One of PopSugar's Best Romances of October With the stakes this high, it’s no longer just a game for the Mustang’s quarterback in this romance by the author of Blitzed. Elliot Reed is living her best life—or pretending to. She owes it to her dad’s memory to be happy and make the most of her new job as Strategic Communications Manager for the Denver Mustangs. Things are going well until star quarterback Quinton Howard Jr. decides to use the field as his stage and takes a knee during the national anthem. As the son of a former professional athlete, Quinton knows the good, the bad, and the ugly about football. He's worked his entire life to gain recognition in the sport, and now that he has it, he’s not about to waste his chance to change the league for better. Not even the brilliant but infuriating Elliot, who the Mustangs assign to manage him, will get Quinton back in line. A rocky initial meeting leads to more tension between Quinton and Elliot. But as her new job forces them to spend time together, Elliot realizes they may have more in common than she could've imagined. With her job and his integrity on the line, this is one coin toss that nobody can win.
Series in development with Starz & G-Unit Films and Television by 50 Cent and La La Anthony One of NPR's Best Books of 2018 An Amazon Best Romance of 2018 Pick An iBooks “Best of September” Pick A GoodReads Best of the Month pick for September One of Booklist's Top 10 Romance Debuts for 2018 One of BookBubs Best Fall Romances of 2018 Marlee thought she scored the man of her dreams only to be scorched by a bad breakup. But there's a new player on the horizon, and he's in a league of his own... Marlee Harper is the perfect girlfriend. She's definitely had enough practice by dating her NFL-star boyfriend for the last ten years. But when she discovers he has been tackling other women on the sly, she vows to never date an athlete again. There's just one problem: Gavin Pope, the new hotshot quarterback and a fling from the past, has Marlee in his sights. Gavin fights to show Marlee he's nothing like her ex. Unfortunately, not everyone is ready to let her escape her past. The team's wives, who never led the welcome wagon, are not happy with Marlee's return. They have only one thing on their minds: taking her down. But when the gossip makes Marlee public enemy number one, she worries about more than just her reputation. Between their own fumbles and the wicked wives, it will take a Hail Mary for Marlee and Gavin's relationship to survive the season.
Looks at the importance of cooperation in human beings and in nature, arguing that this social tool is as important an aspect of evolution as mutation and natural selection.
New York, 1923, the Argentine Luis Angel Firpo, called the Wild Bull of the Pampas, knocks out of the ring the American Jack Dempsey, heavyweight champion of the world. In Buenos Aires, the match is transmitted on the radio and Firpo proclaimed world champion. However, the referee does not count the time outside the ring. Dempsey comes back and knocks the challenger out. The Wild Bull of the Pampas will have been world champion for only 17 seconds. Trelew, Patagonia, 1973: to celebrate the fiftieth anniversary of the local paper, the sports journalist recalls this mythical match. The head of the cultural section celebrates the first performance of Mahler's First Symphony in the Teatro Colon of Buenos Aires conducted by Richard Strauss. In addition to these two great events of the 14th of September 1923 there is also a man found hanged in a hotel room: it is never known whether murder or suicide caused his death. Classical music, sport and crime come together to recreate the past in a disturbing investigation that questions the role of the media in the construction of popular culture.
This wide-ranging study explores how Czech and German nationalism influenced the reception of Mozart's operas in Prague over the centuries. It demonstrates the role of politics in the construction of the Western musical canon, revealing how both Czech and German factions in Prague used Mozart's legacy to promote their political interests.
