In The Trigger Men, bestselling author Martin Dillon delves into the dark and sinister world of Irish terrorism and counter-terrorism. Over three decades he has interviewed and investigated some of the most professional, dangerous and ruthless killers in Ireland. Now Dillon explores their personalities, motivations and bizarre crimes.Many of Ireland's assassins learned their trade in fields and on hillsides in remote parts of Ireland, while others were trained in the Middle East or with Basque separatist terrorists in Spain. Some were one-target-one-shot killers, like the sniper who terrorised the inhabitants of Washington State in the autumn of 2002, while others were bombers skilled in designing the most sophisticated explosive devices and booby traps. Another more powerful group of 'trigger men' were the influential figures in the shadows, who were experts in motivating the killers under their control. All of these men, whether they squeezed the trigger on a high-powered rifle, set the timer on a bomb or used their authority to send others out to commit horrific and unspeakable acts of cruelty, are featured in this book. The Trigger Men takes the reader inside the labyrinthine world of terrorist cells and highly classified counter-terrorism units of British Military Intelligence. The individual stories are described in gripping, unflinching detail and show how the terrorists carried out their ghastly work. Dillon also explores the ideology of the cult of the gunmen and the greed and hatred that motivated assassins in their killing sprees. There are penetrating insights into the mindset of the most infamous assassins: their social and historical conditioning, their callousness......
Republic Pictures Corporation, began as a motion picture laboratory in 1915. By 1935, Republic had become a studio and released its first movie, Westward Ho! starring a young John Wayne, who would stay with Republic for the next 17 years. Republic would go on to produce highly successful Westerns starring singing cowboys Gene Autry and Roy Rogers as well as serial adventure series. The studio cranked out so many exciting (not to mention money-making) serials that it became known as "The Thrill Factory." Occasionally, Republic would produce and distribute "A" features, such as Macbeth and The Quiet Man, but it was the "B" Westerns and adventure serials that they knew best how to produce and market. Until its demise in 1959, Republic fed hungry moviegoers with a steady diet of "B" Westerns, serials, dramas, series pictures and musicals. The Republic Pictures Checklist provides a full listing of Republic releases, with plot synopses, release dates, alternate titles, chapter titles and awards. All of Republic's output, including documentaries and training films, is included.
___________ 'This excellent book demands the attention of anyone concerned about civil liberties in the United Kingdom' Guardian 1969 was a year of rising tension, violence and change for the people of Northern Ireland. Rioting in Derry's Bogside led to the deployment of British troops and a shortlived, uneasy truce. The British army soon found itself engaged in an undercover war against the Provisional IRA, which was to last for more than twenty years. In this enthralling and controversial book, Martin Dillon, author of the bestselling The Shankill Butchers, examines the roles played by the Provisional IRA, the State forces, the Irish Government and the British Army during this troubled period. He unravels the mystery of war in which informers, agents and double agents operate, revealing disturbing facts about the way in which the terrorists and the Intelligence Agencies target, undermine and penetrate each other's ranks. The Dirty War is investigative reporting at its very best, containing startling disclosures and throwing new light on previously inexplicable events.
During the 1970s a group of Protestant paramilitaries embarked on a spree of indiscriminate murder which left thirty Northern Irish Catholics dead. Their leader was Lenny Murphy, a fanatical Unionist whose Catholic-sounding surname led to his persecution as a child for which he took revenge on all Catholics. Not for the squeamish, The Shankill Butchers is a horrifyingly detailed account of one of the most brutal series of murders in British legal history--a phenomenon whose real nature has been obscured by the political and violent context from which it sprang.
