The Soviet Tragedy is an essential coda to the literature of Soviet studies...Insofar as [he] returns the power of ideology to its central place in Soviet history, Malia has made an enormous contribution. He has written the history of a utopian illusion and the tragic consequences it had for the people of the Soviet Union and the world." -- David Remnick, The New York Review of Books "In Martin Malia, the Soviet Union had one of its most acute observers. With this book, it may well have found the cornerstone of its history." -- Francois Furet, author of Interpreting the French Revolution "The Soviet Tragedy offers the most thorough scholarly analysis of the Communist phenomenon that we are likely to get for a long while to come...Malia states that his narrative is intended 'to substantiate the basic argument,' and this is certainly an argumentative book, which drives its thesis home with hammer blows. On this breathtaking journey, Malia is a witty and often brilliantly penetrating guide. He has much wisdom to impart." -- The Times Literary Supplement "This is history at the high level, well deployed factually, but particularly worthwhile in the philosophical and political context -- at once a view and an overview." -- The Washington Post
A dazzling work of intellectual history by a world-renowned scholar, spanning the years from Peter the Great to the fall of the Soviet Union, this book gives us a clear and sweeping view of Russia not as an eternal barbarian menace but as an outermost, if laggard, member in the continuum of European nations.
This masterful comparative history traces the West's revolutionary tradition and its culmination in the Communist revolutions of the twentieth century. Unique in breadth and scope, History's Locomotives offers a new interpretation of the origins and history of socialism as well as the meanings of the Russian Revolution, the rise of the Soviet regime, and the ultimate collapse of the Soviet Union. History's Locomotives is the masterwork of an esteemed historian in whom a fine sense of historical particularity never interfered with the ability to see the large picture. Martin Malia explores religious conflicts in fifteenth- and sixteenth-century Europe, the revolutions in England, American, and France, and the twentieth-century Russian explosions into revolution. He concludes that twentieth-century revolutions have deep roots in European history and that revolutionary thought and action underwent a process of radicalization from one great revolution to the next. Malia offers an original view of the phenomenon of revolution and a fascinating assessment of its power as a driving force in history.
Shakespeare's In Love At the royal command of Queen Elizabeth, Sir Ian Terrance has sought out a popular local playwright named William Shakespeare-only to discover that "he" is a "she."..and a most desirable and delectable she indeed! And now that the remarkable Olivia is his prisoner, Sir Ian is the one in chains-bewitched by the singular young woman's irrestible beauty, deliciously sharp wit, and innocent sensuality. Olivia's secret life was well hidden, until Ian burst through her wall of pretense. There is much the devilishly handsome man can teach an imaginative, if inexperienced, maid, with his tender caresses and intoxicating kisses. But how long will the exquisite writer be able to remain aloof from the passionate attentions of her bold kidnapper? And can a breathtaking romance turn Ian form his duty-and ensure a happy ending?
The heroic exploits of dashing Captain James Ashley have made him an idol in the eyes of an adoring public. But in London's salons, the society ladies whisper that "The Most Delectable Man in England" is good for only one thing. The proud adventurer wants respectability, not a reputation for excellence in battle and bed. But one obstacle stands in his way: the exquisitely distracting vixen, Lady Prudence Farnsworth. The lovely, tempestuous widow's fierce independence stirs the conqueror in him, and her searing sensuality makes him ache to taste the fire of her kiss. Rumor has this tempting woman of dark mystery linked to Captain Ashley's despised enemy, so even one ecstasy-filled evening together would be perilous. But when two equally passionate souls come together, no amount of pride or willful prudence can keep them apart.