Martin Gardner's status as a legend of popular mathematics and science writing was secured long ago. If you know him chiefly as a recreational mathematician, you'll find this collection of writings an eye-opener. Gardner includes musings on homeopathy, false memory syndrome, G. K. Chesterton and Lewis Carroll among curiosities in physics and maths, harvested from essays, articles and even letters to newspaper editors. Clear, closely argued and entertaining, they are a fascinating insight into the breadth of interest and fecundity of the man, now in his 90s.- New ScientistFor over fifty years Martin Gardner has been delighting readers with elegant, witty, and highly intelligent writing on an amazing array of topics. Best known for his works on popular science and mathematics, and as an incisive skeptical commentator on the paranormal, Gardner is also an accomplished writer of children's literature, a novelist, and a prolific essayist on religion, philosophy, and other issues.This new collection of Gardner gems takes its name from an essay on a mathematical theme, about a jinn (or genie) trapped in a Klein Bottle-an amusing tale that also teaches the math phobic something interesting about a theoretical one-sided object with no distinction between inside and outside. Other topics in math and physics include speculations about universes where time runs in reverse; the Banach-Tarski paradox (whereby a sphere, after being deconstructed, can be reassembled at twice its size); and a vigorous defense of the objective reality of mathematical theorems independent of human culture.On the literary side, Gardner discusses two neglected works by G.K. Chesterton, one of which concerns an imaginary but now very topical war between Islam and Christianity. He also considers the fantasies of L. Frank Baum that don't take place in Oz, Clement Moore's ever-popular The Night Before Christmas, and the many fascinating books by Lewis Carroll that are sometimes overshadowed by his famous Alice in Wonderland.A treat for longtime Gardner readers or the perfect introduction for newcomers, The Jinn from Hyperspace offers a rich selection of stimulating intellectual wonders.Martin Gardner, the creator of Scientific American's Mathematical Games column, which he wrote for more than twenty-five years, is the author of almost one hundred books, including The Annotated Ancient Mariner, Martin Gardner's Favorite Poetic Parodies, From the Wandering Jew to William F. Buckley Jr., and Science: Good, Bad and Bogus. For many years he was also a contributing editor to the Skeptical Inquirer.
“[An] intriguing exploration of the composer’s life and thought as exemplified by his music. An excellent biography.” —Library Journal Best known for the four-opera cycle The Ring of the Nibelung, Richard Wagner (1813–83) was a conductor, librettist, theater director, and essayist, in addition to being the composer of some of the most enduring operatic works in history. Though his influence on the development of European music is indisputable, Wagner was also quite outspoken on the politics and culture of his time. His ideas traveled beyond musical circles into philosophy, literature, theater staging, and the visual arts. To befit such a dynamic figure, acclaimed biographer Martin Geck offers here a Wagner biography unlike any other, one that strikes a unique balance between the technical musical aspects of Wagner’s compositions and his overarching understanding of aesthetics. A landmark study of one of music’s most important figures “People who would like to know more about Wagner, and people who have loved his music for years . . . will find a great deal in this book to enjoy and to admire.” —Tablet “Geck describes a Wagner who is grounded, focused and even cautious, a savvy realist and ironist rather than a flamboyant, flailing ideologue . . . Suffused with his readings of contemporary productions of the operas, Geck’s musical analyses are succinct and superb” —New York Times “As an editor of Wagner’s Complete Works, Geck brings a deep familiarity with the composer to his task.” —Weekly Standard “A thoroughly approachable yet consistently provocative study.” —Thomas S. Grey, editor of The Cambridge Companion to Wagner
To suppose that God has a providential plan based on a special covenant with Israel and realised in the atonement presents us with a moral problem. In Ruin and Restoration David Martin sketches a radical naturalistic account of the atonement based on the innocent paying for the sins of the guilty through ordinary social processes. An exercise in socio-theology, the book reflects on the contrast between ’the world’ governed by the dynamic of violence as analysed by the social sciences, including international relations, and the emergence in Christianity (and Buddhism) of a non-violent alternative. A ’governing essay’ fuses frameworks drawn from Reinhold Niebuhr, Karl Jaspers, Ernst Troeltsch and Max Weber and explores the relation between the cultural sciences, especially sociology, and theology treated as another but very distinctive cultural science. Six commentaries then deal with the atonement in detail; with the nature of Christian language and grammar, and with its characteristic mutations due to necessary compromises with ’the world’; with sex and violence; and with the liturgy as a concentrated mode of reconciliation.