Renaissance Lawman: The Education and Deeds of Eliot H. Lumbard details the life, education, and public service career of Eliot Howland Lumbard. A lawyer, who most of his life, lived and worked in Manhattan and whose legal career spanned more than fifty years beginning in the early 1950s. Lumbard is easily identified as a renaissance lawman for having gained considerable expertise in the operations of the political and justice systems, and for proceeding to capitalize on this knowledge to become both an advocate and initiator of progressive reforms for criminal justice. His contributions on behalf of public safety have been largely forgotten but throughout this intriguing biography Martin Alan Greenberg successfully juxtaposes many of Lumbard's professional activities with many of the major historical developments and challenges of his time. The chronicled events emphasize what motivated the people in his generation to behave as they did since the world today is a much different place than what Americans were experiencing in the first three decades after WW II. Cultural and technological changes have combined to make our present-day world quite different from over a half-century ago. Renaissance Lawman proves to be especially rewarding to a wide-range of readers interested in police work, criminal justice history, public service leadership, and legal ethics. There are no other comparable books on the market. Lumbard certainly had a unique legal career and his impactful contributions have seldom, if ever, been duplicated – even if his contributions, on behalf of public safety, have been largely forgotten.
The book presents an account of the Ohio Middle Woodland period embankment earthworks, ca 100 B.C. to A.D. 400, that is radically different from the prevailing theory. Byers critically addresses all the arguments and characterizations that make up the current treatment of the embankment earthworks and then presents an alternative interpretation. This unconventional view hinges on two basic social characterizations: the complementary heterarchical community model and the cult sodality heterarchy model. Byers posits that these two models interact to characterize the Ohio Middle Woodland period settlement pattern; the community was constituted by autonomous social formations: clans based on kinship and sodalities based on companionship. The individual communities of the region each have their clan components dispersed within a fairly well-defined zone while the sodality components of the same set of region-wide communities ally with each other and build and operate the embankment earthworks. This dichotomy is possible only because the clans and sodalities respect each other as relatively autonomous; the affairs of the clans, focusing on domestic and family matters, remain outside the concerns of the sodalities and the affairs of the sodalities, focusing on world renewal and sacred games, remain outside the concerns of the clans. Therefore, two models are required to understand the embankment earthworks and no individual earthwork can be identified with any particular community. This radical interpretation grounded in empirical archaeological data, as well as the in-depth overview of the current theory of the Ohio Middle Woodland period, make this book a critically important addition to the perspective of scholars of North American archaeology and scholars grappling with prehistoric social systems.
No fewer than 223 verses in Proverbs appear two times (79 sets), three times (15 sets), or even four times (5 sets) in identical or slightly altered form—more than 24% of the book. Heim analyzes all of these, presenting them in delineated Hebrew lines and in English translation. Where appropriate, the translations are followed by textual notes that discuss uncertainties regarding the textual witnesses (textual criticism) and explore lexical, grammatical, and syntactical problems. Heim also analyzes the way the parallelism in each verse of a variant set has been constructed, presenting diagrams and tables with columns that highlight the corresponding similarities and differences among repeated verses. Key to this investigation is the search for links between the variants and their surrounding verses, such as repetitions of sound and sense. Heim shows that most variant repetitions result from skillful poetic creativity. Reconstruction of the editorial and creative poetic process highlights what poets did, how they did it, and why they did it. He develops criteria for determining the direction of borrowing between the verses and demonstrates that the phenomenon of variant repetition is an editorial concern that operates on the level of the book as a whole. He develops and refines a range of interpretive techniques and skills, arrives at fresh interpretations, and shows that ancient proverbial wisdom is relevant to modern societies. This study sheds new light on the nature of biblical poetry and on the methods and virtues best suited for its study. While specific to the book of Proverbs in the first instance, the findings in this study apply to poetry elsewhere. Three fundamental insights should inform future work on poetry: the creative combination of repetition with variation is the very essence of poetry; what has been written with imagination should be read with imagination; imaginative interpretation values the normal features of poetic expression and celebrates the truly unusual.
