Traditional news values no longer hold: infotainment has the day. Journalism is in a terminal state of decline. Or so some contemporary commentators would argue. Although there has been a great diversity in format and ownership over time, Conboy demonstrates the surprising continuity of concerns in the history of journalism. Questions of political influence, the impact of advertising, the sensationalisation of news coverage, the ′dumbing down′ of the press, the economic motives of newspaper owners - these are themes that emerge repeatedly over time and again today. In this book, Martin Conboy provides a history of the development of newspapers, periodicals and broadcast journalism which · enables readers to engage critically with contemporary issues within the news media · outlines the connections, as well as the distinctions, across historical periods · spans the introduction of printed news to the arrival of the ′new′ news media · demonstrates how journalism has always been informed by a cultural practices broader and more dynamic than the simple provision of news By situating journalism in its historical context, this book enables students to more fully understand the wide range of practices which constitute contemporary journalism. As such it will be an essential text for students of journalism and the media.
This book charts the connections between the language of journalism in England and its social impact on audiences and social and political debates from the first emergence of periodical publications in the seventeeth century to the present day. It extends work done on the language of the media to include an historical perspective, adding to wider contemporary debates about the social impact of the media. It draws upon the field of historical pragmatics, while retaining a concentration on the development of a particular form of media language, the newspaper, and its role in refracting and contributing to social developments. Dialogue is created between sociolinguistics and journalism studies. It is ideally suited to advanced students in these areas and in linguistics and media studies in general.
Giordano Bruno (1548-1600), who died at the stake, is one of the best-known symbols of anti-establishment thought. The theme of this volume, which is offered as a collection of essays to honour the distinguished Bruno scholar Hilary Gatti, reflects her constant concern for the principles of cultural freedom and independent thinking. Several essays deal with Bruno himself, including an analysis of the Eroici furori, a study of his reception in relation to the group known as the Novatores, and discussions of several important aspects of his stay in England. The authors and texts discussed here are linked by a relentless interest in the question of authority and originality, and they range from literary figures such as Alberti (1404-72), Vasari (1511-74) and the proponents of quantitative verse in sixteenth-century England to controversial philosophers who, like Bruno, were condemned by the Church, such as Tommaso Campanella (1568-1639) and Giulio Cesare Vanini (1585-1619). Taken together, these chapters show how much that was new and revolutionary in early modern culture came from its confrontation with the past. Martin McLaughlin is Agnelli-Serena Professor of Italian at Oxford. Elisabetta Tarantino is a Teaching Fellow in the Department of Italian at the University of Warwick.
THE present volume, as its title imports, relates a complicated series of conflicts of which the origin or the pretext has for the most part to be sought in the great religious schism of Christianity. But the cause of the restoration of Catholic unity in the West was, in the minds of both the supporters and the opponents of that cause, inextricably interwoven with the purposes of dynastic ambition, and powerfully affected by influences traceable to the rapid advance of the monarchical principle and to the gradual growth of the conception of the modern national State. Although in graver peril than ever before from the persistent advance of the Ottoman Power, Europe no longer finds a real unifying force in either Papacy or Empire. The spiritual ardor of the Catholic Reaction, which might have served to strengthen the resistance to the general enemy of Christendom, is expended largely on internecine conflicts. It allies itself with the settled resolution of Philip of Spain to control the destinies of Western Europe; and thus there is not a phase of the religious and political struggle here described which remains unconnected with the rest. The Religious Wars of France, with an account of which this volume opens, furnish the most complete instance of the constant intersection of native and foreign influences; but it is illustrated by almost every portion of the narrative. Since, therefore, the story of no European country or group of countries in this troubled period admits of being told as detached from the contemporary history of its neighbors, allies, or adversaries, the same series of events must necessarily appear more than once in these pages as forming an organic part of the history of several countries, but treated in each case from a distinct point of view...
Marvell and Liberty is a collection of original essays by leading scholars which treats this major poet in an entirely new light. Uniquely, it gives equal attention to the full range of Marvell's writings. Marvell is a writer deeply implicated in the history of his time, and as the essays in this volume show, also exercised a potent political influence after his death. Marvell and Liberty constitutes a major reassessment of a figure who lived much of his life close to the epicentre of the revolutionary upheavals of the seventeenth century.