New York Times bestselling author Kat Martin mixes high-octane adventure with sizzling romance for an explosive thriller featuring a dangerous cult, an ex Green Beret, and a female private investigator who will stop at nothing to rescue her missing sister and unmask the high-stakes conspiracy at the heart of the Children of the Sun. Now in Mass Market! Former Green Beret Edge Logan has made a new life for himself at Nighthawk Security in Denver, using his finely honed skills to neutralize threats of all kinds. When he overhears friend and fellow agent Skye Delaney discussing a new case involving her missing sister and a mysterious cult, he offers himself as backup. With her own military background, Skye is gutsy and more than capable, but a cult like Children of the Sun is too risky for anyone to investigate alone. Skye is grateful for Edge's experience, though she is aware of the attraction simmering between them. Her battle scars make her reluctant to get involved with anyone, much less a coworker-even a warrior like Edge. But infiltrating the cult's compound is more complicated than expected-and something much more sinister than worship is clearly going on behind its walls. As the pair works against the clock to unearth high-stakes secrets, their personal barriers begin to crumble. Together, can they unmask the face of evil before their time runs out? "Will captivate series fans and new readers alike." - Publishers Weekly
This is an introduction to one of Nietzsche's most important works - a key text in nineteenth-century philosophy. Friedrich Nietzsche was arguably the most important and influential thinker of the nineteenth century. The Birth of Tragedy , his first published work, is a classic text that remains an essential read for those seeking to understand the development of Nietzsche's ideas. Indeed, it is difficult to make sense of Nietzsche as a philosopher and writer without a thorough understanding of The Birth of Tragedy , without doubt one of his most influential texts. Nietzsche's 'The Birth of Tragedy': A Reader's Guide offers a concise and accessible introduction to this hugely important and yet challenging work. Written specifically to meet the needs of students coming to Nietzsche for the first time, the book offers guidance on: philosophical and historical context; key themes; reading the text; reception and influence; and, further reading. Continuum Reader's Guides are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.
I love her books!" –Linda Lael Miller "Martin is superb." --RT Book Reviews A bodyguard, a bounty hunter, a P.I.--the men of Brodie Operations Security Service, Inc. are down for the job. . . Sinners, whores, and sluts beware--your time is at hand: a faceless menace is threatening lingerie models on a cross country tour, and Ethan Brodie is there to defend and protect. Ethan's learned the hard way that beauty is no substitute for character. So even though Valentine Hart is one of the most breathtaking women he's ever seen, he's keeping his hands off and his eyes open. Or that's what he tells himself. Then one of the models is murdered, and the closer Ethan gets to the answers, the closer he finds himself to Valentine--and the hotter the pressure feels. There's more to Val--more to the other girls--than he could have guessed. But one is keeping a secret that could kill them all.
Personal Grief Rituals presents a new model for how bereaved individuals can create unique expressions of mourning that are tailored to their psychological needs and grounded in memories and emotions specific to the relationship they lost. This book examines cultures across the world and throughout history to shed light on how humanity has always turned to grief rituals and how custom can stifle one’s pursuit of healthy and meaningful mourning. Contemporary psychological research, most notably attachment theory, provides an in-depth understanding of how each individual’s subjective experience of loss varies and why complicated bereavement may emerge. Richly detailed psychotherapy case studies exemplify innovative strategies for designing personal grief rituals. Where one person may visit an old haunt to express sorrow, another might use symbols to strengthen their connection to the deceased, and still another could cast aside vestiges of the past. Personal Grief Rituals is an excellent resource for professionals, students studying the psychology of loss, or anyone hoping to carve a new path through their own grief and mourning.
NOW AN ACCLAIMED DOCUMENTARY, Winter Journey Set amid the growing tyranny of Germany's Third Reich, here is the riveting and emotional tale of Günther Goldschmidt and Rosemarie Gumpert, two courageous Jewish musicians who struggled to perform under unimaginable circumstances—and found themselves falling in love in a country bent on destroying them. In the spring of 1933, as the full weight of Germany's National Socialism was brought to bear against Germany's Jews, more than 8,000 Jewish musicians, actors, and other artists found themselves expelled from their positions with German orchestras, opera companies, and theater groups, and Jews were forbidden even to attend "Aryan" theaters. Later that year, the Jüdische Kulturbund, or Jewish Culture Association, was created under the auspices of Joseph Goebbels's Ministry of Public Enlightenment and Propaganda. Providing for Jewish artists to perform for Jewish audiences, the Kulturbund, which included an orchestra, an opera company, and an acting troupe, became an unlikely haven for Jewish artists and offered much-needed spiritual enrichment for a besieged people—while at the same time providing the Nazis with a powerful propaganda tool for showing the rest of the world how