William Blake is a universal artist--an inspiration to visual artists, musicians, poets, and performers worldwide as well as everyone who aspires to the ideals of personal, spiritual, and creative liberty. His heroic story has inspired an invigorated generations. His personal struggles during a period of political terror and oppression, his technical innovations, and his political commitment all remain deeply relevant today. This book presents a comprehensive overview of Blake's work as a printmaker, poet, and painter, foregrounding his relationship with the art world of his time and telling the stories behind many of his most iconic images."--
Combining visual analysis, social history and masculinity studies, Bodybuilding effects a vivid image of this critical period in Britain's cultural history and establishes on ambitious new framework for the study of late eighteenth-century art and gender."--BOOK JACKET.
In February and March of 1849, the "Illustrated London News" carried a series of announcements about the works of the painter John Martin being exhibited at the British Institution, the third of which included an account of his early life. On the 17 March the paper received a long letter from the artist, reproduced here in full, in which he demands a right of reply. Their article is, he claims, "so unfortunate a tissue of errors from beginning to end, that it can only have the effect of misleading your readers." Martin's brief autobiography makes fascinating reading. Beginning with his youth in Newcastle where he was apprenticed to a coach-builder, it recounts his initial struggles in London and the eventual recognition accorded to his vast, apocalyptic landscape painting and stunning engravings, ending with the civic works he devoted himself to in later years. The reader is left in awe of Martin's determination and drive.With an introduction by Martin Myrone, Lead Curator of Pre-1800 British Art at Tate Britain, this engaging book provides many new insights into the work of this extraordinary painter of sublime landscapes and the times in which he lived.
Corruption, decadence, racial hatred and the clash of faiths. Welcome to southern France in the 14th century. Nicholas, a young monk from Croyland Abbey in the wild and remote Lincolnshire fens, takes a turbulent ride through the medieval Languedoc. Already struggling to adapt to the more licentious environment outside the monastic cloister, he is forced to undertake a hazardous journey which takes him from the Papal Palace at Avignon to Bziers, Narbonne, Carcassonne and the shrine of Rocamadour. Along the way, he encounters a disturbing and often frightening world of mindless slaughter, the abuse of power and the spreading tentacles of the Inquisition. At the same time, he finds himself challenged and ultimately transformed by his dramatic experiences, and by the memorable characters he meets along the way. The English Pilgrim is a novel about faith, adventure, human suffering and self-discovery.
Combining visual analysis, social history and masculinity studies, Bodybuilding effects a vivid image of this critical period in Britain's cultural history and establishes on ambitious new framework for the study of late eighteenth-century art and gender."--BOOK JACKET.
A compilation of important biographical writings on William Blake, a painter, printmaker, poet, and mystical thinker who became one of the leading figures of Romanticism. William Blake (1757–1827) was a British painter, printmaker, poet, and mystical thinker who became one of the leading figures of Romanticism. This volume presents the earliest critical essay on his art by journalist and diarist Henry Crabb Robinson, reproduced here in full for the first time in English, as well as illuminating biographical texts by painter John Thomas Smith, and writer Alexander Gilchrist. An introduction by Martin Myrone, lead curator of British art to 1800 at Tate, contextualizes these writings, which provide a rich, nuanced view of the life and inventive work of both “the historical Blake” and “the invented Blake”—the artist who today occupies a revered place in the pantheon of visionary artists.
In February and March of 1849, the "Illustrated London News" carried a series of announcements about the works of the painter John Martin being exhibited at the British Institution, the third of which included an account of his early life. On the 17 March the paper received a long letter from the artist, reproduced here in full, in which he demands a right of reply. Their article is, he claims, "so unfortunate a tissue of errors from beginning to end, that it can only have the effect of misleading your readers." Martin's brief autobiography makes fascinating reading. Beginning with his youth in Newcastle where he was apprenticed to a coach-builder, it recounts his initial struggles in London and the eventual recognition accorded to his vast, apocalyptic landscape painting and stunning engravings, ending with the civic works he devoted himself to in later years. The reader is left in awe of Martin's determination and drive.With an introduction by Martin Myrone, Lead Curator of Pre-1800 British Art at Tate Britain, this engaging book provides many new insights into the work of this extraordinary painter of sublime landscapes and the times in which he lived.
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