This book has been written out of a deep concern to see Jewish believers in Yeshua-Jesus playing their part in the worldwide church of Messiah, using their knowledge of God's word, their Jewishness, their natural and spiritual gifts, and a humble, thankful heart. Knowledge of the truths of Scripture is a vital key to love for God and fruitfulness in his service, and this book focuses on both the Bible's unfolding story (biblical theology) and its specific doctrines and their interrelationship (systematic theology). Our aim is to build a biblical framework of thinking in the heart and mind. It is written from an evangelical understanding and in a way that interacts with the main forms of Judaism and Christianity. It is a study book, with questions to answer and further reading suggestions. Similar books of doctrine with the same scope have been written, but few if any take account of the context of Jewish readers and the issues which are important to them. The authors have attempted to achieve this within the context of the whole counsel of God. Error sets no one free but truth does; the hope of the authors is for readers to be free to love and serve the Lord with all their mind and heart.
Marvel Studios has provided some of the biggest worldwide cinematic hits of the last eight years, from Iron Man (2008) to the record-breaking The Avengers (2012), and beyond. Having announced plans to extend its production of connected texts in cinema, network and online television until at least 2028, the new aesthetic patterns brought about by Marvel's 'shared' media universe demand analysis and understanding. The Marvel Studios Phenomenon evaluates the studio's identity, as well as its status within the structures of parent Disney. In a new set of readings of key texts such as Captain America: The Winter Soldier, Guardians of the Galaxy and Agents of S.H.I.E.L.D., the thematics of superhero fiction and the role of fandom are considered. The authors identify milestones from Marvel's complex and controversial business history, allowing us to appraise its industrial status: from a comic publisher keen to exploit its intellectual property, to an independent producer, to successful subsidiary of a vast entertainment empire.
Actress, singer, musical theater star, gay icon: Liza Minnelli. Always citing the past but acting in present, her image is an oddity of the entertainment industry. Private background and acting roles flow together in the case of Minnelli who was born into the American show business in 1946. But she is more than "Cabaret", Great American Songbook, Broadway and drag model. This book is neither another sentimental biography of her so-called tragic private life nor a pure scientific examination. It simply aims to analyze her single fields of work in theater, film, television, recording studio and on concert stage that all perform together like a clockwork.
Locked in a common fight against Imperial Japan, the United States and Nationalist China became allies, but significant fissures in their relationship soon developed. Neither ally would accommodate each other’s core interests in strategies necessary to win the war. This disconnect continued after Japan’s surrender, as the United States pressed Chinese Nationalists and Communists to join a coalition government that neither wanted. During the civil war, the United States supported the Nationalists, but never to the degree they thought mattered. After the Communist triumph, America served its national security and anti-Communism, by helping the Nationalists defend Taiwan, but hedged against assisting Chiang Kai-shek to reconquer the mainland. Twice in the 1950’s tensions in the Taiwan Strait nearly expanded into nuclear conflict.
Classic film noir was Hollywood's 'dark cinema' of crime and corruption; a genre underpinned by a tone of existential cynicism which stripped bare the myth of the American Dream and offered a bleak, nightmarish vision of a fragmented society that rhymed with many of the social realities of forties and fifties America. Mean Streets and Raging Bulls explores how, since its apparent demise in the late fifties, the noir genre has been revitalized during the post-studio era. The book is divided into two sections. In the first, the evolution of film noir is contextualized in relation to both American cinema's industrial transformation and the post-Depression history of the United States. In the second, the evolution of neo-noir and its relation to classic film noir is illustrated by detailed reference to representative texts including Chinatown (Roman Polanski, 1974), Night Moves (Arthur Penn, 1975), Taxi Driver (Martin Scorsese, 1976), Blood Simple (Joel and Ethan Coen, 1984), After Hours (Martin Scorsese, 1985), Sea of Love (Harold Becker, 1989), Resevoir Dogs (Quentin Tarantino, 1992), and Romeo is Bleeding (Peter Medak, 1994).