well Jews were ostensibly being treated under the Third Reich. It was during this period that twenty-two-year-old flutist Günther Goldschmidt was expelled from music school because of his Jewish roots. While preparing to flee the ever-tightening grip of Nazi Germany for Sweden, Günther was invited to fill in for an ailing flutist with the Frankfurt Kulturbund Orchestra. It was there, during rehearsals, that he met the dazzling nineteen-year-old violist Rosemarie Gumpert—a woman who would change the course of his life. Despite their strong attraction, Günther eventually embarked for the safety of Sweden as planned, only to risk his life six months later returning to the woman he could not forget—and to the perilous country where hatred and brutality had begun to flourish. Here is Günther and Rosemarie's story, a deeply moving tale of love and the remarkable resilience of the human spirit in the face of terror and persecution. Beautifully and simply told by their son, National Public Radio commentator Martin Goldsmith, The Inextinguishable Symphony takes us from the cafés of Frankfurt, where Rosemarie and Günther fell in love, to the concert halls that offered solace and hope for the beleaguered Jews, to the United States, where the two made a new life for themselves that would nevertheless remain shadowed by the fate of their families. Along with the fate of Günther and Rosemarie's families, this rare memoir also illuminates the Kulturbund and the lives of other fascinating figures associated with it, including Kubu director Kurt Singer—a man so committed to the organization that he objected to his artists' plans for flight, fearing that his productions would suffer. The Kubu, which included some of the most prominent artists of the day and young performers who would gain international fame after the war, became the sole source of culture and entertainment for Germany's Jews. A poignant testament to the enduring vitality of music and love even in the harshest times, The Inextinguishable Symphony gives us a compelling look at an important piece of Holocaust history that has heretofore gone largely untold.
The ESL edition of Common Errors in English offers a comprehensive survey of the sorts of difficulties second language learners most often experience with English—and provides real help to students in overcoming them. The body of the book is organized according to grammatical categories, covering such topics as Verb Tense difficulties; Word Order Problems; Negation; Gerunds and Direct Objects; Singular and Plural Difficulties; and Direct and Indirect Speech. Included as well is a comprehensive section on usage and meaning, and a list of words commonly misspelled. The authors take care to avoid the harshly prescriptive; the book is informed throughout by a sympathetic understanding both of the difficulties that face every ESL student and of the particular problems faced by individuals from different linguistic backgrounds as they learn the peculiarities of English grammar and usage. The book includes a generous selection of exercises informed by these principles, and an accompanying answer key. Common Errors in English: ESL Edition will be an invaluable reference text for second language learners at a wide variety of levels.
There are many biographies and articles about the life of Frederick Delius (1862-1934), but there has never been a comprehensive book about his music until now. He was an extraordinarily versatiles composer, equally at home with orchestral, instrumental, and chamber works as with choral works and songs; and Delius and his Music covers his entire output. Everything he published, from his earliest compositions and 'trifiles' to the mighty, ninety-minute A Mass of Life, is analysed here in nontechnical language. The history and background of each work and its critical reception are also examined, set within a biography, and against a backdrop of the English musical scene and some of its personalities during the seventy years of Delius's life. There are numerous musical examples and many quotations from contemporary newspapers and journals, as well as a complete list of Delius's works, with catalogue numbers, and a select bibliography. This book will appeal not only to students and Delian scholars, but also to everyone who already has an interest in Delius's unique music, or who would like to discover it for the first time"--Jaquette.
In Inconceivable Effects, Martin Blumenthal-Barby reads theoretical, literary and cinematic works that appear noteworthy for the ethical questions they raise. Via critical analysis of writers and filmmakers whose projects have changed our ways of viewing the modern world-including Hannah Arendt, Franz Kafka, Walter Benjamin, the directors of Germany in Autumn, and Heiner Mueller-these essays furnish a cultural base for contemporary discussions of totalitarian domination, lying and politics, the relation between law and body, the relation between law and justice, the question of violence, and our ways of conceptualizing "the human." A consideration of ethics is central to the book, but ethics in a general, philosophical sense is not the primary subject here; instead, Blumenthal-Barby suggests that whatever understanding of the ethical one has is always contingent upon a particular mode of presentation (Darstellung), on particular aesthetic qualities and features of media. Whatever there is to be said about ethics, it is always bound to certain forms of saying, certain ways of telling, certain modes of narration. That modes of presentation differ across genres and media goes without saying; that such differences are intimately linked with the question of the ethical emerges with heightened urgency in this book.