Hailed as "absolutely the best reference book on its subject" by Newsweek, American Musical Theatre: A Chronicle covers more than 250 years of musical theatre in the United States, from a 1735 South Carolina production of Flora, or Hob in the Well to The Addams Family in 2010. Authors Gerald Bordman and Richard Norton write an engaging narrative blending history, critical analysis, and lively description to illustrate the transformation of American musical theatre through such incarnations as the ballad opera, revue, Golden Age musical, rock musical, Disney musical, and, with 2010's American Idiot, even the punk musical. The Chronicle is arranged chronologically and is fully indexed according to names of shows, songs, and people involved, for easy searching and browsing. Chapters range from the "Prologue," which traces the origins of American musical theater to 1866, through several "intermissions" (for instance, "Broadway's Response to the Swing Era, 1937-1942") and up to "Act Seven," the theatre of the twenty-first century. This last chapter covers the dramatic changes in musical theatre since the last edition published-whereas Fosse, a choreography-heavy revue, won the 1999 Tony for Best Musical, the 2008 award went to In the Heights, which combines hip-hop, rap, meringue and salsa unlike any musical before it. Other groundbreaking and/or box-office-breaking shows covered for the first time include Avenue Q, The Producers, Billy Elliot, Jersey Boys, Monty Python's Spamalot, Wicked, Hairspray, Urinetown the Musical, and Spring Awakening. Discussion of these shows incorporates plot synopses, names of principal players, descriptions of scenery and costumes, and critical reactions. In addition, short biographies interspersed throughout the text colorfully depict the creative minds that shaped the most influential musicals. Collectively, these elements create the most comprehensive, authoritative history of musical theatre in this country and make this an essential resource for students, scholars, performers, dramaturges, and musical enthusiasts.
SASQUATCH RACES, the second book of The Emagication Trilogy, is presented in a different style of magic realism science fiction than the first book but involves primarily the third generation characters of that story. Although it helps to illuminate some of the solutions, the second book is not meant to be dependent upon the first book with respect to understanding the story. A field search with Tessa for bigfoot uncovers shapeshifting humans who transform Mickey involuntarily into a sasquatch. He faces being alone, unprepared for the most basic circumstances, or joining a terrorist group. What should he eat? What does he look like? Should he contact his family to let them know he is alive? Is he really ‘alive’ in a human sense? Where would he go if he tries to escape? And what are the psychological tests being administered to him? Who are these shapeshifting characters really? What long-term impact does biological mutation have? Who can rally the true sasquatches and how can they help? Why has Mickey been chosen in the first place? What is the story behind the story? QUANTUM CRYSTAL SKULL, the first book of the trilogy, is presented as a magical realism cyclical period piece but is grounded in social history. Ultimately the first book brings the story to the northwest and provides the challenging lines and boundaries for the predicaments of the second book of the trilogy. What ever became of the lone escapee of Stalin’s evil experiment to cross-breed humans and apes for warriors? Why is the crystal skull a catalyst for either destiny or fate? Can secrets become self-condemning? What affect does the crystal skull on biological mutation? Mickey, unsure of his role in the family prophecy, has a chance, bizarre incident with Tessa. Or was it chance? EMAGICATION, the third book of the trilogy, was written in yet a third style of magic realism and is interactive with the first two books. Why would Novalogy attempt to control the moon? How does a clone battle his original for his soul? The learning curve for author Glade Mahoney involves two reappearing red stones, time dilations, a psychic sasquatch, a secret native storytelling society and a guided interdimensional incarnation event. He must create the first two books of the trilogy to necessitate “emagication” as a solution. The entire trilogy is expected to become available during 2016.
Fair, witty appraisal of cranks, quacks, and quackeries of science and pseudoscience: hollow earth, Velikovsky, orgone energy, Dianetics, flying saucers, Bridey Murphy, food and medical fads, and much more.
