Want to be a successful trader? It's not enough to master generic trading strategies: you must first know yourself. You must understand your own emotional predilections and psychological tendencies. You must learn how to match your strategies to your own personality. You must choose strategies that are sustainable over the long haul, that you can tolerate-and execute. Michael Martin's The Inner Voice of Trading explains why deep self-knowledge is so crucial to successful trading, helps you gain that self-knowledge, and guides you in applying it. Drawing on interviews and discussions with great traders like Michael Marcus and Ed Seykota, he shows how to quiet your mind, develop an "inner voice" you can rely on, and make it your most important trading ally. As seen in Barron's, Minyanville.com and HuffingtonPost.com
First in a series of 14 volumes, this book contains the complete texts of King's letters, speeches, sermons, student papers, and other articles. The papers range chronologically from his childhood to his young manhood. An introductory biographical essay presents a broad picture of the events that the documents themselves cover, while extensive annotations of the documents deal with specific details of King's life during these years. The passion that drove him is observable in nearly every document. ISBN 0-520-07950-7:
In this book Michael Martin provides logical reasons for being an atheist. Carefully examining the current debate in Anglo-American analytic philosophy regarding God's existence, Martin presents a comprehensive critique of the arguments for the existence of God and a defense of arguments against the existence of God, showing in detail their relevance to atheism. Claiming that atheism is a rational position while theistic beliefs are not, he relies both on logic and evidence and confines his efforts to showing the irrationality of belief in a personal supreme being who is omniscient, omnipotent, perfect, and the creator of heaven and earth. The author's approach is two-fold. By presenting and criticizing arguments that have been advanced in favor of belief, he makes a case for "negative atheism." By offering arguments against atheism and defending it from these attacks, he presents a case for "positive atheism." Along the way, he confronts the views of numerous philosophers—among them Anselm, Aquinas, Plantinga, Hick, and Swinburne—and refutes both classical and contemporary arguments that have been advanced through the history of this debate. In his conclusion, Martin considers what would and would not follow if his main arguments were widely accepted, and he defines and distinguishes atheism from other "isms" and movements. Building on the work of religious skeptics and atheists of the past and present, he justifies his reconstruction of this philosophical dispute by citing some of the most interesting and important arguments for atheism and criticisms of arguments for the existence of God that have appeared in recent journal articles and have yet to be systematically addressed. Author note: Michael Martin is Professor of Philosophy at Boston University and author of several books, including The Legal Philosophy of H.L.A. Hart: A Critical Appraisal and The Case Against Christianity (both from Temple).
Despite the pluralism of contemporary American culture, the Judaeo-Christian legacy still has a great deal of influence on the popular imagination. Thus it is not surprising that in this context atheism has a slightly scandalous ring, and unbelief is often associated with lack of morality and a meaningless existence. Distinguished philosopher and committed atheist Michael Martin sets out to refute this notion in this thorough defense of atheism as a both moral and meaningful philosophy of life. Martin shows not only that objective morality and a meaningful life are possible without belief in God but that the predominantly Christian world view of American society is seriously flawed as the basis of morality and meaning.Divided into four parts, this cogent and tightly argued treatise begins with well-known criticisms of nonreligious ethics and then develops an atheistic meta-ethics. In Part 2, Martin criticizes the Christian foundation of ethics, specifically the Divine Command Theory and the idea of imitating the life of Jesus as the basis of Christian morality. Part 3 demonstrates that life can be meaningful in the absence of religious belief. Part 4 criticizes the theistic point of view in general terms as well as the specific Christian doctrines of the Atonement, Salvation, and the Resurrection.This highly informed and sophisticated defense of atheism is a stimulating challenge to religious believers and a serious contribution to ethical theory.
In this systematic philosophical critique of the major tenets of Christianity, Michael Martin examines the semantic and epistemological bases of religious claims and beliefs. Beginning with a comparison and evaluation of the Apostles' Creed, the Niceno-Chalcedonian Creed, and the Athanasian Creed, Martin discusses the principal theological, historical, and eschatological assumptions of Christianity. These include the historicity of Jesus, the Incarnation, the Second Coming, the Virgin Birth, the Resurrection, Salvation through faith in Jesus, and Jesus as a model of ethical behavior. Until now, an adequately convincing criticism of Christianity did not exist. Martin's use of historical evidence, textual analysis, and interpretations by philosophers and theologians provides the strongest case made to date against the rational justification of Christian doctrines.
A gritty collection of 35 stories, written with raw emotion and cool melancholy, told in a compelling narrative voice that will make you smile as it breaks your heart, FUNERALS FOR FRIENDS explores the extraordinary details of ordinary lives. A sobering downhill ride through love and loss, these exciting stories take place in the home, in the office, on the street corner, and within the often disturbing relationships between men and women. But more important, these stories come from a place within the heart that is familiar to all.