In this book David Martin brings together a coherent summary of his many years of ground-breaking academic work on the sociology of religion. Covering key and contentious areas from the last half-century such as secularisation, religion and violence, and the global rise of Pentecostalism, it presents a critical recuperation of these themes, some of them first initiated by the author, and a review of their reception history. It then reviews that reception history in a way that discusses not only the subjects themselves, but also the academic practices that have surrounded them. As such, this collection is vital reading for all academics with an interest in David Martin’s work, as well as those involved with the sociology of religion and the study of secularisation more generally.
The monograph written by John Mullane, Ba-Ngu Vo, Martin Adams and Ba-Tuong Vo is devoted to the field of autonomous robot systems, which have been receiving a great deal of attention by the research community in the latest few years. The contents are focused on the problem of representing the environment and its uncertainty in terms of feature based maps. Random Finite Sets are adopted as the fundamental tool to represent a map, and a general framework is proposed for feature management, data association and state estimation. The approaches are tested in a number of experiments on both ground based and marine based facilities.
In this important new book, Peter J. Martin explores the interface between musicological and sociological approaches to the analysis of music, and in doing so reveals the differing foundations of cultural studies and sociological perspectives more generally. Building on the arguments of his earlier book Sounds and society, Dr Martin initially contrasts text-based attempts to develop a ‘social’ analysis of music with sociological studies of musical activities in real cultural and institutional contexts. It is argued that the difficulties encountered by some of the ‘new’ musicologists in their efforts to introduce a social dimension to their work are often a result of their unfamiliarity with contemporary sociological discourse. Just as linguistic studies have moved from a concern with the meaning of words to a focus on how they are used, a sociological perspective directs our attention towards the ways in which the production and reception of music inevitably involve the collaborative activities of real people in particular times and places.
A capacious history of decolonization, from the decline of empires to the era of globalization Empires, until recently, were everywhere. They shaped borders, stirred conflicts, and set the terms of international politics. With the collapse of empire came a fundamental reorganization of our world. Decolonization unfolded across territories as well as within them. Its struggles became internationalized and transnational, as much global campaigns of moral disarmament against colonial injustice as local contests of arms. In this expansive history, Martin Thomas tells the story of decolonization and its intrinsic link to globalization. He traces the connections between these two transformative processes: the end of formal empire and the acceleration of global integration, market reorganization, cultural exchange, and migration. The End of Empires and a World Remade shows how profoundly decolonization shaped the process of globalization in the wake of empire collapse. In the second half of the twentieth century, decolonization catalyzed new international coalitions; it triggered partitions and wars; and it reshaped North-South dynamics. Globalization promised the decolonized greater access to essential resources, to wider networks of influence, and to worldwide audiences, but its neoliberal variant has reinforced economic inequalities and imperial forms of political and cultural influences. In surveying these two codependent histories across the world, from Latin America to Asia, Thomas explains why the deck was so heavily stacked against newly independent nations. Decolonization stands alongside the great world wars as the most transformative event of twentieth-century history. In The End of Empires and a World Remade, Thomas offers a masterful analysis of the greatest process of state-making (and empire-unmaking) in modern history.
The story of Czechoslovak television is in many respects typical of the cultural and political developments in Central Europe, behind the Iron Curtain. Martin Štoll, with unprecedented access to the Military Historical Archives in Prague, provides contextual insights into the issues of introducing television in the whole Socialist Bloc (save China, Mongolia and Cuba), from the introduction of television broadcasting in Czechoslovakia in 1921 through to the 1968 occupation and the Velvet revolution in 1989 – encapsulating an important point in media history within two totalitarian states. Television and Totalitarianism in Czechoslovakia examines the variability of political interests as reflected on television in interwar Czechoslovakia, including Nazi research on television technology in the Czech borderlands (Sudetenland), the quarrel over the outcomes of this research as war booty with the Red Army, the beginning of the Czechoslovak technological journey, and, finally, the institutionalized foundation of Czechoslovak television, including the first years of its broadcasting as a manifestation of Communist propaganda. Revised and expanded from the Czech to include broader contexts for an English-speaking audience, Štoll expertly elucidates the historical, cultural, social, political, and technological frameworks to provide the first comprehensive study of the subject.
The church is in deep trouble, maybe in its death throes. Losing touch with the church has meant a break with the Western cultural past, its history, its music, its art, its literature, much of which cannot fully be understood without its religious heritage. But something more important than any of that is in danger of being lost. The church is a deeply imperfect and frustrating organization, but within it, community is experienced, values are nurtured, and God’s presence in the world is embodied in a people. The church carries the story of Jesus; it tells the story of who we are, it calls us to give away our lives to others and to find love as life’s central meaning. We have crossed a cultural divide. Before, if you did not hold traditional religious beliefs and belong to a church you felt obliged to explain yourself. Now the pressure is to explain why you do. This is my answer.