The author team that wrote the upcoming Skyhorse title Edison vs. Tesla, as well as The Haunting of the Presidents and other titles about the weird, the supernatural, and the unexplained, turn their attention to the oval office for a unique view of UFOs in America and more specifically, what America's presidents--from Washington to Obama--have witnessed and believed. Most of us know that George Washington was heavily involved with the secret society the Freemasons. But how many of us know about George Washington's UFO sighting during the terrible winter at Valley Forge, and how the experience guided his future? Marilyn Monroe is rumored to have had UFO intel that she gained via pillow-talk from JFK. Under Nixon's presidency we orbited and walked upon the surface the moon while almost at the same time the Air Force was exploiting the Air Force as scientific cover for its decision to terminate Project Blue Book. Jimmie Carter was visited by UFOs multiple times. UFOs and the White House is an oft-overlooked glimpse at history that will appeal to historians as well as advocates of the paranormal.
The remarkable life of Paul Robeson, quintessential Harlem Renaissance man: scholar, all-American, actor, activist, and firebrand Born the son of an ex-slave in New Jersey in 1898, Paul Robeson, endowed with multiple gifts, seemed destined for fame. In his youth, he was as tenacious in the classroom as he was on the football field. After graduating from Rutgers with high honors, he went on to earn a law degree at Columbia. Soon after, he began a stage and film career that made him one of the country’s most celebrated figures. But it was not to last. Robeson became increasingly vocal about defending black civil rights and criticizing Western imperialism, and his radical views ran counter to the country’s evermore conservative posture. During the McCarthy period, Robeson’s passport was lifted, he was denounced as a traitor, and his career was destroyed. Yet he refused to bow. His powerful and tragic story is emblematic of the major themes of twentieth-century history. Martin Duberman’s exhaustive biography is the result of years of research and interviews, and paints a portrait worthy of its incredible subject and his improbable story. Duberman uses primary documents to take us deep into Robeson’s life, giving Robeson the due that he so richly deserves.
Exegetical study of Proverbs 10:1‐22:16. Proverbs are neither statements of this-worldly cause and effect nor universally applicable doctrines of divine order. Rather, a proverb’s meaning and ‚truth‘ are conditioned by the context. The author delimits sections which the editor(s) of the collection consciously grouped together in their present sequence. He then examines how these literary arrangements both influence the meaning of the individual proverbs and determine their function in context. Indexes of names, passages and subjects are included.
Originally published between 1981 and 2003, the thirteen essays collected here cover topics in medieval rhetoric from its origins in late antiquity through the end of the Middle Ages. Most of the essays are concerned with the teaching of prose composition, especially the art of letter writing known as the ars dictaminis, and many of them focus on specific textbooks that were used for such instruction, in particular those composed in England from the twelfth through the fifteenth centuries. Individual essays are devoted to works by major figures such as Saint Augustine, Peter of Blois, and Geoffrey of Vinsauf; to teaching programmes at important academic centres such as Oxford and Bologna; and to such topics as the relationship between the art of letter writing and the art of poetry, the oral dimension of medieval epistolography, the manuscript traditions of influential textbooks, medieval genre terminology, and the position of medieval rhetoric within a continuous disciplinary history rooted in classical rhetoric.
Smell and taste are our most misunderstood senses. Given a choice between losing our sense of smell and taste, or our senses of sight and hearing, most people nominate the former, rather than the latter. Yet our sense of smell and taste has the power to stir up memories, alter our mood and even influence our behaviour. In The Neuropsychology of Smell and Taste, Neil Martin provides a comprehensive, critical analysis of the role of the brain in gustation and olfaction. In his accessible and characteristic style he shows why our sense of smell and taste do not simply perform basic and intermittent functions, but lie at the very centre of our perception of the world around us. Through an exploration of the physiology, anatomy and neuropsychology of the senses; the neurophysiological causes of smell and taste disorders, and their function in physical and mental illness, Neil Martin provides an accessible and up-to-date overview of the processes of gustation and olfaction. The Neuropsychology of Smell and Taste provides a state-of-the-art overview of current research in olfactory and gustatory perception. With sections describing the effect of odour and taste on our behaviour, and evaluating the contribution current neuroimaging technology has made to our understanding of the senses, the book will be of interest to researchers and students of neuropsychology and neuroscience, and anybody with an interest in olfaction and gustation.
