Today, it has been said, the world is "flat," as online media allow information to move easily from point to point across the earth. International legal differences, however, are increasingly affecting the ease with which data and ideas can be shared across nations. Copyright law, for example, affects the international flow of materials by stipulating who has the right to replicate or to share certain kinds of content. Similarly, perspectives on privacy rights can differ from nation to nation and affect how personal information is shared globally. Moreover, national laws can affect the exchange of ideas by stipulating the language in which information must be presented in different geopolitical regions. Today's technical communicators need to understand how legal factors can affect communication practices if they wish to work effectively in global contexts. This collection provides an overview of different legal aspects that technical communicators might encounter when creating materials or sharing information in international environments. Through addressing topics ranging from privacy rights and information exchange to the legalities of business practices in virtual worlds and perspectives on authorship and ownership, the contributors to this volume examine a variety of communication-based legal issues that can cause problems or miscommunication in international interactions. Reviewing such topics from different perspectives, the authors collectively provide ideas that could serve as a foundation for creating best practices on or for engaging in future research in the area of legal issues in international settings.
This is the first empirical, mixed-methods study of copyright issues that speaks to writing specialists and legal scholars about the complicated intersections of rhetoric, technology, copyright law, and writing for the Internet. Martine Courant Rife opens up new conversations about how invention and copyright work together in the composing process for digital writers and how this relationship is central to contemporary issues in composition pedagogy and curriculum. In this era of digital writing and publishing, composition and legal scholars have identified various problems with writers’ processes and the law’s construction of textual ownership, such as issues of appropriation, infringement, and fair use within academic and online contexts. Invention, Copyright, and Digital Writing unpacks digital writers’ complex perceptions of copyright, revealing how it influences what they choose to write and how it complicates their work. Rife uses quantitative and qualitative approaches and focuses on writing as a tool and a technology-mediated activity, arguing the copyright problem is about not law but invention and the attendant issues of authorship. Looking at copyright and writing through a rhetorical lens, Rife leverages the tools and history of rhetoric to offer insights into how some of our most ancient concepts inform our understanding of the problems copyright law creates for writers. In this innovative study that will be of interest to professional and technical writers, scholars and students of writing and rhetoric, and legal professionals, Rife offers possibilities for future research, teaching, curriculum design, and public advocacy in regard to composition and changing copyright laws.
This monograph is a study of the interaction of politics and political theory in The Netherlands and Asia in the early seventeenth century. Its focal point is the Dutch jurist Hugo Grotius (1583-1645), who developed his rights and contract theories for the benefit of the United Dutch East India Company or VOC. The monograph reconstructs the immediate historical context of his political thought, as conceptualized in his early manuscript De Jure Praedae/On the Law of Prize and Booty and Mare Liberum/The Free Sea (1609). It argues that Grotius’ justification of Dutch interloping in the colonial empires of Spain and Portugal made possible the VOC’s rise to power in the Malay Archipelago, which resulted in the slow, but steady, loss of self-determination on the part of the inhabitants of the Spice Islands.
Virtually Human explores what the not-too-distant future will look like when cyberconsciousness—simulation of the human brain via software and computer technology—becomes part of our daily lives. Meet Bina48, the world's most sentient robot, commissioned by Martine Rothblatt and created by Hanson Robotics. Bina48 is a nascent Mindclone of Martine's wife that can engage in conversation, answer questions, and even have spontaneous thoughts that are derived from multimedia data in a Mindfile created by the real Bina. If you're active on Twitter or Facebook, share photos through Instagram, or blogging regularly, you're already on your way to creating a Mindfile—a digital database of your thoughts, memories, feelings, and opinions that is essentially a back-up copy of your mind. Soon, this Mindfile can be made conscious with special software—Mindware—that mimics the way human brains organize information, create emotions and achieve self-awareness. This may sound like science-fiction A.I. (artificial intelligence), but the nascent technology already exists. Thousands of software engineers across the globe are working to create cyberconsciousness based on human consciousness and the Obama administration recently announced plans to invest in a decade-long Brain Activity Map project. Virtually Human is the only book to examine the ethical issues relating to cyberconsciousness and Rothblatt, with a Ph.D. in medical ethics, is uniquely qualified to lead the dialogue.