Martin Chervin, author of Children of the Breath, and two plays: Born/Unborn and Myself: Alma Mahler, was born in 1918 on the Lower East side of New York City to a Polish Jewish family. His fascination with Jesus began as a boy reading a New Testament he found in the public library. Later as a sea man and then as an international bookseller. Martin pondered the claim of the Jewish prophet to be the Son of God and the Saviour of all mankind. At forty-three he married Ronda, a zealous Hebrew-Catholic philosopher. Fathering Carla, Diana and Charles, raised as Catholics, intensified his interest in the figure of Christ. Chervin became a Catholic at the age of sixty, after decades of struggling with doubt. His way of resolving his doubt was to ponder the battle between Satan and Christ during the forty days in the desert for the prize of the human soul. Is it worth the gamble for the children of the breath to reject Satan and all the worldly goods he promises to follow the Lamb of God? Readers are challenged to make their own decision. Book jacket.
If we do not, at some point in our life, face death thinking hard and straight about it we turn away from our authenticity. If that facing rejects irrational faith, dogmas, mystifications, and personal immortality, is there yet a path free of despair?
In 1992 the Spark invited Martin Stannard to write her biography, offering interviews and full access to her papers. The result is this biography of the Scottish author.
Longlisted for the Charles Taylor Prize and selected as a Globe and Mail Top 100 Book and an iTunes Store Best Book Globe and Mail columnist Sandra Martin honours the lives of Canada's famous, infamous, and unsung heroes in this unique collection of obituaries of the first decade of the twenty-first century. Here are Canadian icons such as Prime Minister Pierre Trudeau, economist John Kenneth Galbraith, social activist June Callwood, and urban theorist Jane Jacobs. Here are builders such as feminist and editor Doris Anderson, and businessman and famed art collector Ken Thomson. Here are our rogues, rascals, and romantics; our service men and women; and here are those private citizens whose lives have had an undeniable public impact. Finally, Martin interweaves these elegant and eloquent biographies with the autobiography of the obit writer, offering an exclusive and intimate view of life on the dead beat. Beautifully written, compelling, and vivid, Working the Dead Beat is a tribute to those individuals who, each on their own and as a collective, tell the story of our country, and to the life of the obit writer who chronicles their extraordinary lives.
In Avant Rock,, music writer Bill Martin explores how avant-garde rock emerged from the social and political upheaval of the sixties. He covers the music from its early stages, revealing its influences outside of rock, from musicians such as John Cage and Cecil Taylor, to those more closely related to rock like James Brown and Parliament/ Funkadelic. Martin follows the development of avant rock through the sixties, when it was accepted into the mainstream, with bands like the later Beatles, The Who, Jimi Hendrix, The Velvet Underground, King Crimson, and Brian Eno. His narration takes us into the present, with an analysis of contemporary artists who continue to innovate and push the boundaries of rock, such as Stereolab, Mouse on Mars, Sonic Youth, and Jim O'Rourke. Martin critiques the work of all important avant rock bands and individual artists, from the well-known to the more obscure, and provides an annotated discography
Let bestselling author Kat Martin sweep you away--from Society's grand ballrooms to the perilous battlefields of the Napoleonic War--in Dangerous Passions, a magnificent story of love, betrayal, and trust regained. When Elissa Tauber learns of her beloved brother's murder and that her native homeland is threatened, she is determined to expose the traitor. Posing as a recently widowed countess, she moves through the glittering world of the court, willing to barter even her lovely body if she must. More than one man poses a threat, but it is the tall, imposing Lord Wolvermont, Colonel Adrian Kingsland, who endangers her heart. Even as she suspects he might be the spy called the Falcon, she longs for his touch. When fate takes a hand, Elissa must decide whether to betray her mission-or lose the man she loves.
