
This book is a phenomenological approach to film sound and film as a whole, bringing all sensory impressions together within the body as a sense of movement. This includes embodied listening, felt sound and the audiovisual chord as a dynamic knot of visual and auditory movements. From this perspective, auditory spaces in film can be used as a pivot between an inner and an external world.
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