Cinema and Sensation: " "French Film and the Art of Transgression" looks at a much-debated phenomenon in contemporary cinema: the reemergence of filmmaking practices (and, by extension, of theoretical approaches) that give precedence to cinema as the medium of the senses.France offers an intriguing case in point here. A specific sense of momentum comes from the release, in close succession, of a series of films that exemplify a characteristic awareness of cinema s sensory impact and transgressive nature: "Adieu"; "A ma soeur"; "Baise-moi"; "Beau Travail"; "La Blessure"; "La Captive"; "Dans ma peau"; "Demonlover"; "L Humanite"; "Flandres"; "L Intrus"; "Les Invisibles"; "Lady Chatterley"; "Lecons de tenebres"; "Romance"; "Sombre"; "Tiresia"; "Trouble Every Day"; "Twentynine Palms"; "Vendredi soir"; "La Vie nouvelle"; "Wild Side"; and "Zidane, un portrait du XXIeme siecle." These films, among others, typify a willingness to explore cinema s unique capacity to move us both viscerally and intellectually.Martine Beugnet focuses on the crucial and fertile overlaps that occur between experimental and mainstream cinema. Her book draws on the writings of Deleuze, Merleau-Ponty, and Bataille, among others, but first and foremost, she develops her arguments from the films themselves, from the comprehensive description of specific sequences, techniques, and motifs that allows us to engage with the works as material events and as thinking processes. In turn, she demonstrates how the films, envisaged as forms of embodied thought, offer alternative ways of approaching today s most burning sociocultural debatesfrom the growing supremacy of technology, to globalization, exile, and exclusion.
The Ottoman Empire, 1915 On the Black Sea coast, Anyush Charcoudian dances at her friend's wedding, dreaming of a life beyond her small Armenian village. Defying tradition, she embarks on a secret and dangerous affair with a Turkish officer, Captain Jahan Orfalea. As the First World War rages, the Armenian people are branded enemies of the state, and atrocities grow day by day. Torn apart and catapulted into a struggle to survive in the face of persecution and hatred, the lovers strive desperately to be reunited.
Kismet is a state of being and living. For too long humans have forgotten how to exist with true wisdom. Instead of being connected with this divine force and engaging our intrinsic wisdom to guide our lives, we have created a detached reality void of connectedness. We have surrendered our power and knowledge to others and become a homogenized society through brainwashing, mistruth, chemicals, propaganda and fear mongering. As a benevolent race it is time for humanity to reclaim the greatest gift bestowed to us, love and wisdom. It is time to realign with the Christ Consciousness through Kismet.
Over the past decade or so, the social scientific sociological analysis of the family has been obliged to reconsider its traditional view that industrialisation triggered a shift within society from the 'large family', which fulfilled all social functions from socialising the children to caring for the sick and the old, to the modern nuclear family, which was regarded solely as being the locus for emotional relationships. Historians have shown that in the past there was a variety of family structures within a range of varying demographic, economic and cultural frameworks, distinctive for each society. At the same time, the interaction between sociology and social anthropology has led to a clearer conceptual analysis of that vague, polysemic term 'family'; and notions of dwelling-place, descent, marriage, the relative roles of husband and wife and parent-child relations, as well as the more general relations between generations, have in a variety of past and present social contexts been taken apart and analysed. In this book, the author synthesises European and North American historical and social anthropological material on the family that shows the reversal of the frequently held view of the family as an institution in decline, showing it instead to be both dynamic and resistant.
The Edinburgh Festival of those days was a much more accessible village... The ground rules were well enough understood. Everything about it was containable. The Fringe was the seed bed for talent and ran happily in step with its established elders and betters. They both knew their place. But then something equally remarkable was about to take place in the New Town of the city I knew and loved... The same year, Roddy Martine is born. In 1963 when, at the age of sixteen, he interviewed Sir Yehudi Menuhin and David Frost for an Edinburgh Festival magazine he edited and the following year, met Marlene Dietrich. Both Richard and Roddy have unique perspectives on the most remarkable international festival of the arts the world has ever known. They have witnessed its evolution over the years and are passionate believers in the power of creativity within everyone. In this fascinating book, Richard – the 2013 UK recipient of the Citizen of Europe medal – explores the original world vision of Sir John Falconer and Rudolph Bing and, with Roddy, recalls the highs and lows of The Edinburgh International Festival, The Fringe, Art, Book, Jazz and Television Festivals, and The Royal Edinburgh Military Tattoo. Now in its eighth decade, can the Edinburgh Festival survive? Where do we go from here?
Emerging as the dark side of Romanticism, horror is one of literature’s oldest genres. Its history is so diverse it’s sometimes difficult to define. Are moody stories about ghosts and vampires related to gory tales of beasts and zombies? And what about the more realistic terrors of murderous rogues and diabolical doctors? The emotion of fear unifies the 14 stories in First Came Fear: New Tales of Horror. But fear is legion in its varieties. The authors skillfully navigate terror of all types. M.P. Diederich’s “Dressage for Beginners” and Christopher Calix’s “The Wedding Gift” are fine examples of the ghoulish humor tradition while J.P. Whitmer’s “Loved to Death” will frighten you in a stunningly visceral way. Oliver Ledesma’s “Atabey” and Samantha Pilecki’s “Roser and the Guide to the Inexplicable” impart fear through non-traditional storytelling and Sarah K. Stephens’ “The Factory” shows how effectively, and chillingly, horror can tackle social issues. All the stories are accompanied by Luke Spooner’s dramatic art, which combines Gothic macabre with echoes of classic horror illustration. The entire collection will have you gripping the edge of your seat or biting your fingernails, yet leave you longing for more!