Explore the enduring influence of the Western – the quintessential American film genre – and its essential role in US and world culture. Follow the entire history of the Western, from its roots in the pulp novels of the early 20th century, through the serials of the silent era and the mid-century classics of John Ford and John Wayne, to the recent award-winning revisionist works, like Unforgiven and No Country for Old Men, that provide a more complex and nuanced take on history of the West. Perhaps more than any other pop culture genre, the Western allows us to view how Americans have seen themselves over the last 150 years. Build a foundational understanding of the genre with 5 introductory essays, exploring the development of the Western Mythos in the traditional Western, the heyday of the traditional Western in the post-WWII period, revisionist Westerns and the counterculture, race and identify, and the Western outside of the USA. Close to 100 encyclopedia entries examine one or more movies or television programs and show how their creation and plots demonstrate the overall evolution of the genre. Easily compare films and TV programs – from early genre favorites such as Gunsmoke to more recent releases like Django Unchained – with essential facts boxes accompanying each entry, with information on the director, studio, key actors, and box office receipts.
OUT OR WAR-TORN SKIES, A LEGENDARY PILOT IS BORN Royal Leonard (1905-1962) flew in and out of aviation history - just on the edge of fame. His exploits mirror important developments in the Golden Age of American Aviation (1925-1941) and the Sino-Japanese War (1937-1945). "If Royal's story were told in a novel," says long-time China pilot and author Felix Smith, "nobody would believe it all could have happened to one man." Royal learned his craft at the West Point of the Air in San Antonio, Texas. As a Western Air Express night mail pilot, he pioneered blind flying along the treacherous Rocky Mountains. As a TWA pilot, he introduced celestial navigation. An early Airline Pilots Association (ALPA) officer, he fought for mail plane safety at the cost of his job. He flew the Lockheed Orion in which Wiley Post and Will Rogers later crashed and attributed their fatal accident to a surprising cause. During the 1930s, a handful of elite pilots were racers. Jackie Cochran selected Royal as a copilot for the MacRobertson Race of the Century between England and Australia. Royal also competed in the Bendix Death Race in a Gee Bee Widow Maker. Before World War II, Royal worked for the Chinese warlord known as the Young Marshal who kidnapped Nationalist dictator Chiang Kai-shek and changed the course of Chinese history. Royal provided Communist political commissar Chou En-lai his first plane ride and later served as Chiang Kai-shek's personal pilot. During the war, Royal's roles were unique. Claire Chennault chose him to command the Flying Tigers Bomber Group. Royal briefed Colonel Jimmy Doolittle on Chinese landing fields for the Tokyo Raid. Royal, Chennault and Madame Chiang Kai-shek planned their own Tokyo bombing raid. Royal survived flying the Skyway to Hell over the Hump for China National Aviation Corporation. No wonder after a perilous flight war correspondent Martha Gellhorn described Royal as her "hero." Author's Biography The author has spent twenty years uncovering a rich trove of private documentary sources about the Forgotten Aviator. Martin is a Phi Beta Kappa graduate of the College of William and Mary and has an M.A. in history from the University of Washington and a J.D. from the University of California - Berkeley. He is a retired Administrative Law Judge and resides in Sacramento, California with his wife, Carolyn.
This book examines different affinities between major classical authors and great filmmakers alongside representations of ancient myth and history in popular cinema.
Described as 'one of the most vulgar forms of barbarism, ' by Rep. John Kasson (R-IA) in 1882, a series of laws passed by the United States Congress between 1879 and 1943 resulted in prohibiting the Chinese as a people from becoming U.S. citizens. Forbidden citizens recounts this long and shameful legislative history"--Page 4 of cover.
This book collects a number of Martin Shefter's most important articles on political parties. They address three questions: Under what conditions will strong party organizations emerge? What influences the character of parties--in particular, their reliance on patronage? In what circumstances will the parties that formerly dominated politics in a nation or city come under attack? Shefter's work exemplifies the "new institutionalism" in political science, arguing that the reliance of parties on patronage is a function not so much of mass political culture as of their relationship with public bureaucracies. The book's opening chapters analyze the circumstances conducive to the emergence of strong political parties and the changing balance between parties and bureaucracies in Europe and America. The middle chapters discuss the organization and exclusion of the American working classes by machine and reform regimes. The book concludes by examining party organizations as instruments of political control in the largest American city, New York.