Martin's narrative of this talented lawyer includes not only an account of his relationships with Mayor La Guardia and others, but also details about Burlingham's private life - his eccentric wife; his tragically afflicted son; and his daughter-in-law Dorothy Tiffany Burlingham, who took CCB's grandchildren off to Vienna, where she was analyzed by Sigmund Freud, and her children by Anna Freud."--BOOK JACKET.
As soon as there were automobiles, there was racing. The first recorded race, an over road event from Paris to Rouen, France, was organized by the French newspaper Le Petit Journal in 1894. Seeing an opportunity for a similar event, Hermann H. Kohlsaat--publisher of the Chicago Times-Herald--sponsored what was hailed as the "Race of the Century," a 54-mile race from Chicago's Jackson Park to Evanston, Illinois, and back. Frank Duryea won in a time of 10 hours and 23 minutes, of which 7 hours and 53 minutes were actually spent on the road. Race cars and competition have progressed continuously since that time, and today's 200 mph races bear little resemblance to the event Duryea won. This work traces American auto racing through the 20th century, covering its significant milestones, developments and personalities. Subjects included are: Bill Elliott, dirt track racing, board track racing, Henry Ford, Grand Prix races, Dale Earnhardt, the Vanderbilt Cup, Bill France, Gordon Bennett, the Indianapolis Motor Speedway, the Mercer, the Stutz, Duesenberg, Frank Lockhart, drag racing, the Trans Am, Paul Newman, vintage racing, land speed records, Al Unser, Wilbur Shaw, the Corvette, the Cobra, Richard Petty, NASCAR, Can Am, Mickey Thompson, Roger Penske, Mario Andretti, Jeff Gordon, and Formula One. Through interviews with participants and track records, this text shows where, when and how racing changed. It describes the growth of each different form of auto racing as well as the people and technologies that made it ever faster.
Explore the enduring influence of the Western – the quintessential American film genre – and its essential role in US and world culture. Follow the entire history of the Western, from its roots in the pulp novels of the early 20th century, through the serials of the silent era and the mid-century classics of John Ford and John Wayne, to the recent award-winning revisionist works, like Unforgiven and No Country for Old Men, that provide a more complex and nuanced take on history of the West. Perhaps more than any other pop culture genre, the Western allows us to view how Americans have seen themselves over the last 150 years. Build a foundational understanding of the genre with 5 introductory essays, exploring the development of the Western Mythos in the traditional Western, the heyday of the traditional Western in the post-WWII period, revisionist Westerns and the counterculture, race and identify, and the Western outside of the USA. Close to 100 encyclopedia entries examine one or more movies or television programs and show how their creation and plots demonstrate the overall evolution of the genre. Easily compare films and TV programs – from early genre favorites such as Gunsmoke to more recent releases like Django Unchained – with essential facts boxes accompanying each entry, with information on the director, studio, key actors, and box office receipts.