This new edition of an established text provides a succinct and up-to-date historical overview of the story of English literature. Focusing on how writing both reflects and challenges the periods in which it is produced, John Peck and Martin Coyle combine close readings of key texts with recent critical thinking on the interaction of literary works and culture. Providing a lively introductory guide to English literature from Beowulf to the present day, the authors write in their characteristically lucid and accessible style. A true masterpiece of clarity and compression, this is essential reading for undergraduate students coming across the vast areas of English literature for the first time and looking for a way of making critical sense of the texts being studied. In addition, the concise nature and narrative structure of this book makes it excellent reading for general readers. New to this Edition: - Revised chapter on twentieth century literature - Complete new chapter on twenty-first century literature - Updated Chronology and Further Reading section
How was the law used to control sex in Tudor England? What were the differences between secular and religious practice? This major study reveals that - contrary to what historians have often supposed - in pre-Reformation England both ecclesiastical and secular (especially urban) courts were already highly active in regulating sex. They not only enforced clerical celibacy and sought to combat prostitution but also restrained the pre- and extramarital sexual activities of laypeople more generally. Initially destabilising, the religious and institutional changes of 1530–60 eventually led to important new developments that tightened the regime further. There were striking innovations in the use of shaming punishments in provincial towns and experiments in the practice of public penance in the church courts, while Bridewell transformed the situation in London. Allowing the clergy to marry was a milestone of a different sort. Together these changes contributed to a marked shift in the moral climate by 1600.
In the wake of the 1588 destruction of the Spanish Armada, English Catholics launched an ingenious counterespionage effort to undermine the Tudor government’s anti–Catholic machinations. This Jesuit-connected network secretly transmitted intelligence to Brussels, Antwerp, Madrid and Rome. Its central figure was William Sterrell, a brilliant Oxford philosopher. Sterrell moved at the highest levels of government, working for the ill-fated Earl of Essex and for the powerful 4th Earl of Worcester, secret sponsor of the Jesuits. This is the story of Sterrell’s secret network—undetected for 400 years—brought to life in vivid detail, based on close examination of hundreds of original letters and documents never before transcribed or published.
The current, heated debates over hate speech and pornography were preceded by the equally contentious debates over the "free and open press" in the seventeenth and eighteenth centuries. Thus far little scholarly attention has been focused on the development of the concept of political press freedom even though it is a form of civil liberty that was pioneered in the United States. But the establishment of press liberty had implications that reached far beyond mere free speech. In this groundbreaking work, Robert Martin demonstrates that the history of the "free and open press" is in many ways the story of the emergence and first real expansions of the early American public sphere and civil society itself. Through a careful analysis of early libel law, the state and federal constitutions, and the Sedition Act crisis Martin shows how the development of constitutionalism and civil liberties were bound up in the discussion of the "free and open press." Finally, this book is a study of early American political thought and democratic theory, as seen through the revealing window provided by press liberty discourse. It speaks to broad audiences concerned with the public square, the history of the book, free press history, contemporary free expression controversies, legal history, and conceptual history.
This is the sixth volume of a detailed play-by-play catalogue of drama written by English, Welsh, Irish, and Scottish authors during the 110 years between the English Reformation to the English Revolution, covering every known play, extant and lost, including some which have never before been identified. It is based on a complete, systematic survey of the whole of this body of work, presented in chronological order. Each entry contains comprehensive information about a single play: its various titles, authorship, and date; a summary of its plot, list of its roles, and details of the human and geographical world in which the fictional action takes place; a list of its sources, narrative and verbal, and a summary of its formal characteristics; details of its staging requirements; and an account of its early stage and textual history.
Professor Adams seems to have read the whole library and yet. . .retained his pith, vigor, suppleness, and good cheer. In addition, he knows how to tell a story. . . .One of the pleasure. . .lies in [the book's] rich texture of cross-references between history and literature. . . .Exhilarating." --Daniel Albright, New York Review of Books
Das ganze Studium der Anglistik und Amerikanistik in einem Band. Ob englische und amerikanische Literatur, Sprachwissenschaft, Literatur- und Kulturtheorie, Fachdidaktik oder die Analyse von Filmen und kulturellen Phänomenen führende Fachvertreter geben in englischer Sprache einen ausführlichen Überblick über alle relevanten Teildisziplinen. BA- und MA-Studierende finden hier die wichtigsten Grundlagen und Wissensgebiete auf einen Blick. Durch die übersichtliche Darstellung und das Sachregister optimal für das systematische Lernen und zum Nachschlagen geeignet.
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