The Watergate scandal was a horror show. What better way to satirize it than with a horror movie? Tobe Hooper's The Texas Chain Saw Massacre premiered in October 1974, mere weeks after the resignation and pardon of Richard Nixon brought an uncertain end to the most corrupt and criminal presidency in American history. The film had been conceived, written, shot, edited, and produced precisely as Watergate was playing out, and those responsible for Chain Saw unhesitatingly spoke of the horrors of contemporary politics as having directly inspired the ones they created for the film. Leatherface vs. Tricky Dick presents a fascinating minute-by-minute exploration of the many uncanny connections between The Texas Chain Saw Massacre and Watergate, as well as other ways the film comments on contemporary politics via satire and (very) dark humor. Read and discover Chain Saw’s response to the White House horrors, the Saturday Night Massacre, and more, as well as how Leatherface’s masks relate to all those Nixon masks worn throughout “our long national nightmare.”
This is an exploration of the representation of Ireland and the Irish in British and US cinemas, as well as Irish-made films. The book offers readings of a wide range of key films such as The Butcher Boy (1997), Patriot Games (1992) and Angela's Ashes (1999). It discusses the full range of Irish cinematic productions from the low-budget work of Comerford and Breathnach, to the bigger Hollywood productions like Ron Howard's Far and Away (1992), and looks at the 'second' cinema of directors such as Neil Jordan and Jim Sheridan where medium-sized budgets allow for greater creative control in Ireland. Feeding into wider debates about national and cultural identity, post-national cinema and the role of the state, the book provides an overview of how a relatively small film culture such as Ireland's can live successfully in the shadow of Hollywood.
Most of the Directors I've worked with needed someone to talk to who is deep inside the heart of the movie. - Mick Audsley, Film Editor Film editing is understood by the industry to be one of the most crucial contributions to film-making. World-class British editors such as Antony Gibbs and Anne Coates have received recognition of their importance in Hollywood and experienced British Editors have important roles in a surprising number of major American movies . This book attempts to explain this mot elusive of roles by allowing editors to describe in their own words what they do and to bring them into the critical and public spotlight. It is the most comprehensive survey of its kind to date and is based upon interviews with many distinguished editors who have worked on films as diverse as Blade Runner and Carry on Up the Khyber, Die Hard 2 and Blow Up, American Beauty and Performance. The British Film Editor also provides a detailed history of editing, together with extensive filmographies.
The Times Book of the Week * * * 'I could read Martin Williams all day. He is a staggeringly communicative historian; this book throws shafts of light on recent history almost repeating itself, giving vivid glimpses into monarchy and the way things were, and are. Compulsory reading.' --- Dame Joanna Lumley 'A social historian and gifted storyteller, Williams is by turns moved and amused as he reflects on the poignancy and rituals of a nation united (pretty much) in grief...' --- The Times 'adroitly-written...[told by Williams] so skilfully, and with such silken prose, that it's a pleasure to spend the time inside his head' --- The Oldie 'delightful details...to rekindle this vanished epoch' --- Country Life 'Vivid, panoramic, skilfully written, this gripping book is an insight into a time and an age'. --- Kate Williams 'Martin Williams has written a fascinating and absorbing account of the Edwardian era, the demise and funeral of the King, and the iconic Black Ascot that followed it. He has brought a lost age grippingly to light'. --- Hugo Vickers 'witty, informative and immensely readable... captures the spirit of the times'. --- Miranda Seymour 'A tour de force'. --- Dr Kate Strasdin 'We tend to think that Cecil Beaton single-handedly invented the Edwardian Age. Martin Williams shows us succinctly and elegantly that perhaps it was the King himself.' --- Nicky Haslam '... moves with unflagging wit and style. A fresh perspective on a brilliant life and a lost era beautifully evoked, it is impossible not to be swept away by this gem of a book. Pure pleasure.' --- Robin Muir 'a must-have... a wonderful and thought-provoking read.' --- The Historian '...a book about a changed and changing world trying to cope with even more change...beautifully written [and] timely' --- The Catholic Herald Unforgettable as it was, the public response to the death of Queen Elizabeth II in September 2022 was not without precedent. When her great-grandfather King Edward VII - glamorous, cosmopolitan and extraordinarily popular - died in May 1910, the political, social and cultural anxieties of a nation in turmoil were temporarily set aside during a summer of intense and ritualised mourning. In The King is Dead, Long Live the King! Martin Williams charts a period of tension and transition as one era slipped away and another took shape. Witnessed by a diverse but interconnected cast of characters - crowned heads and Cabinet ministers, debutantes and suffragettes, artists and murderers - here is the swansong of Edwardian Britain. Set against a backdrop of bereavement and parliamentary crisis overshadowed by the gathering clouds of war, we see a people caught between past and future, tradition and modernity, as they unite to bid farewell to a much-loved monarch who had personified his age. From Buckingham Palace to Bloomsbury, and from the lying-in-state in Westminster Hall to a now legendary Royal Ascot enveloped in black, this is a vivid evocation of a world on the brink of seismic upheaval.