Members of the ‘Gator Nation' are going to burn the midnight oil turning these pages because Buddy Martin will be boldly taking them where no Florida fan has gone before." --Tony Barnhart, The Atlanta Journal-Constitution/CBS To write the Urban Meyer story, Buddy Martin enjoyed a vantage point rarely afforded authors in constructing the authorized biography of the University of Florida's high-profile coach. Martin takes the reader where no other journalist has gone before as he reports the most intimate details about one of the nation's top college football programs and its coach. During the show-and-tell story of the 2007 Gator season, Martin listened on the headsets in the coaching booth, monitored Meyer's locker room speeches, conducted in-depth interviews with assistant coaches and support personnel, ran on Florida Field with the team prior to the Gators game against Tennessee, and gave Tim Tebow his first Heisman Trophy quiz while having dinner together just weeks before he was named as the winner. Urban's Way, however, is much more than a look at the 2007 season. Martin dug deep into Meyer's background, from his growing-up days in Ashtabula, Ohio, under the strict guidance of his father; to his tumultuous days as a young assistant when he almost quit the profession; to the dynamics of his close relationship with mentors Earle Bruce and Lou Holtz; to the ultimate prize as coach of the 2006 national champion Florida Gators. Readers learn how Meyer was encouraged by his father and his wife, Shelley, to keep going; how his career took off at Notre Dame and then as a head coach at Bowling Green and Utah; how the Falcons came together after their historic "Black Wednesday"; and the impressive manner in which he championed diversity among players in Salt Lake City. Florida fans will be surprised to discover how close Meyer came to choosing the Notre Dame job over the one in Gainesville, despite his yearnings as a small boy to someday coach the Fighting Irish. Through his intense research--and talks with Urban himself--Buddy Martin provides an amazingly detailed look into how a football coach is made. This is not simply the authorized biography of one of college football's top coaches; Buddy Martin also gives fans the inside scoop on the 2006 National Championship. In the chapter "The Joy of Winning It All," players and coaches share their stories of that championship season that produced the middle leg of the "Gator Slam," leading to the good life on the so-called Cul de Sac of Champions, which Urban shares with Gators basketball coach Billy Donovan. It is rare that fans get inside the head of a top coach, but here full disclosure is offered about Urban's personal faith, his Plan to Win, and the inner workings of the Spread offense. Readers are also treated to Meyer's own breakdown of the national championship tape, including his Six Key Plays of the game. Buddy Martin shines a bright light on Urban Meyer, the Florida Gators, and one of the top programs in the country. This is a must-have for Florida Gator football fans and one of the most insightful books ever written on college football.
Best remembered as the author of Joseph Andrews (1742), Tom Jones (1749) and Amelia (1751), Henry Fielding was one of the most important pioneering English novelists of the eighteenth century, and his works continue to occupy a central place in the literary canon. During the 1730s he was the most dominant playwright in London since John Dryden; and in his official capacity as a magistrate, he addressed serious social problems and invented the modern metropolitan police. This reference book makes essential information available to readers interested in Fielding, his life, and his works. The volume is organized in sections devoted to such topics as Fielding's residences; his family members and household; historical persons, including authors who influenced him; his works; themes and topics important to his writings; and characters in his plays and prose fiction. Each section contains numerous entries on particular items, and many entries provide brief bibliographical information. While the sectional organization of the volume invites the reader to explore broad areas of interest, a thorough index provides convenient alphabetical access to the entries. A brief introductory essay and chronology begin the volume, and the book concludes with an extensive bibliography.
The Ss'iyn is a small race of primarily reptilian yet sophisticated individuals who have peacefully existed for countless millennia, covertly hidden inside a canyon labyrinth. Now, after an eon of near-utopian existence, nature has rewarded a few individuals with gifts far beyond the general aspirations of their species. Inside the Canyon of the Great Rainbow, distinctive changes are quietly occurring. Jed Carvey is simply existing. Whilst living with a family of bankers in a forgotten world situated amongst flat expanses of farmland in Eastern England, he muddles through days diluted with disenchanting routines. Through the efforts of a close friend, Jed is torn from his comfort zone, along with his student girlfriend, elder brother, and an aging Catholic priest, to embark on a journey across the world to the tops of the Chilean Andes. But when he encounters more than he ever could have imagined, Jed soon realizes that what he has uncovered could potentially rescue his planet.