This book describes and evaluates the usefulness of a recently developed lexicographical hybrid: the encyclopedic learner's dictionary (ELD). It attemps to answer three key questions: i) What are ELDs?, ii) How useful are they?, and iii) How can they be designed to serve their users most effectively? The first chapter analyses the ELD from a typological perspective. First, the elements combined to create this new branch of lexicographical typology are examined. Next, two encyclopedic learners' dictionaries are dissected and compared: The "Longman Dictionary of English Language and Culture" and the "Oxford Advanced Learner's Encyclopedic Dictionary". Each ELD is compared with its non-encyclopedic parent dictionary, and a checklist of ELD-specific design features is drawn up. The second chapter focuses on the user perspective in lexicographical research. First, a critical survey of previous user-based studies is provided. Next, the questionnaire-based methodology used in the investigation is described. Fourty informants completed the questionnaire and an attempt is made to correlate user characteristics with dictionary use and with attitudes towards the inclusion of encyclopedic information in learners' dictionaries. In the third chapter each design feature found in the ELDs is described in depth and the informants' evaluations of its usefulness are supplied. In this manner, the typological focus of the first chapter and the user perspective of the second chapter are synthesized in a user-informed analysis and evaluation of ELD components. Finally, the implications of this research for the future production of ELDs are presented as a checklist of recommendations, and suggestions for future lexicographical research are made.
This volume provides a comprehensive treatment of basic Lie theory, primarily directed toward graduate study. The text is ideal for a full graduate course in Lie groups and Lie algebras. However, the book is also very usable for a variety of other courses: a one-semester course in Lie algebras, or on Haar measure and its applications, for advanced undergraduates; or as the text for one-semester graduate courses in Lie groups and symmetric spaces of non-compact type, or on lattices in Lie groups. The material is complete and detailed enough to be used for self-study; it can also serve as a reference work for professional mathematicians working in other areas. The book's utility for such a varied readership is enhanced by a diagram showing the interdependence of the separate chapters so that individual chapters and the material they depend upon can be selected, while others can be skipped.The book incorporates many of the most significant discoveries and pioneering contributions of the masters of the subject: Borel, Cartan, Chevalley, Iwasawa, Mostow, Siegel, and Weyl, among others.
The Origins and Organization of Unconscious Conflict provides a comprehensive set of contributions by Martin S. Bergmann to psychoanalytic theory, technique, and its applications. Following a general approach, Bergmann synthesizes Freud’s major contributions, the development of his thinking, the ramifications to present day psychoanalytic theory and practice and finally, discusses unresolved problems requiring further work. In these selected papers, profound meditations are offered on love and death, the leap from hysteria to dream interpretation in Freud’s intellectual development, the genetic roots of Psychoanalysis in the creative clash between Enlightenment and Romantic ideas, old age as a clinical and theoretical phenomenon, the death instinct as clinical controversy, and the interminable debate about termination in psychoanalysis and how to effect it. Crucial clinical and theoretical questions are constantly addressed and the challenges they pose will engage and enlighten the reader. Bergmann was a philosopher of mind as much as he is a psychoanalyst and the range and scope of the ideas in these selected papers is impressive, instructive and illuminating. Bergmann deals with psychoanalysis as a science, and with an ideology, referring to psychoanalysis as a "Weltanschauung", a philosophical basis for psychoanalytic theory. He presents an original, penetrating analysis of Freud’s inner struggle, about empirical research, validation and related to five other sciences; about irrational forces that constitute major motivators of human life, and require taking an existential position regarding their implications, the search for the meaning of one’s existence. The Origins and Organization of Unconscious Conflict is an exciting intellectual journey of the scientific and ideological aspects of psychoanalysis and the study of love. It will appeal to psychoanalysts, psychologists, philosophers and both undergraduate and postgraduate students studying in these fields, as well as anyone with an interest in mental health and human behaviour.
The only text to cover lung function assessment from first principles including methodology, reference values and interpretation New for this edition: - More illustrations to convey concepts clearly to the busy physician - Text completely re-written in a contemporary style: includes user-friendly equations and more diagrams - New material covering the latest advances in the treatment of lung function, including more on sleep-related disorders, a stronger clinical and practical bias and more on new techniques and equipment - Uses the standard Vancouver referencing system What the experts say: "I have always considered Dr Cotes' book the most authoritative book published on lung function. It is also the most comprehensive." —Dr Robert Crapo, Pulmonary Division, LDS Hospital, Salt Lake City, USA "I think I can fairly speak on behalf of staff in lung function departments the length and breadth of the country - that a sixth edition of Cotes would be gratefully received." —Dr Brendan Cooper, Clinical Respiratory Scientist, Nottingham City Hospital
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.