Featuring an extensive, provocative introduction by historian Martin Malia, this authorized English translation of The Communist Manifesto, edited and annotated by Engels, with prefaces to editions published between 1872 and 1888, provides a new opportunity to examine the document that shook the world. In 1848, two young men published what would become one of the defining documents of modern history, The Communist Manifesto. It rapidly realigned political faultlines all over the world and its aftershock resonates to this day. In the many years since its publication, no other social program has inspired such divisive and violent debate. Ever since the collapse of the Soviet Union, the world’s first regime to adopt the Manifesto’s tenets, historians have debated its intent and its impact. In the current era of market democracy in Russia and Eastern Europe, nationalism on every continent, and an ever tightening global economy, does the specter of Communism still haunt the world? Were the seeds of Communism’s ultimate destruction already planted in 1848? Is there anything to be learned from Marx’s envisioned utopia? With an Introduction by Martin Malia and an Afterword by Stephen Kotkin
Aleene has vowed never to enter into a forced marriage with the vile pawn who threatens to usurp power over her beloved Seabreeze Castle. But she never expected rescue could come in the virile form of a poacher roaming the estate. In a rebellious act she marries this man. Yet how could Aleene ever have known that the unexpected passion joining her with Cynewulf, her husband, will lead her into a more treacherous game.
When Trevor Phillips finally returns home to claim his inheritance, he's astonished to find the estate in shambles. Still, he has no great desire to be rusticating in the country and it's only the enchantingly beautiful--and shockingly young--Dowager Duchess, Sara, who captures the rake's very masculine interest. But while Trevor is determined to lure Sara into his arms, she is equally determined to entice this confirmed bachelor into doing his duty by finding him a bride. Trevor has made it quite clear that nothing could be more boring than to marry a nice debutante and produce an heir. And in Sara he discovers a passionate woman who is unlike any other he's ever known. But what he hasn't yet told her is that he has a plan of his own...and her future depends on her answer to his proposal.
Multiple-choice testing is an educational reality. Rather than complain about the negative impact these tests may have on teaching and learning, why not use them to better understand your students' true mathematical knowledge and comprehension? Maryann Wickett and Eunice Hendrix-Martin show teachers how to move beyond the student's answer--right or wrong--to uncover understanding and/or misconceptions. By asking a few simple follow-up questions, teachers can learn a great deal about student understanding and make better, more informed instructional decisions. The Beyond the Bubble books (grades 2-3 and grades 4-5) are each divided into five strands--number, measurement, algebra, geometry, and probability--with six problems per strand. Each problem includes an overview of the objective of the test question, a sample question, typical of those found on standardized tests, strategies students employ to solve the problem, conversation starters, student work, student-teacher conversations, and instructional strategies to advance student learning. Teachers will also find suggestions for differentiation, reproducible of sample questions, and a comprehensive list of additional resources. With dozens of sample test questions and numerous student samples, Beyond the Bubble shows educators how to use multiple choice tests to provide more purposeful, focused mathematics instruction for all of their students.
This masterful comparative history traces the West’s revolutionary tradition and its culmination in the Communist revolutions of the twentieth century. Unique in breadth and scope, History’s Locomotives offers a new interpretation of the origins and history of socialism as well as the meanings of the Russian Revolution, the rise of the Soviet regime, and the ultimate collapse of the Soviet Union. History’s Locomotives is the masterwork of an esteemed historian in whom a fine sense of historical particularity never interfered with the ability to see the large picture. Martin Malia explores religious conflicts in fifteenth- and sixteenth-century Europe, the revolutions in England, American, and France, and the twentieth-century Russian explosions into revolution. He concludes that twentieth-century revolutions have deep roots in European history and that revolutionary thought and action underwent a process of radicalization from one great revolution to the next. Malia offers an original view of the phenomenon of revolution and a fascinating assessment of its power as a driving force in history.
How was it possible to write history in the Soviet Union, under strict state control and without access to archives? What methods of research did these 'historians' - be they academic, that is based at formal institutions, or independent - rely on? And how was their work influenced by their complex and shifting relationships with the state? To answer these questions, Barbara Martin here tracks the careers of four bold and important dissidents: Aleksandr Solzhenitsyn, Roy Medvedev, Aleksandr Nekrich and Anton Antonov-Ovseenko. Based on extensive archival research and interviews (with some of the authors themselves, as well as those close to them), the result is a nuanced and very necessary history of Soviet dissident history writing, from the relative liberalisation of de-Stalinisation through increasing repression and persecution in the Brezhnev era to liberalisation once more during perestroika. In the process Martin sheds light onto late Soviet society and its relationship with the state, as well as the ways in which this dissidence participated in weakening the Soviet regime during Perestroika. This is important reading for all scholars working on late Soviet history and society.