The author encourages readers to look at education from the standpoint of culture and raises these new questions: How is a culture's wealth to be defined? Who is qualified to contribute to it? How can we preserve a culture's assets for the next generation?
The revelations over MPs' expenses that began in May 2009 ranged from petty thieving to outright fraud and sparked a crisis in confidence unprecedented in modern times. This was a 21st-century Peasants' Revolt - an uprising of the people against the political class. Ordinary men and women with political views across the spectrum were by turns amused, incredulous, shocked and then bitterly angry as the disclosures on MPs' expenses flooded out. From Home Secretary Jacqui Smith's bath plug to Conservative MP Sir John Butterfill's 'flipping' of his constituency home - a now-notorious manoeuvre that required him to refund GBP60,000 to the taxpayer - the exposure of MPs' expenses revealed Westminster's culture of quiet corruption like never before. Drawing on his experience as an MP and as a member of the Committee on Standards and Privileges, Martin Bell explains how the expenses crisis arose and, most compellingly, lays out his prescription for healing the deep wounds inflicted by the scandal. As Martin puts it: 'The revolution will not be complete until all the rogues in the House are gone and public confidence in the MPs remaining is restored.' This is truly a once-in-a-lifetime opportunity to revive British politics, and the rebuilding starts here.
Originating in 19th-century Germany, "verstehen" (literally understanding) theory argues that social phenomena must be understood from the point of view of the social actor. This work appraises "verstehen" as a method of verification and discovery as well as a necessary condition for understanding.
As charismatic and gifted as he was volatile, Jimmy Martin recorded dozens of bluegrass classics and co-invented the high lonesome sound. Barbara Martin Stephens became involved with the King of Bluegrass at age seventeen. Don't Give your Heart to a Rambler tells the story of their often tumultuous life together. Barbara bore his children and took on a crucial job as his booking agent when the agent he was using failed to obtain show dates for the group. Female booking agents were non-existent at that time but she persevered and went on to become the first female booking agent on Music Row. She also endured years of physical and emotional abuse at Martin's hands. With courage and candor, Barbara tells of the suffering and traces the hard-won personal growth she found inside motherhood and her work. Her vivid account of Martin's explosive personality and torment over his exclusion from the Grand Ole Opry fill in the missing details on a career renowned for being stormy. Barbara also shares her own journey, one of good humor and proud achievements, and filled with fond and funny recollections of the music legends and ordinary people she met, befriended, and represented along the way. Straightforward and honest, Don't Give your Heart to a Rambler is a woman's story of the world of bluegrass and one of its most colorful, conflicted artists.
In this remarkable dual memoir, film legend Martin Sheen and accomplished actor/filmmaker Emilio Estevez recount their lives as father and son. In alternating chapters -- and in voices that are as eloquent as they are different -- they tell stories spanning more than fifty years of family history, and reflect on their journeys into two different kinds of faith."--Dust jacket.
First Published in 2000. At what price entry? Philosopher of education Jane Roland Martin contends that feminist scholars have traded in their idealism for a place in the academy. In Coming of Age in Academe, she looks at the ways that academic feminists have become estranged from women. Determining that this is the membership fee the academy exacts on all its members, she calls for the academy's transformation. Part one explores the chilly research climate for feminist scholars, the academic traps of essentialism and aerial distance, and the education gap in the feminist text. In part two, Martin likens the behavior of present-day feminist scholars to nineteenth-century immigrants to the United States and examines their assimilation into the world of work, politics and the professions. She finds that when you look at higher education, you see what a brutal filter of women it is. Part three highlights the academy's brain drain and its containment of women and then proposes actions both great and small that aim at fundamental change. In this rousing call to action, Martin concludes that the dissociation from women that the academy demands--its entrance fee--can only be stopped by radically reforming the gendered system on which the academy is based.
When my son died, he was six years old. The day we buried him, the Lord and my son came and paid for his funeral. Three months later, the Lord took me to heaven, I found my son and had a short conversation with him, and the Lord talked to me and gave me some messages to give to the world. It was not a near-death experience! 2
The Origins of Self explores the role that selfhood plays in defining human society, and each human individual in that society. It considers the genetic and cultural origins of self, the role that self plays in socialisation and language, and the types of self we generate in our individual journeys to and through adulthood. Edwardes argues that other awareness is a relatively early evolutionary development, present throughout the primate clade and perhaps beyond, but self-awareness is a product of the sharing of social models, something only humans appear to do. The self of which we are aware is not something innate within us, it is a model of our self produced as a response to the models of us offered to us by other people. Edwardes proposes that human construction of selfhood involves seven different types of self. All but one of them are internally generated models, and the only non-model, the actual self, is completely hidden from conscious awareness. We rely on others to tell us about our self, and even to let us know we are a self.
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