Everyone's favorite astrology book, having sold over 700,000 copies, includes a PC- and Mac-compatible CD where you can create your own chart! This edition of The Only Astrology Book You'll Ever Need still includes detailed information about how to cast your own chart the old-fashioned way and, more importantly, how to interpret it once you're finished. And the CD allows the reader to cast his or her chart in just a few minutes by inputting the date, time, and place of birth into the computer, producing a personalized astrological chart in just a few minutes. Once the reader's chart is created, he or she is directed to the corresponding pages in the book to read further about moon signs, sun signs, ascending signs, placement of the planets in thehome, and much more.
In the global world of the Internet, where anything is possible, where scientists never cease to astonish yet seem to provide more questions than answers, Roddy Martine looks beyond the everyday and the normal, searching for answers in the mysteries of Haunted Scotland. Collected over many years, the author retells stories that have evolved through the mists of time, while others he recounts are based on interviews with those who claim to have experienced real-life paranormal encounters. Divided into geographical chapters covering the Borders, the South West, Strathclyde, the South East, the Central Belt and Trossachs, the Eastern Highlands, the Kingdom of Fife, the Western Highlands, the North, the Hebrides, Orkney and Shetland, Aberdeen, Dundee, Edinburgh, Glasgow, and Inverness, Roddy Martine examines stories of paranormal activity and the legends and folklore of haunted Scotland.
Invasions of introduced species cause varying degrees of harm on the ecosystems in question and it is up to society to deal with the consequences. How can we prevent biological invasions? How can we assess the risk they represent? What can be done to control current invasions? Aware of this problem, the Ministry of Ecology has requested a community of researchers from a variety of disciplines to decipher these questions using biological, sociological and economic approaches. Although the definitive response to the problems raised by invasive species in natural spaces is not provided here, undeniable progress in understanding mechanisms underlying these invasions can shed light on the decisions which have to be taken by environmental managers. Scientists, teachers and students will also find results and thought-processes in this book to supplement their knowledge.
OVER HALF A MILLION COPIES SOLD! This is the classic guide to astrological history, legend, and practice! Readers will enjoy simple, computer-accurate planetary tables that allow anyone born between 1900 and 2100 to pinpoint quickly their sun and moon signs, discover their ascendants, and map out the exact positions of the planets at the time of their birth. In addition to revealing the planets' influence on romance, health, and career, The Only Astrology Book You'll Ever Need takes a closer look at the inner life of each sign. Celebrated astrologer Joanna Martine Woolfolk offers abundant insights on the personal relationships and emotional needs that motivate an individual, on how others perceive astrological types, and on dealing with the negative aspects of signs. Readers will also welcome the inclusion of new discoveries in astronomy. Lavishly illustrated and with an updated design, this new edition is an indispensable sourcebook for unlocking the mysteries of the cosmos through the twenty-first century and beyond.
This is the first empirical, mixed-methods study of copyright issues that speaks to writing specialists and legal scholars about the complicated intersections of rhetoric, technology, copyright law, and writing for the Internet. Martine Courant Rife opens up new conversations about how invention and copyright work together in the composing process for digital writers and how this relationship is central to contemporary issues in composition pedagogy and curriculum. In this era of digital writing and publishing, composition and legal scholars have identified various problems with writers’ processes and the law’s construction of textual ownership, such as issues of appropriation, infringement, and fair use within academic and online contexts. Invention, Copyright, and Digital Writing unpacks digital writers’ complex perceptions of copyright, revealing how it influences what they choose to write and how it complicates their work. Rife uses quantitative and qualitative approaches and focuses on writing as a tool and a technology-mediated activity, arguing the copyright problem is about not law but invention and the attendant issues of authorship. Looking at copyright and writing through a rhetorical lens, Rife leverages the tools and history of rhetoric to offer insights into how some of our most ancient concepts inform our understanding of the problems copyright law creates for writers. In this innovative study that will be of interest to professional and technical writers, scholars and students of writing and rhetoric, and legal professionals, Rife offers possibilities for future research, teaching, curriculum design, and public advocacy in regard to composition and changing copyright laws.
Today, it has been said, the world is "flat," as online media allow information to move easily from point to point across the earth. International legal differences, however, are increasingly affecting the ease with which data and ideas can be shared across nations. Copyright law, for example, affects the international flow of materials by stipulating who has the right to replicate or to share certain kinds of content. Similarly, perspectives on privacy rights can differ from nation to nation and affect how personal information is shared globally. Moreover, national laws can affect the exchange of ideas by stipulating the language in which information must be presented in different geopolitical regions. Today's technical communicators need to understand how legal factors can affect communication practices if they wish to work effectively in global contexts. This collection provides an overview of different legal aspects that technical communicators might encounter when creating materials or sharing information in international environments. Through addressing topics ranging from privacy rights and information exchange to the legalities of business practices in virtual worlds and perspectives on authorship and ownership, the contributors to this volume examine a variety of communication-based legal issues that can cause problems or miscommunication in international interactions. Reviewing such topics from different perspectives, the authors collectively provide ideas that could serve as a foundation for creating best practices on or for engaging in future research in the area of legal issues in international settings.
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