Trayvon Martin’s parents take readers beyond the news cycle with an account only they could give: the intimate story of a tragically foreshortened life and the rise of a movement. “A reminder—not only of Trayvon’s life and death but of the vulnerability of black lives in a country that still needs to be reminded they matter.”—USA Today Now a docuseries on the Paramount Network produced by Shawn Carter Years after his tragic death, Trayvon Martin’s name is still evoked every day. He has become a symbol of social justice activism, as has his hauntingly familiar image: the photo of a child still in the process of becoming a young man, wearing a hoodie and gazing silently at the camera. But who was Trayvon Martin, before he became, in death, an icon? And how did one black child’s death on a dark, rainy street in a small Florida town become the match that lit a civil rights crusade? Rest in Power, told through the compelling alternating narratives of his parents, Sybrina Fulton and Tracy Martin, answers those questions from the most intimate of sources. The book takes us beyond the news cycle and familiar images to give the account that only his parents can offer: the story of the beautiful and complex child they lost, the cruel unresponsiveness of the police and the hostility of the legal system, and an inspiring journey from grief and pain to power, and from tragedy and senselessness to purpose.
“The English language bows deeper to Amis than anyone else.” The Daily Telegraph (UK) A master not only of fiction but also of fiercely controversial political engagement, Martin Amis here gathers fourteen pieces that constitute an evolving, provocative and insightful examination of the most momentous event of our time. At the heart of this collection is the long essay “Terror and Boredom,” an unsparing analysis of Islamic fundamentalism and the West’s flummoxed response to it, while other pieces address the invasion of Iraq, the realities of Iran and Tony Blair’s pallid departure from Downing Street. Amis’s reviews of pertinent books and films, from The Looming Tower to United 93, provide a wide-ranging survey of other responses to these calamitous issues, which are further explored in two short stories: “The Last Days of Mohammed Atta,” and “In the Palace of the End,” narrated by a Middle Eastern tyrant’s double whose duties include epic lovemaking, grotesque torture and the duplication on his own body of the injuries sustained by his alter ego in constant assassination attempts. Whether lambasted for his refusal to kowtow to Muslim pieties or hailed for his blunt common sense, Amis is indisputably a great pleasure to read–informed, elegant, surprising–and this collection a resounding contemplation of the relentless, manifold dangers we suddenly find ourselves living with.
Tracing the evolution of Atlantic City from a miserable hamlet of fishermen's huts in 1854 to the nation's premier seaside resort in 1910, The Social Anxieties of Progressive Reform chronicles a bizarre political conflict that reaches to the very heart of Progressivism. Operating outside of the traditional constraints of family, church, and community, commercial recreation touched the rawest nerves of the reform impulse. The sight of young men and women frolicking in the surf and tangoing on the beach and the presence of unescorted women in boardwalk cafs and cabarets translated for many Progressives, secular and evangelical alike, into a wholesale rejection of socio-sexual restraints and portended disaster for the American family. While some viewed Atlantic City as a modern-day Sodom and Gomorrah, others considered the resort the triumph of American democracy and a healthy and innocent release from the drudgery and regimentation of industrial society. These conflicting currents resulted in a policy of strategic censorship that evolved in stages during the formative years of the city. Sunday drinking, gambling, and prostitution were permitted, albeit under increasingly stringent controls, but resort amusements were significantly restricted and shut down entirely on Sunday. This policy also segregated blacks from the beach and the boardwalk. By 1890, more than one in five residents of Atlantic City was black, a uniquely high ratio among northern cities. While the urban economies of the north depended on immigrant labor, the resort economy of Atlantic City rested on legions of black cooks, waiters, bellmen, and domestic workers. Paulsson's description of African-American life in Atlantic City provides a vivid and comprehensive picture of life in the North during the decades following the Civil War. Paulsson's work, and his focus on changing social values and growing racial tensions, brings to light an ongoing crisis in American society, namely the chasm between religion and mass culture as embodied by the indifference to the sanctity of the Sabbath. In Atlantic City, churches mounted a nationwide effort to preserve the Christian Sunday, a movement that grew steadily after the Civil War. Paullson's account of modern Sabbatarianism provides fresh insights into the nature of evangelical reform and its relationship to the Progressive movement. Filled with over forty delightful historical photographs that vividly depict the evolution of the resort's architecture, political scene, and even swimwear, The Social Anxieties of Progressive Reform is must reading for anyone interested in American mass culture, Progressivism, and reform movements. Paulsson has illustrated the story with over forty delightful historical photographs that vividly depict the evolution of the resort's architecture, political scene, and even swimwear.