In this personal memoir from inside the mind of depression, the author addresses the use of medication, the misuse of drugs, and the unnatural fallout of common joy.
This Concise Encyclopedia draws its material from the award-winning Encyclopedia of Materials: Science and Technology, and includes updates and revisions not available in the original set. This customized collection of articles provides a handy reference for materials scientists and engineers with an interest in the structure of metals, polymers, ceramics and glasses, biomaterials, wood, paper, and liquid crystals.Materials science and engineering is concerned with the relationship between the properties and structure of materials. In this context "structure" may be defined on the atomic scale in the case of crystalline materials, on the molecular scale (in the case of polymers, for example), or on the microscopic scale. Each of these definitions has been applied in making the present selection of articles.* Brings together articles from the Encyclopedia of Materials: Science & Technology that focus on the structure of materials at the atomic, molecular and microscopic levels, plus recent updates* Every article has been commissioned and written by an internationally recognized expert and provides a concise overview of a particular aspect of the field * Extensive bibliographies, cross-referencing and indexes guide the user to the most relevant reading in the primary literature
This book examines stealth liposomes from a multidisciplinary approach, which includes theoretical polymer physics, organic synthesis, colloid science, and biology. Discussions include theory, chemistry, biochemistry, pharmacology, preclinical studies in model systems, and medical applications in humans.
Hydroxybenzophenones are most useful synthetic intermediates in the chemical industry, for example in pharmaceuticals, dyes, fragrances, agrochemicals, explosives and plastics. In this handbook, the diverse methods of obtaining over 1900 hydroxybenzophenones are described, and their physico-chemical properties and spectroscopic data references are indicated. Hence, ketones are classified methodically. They are thus easily accessible from three tables; the molecular formula index, the chemical abstracts registry numbers, and the usual names index. This work will prove to be a valuable tool for laboratory work and research and development departments. It is set to become the reference on hydroxybenzophenones. This handbook is particularly intended for engineers in chemical synthesis and academic as well as industrial researchers from various branches of chemistry.
This bestselling video guide to films, serials, TV movies, and old TV series available on video is completely updated with the newest releases. Containing more than 18,000 listings, this revised edition includes 400 new entries that are detailed with a summary, commentary, director, cast members, MPAA rating, and authors' rating.
Loads of listings, indexes and categories for cross-referencing, and a very useful distributor guide". -- Virginian Pilot Parent's Magazine contributing editor and family entertainment reviewer Martin Kohn makes it fun and easy to select videos the whole family can enjoy, from The Hunchback of Notre Dame to The Phantom. This fully updated and enhanced new edition presents 1,000 new reviews, including 500 new kidvids, plus warnings about drugs, violence and sexual content. With a total of more than 4,000 films for children or the whole family, this is by far the biggest and most comprehensive family guide on the market.
All good screenplays are unique, but all bad screenplays are the same. Flinn's book will teach the reader how to avoid the pitfalls of bad screenwriting and arrive at one's own destination intact.
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