Death on the Victorian Beat is the first book dedicated solely to the murders of police officers in the Victorian era, recalling numerous cases from across the United Kingdom. Martin Baggoley highlights the resistance faced everyday by officers of all ranks, in both the great cities and in the supposedly peaceful countryside, during this important and sometimes turbulent period in our history.Many cases are unveiled by the author, including those of: Sergeant Charles Brett, murdered on the streets of Manchester by Fenians attempting to release two of their leaders from a police van; Detective Inspector Charles Thain, fatally wounded at sea by a prisoner he was escorting back from Germany; Constable William Jump lost his life during a bitter industrial dispute involving brickmakers in Ashton-under-Lyne; and Inspector Joseph Drewitt and Constable Thomas Shorter murdered in a confrontation with poachers in Hungerford, to name but a few.This book is bursting with accounts of danger and great courage urging to be read, as the author allows the lives of these gallant officers to run through the pages.
Séamus Connolly, a 10-time All-Ireland fiddle champion from County Clare, and Laurel Martin, a former prize pupil of Séamus and a highly respected teacher of Irish fiddling herself, have made Irish music thoroughly accessible to beginners and more advanced players alike in Forget Me Not: 50 Memorable Traditional Irish Tunes. the book's tunes are printed in basic and then in more ornamented notation, one after the other, and they are accompanied by two compact discs of playing, also in simple and then more-ornamented settings. This refreshing approach by Connolly and Martin enables individuals to learn and master the tunes at their own pace and interest level by sight, sound, or both, with one reinforcing the other for maximum retention and refinement. Complete with background notes on the tunes and a foreword from famed County Clare button accordionist Tony MacMahon, this impressive, practical, all-in-one package presents jigs, reels, hornpipes, marches, set dances, and slow airs in a way that's distinct from any other collection that's available today. It's a handy source of great Irish tunes and an invaluable resource for developing technique, something musicians can return to again and again for both instruction and enjoyment.
Guy Martin, lorry mechanic, motorcycle racing legend and favourite of the Isle of Man TT, lives for the buzz he feels racing his bike round terrifying bends at 200mph. Nothing, he claims, can match it. Or can it? Guy is about to find out ... Guy faces four dangerous and thrilling speed record challenges, pushing the boundaries of speed, and his body, to determine just how fast one man can go. Together with the best of British engineering and design, scientific research, ground breaking technology and a Gold-medal-winning athlete or two, Guy attempts to pedal a bicycle over 100mph by using the slipstream of an articulated lorry; build the world’s fastest human-powered aircraft; hydroplane a modified motocross bike across a two kilometre lake and become the fastest man on a toboggan. Tying in with the Channel 4 television series, Speed offers the inside track – the feats of engineering, the science behind the speed, the history of the challenges and Guy’s adrenaline fuelled, jaw-dropping attempts to break the records. How do you create an aeroplane frame that’s super light but safe enough to crash? What should you fill your bicycle tyres with if common air will explode under the heat of 100mph speeds? And why is the shape of a peregrine falcon the ideal model for a toboggan? Exploring aerodynamics, surface tension, friction, gravity and ground effect, Guy discovers how and why things go really fast.
Drugs and the Future presents 13 reviews collected to present the new advances in all areas of addiction research, including knowledge gained from mapping the human genome, the improved understanding of brain pathways and functions that are stimulated by addictive drugs, experimental and clinical psychology approaches to addiction and treatment, as well as both ethical considerations and social policy. The book also includes chapters on the history of addictive substances and some personal narratives of addiction. Introduced by Sir David King, Science Advisory to the UK Government and head of the Office of Science and Technology, and Nora Volkow, director of the National Institute on Drug Abuse in the USA, the book uniquely covers the full range of disciplines which can provide insight into the future of addiction, from genetics to the humanities. Written for a scientific audience, it is also applicable to non-specialists as well. - Provides an unique overview of what we know about addiction, and how scientific knowledge can and should be applied in the societal, ethical, and political context - Applies the state-of-the-art research in fields such as Genomics, Neuroscience, Pharmacology, Social Policy and Ethics to addiction research - Includes a preface by Sir David King, Science Advisory to the UK Government and head of the Office of Science and Technology, and in introduction by Nora Volkow, director of the National Institute on Drug Abuse in the USA
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