The Routledge Atlas of American History presents a series of 163 clear and detailed maps, accompanied by informative captions, facts and figures. The complete history of America is unravelled through vivid representations of all the significant landmarks, including: Politics âe" from the struggle against slavery and the battle for black voting rights to the present day, including the results of the 2008 Presidential election Military Events âe" from the War of Independence to the conflicts in Korea, Vietnam and the Gulf, including additional new maps covering the war in Iraq and the American campaign in Afghanistan. Social History âe" including the fate of the American Indians, the growth of female emancipation, and recent population movements and immigration Transport âe" from nineteenth-century railroads and canals to the growth of air travel and recent ventures into space Economics âe" from early farming and industry to urbanisation and the ecological struggles of the present day This revised edition is fully updated to cover the 2008 presidential election, and also addresses President Obamaâe(tm)s healthcare policy and first overseas travels. New maps have been drawn which detail the problem of pollution, as well as the most recent developments in US relations with Iran, Iraq and Afghanistan.
Aristo is the new play by Martin Sherman that has its world premiere at the Chichester Festival Theatre from 11 September - 11 October prior to a West End transfer. It will star Robert Lindsay and Diana Quick. Based on the last years of the life of the wealthy shipping magnate Aristotle Onassis who after a notorious affair with Maria Calas married Jacqueline Kennedy, widow of US President John F. Kennedy, in 1968. The play explores his complex interwoven relationships with Calla, Kennedy and his son by Callas, Alexandros, who died in a plane crash in 1973. Based in part on Peter Evans' book Nemesis, Aristo is an explosive account of how those in positions of enormous power and wealth often live lives detached from the realities and moral codes of everyday existence.
By examining historical records and drawing on oral histories and the work of anthropologists, archaeologists, ecologists, and psychologists, We Are Not Animals sets out to answer questions regarding who the Indigenous people in the Santa Cruz region were and how they survived through the nineteenth century. Between 1770 and 1900 the linguistically and culturally diverse Ohlone and Yokuts tribes adapted to and expressed themselves politically and culturally through three distinct colonial encounters with Spain, Mexico, and the United States. In We Are Not Animals Martin Rizzo-Martinez traces tribal, familial, and kinship networks through the missions’ chancery registry records to reveal stories of individuals and families and shows how ethnic and tribal differences and politics shaped strategies of survival within the diverse population that came to live at Mission Santa Cruz. We Are Not Animals illuminates the stories of Indigenous individuals and families to reveal how Indigenous politics informed each of their choices within a context of immense loss and violent disruption.
Dynamic Fair Dealing argues that only a dynamic, flexible, and equitable approach to cultural ownership can accommodate the astonishing range of ways that we create, circulate, manage, attribute, and make use of digital cultural objects. The Canadian legal tradition strives to balance the rights of copyright holders with public needs to engage with copyright protected material, but there is now a substantial gap between what people actually do with cultural forms and how the law understands those practices. Digital technologies continue to shape new forms of cultural production, circulation, and distribution that challenge both the practicality and the desirability of Canada's fair dealing provisions. Dynamic Fair Dealing presents a range of insightful and provocative essays that rethink our relationship to Canadian fair dealing policy. With contributions from scholars, activists, and artists from across disciplines, professions, and creative practices, this book explores the extent to which copyright has expanded into every facet of society and reveals how our capacities to actually deal fairly with cultural goods has suffered in the process. In order to drive conversations about the cultural worlds Canadians imagine, and the policy reforms we need to realize these visions, we need Dynamic Fair Dealing.
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